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September 4, 2015

In Memoriam: The Heritage Community Speaks Out on Destruction in Syria and Iraq

It’s human nature to want to memorialise someone who has recently died. We want people to know who they were by allowing friends and family to come together and provide thoughts, insights and memories of the departed. 

From the beginning when the first news of heritage destruction in Syria and Iraq began making world headlines, individuals in the heritage protection community have been asked to give interviews, express their outrage, contribute analysis and provide commentary for numerous articles as the situation goes from first initial shock to resigned sadness at the continues destruction.

Unfortunately most of these comments give impact to specific incidences only or disappear as soon as the next new tragedy makes front page headlines.  None of these individual articles singularly conveys how deeply concerned the heritage community is about how this war has taken such an extreme toll on Syria and Iraq. 

In this space, ARCA will attempt to display some of the many statements and tributes given by heritage lovers on what has been lost and will link to their original sources when not directly submitted.  If you would like to contribute a new quote of 250 words or less please follow us on Twitter at @ARCA_artcrime or ARCA on Facebook and leave us your thoughts in a message and we will post it formally here.


“But the wanton destruction of archaeological sites and cultural monuments will continue so long as the global community continues to express shock and outrage each time it happens. The 
perpetrators want just such a reaction. If the destruction of objects and sites in 
Syria grab bigger headlines than the ongoing plight of the Syrians themselves, 
this may lead hopeless people there to sympathise with the IS and 
regard the rest of the world as having its priorities. 
We ought to pay attention to Syria for the sake of its people — those refugees who risk drowning and commit to living forever displaced from their homes, those living in shelters and camps trying to avoid the fighting, and those staying behind to defend the homes they have lived 
in all their lives. We can care about sites and monuments too — not because 
they are important for “us”, but because they are part of communities 
where people have been working, living and dying for thousands of years. 
'Saving culture' does mean preserving objects. But it also must mean safeguarding the people and communities that live with it and carry it into the future. ” 
- Alexander A. Bauer

“In Palmyra the world saw what the smashing of the idols looks like. It is not an edifying sight.” “If the ruined ruins of Palmyra could speak, they would marvel at our shock. After all, they have 
been sacked before. In their mute and shattered eloquence, they spoke for centuries not 
only about the cultures that built them but also about the cultures that destroyed 
them—about the fragility of civilization itself, even when it is incarnated in
 stone. No designation of sanctity, by God or by UNESCO, suffices to protect the past. The past
 is helpless. Instead these ruins, all ruins, have had the effect of lifting the past out of 
history and into time. They carry the spectator away from facts
 and toward reveries.”
- Leon Wieseltier,  Contributing editor at The Atlantic and author of Kaddish. 

“The war ruthlessly strikes throughout Syria and Iraq. Thus, the old city of Aleppo, an endangered World Heritage Site, has become a front line where fighters deploy all possible means
of destruction, from Molotov cocktails to TNT barrels, and including mortars,
rockets, tanks, so called 'hell cannons' and tunnels packed with explosives or
simple small arms.”
“The looting of archaeological sites and the illicit traffic of their treasured objects, such as Apamea, Doura Europos and Mari, finance the continuation of the savagery of this war and irretrievably
 erase the pages of our history that scholars could still have written.”
—ICOMOS, the International Council on Monuments and Sites

“There will not be a ‘before’ in history. So there will not be an ‘after’. They are saying: ‘There is only us’. The people of Palmyra can compare ‘before’ and ‘after’ now, but in 
10 years’ time they won’t be able to compare. 
Because then no one will be left to remember.  
They will have no memory.”
- Joanne Farchakh, Archeologist 

“I don’t think we need to know the dollar value or the ranking of this income stream to know that we are all losing our cultural heritage and knowledge of our history through the looting,” 

- Patty Gerstenblith, Distinguished Research Professor of Law


Heritage is what answers the big question 'where do we come from? Without connection to the past there is no future to aspire to. 
 - Ivo van Sandick, Art Conservator


“Our past defines us.  From its bearings we can judge our path into the unknown future. To remove it denies us the foundation on which so many cultures are built, and offers us a future stripped of the achievements of generations. Without it, we risk losing any meaningful understanding of the true diversity of a land—Syria—that stood at the crossroads of a multiplicity of cultures, of the achievements that have inspired countless other cultures across the world, and of those who found ways to coexist in peace and to offer each other mutual support, despite the divides between them. Attacking Syria’s culture destroys both their history and ours, and the evidence of that great achievement of finding a path to peace whilst retaining the vibrant diversity that has made Syria so special. The systematic erasure of Syria’s proud and diverse archaeological, cultural, and historical heritage—first as a casualty in the civil war, and now through deliberate acts of mindless and criminal destruction—is a stain on humanity. On top of the untold thousands of deaths caused by the war, the damage done to Syria’s survivors by eradicating their past will make it all but impossible for the country, and for the Syrian people, to recover.
            - Staff, Heritage for Peace

“This is the thing about cultural heritage -- once it's gone, it's gone. We cannot actually recreate it,” “It won't grow back in a hundred years, so there will be no other
Bel Temple ever to look at again.”
- Clemens Reichel, Professor of archeology and Associate Curator, Royal Ontario Museum

“The things that ISIS are destroying aren’t just religious monuments, they are the first major monuments of the entire Arab people,” “It’s colossally sad.
- John Grout, Ph.D. student, London’s Royal Holloway University

“The temple of Bel in Palmyra, 
dedicated when Tiberius was emperor and Jesus was alive. 
For 1983 years it stood largely intact. Now it's gone.
- Tom Holland, Author and Historian - London

The systematic destruction of cultural symbols embodying Syrian cultural diversity reveals the true intent of such attacks, which is to deprive the Syrian people of its knowledge, 
its identity and history.
- Irina Bokova, Director-General of UNESCO

“Quasi peggio che durante il nazismo: Hitler aveva ammassato a Praga infiniti oggetti con cui costituire il "museo della razza estinta". Qui, invece, si estinguono i musei e i monumenti. Per carità: sempre meglio che gli uomini, ma ....

“Almost worse than under the Nazis. In Prague, Hitler amassed an infinite number of objects for a museum which allegedly was to be called 'the Museum of an Extinct Race.'
Here in this case however, they extinguish the museums and monuments. To be clear, its always better (to save) men, but still….
--Fabio Isman, Journalist 

“I am too deeply sad and dissapointed in humanity, giving where I am coming from, to actually be able to verbalize it. I thought the crimes of World War II taught us something.
- Magdalena Kropiwnicka, Activist and Consultant

“Even earthquakes would have been less horrible,” he said. “The temple was the most iconic and one of the most beautiful in Syria, and we have lost it.” 
“We have lost all hope. We have lost all hope that the international community will resist and we lost hope of any international movement to save the city,”
- Maumoon Abdul-Karim, the Director-General of Syria’s Antiquities and Museums (DGAM) 

“The cultural cleansing ISIS has inflicted on historic sites like Nimrud, and Palmyra are graphically visible wounds, but the violence caused by the destruction at these sites is more insidious.  Its not just the loss of a singular temple or palace or its artwork.  By not protecting these sites we passively watch the destruction of a culture’s memory.  When we stand by and allow the roots of shared identity to be destroyed by iconoclasts like ISIS we eliminate the opportunity for future generations to share in and learn from their past. This is by far the greater tragedy.
--Lynda Albertson, ARCA



August 30, 2015

Confirmed - Islamic State has Destroyed the Ancient Temple of Bel in Syria's Palmyra

Just one day after UN training and research agency UNITAR had confirmed via satellite images that Palmyra's Baalshamin Temple was destroyed by Islamic State militants, ARCA has received word from multiple direct and indirect sources that The Temple of Bel has also been targeted.  The temple is aligned along the eastern end of the Great Colonnade at Palmyra and its epigraphic remains attest to the temple's dedication in 32 C.E.  After that, it underwent changes through the course of both the first and second centuries. Since the spread of Islam in the 7th century the Temple of Bel has been used as a mosque though the 1920s.

Temple of Bel - North Adyton Ceiling, North Adyton and South Adyton 
The Temple of Bel's cella are unique.  Two inner sanctuaries, the north and south adytons ((a restricted area within the cella of a Greek or Roman temple) are dedicated as the shrines of Bel and other local deities. Both the North and the South chambers had monolithic ceilings. The Northern chamber’s ceiling highlighted seven planets surrounded by twelve zodiac carvings as well as a camel procession, a veiled women, and what is believed to be Makkabel, the god of fertility.  While many believed the temple's repurposing as a mosque would have offered it protection, this imagery may have been the target for destruction under Daesh idiology.

The Islamic State took control of the historic site of Ancient Palmyra on the May 21, 2015.  The extent of the damage to the Roman-era structure is still being investigated.

Due to the number of conflicting reports, ARCA has been continually aggregating reports on the status of the Temple of Bel as more conclusive information came in and could be corroborated.

Update September 01, 2015 07:30 GMT+1 At 7:30 this morning, ARCA posted word that the UN Training and Research Agency (UNITAR) had confirmed that satellite images received have confirmed that the Temple of Bel, in the ancient city of Palmyra in northern Syria has been destroyed. Tom Holland, and London-based writer and historian gave this sad, but fitting eulogy, which we have included in the satellite photo caption below.

"The temple of Bel in Palmyra,
dedicated when Tiberius was emperor and Jesus was alive.
For 1983 years it stood largely intact. Now – confirmed, gone
--Tom Holland
UN Training and Research Agency (UNITAR) posted news of their satellite and image analysis shortly after midnight.  Their written statement reads "We can confirm destruction of the main building of the Temple of Bel as well as a row of columns in its immediate vicinity."

Einar Bjorgo, manager of UNITAR’s Operational Satellite Applications Programme - (UNOSAT) said a satellite image taken Monday "unfortunately shows the destruction of the temple's main building as well as a row of columns in its immediate vicinity."

Image Credit/Image analysis: UNITAR-UNOSAT Copyright Airbus Defense and Space - Findings , based on two images: one taken on Aug. 27 which showed the main building and columns still intact and one post destruction.

Update August 31, 2015 15:10 GMT+1 Speaking to the Associated Press via Skype today, an Islamic State operative has said that the temple (of Bel) had been destroyed, without elaborating. The individual spoke on condition of anonymity because members of the group are not allowed to speak to journalists.

Update August 31, 2015 15:10 GMT+1 Director-General of Syria’s Antiquities and Museums (DGAM) issues a formal statement on their website which reads, in part, "DGAM could not verify this news with confident resources, so the act is not sure nor the size of destruction, hoping it is not true."

Update August 31, 2015 14:30 GMT+1 New York Times article, quoting Syria's Director-General of Antiquities and Museums (DGAM), Maumoon Abdul-Karim, seems to indicate the two inner sanctuaries, the north and south adytons, were the target in this attack on Palmyra's immovable heritage.

Update August 31, 2015 14:15 GMT+1 Reached in Damascus, Maumoon Abdul-Karim, the Director-General of Syria’s Antiquities and Museums (DGAM) has told the Guardian “The temple structure is on a raised terrace that can be seen from afar, and our information is that the temple is still there,” 

Update August 31, 2015 13:36 GMT+1 Speaking to the Associated Press via Skype today, an Islamic State operative has said that the temple (of Bel) had been destroyed, without elaborating. The individual spoke on condition of anonymity because members of the group are not allowed to speak to journalists.

Update August 31, 2015 09:38 GMT+1 A report by Business Insider stated that Mohamed Hassan al-Homsi, an activist from Tadmor who uses a pseudonym, had indicated that the group has used explosives to destroy the inner part of the temple.  Al-Homsi is reported to have said

"They laid the explosives today, using booby-trapped boxes and barrels that were already prepared by IS”

The report also stated that Maumoon Abdul-Karim, the Director-General of Syria’s Antiquities and Museums (DGAM) was reached by phone in Damascus, but that he could not yet confirm the destruction.  Professor Abdul-Karim said

"Rumours about these ruins are always coming out so we have to be careful about news like this."

Update August 31, 2015 03:38 GMT+1 Report via the Washington Post states that a contact in Hom’s outside Islamic State territory, using the pseudonym, Khaled al-Homsi, collaborates reports that the Temple of Bel was blown up Sunday afternoon.

Update August 31, 2015 00:36 GMT+1 An Al Jazeera reporter in the Syrian city of Homs was told that ISIL on Sunday detonated more than 30 tonnes of explosives.  Note: 30 tones would be a significant amount of explosives. If this is correct, the size and sound of the explosion would likely have resembled something similar to what is seen in this video. 

Update August 30, 2015 23:15 GMT+1 AP and CBS and news reported that a resident, possibly from Tadmor and going by the name "Nasser al-Thaer" reported that a substantial blast went off at 1:45 pm Sunday afternoon. This contact also reported "it is total destruction" and that "the bricks and the columns are on the ground."   This witness may be the same person who spoke with AP reporters who confirmed the destruction of Palmyra's Baalshamin Temple Destruction and who previously reported to Syria Deeply on July 21, 2015 that bombs had been planted in the historic temples of Bel and Baal Shamin. 

Update August 30, 2015 22:10 GMT +1 The Syrian Observatory for Human Rights has also received word that the temple was targeted but has no further information on the extent of the damage.


Image Credit: Khan Academy

August 29, 2015

UN Training and Research Agency UNITAR Visually Confirms Palmyra's Baalshamin Temple Destruction

By Lynda Albertson
UN training and research agency UNITAR has confirmed satellite images taken on August 25 2015 visually confirms the destruction of Palmyra's Baalshamin Temple by Islamic State militants. 

Comparing images of the ancient city of Palmyra taken on May 22, 2015 by Pléiades Earth-observation system managed by Airbus Defence and Space with a later image taken on or around August 25, 2015 UNITAR has issued a statement saying:  

"We confirm the destruction of the main building, while surrounding columns seem to be less affected."

The destruction of the temple was reported to have happened last Sunday, August 23, 2015 shortly after 4:00 pm shortly after the Islamic State published photos indicating they had beheaded Khaled Mohamad al-Asaad, the retired head of antiquities for the ancient city of Palmyra, a UNESCO World Heritage Site. 

Earlier this week the Islamic State published images showing various containers, containers, presumably containing explosives, placed around and inside the temple as well as an image of what appeared to be a large explosion at the time of the temple’s detonation. 

Comparing site map images of Palmyra by Ross Burns, an author of two works on the archaeology and history of Syria, with the newly released Pléiades image reviewed by UNITAR, one can see that at the time the images were taken the Temple of Nabû had apparently not been subject to intentional destruction.   Nabû’s temple is located to left of the colonnaded street adjacent to the monumental arch of Septimius Severus. Nabû is believed to have been a Mesopotamian god of wisdom and oracles.  The trapezoid-shapped temple dates from the last quarter of the 1st century CE through to the 3rd century.







August 28, 2015

Friday, August 28, 2015 - , No comments

Doubts Emerge Over Authenticity of Painting Damaged by 12-Year-Old Boy in Taiwan.

In the last days, various news agencies have begun reporting that doubts have emerged over the authenticity of an Italian painting which made international headlines after a soda can carrying twelve year old accidentally punched a hole through it.

On August 23, 2015 the boy, on tour with his mother at the Huashan 1914 Creative Park, tripped near “Flowers” (“Fiori” in Italian) — a 17th-century oil panting by the Italian artist Paolo Porpora and put his hand out to stop his fall.  The result, captured in its horrific entirety on CCTV footage, shows the child stumbling over the rope barrier separating visitors from the 17th-century oil painting.  The result; a fist-sized hole, in a painting that has been hyphed by the media as being worth up to $1.5 million USD.  

Damage to Paolo Porpora painting "Fiori"
While conservators and those in the museum security field have lamented the damage and questioned why those organising the exhibition chose to place a dais and stanchions in front of that painting, or why the child was allowed in the gallery with a beverage in the first place, some in the media has begun to express doubts about the authenticity of an Italian painting. 

Organisers of the exhibition have stated that the painting, part of a collection of 55 artworks in Taipei, was the only Paolo Porpora work that is known to have been signed and that the artwork was painted in the 1660s.  The Italian artist lived and painted from 1617 until 1673.

Imageof "Nuzzi" painting
http://www.dellarocca.net/catalogo.php?s=331&e=360&Aid=30

Speaking to reporters from Want China Times at the exhibition venue at the Huashan 1914 Creative Park, Andrea Rossi, the curator of the exhibition, said that the damaged painting by Paolo Porpora had been incorrectly attributed to Mario Nuzzi by the auction house in 2012.  This incorrect attribution could be the reason for the differences in valuation though it is not unusual for the media to write eye-popping estimates of an artworks worth when it goes missing or is damaged.  Figures seem to appeal to readers more than the words "priceless" or "invaluable".  What is stranger is that the auction house would have misattributed a signed painting as the works of another. as the names "Nuzzi" and "Porpora" are not remotely similar. 

Regardless of its actual attribution or the painting's value, the hole in the canvas is being treated by Leo Tsai (蔡舜任), one of Taiwan's top painting conservators.  For the past years Leo Tsai has been working to restore door god paintings at Taiwan’s temples.   To see a short video of the conservator and some of the work he is doing please take a look at the heritage preservation group's Facebook page, Tiawan Temples