Showing posts with label illicit antiquities. Show all posts
Showing posts with label illicit antiquities. Show all posts

February 13, 2019

Looted artworks returned to Italy via voluntary forfeiture via Christie's auction house in London


In a memorable act of rare collaboration, Italian officials have announced “the first case of such close co-operation between Italy and a private auction house” in which a number of illegally obtained and trafficked antiquities, the proceeds of clandestine excavations between the 1960s and the 1980s, were voluntarily restituted to the Italian authorities. 

In a handover event held at Italy's Embassy in London, twelve antiquities and one document were ceremoniously returned, some of which had been placed up for auction in 2014 and 2015 and which were withdrawn from sale after being determined as questionable.  Attended by Alberto Bonisoli, the Italian Minister of Cultural Heritage and Activities,  Raffaele Trombetta, the Italian ambassador to London, Brigadier General Fabrizio Parrulli of Italy's Carabinieri Command for the Protection of Cultural Heritage, the CEO of Christie's Guillaume Cerutti and the auction house's Deputy Chief Executive Officer, Stephen Brooks, this event represents a much needed step forward in art market's cooperation with the Italian authorities and a welcomes step towards collaboratively working with one another towards the restitution of looted objects.

The antiquities returned are: 


A marble fragment whose theft from a sarcophagus from the Catacombs of St Callixtus, on the Appian Way in Rome was reported in 1982. 


A 6th -5th century BCE Etruscan terracotta antefix used to capthe terminus of covering tiles on ancient roofs.

Its original provenance when listed in sale 10372 as Lot 102 was "Property from a London Collection
Provenance:   Anonymous sale; Sotheby's, London, 9 December 1985, lot 273, when acquired by the present owner."


Five (5) 4th century BCE Apulian Gnathian-ware plates.


A 350-330 BCE red-figure Apulian hydria believed to be attributed to a follower of the Snub-Nose or Varrese painter.

Its original provenance when listed in sale 10372 as Lot 108 was "Property from a London Collection


A 2nd century CE Roman capitol.


A Roman marble relief depicting a Satyr with Maenad stolen from the gardens of Villa Borghese in 1985.


A 14th century promissory folio from an illuminated manuscript by the Doge Andrea Dandolo and the ducal councilors.


A 4th century BCE red-figure Faliscan stamnos vase used to store liquids.

At the ceremony, attendees underscored that the art market's ethical codes need enhancement and that greater due diligence is needed to ensure the legitimacy of objects before accepting them for sale.  With over 1 million two hundred thousand stolen objects and about 700 thousand images of stolen and looted art, the Carabinieri's Leonardo database, the largest stolen art database in the world, is a good place to start when auction houses such as Christie's consider accepting them on consignment.

During the event Christie's staff indicated that the antiquities had been acquired in the past in good faith.   Three of these however did not pass the smell test in 2014 and 2015 when they originally accepted for consignment and were placed up for auction.   All three were later withdrawn when they were identified as having passed through the hands of well known Italian dealers who have consistently been linked to trafficked antiquities.  Without the required, verifiable title, export documentation or collection history these objects had no place on the legitimate art market. 


Auction houses are not the only parties that need to be diligent when evaluating antiquities, especially when considering objects which appear to have emerged on the open market without substantiated collection histories.

Ancient art collectors should realise that their buying power and unharnessed demand for archaeological material, absent transparent ethical acquisition documentation, serves to incentivise those facing economic hardship to participate in, or tacitly condone, the looting of archaeological sites, by which illicit material enters the licit market.

If collectors in market buying nations such as the United States and UK refused to purchase undocumented artifacts, then the supply chain incentives for looting historic sites, which by proxy funds criminal enterprise, diminish. 

February 1, 2019

Christos Tsirogiannis returns to Amelia to this summer to teach "Unravelling the Hidden Market of Illicit Antiquities: Lessons from Greece and Italy” at ARCA's Postgraduate Program in Art Crime and Cultural Heritage Protection

By Edgar Tijhuis

This year, the ARCA Postgraduate Program in Art Crime and Cultural Heritage Protection will be held from May 30 through August 14 2019, in the heart of Umbria in Amelia, Italy. In the months leading up to the start of the program, this year’s professors will be interviewed. In this one, I am speaking with Christos Tsirogiannis, one of the world’s few forensic archaeologists.

Can you tell us something about your background and work?

 I studied Archaeology and History of Art at the University of Athens, then worked for several years at the Greek Ministry of Culture in various sectors including excavations as well as in the repatriations of stolen antiquities from US museums and private collections. I also worked for several years on a voluntary basis with the Greek police art squad. In late 2008 I was invited to Cambridge University to start my PhD on the international illicit antiquities network, which I completed in 2013. Since then, I have developed and broadened my research on antiquities trafficking networks through a postdoc position at the University of Glasgow, an honorary position at Suffolk, and most recently as visiting Associate Professor at the University of Aarhus.

My specialism is best described as a new form of 'forensic archaeology'; rather than excavating and analysing (e.g.) human remains, I carry out forensic-level analyses of archaeological objects and of photographic and documentary archives (from antiquities dealers) of modern trades in archaeological material to determine their true provenance.  From these I am able to reconstruct objects' collecting histories also from traces found e.g. online and in publication records. 

In carrying out this work I assist police and judicial authorities in many countries around the world regarding cases of antiquities trafficking.   Often in these I find a certain hypocrisy in the art market - which claims 'client confidentiality' - as the motive for not revealing the names of sellers and buyers, but which in many cases also serves as a cover up, off the names of convicted traffickers whose hands objects an object may have passed through, omitting problematic aspects of the collecting history in presenting objects for sale, all the while claiming to have done 'due diligence'.

What do you feel is the most relevant of your courses?

I introducee ARCA participants to a range of issues in the international illicit antiquities market, highlighting due diligence, legal aspects and challenges in provenance research. The course has profound ethical and practical implications for anyone dealing with the art market in any capacity.

What do you hope participants will get out of the courses?

Primarily, inspiration. To work in the cultural heritage sector, but, with that, an understanding of the hypocrisy within the art market, academia and state authorities in dealing with the trafficking of our heritage, and (consequently) a sense of ethical responsibility when entering this field.

What would a typical day be like in your classroom?

Each teaching day contains two interactive lectures in which, through case studies, I focus on a particular area of the international illicit antiquities market. There are plenty of visuals and opportunities for participant research and participation (in fact this is a part of their final grade).

While each year participants are very enthusiastic about your courses, is there anything you learn from them in class?

Every professor needs the fresh view of younger minds who come with straightforward questions which often highlight an aspect or a sector that has not previously been thoroughly examined in the scholarship. Several times, those ARCA participants have gone on to produce valuable academic contributions to this emerging interdisciplinary field. My course also attracts people who have prior professional experience in the antiquities market, as well as lawyers, policemen, artists and museum professionals.


In anticipation of your courses, what book, article, or movie would you recommend to students? 

Peter Watson and Cecilia Todeschini (2007, 2nd edition) The Medici Conspiracy -the 'bible of the field'.


What makes the yearly ARCA program so unique?

It is the only postgraduate residential course that covers all aspects of art crimes with courses taught by experts in their field. Amelia is a very special setting - I myself look forward every year to the ten days I spend there,

Which other course in the program would you love to follow yourself and why?

Fake terracotta shabti-mould.
Image Credit: British Museum
I would have to prioritize the course taught by ARCA's founder, Noah Charney, because one aspect of my own research is forgeries in the antiquities market and in collections.

Is there anything you can recommend for future participants to do in Amelia or Umbria?

I have greatly enjoyed trips to the amazing setting of Civita di Bagnoregio and to the Etruscan cemetery of Orvieto, from where I have identified stolen antiquities... but Amelia itself has many hidden ancient and medieval gems as well as amazing pizza places (and ice-cream, says my wife)!

Are there any funny or interesting things you experienced in Italy, outside of class 

In my first teaching year we accompanied the students on the excursion to Banditaccia, the Etruscan Necropolis in Cerveteri, and every year we spend time in Rome each side of my ARCA course. Rome is a museum in itself and I have dear friends and colleagues there - Maurizio Pellegrini, Daniela Rizzo, Paolo Georgio Ferri and Cecilia Todeschini, who are all my heroes in my research area and now feel like family.

What is your experience with the yearly ARCA conference in June

I attended it first in 2013 as I was awarded ARCA's prize for Art Protection and Security. Since then the conference has doubled in size and become a world-leading innovator in facilitating important discussions between academics and practitioners in the protection of cultural heritage. Both the courses and the conference owe their current impact and unique international reach to the amazing work of Lynda Albertson (ARCA CEO).

For a detailed prospectus and application materials or for general questions about this postgraduate program please contact us at: 

education@artcrimeresearch.org

Edgar Tijhuis serves as the Academic Director at ARCA and is a visiting scholar at the Institute of Criminology in Ljubljana. He is responsible for the postgraduate certificate program in the study of art crime and cultural heritage protection and since 2009, has taught criminology modules within the ARCA program.

October 10, 2018

Trial dates tentatively set for December 2018 for 19 "Operation Demetra" defendants


Judges from the Tribunale del Riesame di Caltanissetta, the court of first instance with general jurisdiction in criminal matters within the territory of Caltanissetta, Sicily, have set a tentative date for trial of December 2018 for 19 of the individuals connected to Italy's Operation Demetra. 


Resident of Belpasso, Italy
Palmino Pietro Signorello, 66

Residents of Campobello di Licata, Italy
Francesco Giordano, 71 
Luigi Giuseppe Grisafi, 64

Residents of Gela, Italy
Giuseppe Cassarà, 58
Simone Di Simone, (also known as "Ucca aperta"), 46
Rocco Mondello, 61
Orazio Pellegrino, (also known as "nacagliacani"), 54

Resident of Mazzè, Italy
Salvatore Pappalardo, 55

Residents of Paternò, Italy
Luigi Signorello, 34

Residents of Ravanusa, Italy
Matteo Bello, 53
Calogero Ninotta, (also known as "Lilli"), 39
Gaetano Romano, (also known as "Mimmo"), 58

Residents of Riesi, Italy
Angelo Chiantia, (also known as "Faccia pulita") 59  
Francesco Lucerna, (also known as "U zu Ginu") 76
Gaetano Patermo, (also known as "Tano"), 63

Resident of Strongoli, Italy
Luigi La Croce, 62

Residents of Torino, Italy
Giovanni Lucerna, 49
Maria Debora Lucerna, 55

Resident in Stanmore (London), UK
William Veres, (also known as “il professore"), 64

Lawyers for the accused are:

Ivan Bellanti
Angelo Cafà
Paolo Di Caro
Davide Limoncello
Ignazio Valenza

The gup of the Court of Caltanissetta, also has decided to revoke the precautionary measures, of three defendants who had previously been released pending trial to their homes with permission to go to leave to go to and from work.  Those individuals are Francesco Giordano, Luigi Giuseppe Grisafi, and Calogero Ninotta.

Previously the Italian courts rejected an appeal made through attorney, Davide Limoncello, presented in relation to a European arrest warrant (EAW) issued for William Veres. The London-based Hungarian antiquities dealer is one of the strategic names in Operation Demetra, an Italian-led illicit trafficking blitz carried out by law enforcement authorities in Italy, Germany, Spain, and the United Kingdom in July 2018. 

Veres has been released on bail with supervised release conditions while he awaits the UK's ruling at London’s Westminster Magistrates Court as to whether or not he should be extradited to Italy to face the charges against him. Extradition to Italy is regulated by law as well as by international conventions and agreements. In general, extradition, is this case between Britain and Italy, means that Italy has asked the UK to surrender Veres as a suspected criminal in order to stand trial for an alleged violation of the Italian law. But before doing so, the antiquities dealer is entitled to an extradition hearing. For more on this procedure, please see our previous article here. 

Should the UK judge, at the extradition hearing, decide it would be both proportionate and compatible, Veres' extradition to Italy would subsequently be ordered and Veres would then, if he so chose, ask the UK High Court for permission to appeal this decision, provided that request is made within seven days of the previous order. If the High Court does not grant his appeal, in that situation and later affirms the lower court's ruling that extradition is both proportionate and compatible, Veres would become subject to extradition within 10 days of the final court order, and would then be transferred to Italy either in time for the December court hearing, or to be rescheduled at a later date. 

August 8, 2018

Sicilian judges reject appeal made by William Veres

Screenshot of William Veres from the documentary
“The Hunt for Transylvanian Gold
Judges from the Tribunale del Riesame di Caltanissetta, the court of first instance with general jurisdiction in criminal matters within the territory of Caltanissetta, Sicily, have rejected an appeal made through attorney, Davide Limoncello,  presented in relation to a European arrest warrant (EAW) issued for William Veres.  The London-based Hungarian antiquities dealer is one of 41 persons who have been named in Operation Demetra, an Italian-led illicit trafficking blitz carried out by law enforcement authorities in Italy, Germany, Spain, and the United Kingdom in July 2018.  

The appeal presented by Limoncello on behalf of Mr. Veres was made to address the personal and real precautionary measures requested by the Italian authorities in relation to his client, deemed necessary by the prosecutor in the context of the criminal proceedings related to the case. 

Veres was taken into custody on 4 July by officers from London's Metropolitan Police - Art and Antiques Unit at his home in Forge Close, Stanmore in north-west London.  Subsequent to his arrest, Veres was released on bail with supervised release conditions while he awaits the UK's ruling at London’s Westminster Magistrates’ Court as to whether or not he should be extradited to Italy to face the charges against him.

Extradition to Italy is regulated by law as well as by international conventions and agreements. In general, extradition, is this case between Britain and Italy, means that Italy has asked the UK to surrender Veres as a suspected criminal in order to stand trial for an alleged violation of the Italian law.  But before doing so, the antiquities dealer is entitled to an extradition hearing.

During that extradition hearing a UK judge will need to be satisfied that the conduct described in the European arrest warrant amounts to an extraditable offence in Great Britain.  This means, in almost all cases, that the alleged conduct of the suspect would also amount to a criminal offence were it to have occurred in the UK.  The UK courts would also have to evaluate whether or not  any of the UK's statutory bars to extradition apply. 

Most of the bars prohibiting extradition in the UK have to do with double jeopardy, the absence of a prosecution decision (whether the prosecution case against the accused is sufficiently advanced) or whether or not the request by the requesting foreign authority is improperly motivated.   The London judge will also decide if extradition would be disproportionate or incompatible with Veres'  human rights. 

Should the judge at the extradition hearing decide it would be both proportionate and compatible, Veres' extradition to Italy would subsequently be ordered.  Veres could then, if he so chose, ask the UK High Court for permission to appeal this decision, provided that request is made within seven days of the previous order.  

If the High Court grants an appeal, in that situation and later affirms the lower court's ruling that extradition is both proportionate and compatible, Veres would become subject to extradition within 10 days of the final court order (unless an agreement to extend, due to exceptional circumstances, is made with Italy).

By:  Lynda Albertson

August 7, 2018

July 29, 2018

41 suspects now named in the antiquities blitz "Operation Demetra" carried out in Italy, Germany, Spain, and the UK


As the transnational crime investigation Operation Demetra proceeds into the alleged trafficking of archaeological finds, Italian news reports have begun publishing the names of the 41 individuals currently listed in the obgoing investigation.  Some of these individuals have been given precautionary pretrial measures including pretrial incarceration, house arrest or electronic monitoring.  The remainder are at large pending the conclusion of the investigation.


The individuals alleged to be involved live in 19 cities in Italy, as well as in Ehingen, Germany, Barcelona, Spain, and Stanmore (London) in the United Kingdom. 

A breakdown of the cities is as follows:

Resident of Adrano, Italy
Salvatore Leanza, 55

Resident of Albiano d'Ivrea, Italy
Walter Angelo Rezza, 70

Resident of Belpasso, Italy
Palmino Pietro Signorello, 66

Residents of Campobello di Licata, Italy
Francesco Giorano, 71
Luigi Giuseppe Grisafi, 64
Ignazio Urbano La Mendola, 79

Residents of Canicattì, Italy
Anna Maria Omero, 74
Mauro Ettore Zanchi, 56

Residents of Centuripe, Italy
Franco Benardelli, 82
Francesco Saccone, (also known as "Ciccio") 80

Residents of Collegno, Italy
Valter Bertaggia, 70

Resident of Favara, Italy
Calogero Stagno, (also known as "Lillo"), 51

Residents of Gela, Italy
Giuseppe Cassarà, 58
Simone Di Simone, (also known as "Ucca aperta"), 46
Orazio Pellegrino, (also known as "nacagliacani"), 54

Resident of Licata, Italy
Salvatore Curella, 66

Resident of Mazzarino, Italy
Giovanni Stuppia, 39

Resident of Mazzè, Italy
Alfredo Crepaldi, 61
Salvatore Pappalardo, 55

Resident of Palma di Montechiaro, Italy
Domenico Dario Cutaia, 43

Residents of Paternò, Italy
Santo Gulisano, 58
Alfredo Antonino Pennisi, 57a
Luigi Signorello, 34

Residents of Ravanusa, Italy
Matteo Bello, 53
Calogero Ninotta, (also known as "Lilli"), 39
Gaetano Romano, (also known as "Mimmo"), 58
Bernardo Tresca, 67

Residents of Riesi, Italy
Angelo Chiantia, (also known as "Faccia pulita") 59  
Daniele Correnti, 55
Onofrio La Leggia, (also known as "Ciuffettino") 59
Francesco Lucerna, (also known as "U zu Ginu") 76
Gaetano Luciano Oliveri, 57
Gaetano Patermo, (also known as "Tano"), 63
Filippo Vecchio, 51

Residents of Refrancore, Italy
Renzo Maggiora, 79

Resident of Strongoli, Italy
Luigi La Croce, 62

Residents of Torino, Italy
Giovanni Lucerna, 49
Maria Debora Lucerna, 55

Resident in Ehingen, Germany
Rocco Mondello, 61

Resident in Barcelona, Spain
Andrea Palma, 36,

Resident in Stanmore (London), UK
William Veres, (also known as “il professore"), 64

July 17, 2018

Quotes given by ancient art dealer William Veres outlining Balkan trafficking methods.

Image Credit:  Screenshot from documentary “The Hunt for Transylvanian Gold.”  
In 2008, following a ten-year investigation coordinated by Prosecutor General Augustin Lazăr of Romania, a number of individuals were charged in connection with illegal excavations carried out in the dense forests of the Orăştie Mountains in the vicinity of the Sarmizegetusa Regia fortress, one of six heritage sites which make up the UNESCO World Heritage site of the Dacian Fortresses of the Orăştie, dating to the mid-first century BCE.  To date twenty-eight individuals have been named in connection with this multinational investigation which has resulted in antiquities recoveries from New York, Zurich, Paris, Munich, and Hunedoara – Romania. 

Some of the persons identified in this complex investigation include Ioan Bodea, Radu Horia Camil, Iulian Ceia, Călin Ciota, Călin Corhan, Ciprian Hidişan, Daniel Jurca, Ilic Ljubisa, Ilie Luncan, Viorica Luncan, Daniel Moc,  David Magda, Ion Nedelcu, Miu Nedelcu, Adrian and Florin Nistor, Ovidiu Olah, Remus Pop, and Mihai Zerkula, each of whom were associated in some way with a criminal enterprise that has been identified as being involved in unauthorized excavations conducted in the Dacian citadels in the Orăştie Mountains, located in the counties of Hunedoara and Alba, in Romania.


In 2017 details of this looting case, which began in the capital of the Dacians civilization in the central mountains of Romania, were detailed in a fifty-minute documentary called “The Hunt for Transylvanian Gold.”  

Of the 24 gold spirals, stolen between 1998 and 2001, only 13 have been recovered.  They are now on display at the Muzeul Național de Istorie a României.  Six of the bracelets are believed to have passed through the hands of one antiquities collector, Ilic Ljubisa, believed to have been the organizer of a group of traffickers known as the "Serbian cartel" which operated out of Zurich.  Ljubisa bought three pairs of the gold spirals and is believed to have been involved in their transport to Belgrade.

To understand how Romania's golden artifacts made their way out of Romania via Serbia and onto the antiquities market, the documentary makers, Boston-based Kogainon Films, interviewed many people, including Hungarian born and London-based antiquities dealer William Veres.  Veres is now the subject of his own multinational police investigation of antiquities trafficking originating in Italy. 

In the documentary, Veres is filmed making several interesting, if not quite incriminating, statements regarding the methodologies used by the antiquities handlers caught up in the Dacian gold looting case.  

Veres comments on the city of Belgrade in Serbia and its role in the illicit trade of cultural heritage

“Belgrade, as you know, is *inaudible* the biggest capital maybe in the whole world for stolen art. So...the....let's call it the Serbian mafia, it would be a number of individuals who, would, amongst other things, deal with ancient objects and would have clients in the west.

Veres comments on the differences between art dealers in Western Europe and art dealers in the Balkans

“I've known these people as dealers, and as I say, you can look at this in a...in another context, as I say, if, the laws in countries like Serbia and Romania were different, these people wouldn't be much different from myself. But the point is that, this activity you can carry on legally in somewhere like Germany, France, even Italy, let's say, and in other countries, you can't carry it on because of the nature of cultural.... the laws of cultural property.

While drawing out a hypothetical illicit trafficking route, Veres comments on how plundered art moves from Romania to Serbia

“In the case of these spirals, once you have, once they are here in Belgrade, then of course they go to ahh Vienna, ummm Munich, maybe Zurich, and Geneva. These are the, I would say, the first stops, and from here then, to America. So it is a personal trade, run by professionals, who know what they are doing very, very well. The bus drivers they know where to hide things. So you give them a small package, you know, five hundred euros and I'm sure ahhh this can be transported to Belgrade, to Vienna overnight.  It's very efficient, like DHL.

Efficient like DHL.  Words worth remembering. 

By:  Lynda Albertson

July 8, 2018

On the trail of looted antiquities, Carabinieri arrest another individual in Sicily.


Image Credit: Carabinieri 
An ancient amphora and 25 terracotta fragments of ancient statues, some believed to date as far back as the III millennium BCE (the Early to Middle Bronze Age), these are the plundered archaeological finds seized during a 04 July 2018 raid on the home of Gianni Francesco Scimemi in his home in Salemi, a village located in the Belice Valley within the interior of Western Sicily.

Led by the Carabinieri Comando Compagnia Mazara del Vallo under the authority of  commander, Lieutenant Maurizio Giaramita, Italian authorities also found the man to be in the possession of a handgun in which the factory-marked serial number had been completely abraded. 

The area around Salemi is rich in archaeological material.  Excavation and study of the historic remains in this region have provided crucial evidence regarding the ancient Elymian town of Halikyai. The Elymi occupied various hilltops of western Sicilduring the Archaic (c. 700 – 480 BCE), Early Classical (480 – 400 BCE), Late Classical (400 – 323 BCE), and Hellenistic (323 – 30 BCE) periods. 

The ancient Greek historian Herodotus once wrote that the indigenous Sicilians who inhabited this zone were fiercely culturally independent despite their interaction with the Greeks and Phoenicians.  But the origins of these pieces are unknown as they have been excavated without any care for the archaeological context. 

For the moment Scimemi remains "free", confined to house arrest pending the completion of this investigation. 




July 6, 2018

More details on Operation Demetra

Image Credit:  Carabinieri TPC
As has been noted to be the case in the past, Sicilian trafficking cases sometimes have organized crime origins and that appears to also be the case with this week's announced Operation Demetra, named after the Greek divinity much venerated in Sicily.   As new individuals are identified with this investigation, it is interesting to see how some of them are connected to one another, to incidences of trafficking in the past and how they fit into the puzzle of this multinational investigation. 

Gaetano Patermo
Begun as an anti-mafia investigation, initiated by the Nissena Prosecutor for the territory of Riesi, Operation Demetra grew to international proportions when the Carabinieri began reinvestigating the activities of Gaetano Patermo (A.K.A "Tano"). 

Gaetano Patermo
In 2007 Patermo was named along with other individuals,  including Angelo Chiantia and Simone Di Simone, in a 35-person investigation involving illegal excavations, theft, reproduction, falsification, exportation, sale and receipt, even in foreign territory, of archaeological assets belonging to the public domain.

Although acquitted for these earlier alleged offences the details of the 2007 case were remarkably similar to the methodology used by traffickers involved in the 2014-2018 investigation that Patermo has now been arrested for.  According to the Carabinieri Command for the Protection of Cultural Property responsible for the archaeological heritage of Palermo, led by Major Luigi Mancuso, the antiquities were being transferred from Sicily to northern Italy, hidden inside baggage along with travellers garments and inside the linings of suitcases. 

In the older case, clandestine material was transported out of Sicily through Spain and Switzerland by means of campers or trucks loaded with fruits and vegetables.  Once out of the country the antiquities and coins were also passed on to potential international buyers.  

As it relates to Operation Demetra, it is alleged that Patermo had contacts with the network of couriers that transported illlicit material and interacted with individuals connected to the London-based art dealer William Thomas Veres. 

Angelo Chiantia and Simone Di Simone
Angelo Chiantia (Left) and Simone Di Simone (Right)
Not picked up in the original sweep earlier this week, but wanted by the Italian authorities in connection with this more recent investigation, Angelo Chiantia of Riesi and Simone Di Simone of Gela, in the presence of their lawyers, turned themselves in to law enforcement authorities yesterday afternoon.  Both are believed to have played roles as middlemen in the smuggling of cultural heritage abroad. 

Francesco Lucerna is from Riesi, hometown of the notorious Mafia boss Giuseppe Di Cristina in the province of Caltanissetta, whose death was a prelude to the Second Mafia War.  In addition to being an alleged "tomborolo" Lucerne was identified in February 2015 as the person who put together this organized network of tombaroli and counterfeiters, selling authentic and imitation archaeological remains to wealthy entrepreneurs and industrialists in Piedmont, where he had relocated, as well as on to buyers in Germany.  

Following the 2015 search and seizures carried out in the province of Caltanissetta more than one thousand artifacts were seized including 859 clay vases and amphorae, 146 ancient coins dating back to the Greek and Roman age, 191 paleontological finds and two illegal metal detectors.   The antiquities were believed to have come from an undocumented fourth or fifth century BCE villa, most likely discovered somewhere in the archaeological area of ​​Philosopiana, between Butera and Riesi.  Unfortunately without a find spot, and with nothing known about the context around where the antiquities were excavated, little can be concretely ascertained.  Police also raided two forgers in Misterbianco and Paternò, near Catania, whose workshops contained 878 counterfeit coins and 960 forged coin dies which were used to strike the authentic-looking fakes.  These were being prepared to be sold to collectors, possibly being told they were authentic. 

Andrea Palma
Lists himself on Linkedin as a Numismatic Expert & Advisor at Martí Hervera, SL in Barcelona as well as at Soler y Llach Subastas Internacionales, S.A.

Interestingly, he also appears to have been affiliated in some way with an excavation at the Villa Romana del Casale di Piazza Armerina (EN), in Sicily and to have earned a degree from the Università degli Studi di Roma "La Sapienza" where he studied at numismatics, epigraphy and archaeology. 

William Veres

The Hungarian-born antiquities dealer William Veres has always walked a fine line in who and how he has worked with individuals known to have had connections to illicit trafficking.  In addition to the questionable incidences already mentioned in our earlier blog posts, in which he received a suspended sentence, and the billionaire purchaser was acquitted, Veres was once accused by former self-confessed smuggler and police informant Michel Van Rijn of running a London-based business that deals in smuggled relics.  One of those relics was a Coptic Ps.Gospel of Judas (Iscariot), part of an ancient codice written in Coptic and Greek which surfaced on the international art market once connected to many well known names and faces.

Veres was arrested at his home at his home in Stanmore, northwest London this week. 

William Veres
Lest we forget, art criminals don't just deal with tomb raiders, gallery show rooms and collectors of ancient art.  Sometimes they also rub elbows with the worst of the underworld. And if you think that the Procura di Caltanissetta only deals with heritage crimes you would be wrong.

Personnel of the provincial command of the Carabinieri of Caltanissetta, at the request of the DDA (Direzione Distrettuale Antimafia) and of the local prosecutor are also following investigations in the region against the 'family' of Riesi, the "stidda" of the Cosa Nostra.  This group is believed to be responsible for not only the trafficking of drugs, and extortion, but also appear to have been the executors of numerous murders and attempted murders which took place in the early 1990s. 

By:  Lynda Albertson

July 4, 2018

Operation Demetra: The Trafficking of Sicilian Archaeological Treasures

Image Credit: Carabinieri TPC

Updated 13:00 GMT+1

In a press conference held today, at 11:00 at the Public Prosecutor's Office of the Court of Caltanissetta, Italy announced the result of an illicit trafficking investigation, long established under the code named "Demeter" which first started in 2014.

In coordination with officials from EUROPOL and EUROJUST, the District Anti-Mafia Directorate of Caltanissetta and the Carabinieri of the Cultural Heritage Protection Unit of Palermo, in collaboration with the investigative nucleus of Caltanissetta, an order for the application of precautionary measures was issued by the Court of Caltanissetta, against 23 people.

Precautionary measures, were issued to individuals in Agrigento, Caltanissetta, Catania, Crotone, Enna, Lecce, Naples, Novara, Taranto, Turin, Ragusa, and Syracuse, where simultaneously or in tandem, raids were carried out which also included searches for illicit archaeological finds.  Precautionary measures against those taken into custody are those measures of privation or restriction of the rights of a person, adopted on the basis of a dual premise: the serious indications of guilt (article 272 c.p.p.) and the precautionary requirements related to ensuring their presence at judicial proceedings (article 273c.p.p.).

According to the Italian authorities, Francesco Lucerna, a 76-year-old "tombarolo" from Riesi, a small town in the province of Caltanissetta, worked alongside a network of individuals fencing archaeological finds for decades uncovered via clandestine excavations.  Many of these illicit excavations purportedly took place in the provinces of Caltanissetta and Agrigento, areas in Sicily which are rich with ancient objects of Greek and Roma production, many of which date back to the IV-V centuries BCE.  The plundered objects dug up by this group were transported to Northern Italy via middlemen and from there made their way into collectors hands and the greater European art market.

With regards to in this multiyear long investigation the following individuals are being held in pre-trial detention:

• Francesco Lucerna, also known as "Zu Gino", 76 years old from Riesi (CL);
• Matteo Bello, 61, from Ravanusa (AG);
• Francesco Giordano, 71, from Campobello di Licata (AG);
• Luigi Giuseppe Grifasi, 64, from Ravanusa (AG);
• Calogero Ninotta, 39, from Ravanusa (AG);
• Gaetano Romano, 58, from Ravanusa (AG);
• Gaetano Patermo, 63, from Riesi (CL);
• Palmino Pietro Signorello, 66, from Belpasso (CT).

The following have been released on house arrest pending the outcome of their cases:
• Giovanni Lucerna, 49, from Turin;
• Maria Debora Lucerna , 55, from Turin;
• Salvatore Pappalardo, 75, of Misterbianco (CT);
• Calogero Stagno, 51, of Favara (AG);
• Luigi Signorello, 34, from Belpasso (CT);
• Luigi Laroce, 62, from Strongoli (KR).

While most of the individuals implicated reside in Italy, three others were arrested in Great Britain, Germany and Spain.

They are:

William Thomas Veres, 64, residing in London, UK;
Andrea Palma, 36, originally from Campobasso but resident in Barcelona, Spain;
Rocco Mondello, 61 years old from Gela, a resident of Ehingen, Germany.


Each is accused in various ways of criminal association and/or the receiving of stolen goods as it relates to the trafficking of antiquities.

William Thomas Veres has been previously arrested in Spain on August 16, 2017 on un unrelated trafficking case via an extradition warrant from Italy for the alleged theft of antiquities and cultural heritage objects.  Veres was also given a suspended sentence of one year and ten months imprisonment for his role in a November 09, 1995, U.S. Customs seizure of a $1.2 million fourth century BCE gold phiale used for pouring libations sold on to Art Collector Michael Steinhardt.


Utilising a European Investigation Order issued by the prosecutor of the Republic of Caltanissetta and with the coordination of EUROPOL and EUROJUST, searches were conducted abroad where numerous archaeological finds, 30,000 euros in cash and documentation useful for further investigations were all seized.  Investigations are also reported to be ongoing at two auction houses located in Munich, Germany.

Entered into force 22 May 2017, a European Investigation Order is based on mutual recognition, and requires that each EU country be obliged to recognise and carry out the request of the other EU country, as it would do with a decision coming from its own authorities. 

In total some 3,000 archaeological objects are said to have been recovered with an estimated value of €20 million.  Placing value on material culture outside of their context though cheapens the loss as the loss of context and what we can learn from the objects found in situ is not factored in their estimated valuation. 

Interestingly this network is also believed to have been involved in counterfeiting ancient coins and other objects intended for sale when the demand for ancient material exceeded the supply chain's capacity to provide looted material. 

By:  Lynda Albertson

March 30, 2018

Illegal chains which mirror legal ones and function in the penumbra of the legal ones


While much has been discussed with regards to terrorism financed via the sale of plundered antiquities, substantiating claims with clear and defined ‘evidence’ is not straightforward. From the outside these networks are labyrinthine, multi-tiered and opaque.  From the inside militants and non-militant criminals are known to conduct illicit transactions with cash and cash alternatives which are, by their very nature, structured to fly below the radar of law enforcement authorities. This makes assessing their impact difficult to estimate and the detection and prosecution of criminals complicated. 

Even when uncovered, traffickers involved in the laundering of illicit antiquities usually haven't kept substantive incriminating paper trails that investigators can peruse.  This makes it difficult to determine what their profit margins are on the antiquities they launder.  Nor are people facing charges of laundering antiquities through the art market likely to be forthcoming with incriminating evidence that identifies who else has benefited from the layered transactions that occur from the time the object is looted from an archaeological rich region until the antiquity reached the identified via a collector, dealer, gallery, or auction house.

All this to say that those involved in the illicit market don't advertise their relationships with known criminals and the same holds even more true when the profiteering parties have direct or indirect business dealings with transnational criminal networks or militant organizations.  Additionally the economic behavior of terrorist groups and transnational criminal networks during conflicts share many of the same characteristics, methods and tactics.  Both operate in secrecy and little is known about how groups such as these coexist and, or, interact within the same geographic space.  

But like any legal supply chain does, an illegal supply chain matches supply with demand. So while much of our evidence of where the proceeds of transnational artefact crime finish is condemned by the market as being overly anecdotal, what we see clearly is from what regions illicit contraband flows.  From there we can extrapolate that illicit antiquities originating in countries of conflict, from zones where terrorists or militants have a controlling stake territorially, are by extension, a viable revenue stream for terrorism.

Where the two chains, the legal and the illegal, meet.


This month after almost three years of investigations, involving some fifty law enforcement officers, Spanish authorities have brought formal charges against two individuals for their alleged participation in a crime of financing terrorism, belonging to a criminal organization, concealment of contraband and use of forgery for their roles in facilitating the sale of illicit antiquities.

On orders from the Audiencia Nacional, a special high court in Spain with jurisdiction throughout the Spanish territory, as well as over international crimes which come under the competence of Spanish courts, Barcelona antiquities dealer Jaume Bagot and his partner Oriol Carreras Palomar are being investigated for their purported roles in illiit trafficking.  Both have been taken into custody for their alleged role(s) in the sale of Greek and Roman antiquities plundered from Libya and Egypt, which prosecutors believe were then being sold through the licit European art market purporting to be antiquities from historic collections.

Screen Capture: 
Youtube https://www.youtube.com/watch?v=XObAk1kDVp4
Answering to the charges, the pair appeared before Judicial Magistrate Diego de Egea of the Central Court of Instruction Number 6 of the National Court on Monday, March 26, 2018 where they were formally informed of the allegations against them. During the hearing the magistrate granted their release pending trial, imposing a financial surety (bond) and a series of pretrial release conditions which included the forfeiture of their passports, a mandate to remain within the territory of Spain, and biweekly court appearances as conditions of their release while awaiting trial.

Jaume Bagot established his gallery, J. Bagot Arqueología Ancient Art Gallery in 2005 in the heart of Barcelona.  According to his profile on the BRAFA art fair website, where he is a vetted dealer of ancient art, Bagot's firm specializes in the sale of art from the Etruscan, Greek, Roman and Egyptian civilizations, from Mesopotamia, the Middle East, Gandhara and from various Pre-Columbian cultures. No mention of Libyan cultural objects are mentioned in his BRAFA profile, and yet, police authorities in Spain have seized sculpture which originated from three cities of Libya: Albaida, Apolonia and Cyrene, some of which are believed to have been looted while the territory was under the control of Islamist militant groups.

Bagot's gallery is listed as a member of the influential dealer association C.I.N.O.A. (Confédération Internationale des Négociants en Oeuvres d'Art), as well as the F.E.A. (Federación Española de Anticuarios) where they list him as Jaume Bagot Peix, and where he is also identified as the vice-président of the  Professional Group of Antiquarians of the (Barcelona) Royal Shipyard (Asociación de Anticuarios de las Reales Atarazanas) 

In addition to forming strategic affiliations within the art market's important dealer associations, Bagot's gallery's "about us" page assures potential collectors that he is an ethical dealer by stating:

"Our main objective is to offer original ancient works of art guaranteeing their authenticity and maximum quality while at the same time strictly complying with the laws of protection of national, foreign and UNESCO heritage." 

and

"We also carry out exhaustive research into the provenance and previous ownership of the pieces. To this end we make use of the  data base [sic] of stolen objects, Art Loss Register, as well as making use of publications, sworn  statements, dated photographs, bills, customs documents and insurance policies."

All of which stands in stark contradiction to the apparent charges he now faces with the Spanish authorities of facilitating the sale of illicit antiquities from regions of conflict where terrorist actors might have been involved.

Criminal actors and investments in the legitimate art economy: 
The making of a case = Good (unfortunately usally unpaid) research.

As is all too often the case, some of the best evidence collected highlighting trends in the field of illicit trafficking, is research conducted by unpaid academics, as there has been little funding up until now, made available at the national or multinational level in market countries to financially support the type of in-depth specialized research required by provenance experts studying the flow of illicit objects onto the licit market.  This holds true as well for this particular Spanish investigation, which got its start thanks to an academic researcher.

During his PhD research on les sculptures funéraires de Cyrénaïque (the funerary sculptures of Cyrenaica), French historian, turned conflict antiquities researcher, Morgan Belzic, of the École Pratique des Hautes Études had been working with the French Archaeological Mission and Libya heritage authorities documenting antiquity in the northeastern part of modern Libya focusing on the cities of Shahat (Cyrene), Susa (Apollonia), Tulmaytha (Ptolemais), Tocra (Taucheira), and Benghazi (Euesperides/Berenike).

Looking at evidence useful for understanding the culture and history of ancient Cyrenaica, which thrived between the 6th century BCE and the 4th century CE, Belzic uncovered a worrisome correlation between the looting and destruction that has occurred over the past twenty years at the Greek necropoleis of Libya and an uptick in the number of ancient objects, identifiable solely to that specific region, appearing on the international art market. In conjunction with this increased availability of ancient material surfacing on the art market, he also noted that tomb destruction in the region had risen exponentially, in part as a result of the longstanding instability in the region, but notably over the last ten years in conjunction with items appearing in the market.

Speaking with Morgan about his research last summer, during an informal ARCA meeting of academic antiquities researchers, he told me that while the material remains, the alabaster, glass, and terracotta, found in the tombs of Cyrenaica could likewise be found in other Hellenistic regions, making it difficult to pinpoint the country of origin for looted antiquities of these types, the deities and funerary portraits of Cyrenaica are an exception.

Belzic explained that these sculptures are quite specific in their iconography and style, making it possible for experts, familiar with the sculpture of Cyrenaica, to objectively identify pieces from the region.  Then when these types of sculpture come on the market,  with limited documentation that does not match with existing established collections, one can begin to question their legitimacy and whether or not they may have come from ransacked tombs before making their way into some of Europe's prestigious galleries.

With two rival governments, and countless local militias in Libya, Belzic understood that the probability of staunching the flow of illicit objects following out of Libya could only be tackled by disrupting the demand side of the supply chain.  With that in mind, he turned his research over to law enforcement authorities in Spain who began their lengthy investigation building upon the foundation of his academic research.

In an interview with Crónica Global Media “JBP,” as the Catalan antiquarian prefers to be called, denies any direct involvement with purchasing antiquities from parties in Iraq, Libya or Syria.  He goes on to add that all the items in his inventory have been purchased in good faith, without knowing that the objects in question had been stolen or looted.  His statements imply that any illegal antiquities that made their way into his gallery's inventory did so by honest, unknowing mistake, rather than willful ignorance or a lack of due diligence.

Bagot’s statements are telling as they touch upon the legal framework, technicalities and procedural obstacles that the dealer may try to use in his defence and when fighting any cross-border restitution claim presented by Libya and Egypt in relation to the seizure of his merchandise. It is this culture of willful impunity, the eye's closed "I didn't know" approach which has, for so long, contributed to the challenges of preventing the illegal trafficking of cultural objects through the means of prosecution. 

Unless we establish mandated due diligence accountability for dealers, those who deal in the grey area of the market will continue to rely on the legal conceptualizations of property and ownership in countries favourable to their mercurial transactions.  

Last week I spoke at an UNESCO-EU-funded conference in Paris entitled “Engaging the European Art Market in the fight against the illicit trafficking of cultural property” where I recommended more dedicated public prosecutors and law enforcement officers assigned to focus on art crimes, and building capacity (i.e. funding) in support of experts dedicated to analyzing trafficking from regions at risk.   Belzic, who sat beside me, listened thoughtfully to Erika Bochereau, General Secretary of C.I.N.O.A. (Confédération Internationale des Négociants en Oeuvres d'Art) as she said “It is in the interest of dealers to work only in the licit trade because their business depends on it.”  

I wonder what the confederation's stance will be now that one of their members has come under prosecutorial scrutiny.  

By:  Lynda Albertson

January 15, 2018

IDs from the archives in the Michael Steinhardt and Phoenix Ancient Art seizures

Image Credits:
Left - Symes Archive, Middle - New York DA, Right - Symes Archiv,

Earlier today ARCA was informed by Christos Tsirogiannis of matches that he has made from the confiscated archives of Medici, Becchina and Symes-Michaelides which are related to the recent antiquities seizures made by the state of New York law enforcement authorities earlier this month.

Identifications made from these archives, confiscated by the Italian authorities (with the cooperation of the French and Swiss) and Greek police and judicial authorities, have already facilitated numerous repatriations of antiquities which have passed through the hands of traffickers whose networks are known to have plundered objects from Italy and Greece.

Of the 16 artifacts reported as seized by the Manhattan District Attorney's Office from the home and office of retired hedge-fund billionaire Michael Steinhardt and Phoenix Ancient Art, an ancient art gallery co-owned by Hicham Aboutaam in New York City, Tsirogiannis has tied 9 objects conclusively to photos in all three archives.  Several others objects might be a match, but the DA's publically released photos have been taken from differing angels or opposite sides of the objects so they remain to be confirmed.

The object at the top of this article, a Greek Attic Monumental White-Ground Lekythos used to pour ritual oils at funeral ceremonies, seized from Michael Steinhardt's property,  matches 5 images from the archive of British former antiquities dealer Robin Symes, all of which depict the vessel from various sides.


The Proto - Corinthian pottery figural representing an owl;
the Corinthian terracotta figural vessel representing a lion;
the Corinthian Bull’s Head;
the Ionian sculpture figural representing a ram’s head;
and the Attic Aryballos in the form of a Head of an African;
--were each purchased by Steinhardt in either 2009 or 2011.

These 5 objects along with the Rhodian Seated Monkey seized at Phoenix Ancient Art each match photographs found in the archive of antiquities dealer Giacomo Medici.

The Apulian Rhyton for libations in the form of a Head of an African listed in the warrant appears in a photocopied photo in the archive of antiquities dealer Gianfranco Becchina.

It should be noted that in the joined composite image of the archive photos above, each of the six antiquities have been photographed by someone using the same light-colored hessian (burlap) material as a neutral background.  This could indicate that the antiquities where photographed by a singular individual once the objects arrived under Medici's control. Alternatively, it could mean that the ancient objects have been photographed by a singular individual who then shopped the objects, directly or indirectly, through illicit channels to Medici, who in turn, kept the photographs in his archive as part of his inventory recordkeeping.

As demonstrated by this case, each of these dealer's inventory photos provide valuable insight into the illicit trade in antiquities and which when combined, includes thousands of ancient objects from all over the world.  Many of these objects, those without documented collection histories, likely passed through the hands of smugglers, middlemen, and antiquities dealers who "laundered” the illicit objects onto the licit market.

It would be interesting to know, from the antiquities buyer's perspective, how many private investors of ancient art, having knowingly or unknowingly purchased illicit antiquities in the past, later decide to facilitate a second round of laundering themselves, by culling the object from their collection and reselling the hot object on to another collector.  By intentionally failing to disclose the name of a known tainted dealer, these antiquities collectors avoid having to take any responsibility for the fact that they too have now become players in the game.

While staying mum further facilitates the laundering of illicit antiquities, this option may be seen as far easier to collectors who have invested large sums into their collections than admitting they purchased something, unwisely or intentionally, with a less than pristine provenance pedigree.  To admit to having bought something that potentially could be looted might bring about the loss of value to the asset.  Furthermore by confirming that the antiquity has an illicit background as verified in archives like those of these traffickers, would then render the object worthless on the licit art market.  Worse still, it is likely that their antiquity would then be subject to seizure and repatriation.

By: Lynda Albertson