Showing posts with label Getty Villa. Show all posts
Showing posts with label Getty Villa. Show all posts

February 25, 2014

John Follain in The Sunday Times Reports J. Paul Getty May Send The Athlete of Fano to Italy

Official from Marche visited in 2011 to
press for possession of Athlete of Fano
In Britain's The Sunday Times, John Follain reports in "2,400-year-old 'hostage' ready to fly home to Italy" (February 23, 2014) that the statue known as The Athlete of Fano may be leaving the J. Paul Getty Villa in Malibu:
CALIFORNIA’S J Paul Getty Museum is expected to be ordered this week to return to Italy an ancient Greek bronze statue of an athlete that has been one of its most prized exhibits for more than three decades. In a case that has become a symbol of Italy’s new-found determination to reclaim its lost masterpieces, the Supreme Court in Rome is due on Tuesday to rule on the long battle for the “Getty bronze” — also known as Victorious Youth — considered one of the greatest treasures of the ancient world. The statue, which depicts an athlete crowned with an olive wreath, dates back to the 4th century BC and is believed to be the work of Lysippos, personal sculptor to Alexander the Great.

In May 2012, an Italian judge ruled that the statue should be returned to Italy. Officials from the Region of Marche visited California in March 2011 to press their argument for the statue's return.

May 7, 2013

Tuesday, May 07, 2013 - , 1 comment

Lion Attacking A Horse Ends Exhibit at Getty Villa; First Time 4th Century BC Greek Statue has been on display since 1925

Lion Attacking a Horse in the atrium at the Getty Villa
(Photo by Catherine Sezgin) 
Today the 4th century BC Greek statue, Lion Attacking a Horse, ended its nine-month exhibition in the atrium of the Getty Villa.

This is the first time the sculpture has been on public display since 1925 and the first time it has left Rome in 2,000 years.
Depicting the figure of a fallen horse succumbing to the claws and fangs of a ferocious lion, the monumental group dates to the early Hellenistic period (the late 4th century B.C.), when Greek sculptors began to produce naturalistic portrayals of intense emotion and physical exertion. 
Close-up of Lion (Photo by C. Sezgin)
Although the original location of the sculpture is unknown, its massive scale and dramatic carving suggest that it embellished a monument in northern Greece or Asia Minor (present-day Turkey). Created in the era of Alexander the Great’s conquest of Asia, the sculpture may have formed part of a larger composition with a melee of wild beasts and mounted hunters, which commemorated the young king’s famous lion-hunting exploits at Sidon (present-day Lebanon) in 332 B.C. and a royal game preserve in Basista (present-day Uzbekistan) in 328–327 B.C.
The sculpture was eventually brought to Rome, most likely as war booty seized by a victorious general for display in the imperial capital. It was ultimately discovered in the streambed near the Circus Maximus, a stadium used for chariot races, gladiatorial games, and animal combats. The work was first mentioned in an archival document in 1300.
Backside of 4th century BC Greek marble (Photo by Sezgin)
By 1347, the sculpture was prominently displayed on the Capitoline Hill in Rome, the seat of the city’s civic administration. During this time, Renaissance Rome was experiencing a great rebirth of interest in its glorious ancient past, which served as a model for the present. Remains of antiquity, such as Lion Attacking a Horse, were among the earliest expressions of the Renaissance spirit.
The work was initially installed on the staircase of the Palazzo Senatorio in the Piazza del Campidoglio on the Capitoline Hill. Presiding over an area used for pronouncing judicial sentences since antiquity, this powerful image of domination and retribution served as a symbol of Rome for over a century. In 1471 Pope Sixtus IV transferred a group of ancient bronze sculptures, including the famous statue of a she-wolf suckling the twins Romulus and Remus, from the Lateran Palace to the Piazza del Campidoglio, as reminders of “ancient excellence and virtue.” Mounted on the facade of the Palazzo dei Conservatori, the she-wolf replaced the lion-and-horse image as the emblem of Rome. Lion Attacking a Horse was moved to various places on the Capitoline until it was eventually installed in the center of a fountain in the Caffarelli Garden in 1925.
This statue was loaned to the Getty by the Sovraintendenza ai Beni Culturali di Roma Capitale - Musei Capitolini with funding provided by the Knights of Colombus and the J. Paul Getty Museum's Villa Council.

January 16, 2013

Lecture booked at the Getty Villa tonight: "Saving Herculaneum: The Challenges of Archaeological Conservation"

As of noon today, all seats are taken for the free lecture at the Getty Villa tonight: Herculaneum Conservation Project director Andrew Wallace-Hadrill will speak of the archaeological work at the ancient sister city of Pompeii.
From 1995 to 2009 [Andrew Wallace-Hadrill] served as director of the British School at Rome and is currently director of research of the faculty of Classics at the University of Cambridge. An expert on the archaeology of the Vesuvian cities, he was awarded the Archaeological Institute of America's James R. Wiseman Award in 1995 for his book Houses and Society in Pompeii and Herculaneum (1994). He has written several other books, including Rome's Cultural Revolution (2008), Augustan Rome (1993), Suetonius: The Scholar and His Caesars (1985), and most recently Herculaneum: Past and Future (2011). He has held visiting fellowships at Princeton University and the J. Paul Getty Museum, and is a frequent contributor to radio and television broadcasts. 
The Herculaneum Conservation Project is funded by The Packard Humanities Institute which also supports conservation efforts of the removal of the mosaics from the ancient Roman town of Zeugma in eastern Turkey before the area was flooded for a dam.