March 17, 2011
Samuel Sidibé, Director of the National Museum of Mali, Spoke Wednesday at UNESCO in Paris about the 1970 Convention and How the Severe Problem of Looting of Archaeological Sites Was Exacerbated By Demand in the Art Market for Wooden and Ceramic Masks
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Samuel Sidibé of Mali posed for photograph by Catherine Schofield Sezgin, editor PARIS - Samuel Sidibé, the director of the National Mu...
March 16, 2011
Mexico and Canada at UNESCO's meeting on the 40th anniversary of the 1970 Convention
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Ambassador Carlos de Icaza and Jorge Sánchez-Cordero by Catherine Schofield Sezgin PARIS - I have two-days of notes on the more than 11...
March 15, 2011
Passing out "Save Egypt" buttons at UNESCO's 40th Anniversary of the 1970 Convention
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Gihane Zaki, Director General, Nubia Fund, Ministry of Culture for Egypt wearing SAFE's button by Catherine Schofield Sezgin ARCA ...
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March 14, 2011
"The Louvre: A Golden Prison" produced by Lucy Jarvis and NBC News in the 1960s hints at the plain sight hiding location of a large painting during the Nazi Occupation of Paris
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Lucy Jarvis (Paley Center) by Catherine Schofield Sezgin During my almost sleepless flight to Paris last night, I watched again a charm...
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Museums and Nazi-looted Art: Provenance research departments and registeries
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by Emily Blyze, ARCA Alum 2009 The last post of a five-part weekend series In September 2009, the Indianapolis Museum of Art built an Objec...
March 13, 2011
Museums and Nazi-looted Art: Washington Principles vs. Terezin Declaration
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by Emily Blyze, ARCA Alum 2009 Part four of a five-part weekend series Principles 3, 4, and 5 of the Washington Principles are worthy of at...
Nazi-looted Art Provenance: Emily Blyze on Museum Guidelines
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by Emily Blyze, ARCA Alum 2009 Part three of a five-part weekend series The crucial purpose of the European Shoah Legacy Institute in Te...
March 12, 2011
Continued Discussion on Museum Guidelines for the Provenance of Nazi-Looted Art
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Edgar Degas' "Landscape with Smokestacks" (Chicago Art Institute) by Emily Blyze ARCA Alum 2009 Part Two of Five in a sp...
A Primer on Nazi-Looted Art Provenance: Emily Blyze on the Guidelines Established by Museums
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by Emily Blyze, ARCA Alum, Class of 2009 Legal claims by heirs of Holocaust victims whose art works were looted by the Nazis, and claims b...
March 11, 2011
ARCA Alum Profile: Catching up with Emily Blyze, Class of 2009
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Emily Blyze, ARCA Class 2009 by Catherine Schofield Sezgin, Editor Emily Blyze graduated from ARCA’s Master’s Program in Art Crime Stud...
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