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| Alexandre-Gabriel Decamps (1803-1860) Le Campement de bohémiens, Oil on wood - 18 x 24.8 cm |
In a developing story, first reported by France's La Tribune de l'Art, a stolen painting, Le Campement de bohémiens, believed to be by the artist Alexandre-Gabriel Decamps, has been identified in an online auction catalog at the Paris auction house Hôtel Drouot.
The artwork was first spotted by Xavier de Palmaert, who in turn notified Jacques Ranc, an art historian working on Alexandre-Gabriel Decamps catalog raisonné. The painting on auction is believed to be one of 17 by the artist bequeathed to the Louvre Museum in Paris in 1902 from the collection of Thomy Thiéry. Not on display at the time of its disappearance, the artwork was identified as being missing during an inventory check on January 15, 1977 and is believed to have been taken from the museum sometime between 1973 and 1977.
2833 — Le Campement de bohémiens.
Devant un mur dégradé, des bohémiens, un homme, une femme et uhc fillette, ont allumé du feu et font bouillir la marmite. La femme, au premier plan, misérablement vêtue, est assise sur une pierre ; l'homme, assis à terre, à gauche, est appuyé contre le mur du fond, tandis que la fillette debout, à droite, la pincette à la main, surveille le feu qu'abrite une vieille porte de bois. Quelques récipients grossiers sont à terre.
Signé sur une pierre, à droite : Decamps.
Bois. Haut., 18 cent.; larg., 24 cent.
Collections J. Fan, Véron, dit Taillis, H. Didier.
M"'"' la baronne Nath. de Rothschild et Denain.
Catalogue Moreau, p. 193.
(Translated in English)
2833 - The Gypsy Camp.
In front of a degraded wall, gypsies, a man, a woman and a young girl, lit the fire and boil the pot. The woman in the foreground, miserably clad, sat on a stone; man, sitting down, left, is leaning against the back wall, while the girl standing, right, tongs in hand, watching the fire beside an old wooden door. Some containers thrown crudely down.
Signed [by the artist] on a stone, on the right: Decamps.
Wood. 18 cent .; 24 cent.
Collections J. Fan, Véron, dit Taillis, H. Didier.
Miss Baroness Nath. Of Rothschild and Denain.
Catalog Moreau, p. 193.
Here for comparison is a matching photograph taken from an article titled: "George Sand et les Bohémiens" by François de Vaux de Foletïer from 1976
Considered by some to be the founding father of Orientalism, Alexandre-Gabriel Decamps was one of the first French painters of the 19th century to turn from Neoclassicism to Romanticism. Due to his influence, Decamps is likely one of the most copied and forged artists of the nineteenth century.
For Mr. Ranc to consider this work as potentially authentic is a big statement, especially as he has been vocal about the number of fakes or copies or "in the manner ofs" Alexandre-Gabriel Decamps artworks that are part of museum collections.
Hôtel Drouot has long been one of France’s most venerable and prestigious auction houses. In March 2016 a scandal broke when 40 of the firm's self-governing and self-employed corps of porters, known as the ‘red collars’ indicted for pilfering' thousands of items.
For the moment, the painting has been removed from sale pending the official demand for restitution by the Ministère de la Culture et de la Communication in France.
For Mr. Ranc to consider this work as potentially authentic is a big statement, especially as he has been vocal about the number of fakes or copies or "in the manner ofs" Alexandre-Gabriel Decamps artworks that are part of museum collections.
Hôtel Drouot has long been one of France’s most venerable and prestigious auction houses. In March 2016 a scandal broke when 40 of the firm's self-governing and self-employed corps of porters, known as the ‘red collars’ indicted for pilfering' thousands of items.
For the moment, the painting has been removed from sale pending the official demand for restitution by the Ministère de la Culture et de la Communication in France.
Further details of the painting's history and provenance found on the Ministry's cultural patrimony portal:
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| Alexandre-Gabriel Decamps Photo Credit: Eugene Disdéri |
Domaine: peinture
Dénomination: tableau
Titre: Le Campement de Bohemiens
Auteur/exécutant: DECAMPS Alexandre Gabriel
Précision auteur/exécutant: Paris, 1803 ; Fontainebleau, 1860
Ecole: France
Période création/exécution: 2e quart 19e siècle
Matériaux/techniques: peinture à l'huile ; bois
Dimensions: H. 18, l. 24.8
Inscriptions: signé
Précision inscriptions: Decamps (S.mi-h.d.)
Sujet représenté: scène (nomade, préparation des aliments)
Lieu de conservation: Paris ; musée du Louvre département des Peintures
Musée de France: au sens de la loi n°2002-5 du 4 janvier 2002
Statut juridique: propriété de l'Etat ; legs ; musée du Louvre département des Peintures
Date acquisition: 1902
Anciennes appartenances: Thomy Thiéry
Numéro d'inventaire: RF 1386
Bibliographie: Catalogue des peintures du Louvre, I, Ecole Française, Paris, 1A972, p. 121 ; Catalogue sommaire illustré des peintures du musée du Louvre et du musée d'Orsay, Ecole française, III, Paris, 1986, p. 190
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