In a tightly worded announcement made on 11 August 2022 the J. Paul Getty Museum revealed that it will finally relinquish its nearly-lifesize terracotta sculptural group "Seated Musician and Sirens" to the Italian authorities "after evidence persuaded the museum that the statues had been illegally excavated."  In elaborating on the three sculptures' return, directors Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle of the J. Paul Getty stated "Thanks to information provided by Matthew Bogdanos and the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office indicating the illegal excavation of Orpheus and the Sirens, we determined that these objects should be returned." 

While this announcement seemed like breaking news across the English speaking world, making several major news publications, it's not to those living and working on Italian cultural heritage losses. Many of those who have been following the tug of war between Italy and the Getty museum for more than a decade have felt that these objects, coming from the Magna Graecia colony of Taranto, should have already come home, and are curious as to what confirmatory evidence the New York authorities now have about these objects' illicit past and those who handled them which finally resulted in the museum's sudden release of their prized grouping. 

As backstory, the seated poet and his two standing sirens were confiscated in April 2022 as part of New York's investigation into an accused Italian antiquities smuggler. Originally brightly painted, this large-scale sculptural ensemble was purchased by John Paul Getty Sr.,  the founder of Getty Oil Company, in the spring of 1976 with no known provenance aside attesting to its collecting history, aside from the name of the Swiss bank seller.

Like with the sculpture of the poet, both of the sirens in this grouping also show signs of having been reconstructed from multiple fragments.  On the first siren, gaps can be seen in her short chiton and in her right claw.  For the second, most of the curls and the little finger of her right hand have been broken off the statue at some point in her transport out of Italy. 

But what did John Paul Getty Sr. have to say about their circulation on the art market and his collecting habits as he filled his new museum?

Prior to his death, and in ever declining health despite being deeply involved in the construction and opening of the Getty Villa,  Getty made multiple final acquisitions for his museum, with little attention towards the provenance and via several suspect brokers of ancient art who repeatedly have been accused of  trafficking in antiquities.  These purchases are outlined in his March 6, 1976 diary entry and include:  

• a 530 BCE Archaic marble head from Heinz Herzer worth 56,000 DM (Object Number: 76.AA.6);
• a Greek Attic Panatheniac Amphora Attributed to the Nichomachos Group from Nicolas Koutoulakis worth 70,000 USD (Object Number: 76.AE.5.a);
• a Statue of Togatus from Bank Leu, A.G. for 61,000 SF;
• a 180 BCE Hellenic Marble Head from Muhammed Yoganah for 50,000 USD;
• a 100–250 CE Toman silver statuette of Venus from Mathias Komor for $7500 (Object Number:76.AM.4);
• a 210 CE Front of a Sarcophagus with the Myth of Endymion from Robin Symes for 30,000 GBP (Object Number: 76.AA.8.b);  

• the group of 3 statues made in Tarentum at the end of the 4th century BCE for $550,000 from Bank Leu, A.G. (Object Numbers: 76.AD.11.1, 76.AD.11.2 and 76.AD.11.3).

Getty wrote in his dairy that all of the artefacts above, had been purchased on the recommendation of Jiří Frel, the Getty's Czech-American archaeologist.  Frel, was the J. Paul Getty Museum's first Curator of Antiquities would later be implicated in a number of controversies that tarnished the reputation of the museum.  Based on suspicions of malpractice, he was placed on paid leave from the Getty in 1984 and was allowed to quietly resign in 1986.  

After leaving the California museum, Frel, served as a consultant for wealthy European collectors, taught classes, and shuttled between residences in Budapest and Italy. At one point he even registered himself as being domiciled in Sicily, setting his residence in the palazzo of the problematic antiquities dealer Gianfranco Becchina in Castelvetrano.

Speaking with Italian journalists, New York prosecutor Matthew Bogdanos from the Manhattan District Attorney's Office's Antiquities Trafficking Unit stated that the J. Paul Getty Museum had cooperated with the DANY regarding these pieces after their seizure, but underscored that their seemingly impromptu restitution is still part of an ongoing criminal investigation being conducted by the Manhattan office in collaboration with the Comando Carabinieri per la Tutela del Patrimonio Culturale.  Bogdanos added that the museum's repatriation statement, released by the Getty, "left half of the truth out" and by that one can surmise he is referring to their seizure the previous April. 

Speaking further, Bogdanos added that this multi-year investigation started with the exploration of suspect market actors his team has spent years investigating.  The prosecutor underscored that this sculpture group's illegal removal from Italy, and export to the United States via Switzerland, involved a well known trafficking network which is known to have operated in Italy for decades.  

One member of this network who has now been publicly identified is Raffaele Monticelli, the retired elementary teacher, who gave up teaching for the more lucrative roll of middle man broker of illicit antiquities.  Monticelli has been arrested several times, and connected to multiple trafficking networks for decades.  Most recently, in late 2021, he was arrested by the Dutch authorities after having carried a looted helmet to Delft for restoration.

If we take a look at the Manhattan District Attorney's Office's Michael Steinhardt statement of facts, we can also determine, on page 36, that Raffaele Monticelli also had a relationship with Leo Mildenberg, the late Swiss numismatist for the Swiss private Bank Leu A.G., who is known to have brokered sales both for Raffaele Monticelli and for Gianfranco Becchina. 

How long has this restitution taken? 

The sculptural group first appeared as a grouping of high concern in the list of identified finds drawn up by Italy's Ministry of Culture at the beginning of 2006.  

The Taranto provenance, in addition to appearing in the digital record compiled by the J. Paul Museum, is supported by Italian scholars Pietro Giovanni Guzzo and Angelo Bottini who published the grouping purchased by the Getty in 1976. 

Furthermore, an article, published in the "Gazzetta del Mezzogiorno" dated 30 November 2006, and republished in the web magazine "patrimoniosos" stated "the comparisons with the monumental groups in terracotta found in central and southern Italy and the representations we have on the ceramic finds of Apulian production, which document the presence of decorative terracotta statues on the monumental tombs of Taranto, dispel any doubts about their origin from southern Italy "

Photographs of the pieces were also seen in 2018 in a series of black and white photos documenting portions of the restored sculptures on the 8 December 2018 RAI documentary "Petrolio - Ladri di Bellezza" produced by journalist Duilio Giammaria and Senator Margherita Corrado has repeatedly spoken in the XVIII Session of the Italian Senate about the need to bring these artefacts home.

Yet, despite all that, the 4th century BCE sculptures were (still) center stage on the ground floor of the Getty Villa in California's Pacific Palisades during the museum's  exhibition: Underworld - Imagining the Afterlife as late as October 31, 2018–March 18, 2019.   They were removed only after this investigation came to a head earlier this year.  

When Orpheus and his Sirens eventually fly home in September, they will initially go on display in the Museo dell'Arte Salvata (Museum of Rescued Art), housed in the Octagonal Hall at the Baths of Diocletian in Rome.  Perhaps by then we will be able to publicly share how the New York District Attorney's Office in Manhattan, HSI-ICE and the Italian Carabinieri moved this case successfully forward. 

It is with deep regret that we learned of the passing of our former museum security and risk management professor and dearest friend Dick Drent, who passed away on the 12th of July 2022.

Dick served as a professor with ARCA’s Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection for more than a decade. Each year, his course not only provided participants with a thorough knowledge of the fascinating field of museum security, but drew upon his own magnificent career which spanned over three decades working on investigations, security and risk management. His unrivalled experience, his humour, and inspiring way of earning the respect of others, made his courses unique and unforgettable.  Entering a museum would never be the same again for anyone who had the privilege of studying with him. Or in his own words ‘your days of solely enjoying a museum or art will be over. Forever’. 

During his career in law enforcement, Dick fought organised crime and terrorism, mostly within the Netherland's Undercover and Sensitive Operation Unit. In 2005, he left policing to take on the role of director of security for the Van Gogh Museum in Amsterdam. Over the next ten years he worked with this award-winning museum developing an OCE matrix which challenged traditionally reactive methods of museum risk management and instead took on a proactive security approach which focused on preventing incidents before they happen.  

Dick receiving the confirmation that the two Van Gogh paintings recovered from drug lord Raffaele Imperiale were the art works stolen during the 2022 Van Gogh Museum heist.

Congregation Leaving the Reformed Church in Nuenen. 

These paintings were stolen from the Van Gogh Museum in 2002 and successfully recovered 14 years later in coordination with Italian and Dutch law enforcement after it was determined that the paintings were held by one of the leaders of a Camorra affiliated drug trafficking clan operating throughout the Bay of Naples, the Netherlands and Spain.

Even after the paintings were recovered, Dick's security guard instincts carried on, even during the press event at Naples Museo Nazionale di Capodimonte when this recovery was being celebrated.  In a room filled with over two hundred members of the press and law enforcement officers, Dick stood guard over the two Van Gogh paintings as if they were heads of state, ensuring that they were well protected. 

Besides these memorable recoveries, Dick was also active in several other ways for ARCA. In Lebanon, he was one of our key instructors in a specialised training program for countering antiquities trafficking in the Mashreq, a joint collaboration between UNESCO with ARCA along with other affiliated NGOs working on art and heritage crime in conflict, post conflict and transit countries. 

Dick also stepped in to provide online eLearning courses when the COVID pandemic made our summer training program too risky, and assisted ARCA in any way he could, using his expertise, wide network, and endless energy to advance the mission of our association in the fields of cultural property protection.

Having him here to teach with and for ARCA was a profound gift.  One that we will miss dearly. 

We are incredibly grateful for everything he has done for the association and for the whole ARCA family of alumni, professors, staff, and volunteers, all of whome will miss him tremendously.

Our thoughts are with Dick’s wife Petra, his daughter Simone, his granddaughter Kato Marie, his son in law Wouter, and his bonus daughter Barbara. 

A condolence service will be held on Tuesday, the 19th of July at 7:00 pm in Zaandam. 

The pain of this hard good-bye is our heart’s tribute to the privilege to knowing, learning, and working with him. 

Rust zacht, beste makker,

ARCA Alumni
ARCA Professors
Edgar Tijhuis, academic director
Noah Charney, founding president
Lynda Albertson, CEO

Ohhh I am so sorry to hear this. He really did stand out and I loved all the stories he shared with us about the museum. I will always remember him. 

Please stay strong. I know deep in my heart that he will stay alive inside all of us. No one forgets a friend and a professor....he worked so hard in his careers and passed on knowledge and changed us all. I say this with a tiny tear in my eyes. I don't think I can ever forget what he gave us at ARCA. Please know that he will live forever. You will see and feel him in every course you succeed in. You all made it happen. Stay strong for his sake. 🌸❤️  --Rania Kataf - ARCA 2016

Dick was so very important and he did it through his heart. There are tons of people who insist you listen to them and respect their authority, but he never did that. He was always himself and that assurance and humor made you want to be near him, learn from him, work with him. -- Summer Clowers - ARCA 2013

Very sad to hear this. Such good memories from Dick’s course, especially at the museum trip. All the best wishes to Petra, family and friends. --Max Van Steen - ARCA 2019

I’m so very sorry to hear this 😞 Please pass our love on to Petra and the family. Dick was an incredibly generous, kind and gifted individual. He will be missed.  --Alexandra Taylor - ARCA 2019

Goodbyes really hurt when the story is not finished and the book has been closed too soon.  I will truly and deeply miss you my dear friend.  --LA

For information about sending condolences, please write to us at support@artcrimeresearch.org

 

DIA Seizing Gianfranco Becchina assets in 2017

While the DIA's announcement didn't name the, now, 83 year old dealer living in Castelvetrano, the regional newspapers in Sicily did.   

For decades the Trapani branch of the Cosa Nostra is believed to have accumulated at least some portions of its wealth through the proceeds of illicit archaeological finds.  Some of which were procured through grave robbers working at the isolated Archaeological Park of Selinunte, one of Sicily's great ancient Greek cities, located near Castelvetrano.  This archaeological site covers some 40 hectares and includes Greek temples, ancient town walls, and the ruins of residential and commercial buildings from Italy's past.  Given its remote location, much of the site has not been formally excavated, and it has been prey to opportunistic looters for decades.

To further dismantle the mafia's operational funding in and around Trapani, in November 2017 Italy's Anti-Mafia Investigative Directorate, through the Court of Trapani's penal and preventive measures section, filed an initial seizure order for all movable assets, including real estate and corporate enterprises attributable to Gianfranco Becchina on the basis of an order issued from the District Attorney of Palermo based upon investigations conducted by the DIA, under the coordination of the Palermo Public Prosecutor's Office on the basis that much of Becchina's accumulated wealth was generated through the proceeds of trafficked antiquities. 

Palazzo dei Principi Tagliavia-Aragona-Pignatelli

Giovanni Franco Becchina (b. 1939) was born in Sicily. In the 1970s, he established a business, Palladion Antike Kunst, in Basel, Switzerland, with his wife Ursula.  For almost forty years Becchina headed one of Italy's most notorious “cordata” (a trafficking cell) in a lucrative criminal enterprise that used gangs of tombaroli to loot carefully chosen and insufficiently guarded archaeological sites throughout southern Italy.

It is well-documented that Becchina and other traffickers like him, laundered their looted antiquities through exhibitions at museums and in private collections with manufactured provenance, providing a thin veneer of respectability to material removed from Italy and laundered through the ancient art market. 

In 2001, Becchina was arrested in Italy and charged with receiving stolen goods, illegally exporting goods, and conspiring to traffic goods. In May 2002, the Swiss and Italian authorities raided Palladion Antike Kunst and three of Becchina’s located storage facilities.  A fourth was raided in 2005. 

In 2011, Judge Rosalba Liso dismissed the charges of receiving stolen goods, illegally exporting goods, and conspiring to traffic goods, due to the running of the statute of limitations.  However, the Judge in the case confirmed the seizure order for the 5,919 antiquities Becchina had in stock at the time the 2002 and 2005 search warrants were executed.  Material evidence obtained during these seizures c confirmed that Becchina bought antiquities directly from tombaroli. Over 90% came from a single source: convicted tombarolo (and later capo squadra in his own right) Raffaele Monticelli.

Here is a timeline of how the events in that case developed. 

16 August 2021 - An attempted theft, occurs at around half-past ten at the Zaans Museum in Zaandam, Netherlands 

Image Credit:  Guardia Civil, Spain

It wasn't until an October 9,  2019 El Pais journalist Manual Ansede wrote an article about the hunting compulsion of Spain's Marcial Gómez Sequeira showing hundreds of animals mounted on taxidermy stands at his luxury chalet in La Moraleja (Alcobendas) in North Madrid.

In general though, over the years, the public hasn't taken much notice of country's wealthy gentlemen and their hunting obsessions.  But, as the result of that article, the Spanish national police opened an investigation, looking into potential violations of the Convention on International Trade in Endangered Species of Wild Fauna and Flora, CITES, the international agreement between governments which aims to ensure that international trade in specimens of wild animals and plants does not threaten the survival of the species.

When interviewed for the El Pais article, collector Marcial Gómez Sequeira told journalist Ansede that he estimated, if he added all his hunting trips together, that he had been firing bullets into animals for 24 hours a day over the course of 11 years and three months of his life.   All the while hiding in plain sight while proudly  documenting his kills in multiple forums on film and in print. 

Sequeira's wealth cam from the company Sanitas, founded in 1954 by a group of Spanish doctors, including Marcial Gómez Gil, the father of Marcial Gómez Sequeira, who became the firms first CEO as majority shareholder. In the 1960s when his father left that position the role fell to his son, who remained the majority shareholder of the company until 1988.

2014 Facebook Photo of Stiliyan Kadrev

Image Credit:  Guardia Civil