Showing posts with label
the Journal of Art Crime
.
Show all posts
Showing posts with label
the Journal of Art Crime
.
Show all posts
December 20, 2013
Christos Tsirogiannis on "From Apulia to Virginia: An Apulian Gnathia Askos at the Virginia Museum of Fine Arts" in his debut column "Nekyia" for The Journal of Art Crime
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"From Apulia to Virginia: An Apulian Gnathia Askos at the Virginia Museum of Fine Arts" is the subject of Christos Tsirogiannis...
December 4, 2013
The Fall 2013 issue of The Journal of Art Crime Now Available
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The e-Edition of the Fall 2013 issue of The Journal of Art Crime is now available. Noah Charney is Editor-in-Chief of the 10th issue p...
August 20, 2013
Noah Charney's "Q&A with Ken Perenyi" (The Journal of Art Crime, Spring 2013)
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Noah Charney, ARCA Founder and Editor of The Journal of Art Crime, interviews Ken Perenyi, American art forger and author of Caveat Empto...
August 19, 2013
Noah Charney's "Q&A with Ruth Godthelp" (The Journal of Art Crime, Spring 2013)
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Noah Charney, founder of ARCA and the editor of The Journal of Art Crime , interviews Ruth Godthelp, Senior Amsterdam Police Officer with...
August 18, 2013
Jonathan Keats' "Forged: Why Fakes Are The Great Art of Our Age" reviewed in The Journal of Art Crime, Spring 2013
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Catherine Sezgin reviews Jonathan Keats' Forged: Why Fakes Are The Great Art of Our Age (Oxford University Press 2013) in the Spring...
August 17, 2013
Llewelyn Morgan's "The Buddhas of Bamiyan" reviewed by Catherine Sezgin (The Journal of Art Crime, Spring 2013)
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Llewelyn Morgan, University Lecturer in Classical Language and Literature at the University of Oxford, "had an interest in Afghanist...
August 15, 2013
Erik el Belga's "Por amor al arte. Memorias del ladrón más famoso del mundo" reviewed by Marc Balcells (The Journal of Art Crime, Spring 2013)
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Marc Balcells reviews Erik el Belga's Por amor al arte. Memorias del ladrón más famoso del mundo (Editorial Planeta 2012) in the Spr...
August 11, 2013
David A. Scott's "On Art Forgery: the History of a Modern Obsession by Thierry Lenain (The Journal of Art Crime, Spring 2013)
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Professor David A. Scott reviews Theirry Lenain’s Art Forgery: the History of a Modern Obsession : Thierry Lenain writes that if Otto ...
August 10, 2013
Noah Charney on "New "Intelligence" Body Will Monitor Illegal Traffic in Cultural Property" in Lessons from the History of Art Crime (The Journal of Art Crime, Spring 2013)
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In the column “Lessons from the History of Art Crime” in the Spring 2013 issue of The Journal of Art Crime , Noah Charney discusses the ...
August 8, 2013
Christopher Marinello on "Art Recovery: Negotiating with Criminals, Handlers, and Good Faith Purchasers" (The Journal of Art Crime, Spring 2013)
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Christopher Marinello writes on "Art Recovery: Negotiating with Criminals, Handlers, and Good Faith Purchasers" in the Spring 2...
July 30, 2013
The Journal of Art Crime: Issue 9, Spring 2013
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The ninth issue of The Journal of Art Crime , edited by Noah Charney and published by ARCA, is available electronically (pdf) and in pri...
December 3, 2012
The Journal of Art Crime, Fall 2012: Noah Charney's Q&A with Joshua Knelman
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In the Fall 2012 issue of The Journal of Art Crime , editor-in-chief Noah Charney interviews Joshua Knelman , a journalist living in Can...
November 30, 2012
The Journal of Art Crime, Fall 2012: "The Hattusa Sphinx and Turkish Antiquities Repatriation Efforts" by Aaron Haines
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In the Fall 2012 issue of The Journal of Art Crime , Aaron Haines writes about "The Hattusa Sphinx and Turkish Antiquities Repatria...
November 26, 2012
The Journal of Art Crime, Fall 2012: Review of Edmund de Waal's "The Hare with Amber Eyes: A Hidden Inheritance"
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In the Fall 2012 issue of The Journal of Art Crime , Catherine Sezgin reviews Edmund de Waal's The Hare with the Amber Eyes: A Hidden...
November 21, 2012
The Journal of Art Crime, Fall 2012: "The Lord Byron Forged Letter: Where's the Questioned Document Analysis (QDE)?" by John Daab
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In the Fall 2012 issue of The Journal of Art Crime , regular contributor John Daab writes on "The Lord Byron Forged Letter: Where...
November 19, 2012
The Journal of Art Crime, Fall 2012: "The Sword in the Museum: On Whether La Vallette's Sword and Dagger, Currently Housed in the Louvre, Should be Returned to Malta" by Mario Buhagiar
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In the Fall 2012 issue of The Journal of Art Crime , Mario Buhagiar writes on "The Sword in the Museum: On Whether La Valette's...
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November 2, 2012
The Journal of Art Crime, Fall 2012: Columnist Noah Charney on "Counterfeit Money" in Lessons from the History of Art Crime
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In the Fall 2012 issue of The Journal of Art Crime , columnist Noah Charney writes on "Counterfeit Money" in Lessons from the ...
October 22, 2012
The Journal of Art Crime, Fall 2012: Review of Anne-Marie O'Connor's "The Lady in Gold: Extraordinary Tale of the Klimt Paintings"
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In the Fall 2012 issue of The Journal of Art Crime , Catherine Sezgin reviews Anne-Marie O'Connor's The Lady in Gold: Extraordina...
October 17, 2012
The Journal of Art Crime, Fall 2012: Columnist David Gill on "Fragmented Pots, Attributions and the Role of the Academic" in Context Matters
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In the Fall 2012 issue of The Journal of Art Crime , columnist David Gill writes on "Fragmented Pots, Attributions and the Role of t...
October 8, 2012
The Journal of Art Crime, Issue 8: Fall 2012
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The Journal of Art Crime is edited by Noah Charney and published by ARCA Publications twice a year. The electronic version of the jour...
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