Blog Subscription via Follow.it

March 10, 2011

Thursday, March 10, 2011 - ,, No comments

"Musée Rodin's Communique Respecting Rodin's Moral Right: A Warning to Collectors about the Notion of Authenticity"

by Catherine Schofield Sezgin, Editor
Rodin's "The Thinker" (Norton Simon Museum)

Today I was distracted from provenance research at the Getty Research Institute by a printed current copy of The Art Newspaper. The Musée Rodin published a half page advertisement on the bottom half of page 52 of the March issue a "warning to collectors about the notion of authenticity." The Musée Rodin, as beneficiary, is the only entity that can issue original editions of the artist's work: "a growing number of bronze 'reproductions' or 'aftercasts'" "which do not bear the mark of 'reproductions' or 'aftercasts' are often accompanied by documents, notably certificated attesting to their alleged 'authenticity.' If you would like to read more, you may find the entire communique, in English, at the museum's website here. For those collectors who would like to have a copy of "The Thinker", a resin reproduction may be purchased at the museum's gift shop for 675 euros. The museum's gift shop can be viewed online here.  For now, I'm happy to be able to walk by the Norton Simon Museum every day where a large "Thinker" overlooks the traffic on Colorado Boulevard.  I wonder what he's thinking...that's he's a long way away from Paris?

March 9, 2011

Wednesday, March 09, 2011 - ,,,, No comments

Rodin's Naked Balzac Bronze Stolen Three Months Ago in Jerusalem During Museum Renovation, Reports Haaretz.com; NPR Adds Quote from the Art Loss Register's Chris Marinello

Rodin Statue of Balzac (Photo Courtesy of Harretz.com)
Although the Israel Museum discovered the theft of Auguste Rodin's "Naked Balzac with Folded Arms" three months ago, the information was not made public until yesterday on Haaretz.com. The heavy bronze could not have been moved out of the museum's garden without the use of a crane and a truck. The police investigation has been ongoing.

NPR.org, in covering the story, added a few quotes from the Art Loss Register's Christopher A. Marinello whom you have read about on this blog.

Wednesday, March 09, 2011 - ,, No comments

The New $44.9 Million Turner Painting of Rome Displayed Today at the Getty Center in Los Angeles

by Catherine Schofield Sezgin

On my way to the Getty Research Institute this afternoon, I stopped to view the newly displayed J. M. W. Turner painting, "Modern Rome -- Campo Vaccino", created by the artist 10 years after his last trip to Rome in 1828.  The $44.9 million painting attracted visitors one by one, pausing intently at the view of classical antiquities and Baroque churches.  Yet the painting's first day seemed calm compared to the art work's move from it's previous home in England to it's new home in California, a voyage delayed for eight months while England tried to raise the funds to keep it the National Gallery of Scotland.  You may read more about Turner's works in California here from the Getty's press release and about "Labeling Turner" on the museum's blog here. From overheard comments, visitors to the Getty Center seemed just as impressed with the view of Santa Monica stretching toward the Palos Verdes Peninsula and the Pacific Ocean on a sunny warm day.



March 7, 2011

Monday, March 07, 2011 - ,,,, No comments

ARCA's Founder Noah Charney & Friend of ARCA, Vernon Rapley, formerly with Scotland Yard, Will Lecture about Art Crime and Stolen Art in London this April

During the first week of April in London, Noah Charney will be giving a pair of talks along with his friend and colleague, Vernon Rapley, the former head of Scotland Yard’s Arts and Antiques Unit and the current director of security at the Victoria & Albert Museum in London. The first talk is on April 2 at the V&A Museum and the second is on April 5 at the Royal Geographic Society, in a benefit for the charity Venice in Peril.

Charney and Rapley have spoken together in the past, and their talks combine the theory and history of art crime (that’s Noah's section) with practical experience and stories from the field (Vernon).

"While Vernon ran the Arts Unit, art theft in London dropped an astonishing degree, to such a point that there was little enough art theft that he and his unit could concentrate almost entirely on chasing art forgers," Charney writes in his column, The Secret History of Art in ARTINFO.com. "Vernon and his team made the arrest of the famous Greenhalgh family of forgers among their many successes."

Sandy Nairne, director of the National Portrait Gallery, will discuss "The Theft and Recovery of the Tate Turners."

Nairne, who recently spoke on the same subject at the Sterling and Francine Clark Art Institute in Massachusettes, will speak about his involvement in the search and recovery of two Joseph Mallord William Turner oil paintings stolen from the Tate Gallery’s collection while they were at an exhibition in Frankfurt, Germany, on July 28, 1994.  You can read about the theft and recovery in 2002 here on the Tate's press release.

Information on the lectures:
Victoria & Albert Museum
Cromwell Road, South Kensington, London
Seminar on “Introducing Fakes and Forgeries”
2-5pm

Speakers:
Noah Charney “Art Theft and Investigation”
Vernon Rapley “Investigating Fakes and Forgeries”
Sandy Nairne “The Theft and Recovery of the Tate Turners”
For more information, click here.

April 5
Royal Geographic Society
1 Kensington Gore, SW7 London
Benefit Talks for Venice in Peril
7pm

Speakers:
Noah Charney “The World Wishes To Be Deceived: A Brief History of Art Forgery”
Vernon Rapley “Art Forgery Today”
For more information, click here.

March 6, 2011

Sunday, March 06, 2011 - ,,, No comments

Egyptian Conservator Dr. Hany Hanna Requests Cooperation and Vigilance in Recovery Looted Antiquities

Sphinx
You may read about Dr. Zahi Hawass' reasons for resigning as Minister of State for Antiquity Affairs on his website here.

ARCA alum Julia Brennan, a textile conservator, sent an email from England today which forwarded a message from a colleague, Dr. Hany Hanna, an Egyptian conservator, and Chief Conservator for the Division of Antiquities. "I send this message to you as Hany is clearly putting out an SOS and plea for international due diligence and assistance in the retrieval of artifacts lost during this current change and upheaval," Julia wrote.

This is the email from Dr. Hanna:
Dear Friends and colleagues, Greetings from Egypt, 
As we have cooperated in the past to work in returning the national stolen antiquities and objects from Iraq, Egypt etc. It is our time now to work hard in mentoring the market and borders…etc. for the stolen Egyptian antiquities and objects.  There is not time to waste regarding the lying of this who said in Jan 28 that “there are no lost object from Egypt such as the Egyptian Museum ”.  NOW it is our time to work. 
I appeal all our noble and honest friends in all the world to keep in mind to mentor every where and to keep our eyes open regarding the stolen Egyptian antiquities and objects, let’s cooperate as usual, all together, archaeologists, Conservators, lawyers. Officers, Journalists and media, all the organization such as INTERPOL, UNESCO, ICOM, AIC, Border Authorities, Heritage lovers Associations and Societies, NGO as well as governmental departments. This is our time to continue doing our Best for a new Well DONE. We call for the full wise accountable freedom, well-being, full respect and better life for all the Egyptian. We call for returning of the stolen Egyptian antiquities and objects. 
Best Regards,
Dr. (Mr.) / Hany Hanna (Ph. D)
- Member of Front Support of the Egyptian Revolution,
Member of the Council of Trustees of the Revolution and member of the Peer and Editing Commission on the Preparation of its Decisions
-International Expert in Conservation and Restoration.
-Chief Conservator, General Director of Conservation, Helwan, El-Saf and Atfeh Sector, Supreme Council of Antiquities (SCA), Egypt.
- Founder & Former Coordinator for the International Council of Museum-Conservation Committee - Wood, Furniture and Lacquer (ICOM-CC- Wood, Furniture and Lacquer) (Ex elected Voluntary International position).
-Professor, Higher Institute for Coptic Studies in Cairo (voluntary work).
- Fellow of Salzburg Global Seminar, Conservation and Preservation of Cultural Heritage.
- Writer, Egyptian and International Newspapers.
You may also read about Dr. Hanna's earlier status report in February on the Museum Security Network here.

Sunday, March 06, 2011 - ,, No comments

Tulane Law School Symposium: "Defending Aphrodite: Enforcing International Cultural Property Law" in Siena in June

Cathedral of Siena (Courtesy of Tulane Law School)

The Tulane-Siena Institute for International Law, Cultural Heritage and the Arts, the University of Siena and the European University Institute will present "Defending Aphrodite: Enforcing International Cultural Property Law" from June 3 to 4 this year in Siena, Italy.

The panel "International Legal Order" will feature F. Francioni on "Plurality and Interaction of Legal Orders in the Enforcement of International Cultural Heritage Norms"; Ana Vrdoljak on "Enforcing Restitution of Cultural Property through Peace Treaties"; F. Lenzerini on "The Role of International and Mixed Criminal Courts in the Enforcement of International Norms on the Protection of Cultural Property"; L. Rush and M. Bogdanos on "Enforcement of International Norms for the Protection of Art and Cultural Heritage in Times of War."

The panel, "Enforcement by Domestic Courts" will feature R. Pavoni on "Sovereign Immunity and the Enforcement of International Cultural Property Law"; P. Vigni on "The Role of Domestic Courts in Adjudicating Underwater Cultural Heritage Disputes: A Comparative Analysis of US and Italy's Jurisprudence"; Patty Gerstenblith on "Enforcement of Criminal Sanctions in American State Courts"; Herb Larson on "Failure of the U. S. Department of Justice to Protect Art and Cultural Property"; and J. Gordley on "Reclaiming Cultural Heritage in Domestic Courts."

The panel, "Alternative Methods of Enforcement: Arbitration, Diplomatic, Soft Law & Settlement methods" will feature P. Lalive on "Enforcing International Cultural Property Law Through Arbitration"; H. Flora on "Enforcement by the Code of Ethics of Museums and Dealers of Art"; D. Fincham on "The Sources and Impact of Cultural Heritage Norms" and A. Chechi on "The Role of UNESCO in Promoting Compliance with International Cultural Property Law."

March 5, 2011

Saturday, March 05, 2011 - ,,, No comments

"The 1970 Convention: Past and Future" Paris, UNESCO Headquarters, March 15 and 16, 2011

UNESCO/S. Delepierre
Catherine Schofield Sezgin, Editor

I have been invited to attend UNESCO's 40th commemoration on March 15 of the 1970 Convention which outlined UNESCO's fight against the Illicit trafficking of cultural property. One of the speakers has been featured prominently in the news recently: Dr. Zahi Hawass, Ministry of State for Antiquities of Egypt, who recently resigned his newly created post due to his professed inability to secure the museums and archaeological sites in Egypt over the past month.

In the morning, Dr. Hawass is scheduled to speak on a panel titled "Public Debate" moderated by Louis Laforge, Journalist, France télévisions with the following scheduled speakers: Irina Bokova, Director-General, UNESCO; Bernd Rossback, Director of Specialized Crimes and Analysis for Interpol; Alfonso de Maria y Campos, General Director, National Institute of Anthropology and History of Mexico; Stéphane Martin, President of Musée du Quai Branly; and Jane Levin, Worldwide Compliance Director and Senior-Vice President, Sotheby's.

In the afternoon, a seminar titled "The legal instruments employed for the fight against the illicit trafficking of cultural property", will be moderated by Francesco Bandarin, Assistant Director-General for Culture at UNESCO with these speakers: Marie Cornu, Research Director of CNRS, France; Lyndel V. Prott, Honorary Professor at the University of Queensland in Australia; Jose-Angelo Estrella Faria, Secretary General for UNIDROIT; Paolo Ferri, former prosecutor for the Republic of Italy and an international legal expert in cultural goods; Antonio Roma Valdés, Spanish prosecutor and expert in international cooperation and crimes against cultural heritage; and John Scanlon, Secretary-General of Convention on International Trade in Endangered Species of Wild Flora and Fauna.

The evening round table, "Illicit trafficking of archaeological objects", moderated by Jean-Frédéric Jauslin, director of the Federal Office of Culture in Switzerland, is scheduled to include these speakers: Maria Andreadaki-Vlazaki, General Director of Antiquities and Cultural Heritage of the Hellenic Ministry of Culture and Tourism in Greece; Cecilia Bakula, former National Director of the National Institute of Culture and Ambassador of Peru; Petty Gerstenblith, Distinguished Research Professor of Law from De Paul University; Ridha Fraoua, Doctor of Law and expert in cultural heritage legislation; Sergio Mújica, Deputy Secretary General, World customs Organization; and Samuel Sidibe, Director of the National Museum of Mali.

You can read more about this commemoration here at the UNESCO website.

March 4, 2011

Friday, March 04, 2011 - ,, No comments

The Art Loss Register's Chris Marinello Discusses Egypt's Antiquity Crisis and Steps Taken to Recover Missing Objects

Statue of Ramsesses II in Aswan (Courtesy of Dr. Hawass)
by Catherine Schofield Sezgin, Editor

Dr. Zahi Hawass, Egypt's face of antiquities, reports regularly about the situation in Cairo and at the surrounding archaeological sites on his website where he recently listed the problems here on March 3.

The Art Loss Register has offered it's help in documenting and disseminating information through it's database.  As Christopher A. Marinello has spoken often with ARCA, we corresponded with him again.
ARCA blog: Mr. Marinello, what has the Art Loss Register been doing to help track the re-sale of recently looted items from Egypt? 
Mr. Marinello: Unfortunately, given the temporal nature of these events, I cannot be too specific. The Art Loss Register is registering any items reported to it as lost or stolen. We will enter these items in the Database and they will become part of our searching process. If we locate any of these items being offered for sale in the marketplace, we will immediately notify law enforcment and the registrant. 
ARCA blog: Has Egypt taken the ALR's offer to list missing items on the database for free? 
Mr. Marinello: We have had a number of institutions and individuals contact us already. In my view, we need to get the message out to those who are currently charged with securing Egypt's cultural heritage and I thank you for providing this forum which most certainly will aid in that effort. In prior years, everything would have gone through Zahi Hawass. Until a successor is named, I am afraid that there will be a gap in reporting thefts to us. 
ARCA blog: If ALR does recover items, would it return the objects to Egypt? And who at this point would safeguard those objects inside Egypt today? 
Mr. Marinello: The ALR would return any recovered item through official Egyptian government channels. As for specifics, I think that situation is still developing as this text is being written.


ARCA blog: What do you think will happen in Egypt about the security of museums and archaeological sites in Egypt with the resignation of Dr. Zawai Hawass? 
Mr. Marinello: I believe that the Egyptian government will eventually appoint a successor to Dr. Hawass or replace the man with a team of experts to handle the tasks of his Ministry. Right now it is the local police and members of the Egyptian army that are attempting to secure cultural sites. Let's face it, this is a major upheaval with potentially catastrophic consequences. Organizations working to protect Cultural Heritage worldwide should band together and develop a plan to assist the Egyptians during this time. Trade organizations as well as International Customs and Border Agents need to be especially vigilant.

Friday, March 04, 2011 - , No comments

Videos of Marc Masurovsky of the Cultural Plunder Database Speaking in Florida on the unfinished work of returning Nazi-looted art to the rightful owners some 65 years after the war

Marc Masurovsky
Last year I had the privilege to volunteer on the U. S. Holocaust Museum's Cultural Plunder Database of Nazi-looted art out of the Jeu de Paume in Paris.  My mentor, Marc Mazurovsky, the Project Director, recently spoke passionately and unapologetically in Florida at the Jewish Art Museum here on this video about the lack of transparency in the art market about the re-sale of art stolen from private collections.  After the devastation of millions of lives and households during the 12-year reign of the Nazis, the Allies became too distracted with the Cold War to continue prosecution of war criminals and to complete restitution of property and art to the surviving victims.  However, today, art works have been reappearing on the secondary market with total disregard for their status as stolen property.  In the second video here, Mr. Masurovsky discusses the U. S. government's failure to compensate Japanese-Americans interned in camps from 1941 to 1945 in their own country and stripped of cultural and real property.  "There is not a federal policy of restitution of looted cultural property... to safeguard the rights of Holocaust survivors [who have become American citizens]," Masurovsky says.  "There are no fiscal consequences for dabbling in looted cultural property. No one will lose their tax-exempt status if caught doing so."

He later says, "Restitution, or justice for the victim, has been left to lawyers and judges, history has taken a back seat to the rule of law, a bit like taking a square peg and shoving it into a round hole: not practical, not efficient, but there we are."

To be fair, justice has been done in a small number of instances, Masurovsky says, after years of battle against "hardened defendants" whether they be wealthy individuals, museums, or governments:

"Holocaust survivors are dying in growing numbers every day, their children and grandchildren are not intimately connected to their issues, for obvious reasons, sometimes they know, most times they don't.  Those who seem to be riding out the storm well and even better are the dealers, the collectors, the museums, and the institutions that buy, sell, trade, display, harbor these works and objects which really are three-dimensional reminders of past genocide and ethnocides. In at least 90% of these cases, the crime of plunder pays off very well with handsome returns on the investment."

He encouraged his audience (and now our readers): "If you do own or buy or receive works of objects produced before the early 1940s, you have the same duty to ask the same questions as if you were buying a car: who owned it before? is it kosher? do you have good title? was it ever stolen?"

Listen to the videos now for a compelling and passionate argument for returning stolen art to its rightful owners and the steps we can all take to participate.

Subscribe to: Posts (Atom)