The Journal of Art Crime, Spring 2011: This issue is now available for sale

Illustration by Urska Charney

The fifth issue of The Journal of Art Crime, edited by Noah Charney, founder and President of the Association for Research into Crimes against Art, is now available.

"The Journal of Art Crime has undergone some changes, as we are now publishing the print edition in collaboration with Amazon, making the acquisition of back-issues easier, and speeding up the process," Mr. Charney writes in his Letter from the Editor in the Spring 2011 issue. "The next issue, Fall/Winter 2011 will come out earlier this year, as we reconfigure our publication dates. Fall/Winter issues will come out in November, and the Spring/Summer issues will come out April."

This issue includes four academic articles: "The Case of the Questionable Jeffersonian Lafites: Forensic Applications in Detecting Wine Fraud" by John Daab; "European Police Cooperation on Art Crime: A Comparative Overview" by Ludo Block; "Polaroids from the Medici Dossier: Continued Sightings on the Market" by David W. J. Gill and Christos Tsirogiannis; and "The Skylight Caper: The Unsolved 1972 Theft of the Montreal Museum of Fine Arts" by Catherine Schofield Sezgin.

The regular columns feature Donn Zaretsky's Art Law and Policy; Noah Charney's Lessons from the History of Art Crime on "Mona Lisa Myths: Dispelling the Valfierno Con"; and David Gill's Context Matters on "The Unresolved Case of the Minneapolis Krater."

Editorial essays include Danelle Augustin on "A Different View of Art Crime: An interview with the Sculptor Nicolas Lobo"; Noah Charney on "Freeze of BBC License Fee Continues Dream of Art Thief Who Stole Goya's "Portrait of the Duke of Wellington" from the National Gallery in 1961"; Christopher A. Marinello, Esq., Executive Director and General Counsel for the Art Loss Register, on The Art Loss Register's Recovery Update; Diane Joy Charney on "Another Look at the 210 ARCA Conference on the Study of Art Crime: Something for Everyone"; and Elena Franchi on "I viaggi dell'Assunta. La protezione del patrimonia artistico veneziano durante i conflitti mondiali".

Reviews by Noah Charney on "Exhibition Review: Jan Gossaert at the National Gallery, London 23 February-30 May 2011" and "Exhibition Review at the Mostra Palazzo Farnese"; Douglas L. Yearwood on "Henry Walters and Bernard Berenson: Collector and Connoisseur Stanley Mazaroff" and "Giuseppe Panza: Memories of a Collector".

Other contributions include Noah Charney's "Q&A" with Peter Watson and Alan Hirsch; Catherine Schofield Sezgin's "Q&A" with the LAPD Art Theft Detail and the Québec Art Crime Team; and Noah Charney on "The Art We Must Protect: Top Ten Must-See Artworks in New York City".