Showing posts with label Fall 2012. Show all posts
Showing posts with label Fall 2012. Show all posts
December 3, 2012

The Journal of Art Crime, Fall 2012: Noah Charney's Q&A with Joshua Knelman

›
In the Fall 2012 issue of The Journal of Art Crime , editor-in-chief Noah Charney interviews Joshua Knelman , a journalist living in Can...
November 30, 2012

The Journal of Art Crime, Fall 2012: "The Hattusa Sphinx and Turkish Antiquities Repatriation Efforts" by Aaron Haines

›
In the Fall 2012 issue of The Journal of Art Crime , Aaron Haines writes about "The Hattusa Sphinx and Turkish Antiquities Repatria...
November 26, 2012

The Journal of Art Crime, Fall 2012: Review of Edmund de Waal's "The Hare with Amber Eyes: A Hidden Inheritance"

›
In the Fall 2012 issue of The Journal of Art Crime , Catherine Sezgin reviews Edmund de Waal's The Hare with the Amber Eyes: A Hidden...
November 21, 2012

The Journal of Art Crime, Fall 2012: "The Lord Byron Forged Letter: Where's the Questioned Document Analysis (QDE)?" by John Daab

›
In the Fall 2012 issue of The Journal of Art Crime , regular contributor John Daab writes on "The Lord Byron Forged Letter: Where&#...
November 19, 2012

The Journal of Art Crime, Fall 2012: "The Sword in the Museum: On Whether La Vallette's Sword and Dagger, Currently Housed in the Louvre, Should be Returned to Malta" by Mario Buhagiar

›
In the Fall 2012 issue of The Journal of Art Crime , Mario Buhagiar writes on "The Sword in the Museum: On Whether La Valette's...
1 comment:
November 2, 2012

The Journal of Art Crime, Fall 2012: Columnist Noah Charney on "Counterfeit Money" in Lessons from the History of Art Crime

›
In the Fall 2012 issue of The Journal of Art Crime , columnist Noah Charney writes on "Counterfeit Money" in Lessons from the ...
October 22, 2012

The Journal of Art Crime, Fall 2012: Review of Anne-Marie O'Connor's "The Lady in Gold: Extraordinary Tale of the Klimt Paintings"

›
In the Fall 2012 issue of The Journal of Art Crime , Catherine Sezgin reviews Anne-Marie O'Connor's The Lady in Gold: Extraordina...
October 17, 2012

The Journal of Art Crime, Fall 2012: Columnist David Gill on "Fragmented Pots, Attributions and the Role of the Academic" in Context Matters

›
In the Fall 2012 issue of The Journal of Art Crime , columnist David Gill writes on "Fragmented Pots, Attributions and the Role of t...
October 8, 2012

The Journal of Art Crime, Issue 8: Fall 2012

›
The Journal of Art Crime is edited by Noah Charney and published by ARCA Publications twice a year. The electronic version of the jour...