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Showing posts with label Art Policing and Recovery Award. Show all posts
Showing posts with label Art Policing and Recovery Award. Show all posts

March 1, 2023

Wednesday, March 01, 2023 - ,,, No comments

2023 ARCA Amelia Conference - Save the Date & Call for Presenters


Conference Dates: June 23-25, 2023

Location:
Collegio Boccarini, 
adjacent to the Museo Civico Archeologico e Pinacoteca Edilberto Rosa, 
Piazza Vera
Amelia, Italy


Held in the beautiful town of Amelia, Italy, the seat of ARCA’s summer-long Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection, the Association’s 12th annual Amelia Conference will be held the weekend of June 23-25, 2023 with a networking cocktail opening the event for all Amelia Conference attendees and speakers. 

At the heart of the conference will be two days of panel sessions, on Saturday and Sunday, June 24-25, 2023, devoted to presentations selected through this call.

ARCA’s annual Amelia Conference serves as an arena for intellectual and professional exchange and highlights the nonprofit’s mission to facilitate a critical appraisal of the need for protection of art and heritage worldwide. Over the course of one weekend each summer, this art crime-focused event serves as a forum to explore the indispensable role of detection, crime prevention, and scholarly and criminal justice responses, at both the international and domestic level, in combatting all forms of crime related to art and the illicit trafficking of cultural property.

Geared towards international organizations, national enforcement agencies, academics, cultural institutions, and private sector professionals in the art and antiquities fields, the Amelia Conference follows a long-established commitment by the Association to examine contemporary issues of common concern in an open, non-combative, multi-disciplinary format in order to promote greater awareness and understanding of the need for better protection of the world’s cultural patrimony.

2023 Call for Presenters: Session Formats and Topics

Given the success of the Amelia Conference over the past decade, it is important to recognise the growing interdisciplinary and international nature of this emerging field, the growing complexity of art and heritage crime, and the disciplines and subject matter experts who follow along and contribute within their areas of speciality.  With that in mind, this year’s conference will build upon topic-specific sessions designed to stimulate discussion and share learning on a series of topics of common concern. Some conference panels may feature more active panel debate about a session topic, or present various and/or contrasting perspectives about a topic. Each panel session will last approximately 75 or 90 minutes and will include a number of oral presentations with some time dedicated for interactive discussion.

ARCA welcomes presentation proposals related to the conference’s art and antiquities crime theme from individuals in relevant fields, including law, policing, security, art history, art authentication, archaeology, or the allied art market.  Presenters with topics related to the following areas are particularly encouraged to submit a speaking proposal this year highlighting the following issues of common concern:

Strengthening international cooperation in the fight against illicit trafficking, Do MLATs and ILORS work? And is this formality always useful?

Organised crime and illicit trafficking.

Recent successes in the field and what we can learn from them collectively.

The Elephant in the Room: How museums can proactively address problematic art in their collections.

Consciousness raising vandalism as a form of protest in museums. 

Digital and technology-facilitated approaches to combatting illicit trafficking: Do automated web-scraping tools work for combatting art crime?

Solving societal issues using Open Source Intelligence (OSINT) – 

Open-source intelligence (OSINT) continues to grow in acceptance and use beyond the traditional military and law enforcement sectors. How has it been applied to combatting art and antiquities crimes.

Recent convictions: Art crime’s bad boys (and girls) and what we can learn from their prosecutions. 

Each selected presenter will represent a coherent and clearly focused presentation of 15 to 20 minutes maximum on a topic of common concern, that combined with presentations given by co-panelists, are designed to provide significant insights into the topic or theme and to stimulate thoughtful, not combative or antagonistic, discourse.

We very much look forward to receiving presentation proposals on the aforementioned or alternative art and antiquities crime topics, noting that panels may change or be altered based on speaker availability.

Abstract and CV Submission Deadline: March 30, 2023

Abstract Word Limit: 400 words, excluding abstract title, presenter/co-presenter names and affiliations

Abstract Selection Process

Each submitted abstract must be accompanied by a CV. The abstract review process will be conducted blind, i.e. all author names will be removed before the abstract before being sent out for peer review. The abstract itself will be reviewed and scored by independent reviewers who have expertise in the specific session’s identified subject area.

Peer Reviewers apply the following criteria to judge abstract submissions 

I. Quality and Originality (1 to 5)

Abstracts containing significant new findings or presenting concretised information or new approaches will be given higher scores than those that merely serve as a chronology of, or modifications to, older findings or routine topics of dischord.

II. Importance (1 to 5 pts)

This criterion addresses the importance of the presentation or research in terms of covering new ground and in advancing knowledge in the art crime and cultural heritage protection field.

III. Presentation (1 to 5 pts)                                                                              This criterion addresses how well the specific research question(s) and objectives, methods used, primary results, facts ascertained, etc., are explained, rather than simply titling the topical subject itself. A clearly written abstract follows a logical order (e.g. aims, methods, outcome of investigation or analysis).

FINAL NOTE 

All accepted participants are responsible for their own travel and accommodation expenses, however, accepted conference presenters will have their attendance fee waived and will be invited to be ARCA’s guest for the Amelia Conference icebreaker cocktail on 23 June 2023.

March 25, 2013

Monday, March 25, 2013 - ,, No comments

Sharon Cohen Levin Wins ARCA's 2013 Art Policing and Recovery Award

Sharon Cohen Levin, Chief of the Asset Forfeiture Unit in the United States Attorney's Office for the Southern District of New York, won ARCA's 2013 Art Policing and Recovery Award.

Past winners: Vernon Rapley (2009), Charlie Hill (2010), Paolo Giorgio Ferri (2011), and Ernst Schöller (2012).
Ms. Levin been instrumental in securing the return of innumerable antiquities and other cultural property to foreign governments, and artworks and other cultural property to the families of Holocaust victims from whom they had been looted or subjected to forced sale by the Nazis.

 In 2010, Ms. Levin's office resolved the case of United States v. Portrait of Wally with the Leopold Museum in Vienna.  This case, involved the Estate of Lea Bondi Jaray and lasted over ten years that resulted in: payment of 19 million dollars to the Estate (reflecting at least the full value of the painting); an exhibit of the painting at the Museum of Jewish Heritage in New York, before it returned to the Leopold Museum, and permanent signage to accompany the painting at the Leopold Museum and anywhere else in the world where it is exhibited, which sets forth in both English and German the true provenance of the painting and the legacy of Lea Bondi Jaray. The Wally case is credited with focusing the world's attention on the problem of Nazi-looted art.

 In the past six years, the Southern District of New York has forfeited nearly $6 billion in crime proceeds. Ms. Levin pioneered the use of federal forfeiture laws to recover and return stolen art and cultural heritage property. The SDNY Asset Forfeiture Unit has initiated dozens of proceedings under the forfeiture laws -- seizing and returning artwork and cultural property to the persons and nations who rightfully own them.  Notable examples include the forfeiture and repatriation of stolen paintings by Lavinia Fontana, Jean Michel Basquiat, Roy Lichtenstein, Serge Poliakoff, Anton Graff and Winslow Homer; drawings by Rembrandt and Duhrer; an Etruscan bronze statute dated circa 490 BC; an antique gold platter dated circa 450 B.C.; a rare Mexican manuscript; a medieval carved wood panel which was originally inside the historic Great Mosque in Dvrigi; an Ancient Hebrew Bible owned by the Jewish Community of Vienna and stolen during the Holocaust and most recently, a Tyrannosaurus Bataar skeleton looted from the Gobi desert in Mongolia.

March 12, 2013

Tuesday, March 12, 2013 - , No comments

Nominations for ARCA's 2013 Art Policing and Recovery Award


Here are this year's three nominees for ARCA's 2013 Art Policing and Recovery Award which usually goes to a police officer, investigator, or lawyer.  Past winners have included: Vernon Rapley (2009), Charlie Hill (2010), Paolo Giorgio Ferri (2011), and Ernst Schöller (2012). 

Colonel Mathew Bogdanos, United States Marine Corps Reserves, Senior Investigative Counsel, Assistant District Attorney New York, investigated the looting from the Baghdad Museum and organized the security of it during the Iraq conflict. Colonel Bogdanos left active duty in the Marines in 1988 to join the New York County District Attorney's Office. Remaining in the Marine Corps Reserves in the 1990s, he led a counter-narcotics operation on the Mexican border and served in Desert Storm, South Korea, Lithuania, Guyana, Kazakhstan, Uzbekistan, and Kosovo.
Losing his apartment near the World Trade Center on September 11, 2001, he joined a counter-terrorism task force in Afghanistan, where he received a Bronze Star for actions against al-Qaeda. He then served in the Horn of Africa and three tours in Iraq—leading the investigation into the looting of Iraq’s National Museum—before deploying again to Afghanistan in 2009. Exposing the link between antiquities trafficking and terrorist financing, and presenting those findings to the United Nations, Interpol, British Parliament, and the Peace Palace in The Hague, he received a National Humanities Medal from President Bush for his work recovering more than 6,000 of Iraq's treasures in eight countries.  He holds a classics degree from Bucknell University; law degree and master’s in Classics from Columbia University; and master’s in Strategic Studies from the Army War College. Returning to the DA’s Office in October 2010, he continues the hunt for stolen antiquities. All royalties from his book, Thieves of Baghdad, are donated to The Iraq Museum.
Sharon Cohen Levin, Chief of the Asset Forfeiture Unit in the United States Attorney's Office for the Southern District of New York, has been instrumental in securing the return of innumerable antiquities and other cultural property to foreign governments, and artworks and other cultural property to the families of Holocaust victims from whom they had been looted or subjected to forced sale by the Nazis.  In 2010, Ms. Levin's office resolved the case of United States v. Portrait of Wally with the Leopold Museum in Vienna.  This case, involved the Estate of Lea Bondi Jaray and lasted over ten years that resulted in: payment of 19 million dollars to the Estate (reflecting at least the full value of the painting); an exhibit of the painting at the Museum of Jewish Heritage in New York, before it returned to the Leopold Museum, and permanent signage to accompany the painting at the Leopold Museum and anywhere else in the world where it is exhibited, which sets forth in both English and German the true provenance of the painting and the legacy of Lea Bondi Jaray. The Wally case is credited with focusing the world's attention on the problem of Nazi-looted art.
In the past six years, the Southern District of New York has forfeited nearly $6 billion in crime proceeds. Ms. Levin pioneered the use of federal forfeiture laws to recover and return stolen art and cultural heritage property. The SDNY Asset Forfeiture Unit has initiated dozens of proceedings under the forfeiture laws -- seizing and returning artwork and cultural property to the persons and nations who rightfully own them.  Notable examples include the forfeiture and repatriation of stolen paintings by Lavinia Fontana, Jean Michel Basquiat, Roy Lichtenstein, Serge Poliakoff, Anton Graff and Winslow Homer; drawings by Rembrandt and Duhrer; an Etruscan bronze statute dated circa 490 B.C.; an antique gold platter dated circa 450 B.C.; a rare Mexican manuscript; a medieval carved wood panel which was originally inside the historic Great Mosque in Dvrigi; an Ancient Hebrew Bible owned by the Jewish Community of Vienna and stolen during the Holocaust and most recently, a Tyrannosaurus Bataar skeleton looted from the Gobi desert in Mongolia.
Christos Tsirogiannis is a forensic archaeologist at the University of Cambridge, completing his Ph.D thesis on the International Illicit Antiquities Network (“Unravelling the International Illicit Antiquities Network through the Robin Symes-Christos Michaelides archive and its international implications”). As a Reserve Officer of the Greek Army, he discovered two Archaic period settlements and a Classical period cemetery, for which he has been decorated with the Army Commendation Award (2003). For several years Tsirogiannis was the only archaeologist working for the Greek Police Art Squad in his native Athens and he remains actively involved in tracing stolen antiquities from both his native country and Italy. Roughly three times a year he will spot an object, perhaps a vase or a sculpture , that has come on to the art market with something about its provenance which serves to make him suspicious. Once alerted to the possibility that an illegally traded item may be about to change hands, he has used his experience to investigate auction houses and galleries, museums and private collections around the world making comparisons between evidence included in confiscated archives by police and judicial authorities. If, at that point, he reveals a trail that suggests the illicit origin of an antiquity, he contacts the relevant authorities of the robbed country.
Tsirogiannis, took his first degree in Archaeology and History of Art at the University of Athens and began his career as an archaeologist working for the Greek Ministry of Culture.  One morning in August 2004 he reported that his world changed when he got a phone call from the headquarters of the Athens police asking him to accompany them on a raid of a monastery where antiquities without any collecting history had been found. The Greek judicial system found the monks innocent – but it was a clearly problematic case that opened his eyes to the problems of trafficking. While in Greece, Tsirogiannis continued to work for the police as an unpaid volunteer, frequently escorting authorities on raids throughout Greece and identifying looted antiquities, while keeping his day job at the Ministry of Culture.  When his work with the police grew, he was offered a post with the Ministry of Justice. As an expert trusted by the authorities, he was directly involved in a series of high-profile investigations by specialist teams from the Greek and Italian police, researching archives of looted objects that had made their way along a clandestine network of looters, middlemen, famous auction houses and high-profile dealers working closely with top collectors.  The most notorious of these raids was that on the Robin Symes-Christos Michaelides summer residence in the Cyclades, where the authorities found an archive of professional photographs that recorded numerous looted and smuggled antiquities from nearly all the world’s ancient civilizations.

April 3, 2012

Tuesday, April 03, 2012 - ,,, No comments

ARCA Awarded Stuttgart Detective Ernst Schöller 2012 Art Policing and Recovery Award

Painting in the style of Max Ernst
ARCA's Board of Trustees has awarded Ernst Schöller this year's Art Policing and Recovery award in in recognition of his dedication and work within the Stuttgart Fine Art and Antiquities Squad.  The award will be presented at the fourth annual International Art Crime Conference on June 23-24 in Amelia, Umbria, Italy.

Previous year's winners include Vernon Rapley (2009), Charlie Hill (2010), and Paolo Giorgio Ferri (2011).

Kriminalhauptkommissar (translated to English as Chief Detective) Ernst Schöller works for the Landeskriminalamt Baden-Württemberg (the State Criminal Investigations Department of Baden-Württemberg).  He is also a scholar specializing in investigating forgery cases.


Last year Schöller helped in the case of the German forgery run by Wolfgang Beltracchi  (interviewed this month by Spiegel) that sold falsely attributed artworks with fake provenance internationally to buyers, including actor Steve Martin.  He worked to retrieve the fake copy of the painting, La Horde, falsely attributed to artist Max Ernst.  The forged "La Horde" was sold to a German collector in 2006 for around 3.5 million pounds.


Kriminalhauptkommissar Schöller described his other investigations:
Wolfgang LÄMMLE faked works by artists of the “south German school” and of the so-called “classic Modern Art” with over 500 paintings and prints. (1988-1990).
KonradKUJAU, the well- known as forger of the “Diaries of Adolf Hitler" in the 1980s as well as forger of paintings and drawings till his death in 2000.
Geert Jan JANSEN, alias Jan van den Bergen was searched by the Netherland authorities for 10 years. He lives as "Jan van den Bergen" in France (Orleans, Poitiers) with his girl friend. (1994-95) 
Leon AMIEL - publisher in New York, a great success of the “New York postal inspection service“ in 1992-93. On one day there were sequestered more than 83.000 faked prints (etchings, lithographs, wood cuts….) from Dali, Miro, Chagall and Picasso. 
Alexej JAWLENSKY - Exhibition at the “Folkwang Museum“ in Essen in the year 2000, 108 of 150 exhibited works were faked, totally there were nearly 600 fakes, drawings and watercolors, each described in the cataloque raisonnee (Volume 5, Beck, Munich). They were retired  2005. 
Alberto GIACOMETTI - Investigations of the LKA Stuttgart,  with the seizure of more than 1200 sculptures (bronzes and plasters) of A. Giacometti in a worth of 250-300 millions of Euros. The actors were convicted in 2011 and in 2012 received up to 9 years from District Court of Stuttgart.
Schöller wrote in an acceptance email that he is looking forward to attending ARCA's International Crime Conference in Amelia this June. 

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