by Catherine Schofield Sezgin, ARCA Blog Editor-in-Chief
Here's a letter from Shirley K. Gazsi, President, of AntiquityNow, which I received via Linkedin:
December 10, 2014
December 3, 2014
Judge Arthur Tompkins, ARCA trustee and faculty member, is presenting the historical survey section of his "Art in War" course as a Continuing Education Short Course at Victoria University in April/May 2015, in Wellington, New Zealand. Taught over 5 two-hour evening sessions, on five sequential Wednesdays - April 8th, 15th, 22, and 29 April, and 6th May, 2015 - the course will examine the history of art crime during armed conflict, ranging from Classical Antiquity, through the Fourth Crusade, the Thirty Years' War, the Napoleonic era, the first and second World Wars, and finally Iraq and Afghansitan.
A link to the course details, including a more detailed course outline, is http://cce.victoria.ac.nz/courses/302-art-in-war
September 7, 2012
|View of the civic tower from the garden of Palazzo Farrattini|
The official application period for ARCA's 2013 Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection has opened.
The Association for Research into Crimes against Art (ARCA) 2013 Postgraduate Certificate Program in International Art Crime and Cultural Heritage Protection Studies will be held from May 31 through August 12, 2013 in the heart of Umbria in Amelia, Italy.
This interdisciplinary program offers substantive study for art police and security professionals, lawyers, insurers, curators, conservators, members of the art trade, and post-graduate students of criminology, law, security studies, sociology, art history, archaeology, and history.
In its fifth year, this academically intensive ten week program provides in-depth, postgraduate level instruction in a wide variety of theoretical and practical elements of art and heritage crime. Students will explore its history, its nature, its impact, and what is currently being done to mitigate it. Students completing the program earn a postgraduate certificate under the guidance of internationally renowned cultural property protection professionals.
This program will expose participants to an integrated curriculum which occurs in a highly interactive, participatory, student-centered setting. Instructional modules include both lectures and “hands-on” learning from case studies, in situ field classes and group discussions. At the end of the program, participants will have a solid mastery of a broad array of concepts pertaining to cultural property protection, preservation, conservation, and security.
Students explore such topics as: art crime and its history; art and heritage law criminology; art crime in war; the art trade; art insurance; art security; law enforcement methods; archaeological looting and policy; cultural security; and art forgery.
At the close of the 10 week lecture portion of the program each candidate must complete a considerable piece of written work demonstrating original and significant research. ARCA assigns a supervisor to oversee the research. The supervisor provides final approval of a finished paper, which should be of publishable quality. After completion of all program coursework and the final paper a student is awarded ARCA’s postgraduate certificate in Art Crime and Cultural Heritage Protection.
November 15, 2012 - Early Application Deadline
January 15, 2013 - Application Deadline
April 2013 - Advance Reading Assigned
May 30, 2013 - Students Arrive in Amelia
May 31, 2013 - Welcome and Orientation June 01, 2012
June 3, 2013 - Classes Begin
June 21-23, 2013 - ARCA Annual Conference
August 9, 2013 - Classes End
August 10-11, 2013 - Students Housing Check-out **
Nov. 15, 2013 - Research Paper Submission Deadline
**Some students stay a few days longer to participate in the August Palio dei Colombi, Notte Bianca and Ferragosto festivities.
For questions about programming, costs, and census availability, please write to us for a complete prospectus and application at: email@example.com.
February 29, 2012
|Virginia Curry and Dick Ellis holding a painting|
by David Teniers, Peasant Filling His Pipe, stolen from the
Richard Green Gallery in London.
ARCA supports this short course program as a precursor to our Postgraduate Certificate Program in International Art Crime and Cultural Heritage Protection Program. Attendees to the Stonehill program will qualify for a fees reduction to ARCA's 10 week program if they attend both programs. Please contact firstname.lastname@example.org for more information.
Former Scotland Yard detective Richard Ellis and former FBI Agent Virginia Curry will team up to teach "The Fine Art of Crime and Art World Basic Primer" at Stonehill College from July 30 to August 3, 2012 at North Easton, Massachusetts.
Richard Ellis is a professional art crime investigator and a director of the Art Management Group. Based in London he is a former detective with New Scotland Yard, where he founded and ran the Art & Antiques Squad for over a decade. FBI Special Agent (Retired) and Art Crime Team Investigator Virginia Curry is a FBI certified and highly successful undercover agent/instructor and former FBI Security consultant, now privately licensed by the State of Texas. This is the description for their course:
Presenting our partnership with Stonehill College, in which we take full advantage of the beautiful campus and the rich resources of the greater Boston area we offer participants a "hands on" connection and an exceptional experience of scholarship and professionalism with art. There will be lecturers on campus each morning focusing on topics which initiate the novice aficionado to the economics of art, provide suggestions for researching their own areas of art interest and of course we will discuss crimes against art and share our first hand international experience, scholarship and current topics in the field.
In the afternoons we visit several museums, premier art galleries and conduct practical exercises, such as participation in a mock auction at Stonehill, and learn about how auctions are conducted at a major Boston fine art auction house our behind the scenes visit. We will meet museum professionals who will explain their function in regard to exhibition preparation and curation. We’ll try our hand at solving the most important unsolved museum heist in U.S. history. We will observe how conservation specialists work and how security managers manage the risk of the exposure of their treasures. We'll speak with the curator of an important corporate collection to see how business collects and presents investment art. We'll experience the culture of Boston from the Red Sox at Fenway Park to the clambakes of Cape Cod. This unique seminar adventure equips you to pursue your interest in collecting and appreciating art and understanding the diverse crimes against art like none other.
Lunches on site at Stonehill College are included. Transportation for excursions is included. Scheduled evening events and socials such as the opening Sam Adams Boston Lager toasting reception, Boston Red Sox game, and the closing clam bake, barring inclement weather or unforeseen emergency, are included. All basic course materials (handouts, etc.,) are included. Other evening meals and meals off campus are at personal expense. Local lodging at a discounted rate is available, which includes breakfast and transportation to Stonehill College and return. Discounted airfare has been arranged through American Airlines for travelers.
Cost: $2,250. A Deposit of $300 is required to reserve your place by May 1, 2012; balance must be received by June 1, 2012. Kindly respond early since participation is quite limited.
For more information please contact: email@example.com.
October 23, 2009
ARCA and The Henry Lee Institute Team Up on the Forensics of Art Theft
Investigating Art and Cultural Objects Theft: How the History of Art Crime Solves Today's Mysteries
This special one-day workshop will explore the history of art theft, and the lessons that it can offer to contemporary investigators and security personnel. Over the past forty years, art crime has consistently been the third highest-grossing criminal trade worldwide. Most art crime since the 1960s has involved organized crime, funding other operations, including the drug and arms trades, and even terrorism.
Art crime is little studied, from an academic and an investigative perspective. The combination of scholarly historical analysis with experience in the field can provide the best means to understand and curb this serious threat to not only our cultural heritage, but to impede organized crime overall.
The first half of the program will take you on a tour through the history of art crime with a focus on fine art theft, investigation, and museum security. The second half of the workshop will detail practical methods of using the lessons learned from history's master thieves, and from the successes and failures of investigators and security programs, to suggest better ways to investigate and protect art in the future.
Seminar starts 900am and will be located in Dodds Auditorium on the University of New Haven campus. This seminar is open to law enforcement officers, educators, and the public. Tuition is $100.00 and light refreshments will be served.
The seminar will be run by ARCA Founding Director Noah Charney.
To register please go to www.henryleeinstitute.com