Showing posts with label connoisseurship. Show all posts
Showing posts with label connoisseurship. Show all posts
July 19, 2014

In the Red Corner: “Connoisseurship and Art History”, and the Blue Corner: “Scientific Testing and Analysis” – Who’s right in determining Authenticity?

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Toby Bull in Amelia (Photo by Paula Carretero) by Catherine Sezgin, ARCA Blog Editor Toby Bull, Senior Inspector of Police, in Hong ...
July 15, 2014

ARCA '14 Art Crime Conference: Tanya Starrett on "What’s wrong with this picture? Standards and issues of connoisseurship"

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Tanya Pia Starrett (left) presenting on panel chaired by ARCA founder Noah Charney (right) Tanya Pia Starrett, a Solicitor from Glasg...
June 26, 2014

ARCA '14 Conference, Panel VIII: Smart Collecting and Connoisseurship and When Art is Stolen

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Panel VIII: Smart Collecting and Connoisseurship and When Art is Stolen What’s wrong with this picture? Standards and issues of connois...
November 30, 2013

Is it a Pollack? New York Times Journalist Patricia Cohen looks at the case between two women and a painting; a few professionals weigh in

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From the New York Times: Is this a Pollack? In "A Real Pollock? On This, Art and Science Collide" by Patricia Cohen for the ...
February 20, 2011

The Detroit Institute of Arts Posts #6 Video on YouTube for "Fakes, Forgeries and Mysteries" about a painting by Frans Pourbus the Younger

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by Catherine Schofield Sezgin (Right: Photo of Wimpole Hall in 1880) The Detroit Institute of Arts posted its 6th video on Youtube of the se...
February 9, 2011

The Journal of Art Crime: Essayist Simon Cole on Connoisseurship

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by Catherine Schofield Sezgin In one of ARCA’s three scholarly responses to David Grann’s “The Mark of a Masterpiece,” published in The New ...
February 7, 2011

The Journal of Art Crime: Editor-in-Chief and Columnist Noah Charney on "Lessons from the History of Art Crime

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Photo by Urska Charney In his column, "Lessons from the History of Art Crime", Editor-in-Chief Noah Charney examines the methods ...