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October 23, 2009

Friday, October 23, 2009 - ,, No comments

Investigating Art and Cultural Objects Theft: How the History of Art Crime Solves Today's Mysteries

ARCA and The Henry Lee Institute Team Up on the Forensics of Art Theft

Investigating Art and Cultural Objects Theft: How the History of Art Crime Solves Today's Mysteries

This special one-day workshop will explore the history of art theft, and the lessons that it can offer to contemporary investigators and security personnel. Over the past forty years, art crime has consistently been the third highest-grossing criminal trade worldwide. Most art crime since the 1960s has involved organized crime, funding other operations, including the drug and arms trades, and even terrorism.

Art crime is little studied, from an academic and an investigative perspective. The combination of scholarly historical analysis with experience in the field can provide the best means to understand and curb this serious threat to not only our cultural heritage, but to impede organized crime overall.

The first half of the program will take you on a tour through the history of art crime with a focus on fine art theft, investigation, and museum security. The second half of the workshop will detail practical methods of using the lessons learned from history's master thieves, and from the successes and failures of investigators and security programs, to suggest better ways to investigate and protect art in the future.

Seminar starts 900am and will be located in Dodds Auditorium on the University of New Haven campus. This seminar is open to law enforcement officers, educators, and the public. Tuition is $100.00 and light refreshments will be served.

The seminar will be run by ARCA Founding Director Noah Charney.
To register please go to www.henryleeinstitute.com .

October 13, 2009

Tuesday, October 13, 2009 - No comments

Smithsonian Announces Upcoming Conference on Cultural Property Protection

The Smithsonian has announced that next year's National Conference on Cultural Property Protection will take place from February 21-24 in Washington, DC . This event "offers insight and proven solutions for new and seasoned professionals in the field of cultural property protection." Session proposals are currently begin accepted and registration will begin soon. For more information, visit the conference website.

October 12, 2009

Monday, October 12, 2009 - No comments

ARCA Trustee Uncovers New Twist in California Heist

Anthony Amore — chief of security at the Isabella Stewart Gardner Museum, head of Amore Associates, and a trustee of ARCA — has uncovered a new twist in the increasingly bizarre art thefts in California. Amore's discovery, which contradicts statements in the press by the alleged victims of the heist, was featured in the October 11 edition of the Boston Herald. You can read the full story here.

October 8, 2009

Thursday, October 08, 2009 - No comments

CNN/KSRO Radio Interviews ARCA About Recent Art Thefts in California

On October 8, KSRO Radio interviewed ARCA's Managing Director Terressa Davis regarding the recent art thefts in Pebble Beach, California. The heist initially made international headlines because of its scale and significance — up to $80,000,000 US worth of art was purported missing, including pieces by Van Gogh, Rembrandt, and Jackson Pollock. Now, the story is making headlines for a different reason, since the collectors who reported the crime are now the prime suspects.

KSRO is a CNN affiliate in the San Francisco Bay Area and the station sends all interviews to CNN for national broadcast after they are aired locally. KSRO will also replay the interview with Davis tomorrow as its "Live Line of the Week." Until and after then, you can listen to the full interview here.

Thursday, October 08, 2009 - , No comments

Why steal artwork?

In a recent edition of the National — one of the leading English language newspapers in the Arab world — journalist Andy Pemberton investigates why thieves steal artwork that is nearly impossible to sell. To do so, he interviewed ARCA's Managing Director Terressa Davis and the Art Loss Register's William Webber, who both dispute the popular misconception that thieves steal art to order. Instead, stolen art is most commonly held for ransom or used as collateral when trading with other criminals.

You can read the full text of the article, entitled "Painting Into a Corner," here.

October 7, 2009

Wednesday, October 07, 2009 - ,, No comments

ARCA Launches New Monthly Newsletter

To keep our supporters better informed, ARCA has launched a new online bulletin. Citations: Updates from the Association for Research into Crimes against Art has already been e-mailed to our mailing list subscribers. From now on, this newsletter will be sent out on the first Tuesday of every month. It includes information on our work, a calendar of upcoming events, and links to important news stories. For future issues, we welcome your input on what other features you would like to see included.

If you are not already on our mailing list, you can join it at our website. You can also view our past newsletter archive online. Thanks for your interest and support!

Wednesday, October 07, 2009 - ,,, No comments

Letter from the New Managing Director


Please let me introduce myself. In September 2009, I was named Managing Director of ARCA. As such, I'll be running the organization's daily operations, as well as helping to conceptualize, develop, and implement new projects. I hope to continue the great work founder Noah Charney and so many others have begun, but to do so, I will need your help.

Supporters like you have already allowed us to achieve a great deal in a short amount of time. In just the past year, ARCA launched the world's only Postgraduate program in Art Crime Studies, introduced the Journal of Art Crime, published the book Art and Crime, and consulted governments, law enforcement agencies, museums, places of worship, and other public institutions on art protection and recovery cases. In the next year, we will continue these endeavors and undertake numerous others, about which you'll be able to read in future posts on the ARCAblog.

There are many ways that you can become involved in this important work. Show your support by becoming a member, making a tax-deductible donation, subscribing to the Journal of Art Crime, purchasing Art and Crime, or studying in our Postgraduate program. Just as importantly, we need people to donate their time by volunteering or interning. And we are always looking for contributors to our journal, blog, and podcasts.

Thank you for your interest and support. If you have any questions or comments about our organization, I encourage you to email me. And you'll be hearing again from me soon on the ARCAblog.

I look forward to working with you!

Terressa Davis
director at artcrime.info

September 29, 2009

Tuesday, September 29, 2009 - No comments

Saving Venice: a Charity Event in London

This Thursday, October 1, at the Royal Geographic Society in London there will be a charity gala evening sponsored by ARCA and Venice in Peril. The two featured speakers are ARCA Director Noah Charney and former ARCA Trustee and current Head of Scotland Yard's Arts and Antiques Division, Vernon Rapley. Charney will be discussing his next non-fiction book, entitled "Stealing the Mystic Lamb: the True History of the World's Most Frequently Stolen Masterpiece" and Rapley will discuss art policing, fakes, and forgeries in London. Tickets support the charity Venice in Peril, which protects Venetian monuments. For tickets, please write to tamara.rissogill@veniceinperil.org

September 27, 2009

Sunday, September 27, 2009 - No comments

2010 Postgraduate Program Application and Prospectus Now Available

The Application (Due 15 Dec. 2009) and Prospectus for the 2010 Postgraduate Program in International Art Crime Studies are now available.

Once again, ARCA presents the first organized postgraduate program in International Art Crime Studies to be held June 1 - August 13. This program will provide in-depth instruction in a wide variety of theoretical and practical elements of art crime: its history, its nature, its impact, and what can be done to curb it. Courses are taught by international experts, in the beautiful setting of Umbria, Italy. Topics include art history and the art trade, museums and conservation, art security and policing, criminology and criminal investigation, law and policy, and the study of art theft, antiquities looting, war looting, forgery and deception, vandalism, and cultural heritage protection throughout history and around the world. It is the idea program for art police and security professionals, art lawyers, insurers, and curators, members of the art trade and post-graduate students of criminology, law, security studies, sociology, art history, archaeology, and history.


September 13, 2009

Sunday, September 13, 2009 - ,,, No comments

Warhols Likely Stolen for Reward Money

On the night of September 2 a multi-million dollar collection of prints by Andy Warhol, from his so-called “Athlete’s Series,” were stolen from the LA home of collector Robert L. Weisman. The theft is knowledgeably commented upon by ARCA staff member Mark Durney in his blog, Art Theft Central.

There is almost no market, black or otherwise, for stolen art as recognizable as these Warhols, even though they are prints, and therefore multiple copies exist. So, what is the most likely outcome of the situation? There have been so few thefts commissioned by criminal art collectors that they represent a negligible percentage, and the least likely scenario of all. Most likely in this case is a left for ransom, demanding payment either of the theft victim or their insurer. In a case such as this, in which a generous reward has been offered, then no ransom demand is needed. The most probable outcome of this situation is that a “well-meaning” informant will call in a lead that will bring police to the stolen art. Once the art is recovered, the good samaritan will be paid the reward. Likely in cases such as this, the call that leads to the recovery of the art will come from a colleague of the thieves. The reward will therefore be distributed among the thieves via the informant. For a few hours’ legwork, the thieves will have stolen art, abandoned it, had a colleague call in the location to the police, retrieve the reward, and pocket it. Stealing art simply for the reward money may seem like a bad deal for the thieves—the art is, after all, worth many times more than the reward. But one must think of it not as the difference between the actual value of the art and the $1 million reward, but between what the thieves had before the theft (nothing) and the reward money. Not bad for a day’s work. Of course, offering a reward is the best way to ensure that stolen art will be returned to its owner. But in doing so, there is a significant risk that the reward will make its way into the hands of the thieves. And the owner must be very careful to better secure their collection once it is back in their hands, as historic precedent suggests that stolen and returned art is at a very high risk to be stolen again, now that the thieves have learned that art theft pays handsomely.

ARCA was consulted in a recent article for UK newspaper, The Independent on Sunday, regarding this case. To read the article, please see: http://www.independent.co.uk/arts-entertainment/art/news/a-swag-bag-of-warhol-1786631.html


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