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February 6, 2014

The Monuments Men: Museums Ride the Publicity Wave of the Monuments Men Action Film to Tell the True Story

The new George Clooney action movie The Monuments Men, inspired by the men and women who served in the Monuments, Fine Arts, and Archives section during World War II, is also energizing museums to reach out to their communities about the true story.

The Frick Museum's website has a section on "The Frick During World War II":
The Monuments Men were a multinational group of 350 men and women who volunteered for military service in order to protect monuments and other cultural treasures from destruction during World War II. In civilian life, many of them were museum directors, curators, artists, architects, and educators. These dedicated men and women tracked, located, and ultimately returned to their rightful owners more than five million artworks and cultural items stolen by Hitler and the Nazis. Their role in preserving Europe’s cultural treasures was without precedent. 
The Frick Art Reference Library in Wartime 
The story of the Monuments Men in Europe has become increasingly well known, but few are aware that another group of dedicated art historians were engaged in “the fight for art” on American shores. In 1943, William B. Dinsmoor, a Harvard professor and Chairman of the American Council of Learned Societies, established the Committee on the Protection of Cultural Treasures in War Areas. Made up of thirty volunteer American and European scholars, the committee was charged with creating (and distributing to the Allied armed forces) maps and lists of important monuments to be spared during bombing raids. Headquartered principally at the Frick Art Reference Library, which had been involved in the preservation effort as early as 1941, Dinsmoor’s committee was responsible for coordinating information gathered from myriad sources and compiling it into a master index that listed the historic buildings and important works of art in each occupied country. In 1943 the library closed its doors for six months — the only time in its ninety-three-year history that it has done so — in order to support the committee’s research and generate the photography required to prepare more than 700 maps. Even before the end of hostilities, the Frick staff and its resources also played a vital role in the research needed for the recovery of stolen and looted art, which became a top priority of Dinsmoor’s committee and its parent Washington-based Commission for the Protection and Salvage of Artistic and Historic Monuments in Europe. Indeed, even today, researchers — with the help of the Frick Art Reference Library’s vast resources — continue to piece together information to help reunite works of art and their rightful owners.
 The Fine Art Museum of San Francisco is presenting an online Google talk tomorrow:
As part of the renewed interest in the heroic efforts of the Monuments Men, the Fine Arts Museums of San Francisco are presenting an online Google Art Talk this Friday, February 7 with other experts discussing their real life connections to the feature film "The Monuments Men," opening Friday. Thomas Carr Howe, Jr. (1904-1994), the director of the Legion of Honor in San Francisco from 1939 through 1968, played a significant role in the events depicted in the upcoming film, which focuses on a group of museum professionals sent to Europe to save cherished art works stolen by the Nazis during World War II. 
Beginning Saturday, February 8 in Gallery 14, the Legion of Honor will exhibit a painting recovered by the Monuments Men. The painting, Portrait of a Lady (ca. 1620) by Anthony van Dyck (1599-1641) was at one time in the possession of Hermann Goering. It was later returned to its rightful owners and subsequently given to the Legion of Honor by the Roscoe and Margaret Oakes Collection.