|Exhibition in the library of the Collecting Point, summer 1947|
© Zentralinstitut für Kunstgeschichte
The Association for Research into Crimes against Art (ARCA) and the US-based Holocaust Art Restitution Project, [Inc.] (HARP), a not-for-profit group based in Washington, DC, dedicated to the identification and restitution of looted artworks, have teamed up to offer a unique short course in Amelia, Italy, this summer. This new thematic course “Provenance and the challenges of recovering looted assets” will address cultural plunder, undoubtedly one of the thorniest issues facing the art world today.
Course Dates: June 22- 28, 2017
Open to applicants interested in the restitution/repatriation of looted cultural objects and their trafficking, this 5-day course will provide participants with exposure to the research and ethical considerations of modern-day art restitution. As an added bonus students accepted to the course are automatically registered for ARCA’s Amelia Conference, June 23-25, 2017 a weekend-long forum for intellectual and professional exchange which explores the indispensable role of research, detection, crime prevention and criminal justice responses in combating all forms of art crime and the illicit trafficking in cultural property.
“Provenance and the challenges of recovering looted assets” will be taught by Marc Masurovsky, the co-founder of the Holocaust Art Restitution Project. Mr Masurovsky is a historian, researcher, and advocate, specializing in the financial and economic underpinnings of the Holocaust and the Second World War.
Born and raised in Paris, France, Mr. Masurovsky holds a B.A. in Communications and Critical Cultural Studies from Antioch College and an M.A. in Modern European History from American University in Washington, DC, for which his thesis was on “Operation Safehaven.” He worked at the Office of Special Investigations of the US Department of Justice researching Byelorussian war criminals, locating primary source documents, and interviewing war crimes suspects in North America and Western Europe. As a result of his early work on the transfers of looted assets from the Third Reich to the safety (safehaven) of neutral and Allied nations, Marc Masurovsky advised the Senate Banking Committee in the mid-1990s on the involvement of Swiss banks in the Holocaust, then lent his expertise to plaintiffs’ counsels suing Swiss banks on behalf of Holocaust survivors.
Since 1997, Marc Masurovsky has focused his attention on the fate of objects of art looted by the Nazis and their Fascist allies. He has also played a major role in the January 1998 seizure of Egon Schiele’s “Portrait of Wally” and “Night City III” at the Museum of Modern Art of New York and was a director of research for the Clinton-era Presidential Advisory Commission on Holocaust Assets in the United States (PCHA).
Since 2004, Marc Masurovsky has overseen the creation, development and expansion of a fully-searchable, public online database of art objects looted in German-occupied France that transited through the Jeu de Paume in Paris from 1940 to 1944. Marc Masurovsky is co-author of Le Festin du Reich: le pillage de la France, 1940-1944 (2006), and is currently at work on a book on cultural plunder during the Nazi era and its impact on the international art market.
For more information on the course and how to apply, please see announcement on ARCA's website here.