In Britain's magazine for The Times, Alexi Mostrous discusses the controversy surrounding Art Loss Register's founder Julian Radcliffe and alleged payments to art thieves in "The murky world of the art detective" (August 9, 2014). Mostrous reports that the Art Loss Register 'claims to have returned more than £150 million worth of paintings, artefacts and sculptures to their rightful owners in the 22 years since business began' and has 'more than 400,000 objects currently listed' in its stolen art database:
Were the ALR a business built solely around this database, then Radcliffe would be a useful, if uncontroversial member of the art world, something like a particularly proactive lost property clerk. But Radcliffe is no clerk, and he and his company enjoy a far more glamorous sideline, earning hundreds of thousands of pounds a year tracking down and recovering stolen art on behalf of insurers and victims of theft. It works like this: Radcliffe’s network of sources around the world tip him off about the locations of stolen paintings. For a substantial fee, they may provide “information” which somehow leads to the stolen artwork landing in Radcliffe’s hands. The ALR man has collected paintings left for him in the boot of a car and by a layby. It’s a system shrouded in mystery but then, Radcliffe claims, it gets results.
According to Mostrous, 'Thanks to a series of internal aides-memoire written by Radcliffe between 2004 to 2012, and leaked to The Times, it is possible to reveal for the first time just how far the ALR is willing to go to recover stolen masterpieces.'
Mostrous' article includes comments from two ARCA associates who previously worked for Scotland Yard: Dick Ellis (an ARCA lecturer) and Charley Hill (an ARCA advisor). You can read the article here: http://www.thetimes.co.uk/tto/magazine/article4167385.ece.
Another article in May 2013 highlighted the work of Dick Ellis: Emma Jacobs writing for The Financial Times "Lessons from an old master" which you can read here: http://www.ft.com/intl/cms/s/0/b27c1392-c2cf-11e2-bbbd-00144feab7de.html#axzz3A5egUa3q.