July 30th was the first day of the art crime symposium conducted by retired FBI Agent Virginia Curry and retired Scotland Yard Detective...

by Tanya K. Lervik (ARCA 2011) On Sunday, July 29th, a private screening of “The Missing Piece” was held in a Georgetown theater for a...

John Kleberg reviews "Leonardo's Lost Princess" (John Wiley & Sons, Inc., Hoboken, New Jersey, 2012) by Peter Silverman ...

ARCA Founder Noah Charney reviews Aviva Briefel's book, "The Deceivers: Art Forgery and Identity in the Nineteenth Century" ...

ARCA Blog Editor Catherine Sezgin reviews Joshua Knelman's "Hot Art: Chasing Thieves and Detectives Through the Secret World of Ar...

David Gill reviews James Cuno's book, Museums Matter: In Praise of the Encyclopedic Museum (The University of Chicago Press, 2011) in ...

Stuart George reviews " Stealing Rembrandts: The Untold Stories of Notorious Art Heists " (Palgrave Macmillan, 2011) by Anthony ...

Edgar Degas.   Count Lepic and His Daughters .  1871.  Oil on canvas.  65.5 x 81 cm. E.G. Bührle Collection, Zurich. by Kirste...

A shorter version of this lecture was delivered via Skype to the conference entitled “Contemporary Perspectives on the Detection, Investig...

By Colette Loll Marvin On July 12th, I attended a cultural repatriation ceremony at the Embassy of Peru in Washington, DC. The cerem...