Showing posts with label john myatt. Show all posts
Showing posts with label john myatt. Show all posts

December 8, 2016

Conference - Second AHRC Workshop | Art, Crime and Criminals: Art, Crime and Criminals: Painting Fresh Pictures of Art Theft, Fraud and Plunder


Organised by: Professor Duncan Chappell,  Dr. Saskia Hufnagel and Ms. Marissa Marjos.

Date: January 16, 2017

Location: Royal United Services Institute for Defence & Security Studies (RUSI)
61 Whitehall
London, United Kingdom

Workshop Fees: None, but registration is required 

Following the success of the first workshop, this second workshop aims specifically at discussions in the area of art fraud and forgeries. The following (third) workshop will focus on looting and iconoclasm (September 2017, Berlin, Ministry of Finance). 

All workshops will be structured around a number of presentations by prominent actors in the field, but the main parts are discussions around the topic between all participants.   

The aim of the workshop series is to encourage interdisciplinary research, cross-jurisdictional sharing of knowledge and exchange of ideas between academics, practitioners and policy makers. Practitioners will be invited from various backgrounds, such as, police, customs, museums, galleries, auction houses, dealerships, insurance companies, art authenticators, forensic scientists, private security companies etc.  

The proposed network not only aims at bringing the different players together, but also establishes a communication platform that will ensure their engagement beyond the three workshops. Organisations invited to the 2nd workshop include: The Association for Research into Crimes against Art (ARCA), Metropolitan Police, German Police (LKA Berlin), Hong Kong Police, Europol, Authenticators and Art Experts, The Art Loss Register, Art Recovery International, Private Policing Sector, Victoria and Albert Museum (Security), National Gallery, Historic England, Artists/Forgers, Insurance Sector, Journalists, Association of Chiefs of Police, MPs, Academics from various disciplines, Art Dealers and many more.

Workshop 2 will focus specifically on the subject area of art fraud and forgery. In an international art market that is currently reaching record levels of pricing and unprecedented levels of speculative sales and investment the incentives for art fraud and forgery have never been higher. Among questions to be addressed will be:

  1. What is the prevalence of this type of crime?
  2. Who are the principal participants?
  3. To what extent are existing regulatory mechanisms effective?
  4. Is self-regulation of the art market the way forward?
  5. How are forgeries placed on the market?
  6. What scientific measures can be taken to better protect the art market?
  7. How should identified fraudulent works of art be dealt with?
  8. How can the legal and financial risks in authenticating works of art be mitigated?

Workshop Schedule

9.00 am Registration

9.30 am – 10.00 am

  • Introduction by Duncan Chappell and Saskia Hufnagel
10:00am – 11.30 am
1. International Case Studies

  • Dr. Noah Charney, founder, Association for Research into Crimes against Art (ARCA)
  • Rene Allonge – Detective Chief Superintendent, Criminal Investigation Office (State of Berlin) and Steven Weigel – Detective Superintendent, Criminal Investigation Office (State of Berlin)
  • Saskia Hufnagel, QMUL

Coffee Break 11.30 am – 12.00 pm

12.00 pm – 1.00 pm

  • Presentation by and Dialogue with John Myatt

1.00pm - 2.00 pm Lunch

2.00 pm – 3.30 pm
2. International Law Enforcement and Security Perspectives

  • Vernon Rapley, Head of Security and Visitor Services at the Victoria & Albert Museum
  • Toby Bull, Senior Inspector, Hong Kong Police
  • Michael Will, Europol

3.30 pm – 4.00 pm Afternoon Tea

4.00 pm – 6.00 pm
3. Detection, Prosecution and other legal action

  • Professor Robyn Sloggett, Director, Centre for Cultural Materials Conservation, University of Melbourne
  • James Ratcliffe, Art Loss Register
  • Robert A. Kugler – Barrister/Solicitor (Rechtsanwalt), Höly, Rauch & Partner - Lawyers, Berlin

Presentations from the first workshop can be found on the Queen Mary University website via the link here.

November 9, 2016

Conference - Second AHRC Workshop | Art, Crime and Criminals: Art, Crime and Criminals: Painting Fresh Pictures of Art Theft, Fraud and Plunder


Organised by Professor Duncan Chappell,  Dr Saskia Hufnagel and Ms Marissa Marjos.

Date: January 16, 2017

Workshop costs: Free, registration required 

Following the success of the first workshop, this second workshop aims specifically at discussions in the area of art fraud and forgeries. The following (third) workshop will focus on looting and iconoclasm (June 2017, Berlin, Ministry of Finance). 

All workshops will be structured around a number of presentations by prominent actors in the field, but the main parts are discussions around the topic between all participants.   

The aim of the workshop series is to encourage interdisciplinary research, cross-jurisdictional sharing of knowledge and exchange of ideas between academics, practitioners and policy makers. Practitioners will be invited from various backgrounds, such as, police, customs, museums, galleries, auction houses, dealerships, insurance companies, art authenticators, forensic scientists, private security companies etc.  

The proposed network not only aims at bringing the different players together, but also establishes a communication platform that will ensure their engagement beyond the three workshops.  Organisations invited to the 2nd workshop include:

The Association for Research into Crimes against Art (ARCA), Metropolitan Police, German Police (LKA Berlin), Hong Kong Police, Europol, Authenticators and Art Experts, The Art Loss Register, Art Recovery International, Private Policing Sector, Victoria and Albert Museum (Security), National Gallery, Historic England, Artists/Forgers, Insurance Sector, Journalists, Association of Chiefs of Police, MPs, Academics from various disciplines, Art Dealers and many more. 

Workshop 2 will focus specifically on the subject area of art fraud and forgery. In an international art market that is currently reaching record levels of pricing and unprecedented levels of speculative sales and investment the incentives for art fraud and forgery have never been higher. Among questions to be addressed will be: 

1.What is the prevalence of this type of crime? 

2.Who are the principal participants? 

3.To what extent are existing regulatory mechanisms effective? 

4.Is self-regulation of the art market the way forward? 

5.How are forgeries placed on the market? 

6.What scientific measures can be taken to better protect the art market? 

7.How should identified fraudulent works of art be dealt with? 

8.How can the legal and financial risks in authenticating works of art be mitigated? 

9.00 am Registration

9.30 am – 10.00 am
Introduction by Duncan Chappell and Saskia Hufnagel

10:00am – 11.30 am
1.           International Case Studies 
Dr. Noah Charney, founder, Association for Research into Crimes against Art (ARCA)

Rene Allonge – Detective Chief Superintendent, Criminal Investigation Office (State of Berlin) and Seven Weigel – Detective Superintendent, Criminal Investigation Office (State of Berlin)

Saskia Hufnagel, QMUL

Coffee Break 11.30 am – 12.00 pm
12.00 pm – 1.00 pm
Presentation by and Dialogue with John Myatt

1.00pm - 2.00 pm Lunch

Afternoon
2.00 pm – 3.30 pm
2.          International Law Enforcement and Security Perspectives
 Vernon Rapley, Head of Security and Visitor Services at the Victoria & Albert Museum

Toby Bull, Founder, TrackArt - Art Risk Consultancy

Michael Will, Europol

3.30 pm – 4.00 pm Afternoon Tea

4.00 pm – 6.00 pm

3.        Detection, Prosecution and other legal action
Professor Robyn Sloggett, Director, Centre for Cultural Materials Conservation, University of Melbourne

James Ratcliffe, Art Loss Register

National Gallery

Robert A. Kugler – Barrister/Solicitor (Rechtsanwalt), Höly, Rauch & Partner - Lawyers, Berlin

Presentations from the first workshop can be found on the Queen Mary University website via the link here.

March 20, 2012

Art Fraudster John Drewe Jailed for 8 Years Following Real Estate Fraud Trial in Norwich

Christine Cunningham reported for the Evening News on March 12 that John Drewe, 64, convicted in 1999 of art fraud, was jailed for eight years after his conviction for fraud by the Norwich Crown Court for stealing 240,000 sterling pounds from a retired music teacher in an attempt to steal her home and life savings.  You can read the article here.


Ms. Cunningham writes that the court heard that Drewe had been convicted more than a dozen years ago of "conspiracy to defraud, forgery and theft, involving a major art fraud and was jailed for six years."


Andrew Levy for the Daily Mail reports that Drewe used the stolen money to purchase luxury cars and "to pay off his son's debts":

Drewe had been jailed in 1999 for masterminding one of the biggest art frauds of the century. He made £1.8million by commissioning paintings and passing them off as rediscovered works by major artists.
Using the forgeries made by John Myatt, Drewe sold 200 fake original artworks. John Myatt, who's own website claims Myatt "was involved in the biggest art con in the UK", now sells "legitimate fakes" and claims his life will be the subject of movies and television shows.

Noah Charney wrote about John Drewe's activities in the Fall 2010 Journal of Art Crime in his column Lessons from the History of Art Crime "The Art World Wants to be Deceived: Issues in Authentication and Inauthentication":
John Myatt and John Drewe created false documents to act as provenance for the forged paintings they created, and then inserted them into real archives, so that diligent researchers would "discover" them and link them to the forged paintings.

At ARCA's International Art Crime Conference in Amelia last summer (2011), Peter Watson, author of numerous books including The Medici Conspiracy and Sotheby's the Inside Story, in a discussion titled "Some Unpublished and Unpalatable Details about Recent Art Crimes", said that John Drewe had once been suspected of burning down a house that killed a Hungarian lodger.

If John Drewe serves his full jail sentence, he will be able to pursue other opportunities at the age of 72.