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October 15, 2024

Urban Tombaroli and Two Clandestine Excavations: Near the Villa at Oplontis and in Central Naples


The Carabinieri have uncovered a clandestine excavation in Torre Annunziata, believed to be aimed at looting artefacts from the renowned Villa A (“of Poppaea”) at Oplontis, an ancient luxurious Roman seaside villa located a short three kilometers away from the more famous archaeological site of Pompeii. The discovery was made during a coordinated operation led by the Carabinieri’s investigative unit from Torre Annunziata, with assistance from agents specialising in cultural heritage crimes. 

Map from Oplontis: Villa A (“of Poppaea”) at Torre Annunziata, Italy. Volume 1.
The Ancient Setting and Modern Rediscovery
by John R. Clarke and Nayla K. Muntasser

Acting on a tip-off, the Carabinieri officers raided a cellar on Corso Garibaldi, number 106, just one minute's walk from the historic villa.  There the investigators  found three partially collapsed but still accessible tunnels, all leading in the direction of the Villa of Poppea, with its striking wall paintings  The officers also found a striking number of tools used for the illicit excavation, as seen in the video below.  These included aerators, shoring materials used in the tunnels' development, and containers already filled with volcanic lapilli removed during the advancement of the digging operation.

The owner of the cellar, a 53-year-old local carpenter with no prior criminal record, has been charged with conducting illicit works under Article 169 of Italy’s cultural heritage code. 

Investigators believe the tunnels were dug with the intent of reaching and stealing artefacts from the archaeological site, a UNESCO World Heritage Site known for its exceptionally preserved frescoes and structures dating back to ancient Rome.

The Villa of Poppea is a significant part of the Oplontis site and has long been a target for tomb raiders due to its rich archaeological significance. Authorities are continuing their investigation, focusing on whether the carpenter was working alone or, given the abitious nature of materials found, as part of a larger network of artefact thieves.

Earlier this month, a similarly ambitious illicit excavation was uncovered in the heart of Naples.  There officers discovered the remains of an 11th century medieval church eight meters below street level, 2 km away from Naples central train station near Piazza Bovio. 

The raider in this instance is a local entrepreneur, digging directly under an existing palazzo.  Recovered at the scene, officers seized some 10,000 archaeological fragments from the Roman and medieval eras, believed to be from the suburban sector of the ancient Magna Graecia city of Neapolis, as well as 453 intact archaeological finds from the Roman era , including: red-figure craters, amphorae, terracotta lamps and pipes, as well as Roman and medieval coins.

The previously undiscovered church is said to be a rare example of medieval art of the 11th century, whose decoration are similar t the nearby Sacello di Sant'Aspreno. 

Both incidences highlight the significant challenges posed by urban illicit excavations for both law enforcement and cultural heritage protection.  These unauthorised digs, often conducted covertly beneath residential or commercial properties, not only pose safety hazards due to unstable tunnels and potential structural damage, but they also risk irreparable harm to the archaeological context of the site. 

In cities with rich histories like Cairo, Rome or Naples, contemporary city expansion has often built over ancient treasures, making it difficult to monitor such hidden operations.   Looters seeking valuable artefacts frequently destroy layers of history, removing items from their context and severing crucial links to the past.  This not only deprives the public of valuable cultural knowledge but also fuels the black market for antiquities, undermining legitimate efforts to preserve and study historical sites. 

The challenge for authorities is compounded by the difficulty of detecting these operations in densely populated areas, where excavations can go undetected for years, beneath seemingly ordinary locations.

October 14, 2024

Stolen Funerary Artefact Returns to Ad Decimum Catacombs

Yesterday, a homecoming took place in Grottaferrata, Italy, marking the final passage in the return of an important marble funerary artefact. This ancient epigraphic fragment offers its readers a glimpse into the burial practices and religious life of Italy's early Christian communities and was stolen in 1989 from the Ad Decimum Catacombs.

Nestled within the Roman countryside, the Ad Decimum Catacombs were discovered by chance in 1905, when the land above the subterranean gallery, collapsed under a plough working on a vineyard.  The site holds some 1000 early Christian burials dating from the 2nd to the 5th century CE.  Most are simple recesses, while others speak more vividly to the people whose remains where placed here, along the 10th Roman mile marker on the Via Latina.  

While humidity and time have worn off many of the painted images inside the catacombs, the site itself still remains extremely thought provoking, with unique reminders of the lives of those resting there.  Wandering inside visitors can still make out some of the textual messages left behind by loved ones, including one from Ilaro to his brother, which clearly reads:“To my dearest brother Marciano. Ilaro made peace”, making scholars wonder just what kind of feud the brothers were involved in when Marciano was laid to rest so many centuries ago.

The returning fragment celebrated over the weekend is etched in Greek by a grieving husband for his 22-year-old wife, telling us its own poignant story, and reminding visitors of the human emotions tied to these long-gone lives.

Her epitaph, which contains one of the earliest written references to Christ, reads:  

“Be of good cheer Musena Irene, your soul is immortal with Christ.” 

Identified by the Operational Department - Archaeology Section of the Carabinieri Command for the Protection of Cultural Heritage, the fragment was found in the collection of the Museum Catharijneconvent, in the former St. Catharine convent in Utrecht.  It had been donated to the Dutch museum of religious art by one of the museum's patrons.  

Thankfully, and with the help of excellent Italian-Dutch cooperation between all interested parties, Musena Irene's departing message from her husband is now back where it belongs.  Transferred from the Dutch to the Italian authorities in November 2023, the fragment initially toured with dozens of other recovered artefacts in an exhibition celebrating the return of objects from abroad curated by the Carabinieri of the Cultural Heritage Protection Command at the Ministry of Foreign Affairs at the Farnesina in the city of Rome. 

This week, the final leg of its journey was completed with a celebratory ceremony back at the catacombs, attended by key figures from Italy and the Netherlands, including Mons. Pasquale Iacobone, President of the Pontifical Commission for Sacred Archaeology, H.E. Annemieke Ruigrok, Ambassador of the Kingdom of the Netherlands to the Holy See, Colonel Paolo Befera, Commander of the Carabinieri Operations Department for the Protection of Cultural Heritage, Lisette Voss, Senior Public Prosecutor, Fons van Gessel, Policy Advisor for Public Order and Safety, Sergeant Peter Veltman, National Police of the Kingdom of the Netherlands, Warrent Officer Major Monica Satta, Carabinieri TPC, and Prof. Mirko Di Bernardo, the Mayor of Grottaferrata. 


The return event included brief speeches by several of the authorities present, as well as the final unveiling of the recovered inscription, (restored for the occasion) alongside a visit to the Ad Decimum catacombs.  This allowed attendees to witness firsthand why its important that funerary remains to go back to their intended sites (when security is sufficient) as they serve as a reminder of the enduring connections between history, heritage, and the places that preserve them.