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Showing posts with label antiquities. Show all posts
Showing posts with label antiquities. Show all posts

February 5, 2011

Saturday, February 05, 2011 - ,, No comments

An Update on Egypt

Zahi Hawass argues today that the "Sphinx is sad"
More details are emerging from Egypt, and they are often conflicting. Some firsthand reports of the situation last weekend are emerging, as members of foreign archaeological teams return home. Lee Rosenbaum has been forwarded a firsthand account from a French archaeologist that describes looting last weekend.

Larry Rothfield notes that the report would suggest a much quicker response than the U.S. military was able to muster in Iraq:


It is notable that robbers began appearing very soon after the police abandoned their posts; that the military response at first was to make a show of force with a tank, but that that was inadequate to cow the looters; that the army did a good job protecting the Museum and magazines at Saqqara; and that the sites were secured on the third day after the start of looting. All in all, that is not a bad record. Let's remember that it took the US military six days to get around to arriving at the Iraq Museum to secure it, that almost nothing was ever done by the US military to protect Iraq's archaeological sites, and that as late as this fall, Iraq still had not reconstituted a functioning archaeological police, with only 50 out of 5,000 in place.
 Zahi Hawass is also providing regular updates on his blog. More after the jump.

February 12, 2010

Blood Antiques

Recently, a variety of news sources carried stories that made reference to an article in the Fall 2009 issue of the Journal of Art Crime by Judith Harris, which discussed the many connections between looted archaeological artifacts and terror. For a both more in-depth study and visual supplement be sure to check out "Blood Antiques," a Belgian documentary by Peter Brems and Wim Van den Eynde featured on Linktv.org.

From LinkTV,
"The European art trade, synonymous with wealth and glamour, has always involved a degree of stolen and smuggled art. Now, Afghanistan’s rich cultural heritage is financing terrorism and the Taliban. From Afghans scrabbling in the sand for treasures, to the dazzling show rooms of unscrupulous dealers and private collectors – ‘Blood Antiques’ uncovers one of the most outrageous illegal trades since blood diamonds."