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Showing posts with label Louvre Museum. Show all posts
Showing posts with label Louvre Museum. Show all posts

November 25, 2025

Tuesday, November 25, 2025 - ,, No comments

Last Alleged Member of Louvre Strike Team Caught as Paris Police Make Four New Arrests


According to Paris Public Prosecutor Laure Beccuau, four additional arrests have been made in connection with the high-profile jewellery robbery carried out at the Musée du Louvre on 19 October 2025. Among those detained is the final alleged member of the commando team believed to have executed the theft in the Apollo Gallery during public opening hours. This fourth suspect, a resident of Aubervilliers, was taken into custody early this morning in Laval, Mayenne, by investigators from the Banditry Repression Brigade (BRB). He is currently being held for questioning along with another man and two women arrested during the same operation.

Three men, aged between 35 and 39, had already been indicted following the launch of formal judicial proceedings on 29 October. All three face charges of robbery in an organised gang and criminal association. 

Two of the named suspects, Ayed Ghelamallah and Abdoulaye Niakate, are alleged to be the pair who entered the Louvre gallery on the François Mitterrand quay while posing as workmen. They were arrested on 25 October and ordered into pretrial detention. Their identification reportedly stems from DNA recovered both at the crime scene and from one of the motorbikes used during their escape.

A third, member of the four-man team, Slimane K., who is suspected of having driven one of the two scooters used in the theft, was arrested on 29 October.  He has  likewise been ordered held in police custody pending trial. All four alleged participants appear to have lived in or near the Aubervilliers commune in the Seine-Saint-Denis district of Paris.

In addition to the suspected thieves, a 38-year-old woman arrested on 29 October has been charged with complicity in the robbery.

Today's Developments

The four new arrests made today remain under investigation and follow the continuing work of France's BRB to dismantle the full network believed to have been involved in or provided material support for the museum theft. 

Despite the progress made by investigators, the stolen jewels, which are estimated to be worth approximately 88 million euros, have not yet been recovered.

November 2, 2025

Sunday, November 02, 2025 - , No comments

Two Charged in Louvre Jewel Heist as France Faces a Wave of Violent Robberies

French authorities have formally charged two more individuals in connection with the October 19, 2025 robbery of royal jewels from the Galerie d’Apollon at the Louvre Museum. Of the five people taken into custody on October 29, two face criminal charges; the other three have been released pending further investigation. 

The first of the newly charged suspects is a 38-year-old woman, indicted for “complicity in robbery committed by an organised gang” and “criminal association with a view to preparing the crime of robbery by an organised gang.” Presented to the court as "afraid" for her children and herself, through her attorney she has denied the charges. 

 The judge of freedoms and detention (JLD) ordered that she remain in custody for now, stating: 

“I do not rule out reassessing the situation, but I want the versions to be cross-checked. The ball is in the lady’s court. Her word will be decisive on the possibility of release under judicial supervision. If it does not lead to anything, we will draw conclusions.

Paris public prosecutor Laure Beccuau revealed on November 2 that DNA recovered from the gondola lift used by the robbers matches the woman's genetic profile. 

The second suspect is a 37-year-old man, charged with “organised robbery and conspiracy to commit organised robbery.” He has requested a deferred hearing and remains in custody pending that session. Prosecutors say both of these suspects were previously known to law enforcement, as each had been tried together for a robbery in 2015, suggesting a prior relationship or at least collaboration in other criminal activity.

While still reeling from the Louvre jewel heist, a second high-profile daylight robbery occurred in the city of Lyon. 

According to the Prefect of the Auvergne-Rhône-Alpes region, on October 30, barely a week after the €88 million Louvre Museum jewel theft in Paris, heavily armed men stormed the Laboratoire Pourquery, a facility dealing in precious metals, in another spectacular, though more violent, daytime robbery in France.

Video footage published on the social media site X, taken by witnesses at around 2 p.m., from a neighbouring company shows multiple suspects, dressed in black coveralls with red arm bands, as the crime was getting underway.  Brandishing what appears to be military-grade weapons, the suspects can be seen calmly walking back and forth beside a white van equipped with a blue flashing light which they had parked outside the rear of the laboratory. 

One of the suspects can be seen calmly tossing a ladder over the fence while another detonates an explosive device, blowing out two security windows in the laboratory and injuring five employees. Witnesses reported hearing the explosions as well as possible shots fired from various locations in the district of Gerland, the 7th arrondissement along the River Rhône, where the business is located.

Once the thieves gained entry to the targeted building, the witness video shows one of the accomplices scaling the supplied ladder and throwing parcels back over the fence while another loaded a black case containing gold ingots into the vehicle before the thieves fled the scene. The delivery van was found burned less than two kilometres from the site of the robbery, where the perpetrators switched to a getaway car.

While the thieves may have thought they got away, driving back to a property in Vénissieux to divide the loot, officers of the Lyon (Rhône) Research and Intervention Brigade (BRI) were actually already on their tail. The investigative team had them under surveillance in relation to an earlier robbery that also involved explosives. Hours of surveillance and stakeouts in connection with the first theft and preplanning of this second assault, culminated in a search and seizure team being formed to enter  the property.

The police subsequently entered the home via the garage and found the five perpetrators in an apartment on the upper floors, some of whom had tried to escape via the balconies but were apprehended without shots being fired. One accomplice, a young woman suspected of having dropped off a lookout before the robbery, was also taken into custody. 

At the scene, police recovered weapons, detonators, armed explosive devices, a large sum of cash and the €12 million in gold stolen from the Laboratoire Pourquery.  An additional search of a storage unit in Décines led to the recovery of additional weapons, ammunition, a bulletproof vest and a money counter, which tends to indicate the payout for thefts the team was involved with were high.  

Of the suspects described, four are said to be seasoned criminals in their thirties and forties, including one who was already sentenced to ten years in prison for armed robbery. One was wanted in connection with the double murder of the Abdelli brothers, who were gunned down by a burst of automatic gunfire in February 2016 in the Buers district of Villeurbanne, a city bordering Lyon. The murdered brothers, Omar, 34, and Lakdar, 37, were implicated in a murky drug case dating back to December 2012, which is still under investigation.

I mention this non art-related crime here to show the high steaks involved in gold and jewellery thefts.  The criminals involved in these types of activities, risking long  incarcerations if caught, are not always the gentile Thomas Crowne Affair types portrayed in films.  

It is vital to remember that while much of the focus on these thedts falls on the dazzling value of the stolen objects, the jewel-encrusted tiaras, historic necklaces of French royalty, and the multi-million-euro losses, the real stakes in violent robberies includes more than just gold and jewellery. For museum staff and first-responder security guards and room watchers at institutions like the Louvre, their foremost responsibility has to be protecting human life. 

When criminal operations escalate, using heavy equipment, angle grinders, or sledge hammers while masquerading as legitimate workers, the threat they pose is real. A museum guard’s role is not only to safeguard art when and how they can but to prevent lives being harmed. These heists are not glamorous set-pieces from a film; they can also carry the potential for deadly violence. As we follow the investigations, the message must be clear: in high-stakes robberies such as these, vigilance, strong protocol and awareness that human safety comes first are not optional, they are imperative.

By.  Lynda Albertson

October 30, 2025

Breakthrough in Louvre Crown Jewels Theft: Five New Arrests

 

Ten days after the theft at the Louvre robbery, during a brief news conference Paris prosecutor, Laure Beccuau, released a statement yesterday indicating that the two detained suspects investigators believe to be connected to the dramatic 19 October 2025 jewel heist have "partially admitted their involvement" in the event, but adding that France's historic jewellery has not been recovered.   "I want to hold onto the hope that they will be found and can be returned to the Louvre Museum and, more broadly, to the nation."

Traced through DNA samples left on objects recovered at the crime scene and around the broken window used to access the museum's Apollon gallery and Beccuau's statements relayed more information about the two individuals, originally residents in Seine-Saint-Denis, presently in French custody.  

The 34 year old suspect was arrested at 8:00 pm at Charles de Gaulle airport last Saturday, with a one-way ticket to Algeria.  He is an Algerian-born resident living in Aubervilliers. Unemployed and known to the French police for a theft conviction as well as various traffic offences, he has lived in France since 2010 and once worked as a delivery driver and garbage man.  His DNA traces was found on one of the scooters used in the thieves' getaway after the robbery.

The second 39 year old suspect was arrested the same night at around 8:40 p.m. He was born in Seine-Saint-Denis in the northern suburbs of Paris.  An unlicensed taxi and delivery driver, he was taken into custody near his home in Aubervilliers.  Like the first accomplice, he was already known to police for aggravated robberies committed in 2008 and 2014.  At the time of his arrest this week, he was also under judicial supervision while awaiting trial for the charge of aggravated theft in Bobigny, a northeastern suburb of the French capital.  He was tied to the robbery by DNA  found on one of the broken display cases, as well as on objects abandoned as the thieves fled. 

In talking about the case breakthroughs, the prosecutor clarified that there was no evidence that supported statements that this individual had plans to leave the country, dispelling earlier statements in news articles that said that this suspect was intent on leaving France for Mali. 

Both of these suspects have been identified as the two individuals who road the lift elevator and entered into the museum to steal the jewels.  Brought before French Magistrates on Wednesday, they have now been formally charged with organised robbery, which carries a sentence of fifteen years imprisonment and criminal conspiracy, which carries a sentence of ten years imprisonment. 

Later last night, around 9 pm, Prosecutor Beccuau's office released a statement that five more suspects were apprehended by investigators from the Brigade for the Repression of Banditry (BRB) in connection the the museum heist in the swanky 16th (Marseille) and the impoverished 93rd arrondissement (Seine-Saint-Denis) of Paris.  One of these is believed to have been another of the four alleged robbers who carried out the heist and who was linked to the robbery through DNA evidence.

For now the Paris prosecutor has indicated that the stolen jewellery "is not in our possession" and "I want to remain hopeful that they will be found and can be returned to the Louvre Museum and, more broadly, to the nation".

Further news is expected later this morning. 

October 26, 2025

Two Suspects Arrested in Connection with the Louvre Museum Jewel Heist


One week after the dramatic 19 October 2025 jewel heist at the Louvre Museum, French investigators have reportedly identified suspects through DNA evidence found at the crime scene.  Forensic teams collected more than 150 samples, including fingerprints and other traces from items the thieves left behind including gloves, a helmet, cutting tools, a blowtorch, and a yellow safety vest.  The perpetrators also failed to destroy the truck-mounted lift used during the heist, providing investigators with additional clues.

News of a break in the case was first reported by the French news service, Le Parisien  citing anonymous sources,

The newspapers story was confirmed via the Paris prosecutor, Laure Beccuau, who stated that two men in their thirties were arrested.  One subject was taken into custody while preparing to board a flight to Algiers at Paris Charles de Gaulle Airport northeast of the city centre of Paris.  The second suspect was apprehended at a location in Seine-Saint-Denis, a historically working-class immigrant commune in the northern suburbs of Paris.  

Both suspects are said to have prior records according to French media and will likely be formally charged with organised robbery and criminal conspiracy to commit a crime.

In her statement, prosecutor Beccuau expressed regret over the premature press release of information related to the case, emphasising that such leaks could seriously undermine the investigation.  She noted that the disclosure risked hindering the coordinated work of roughly one hundred investigators who have been mobilised to recover both the stolen jewellery and apprehend all those involved in the crime. Her comments reflected concern that publicising sensitive details too soon could compromise ongoing efforts to bring the perpetrators to justice.

The investigation continues as authorities search for the remaining two members of the four-man team as well as the missing jewels.

October 19, 2025

Jewel Heist at the Musée du Louvre

The Crown Jewels Display Cases Room 705, Denon Wing, Level 1
Image Credit Musée du Louvre

As reported by France's interior minister Laurent Nunez, a tragic theft occurred around 09:30 local time this morning at the Musée du Louvre, France's premier museum and former royal palace.

Galerie d’Apollon, circa 1890

It appears that several masked individuals gained entry to the museum from the Quai François-Mitterrand side of the palace using a bucket elevator mounted onto a furniture-moving truck which they drove and parked along the side of the building facing the Seine River.  Riding up to the first floor, two thieves then entered the museum, breaking in through a window which leads to the Denon wing.  Their target was the Louvre's recently redesigned Galerie d’Apollon, on the first (upper) floor of a wing known as the Petite Galerie.

This 60-meter-long royal gallery was completed during the reign of Henry IV and hosts the portraits of the kings and queens of France).  The iconic room was later redesigned between 1661 and 1663 for Louis XIV when he was a resident of the palace.  In 2020, the gallery's ten-month renovation included an update to three of the room's most important display cases, replacing the original ones created by the sculptor-ornamentalist Charles Gasc in 1861.  

The new brushed-steel cabinets housed the royal collection of gems and the Crown Diamonds, or what remains of them, which were previously exhibited in two separate places in the Decorative Arts Department.  Placed in single file along the center of the room, one after the other, the aim was to provide visitors with a comprehensive and historical overview of the museum's unique jewellery creations and their symbolic importance in terms of France's monarchical identity, from the Ancien Régime to the Second Empire. 

The first display case housed jewellery dating from before the Revolution. The second displayed jewellery from the First Empire, the Restoration, and the July Monarchy, while the third display case housed jewellery from the Second Empire, including remnants of Empress Eugénie's grand finery. 

Once inside the museum, two accomplices are said to have used an angle grinder to break open two of the new vitrines which housed the jewels of the Second Empire (1852–1870) and the sovereigns' jewels (1800–1852). 

In just seven minutes, the perpetrators were in and out of the Louvre, carrying away  eight priceless pieces from the French collection, before making a hasty getaway on two Yamaha TMax scooters they also drove to the scene.  Filmed by CCTV cameras, the jewel thieves appear to have left the museum heading in the direction of the A6 motorway and are said to have dropped one of the nine pieces they initially grabbed. 

Initial reports, including one by a witness passing by on a bike, indicate that there were four perpetrators in total: two who dressed as workmen, each wearing a yellow or orange safety vest who ascended the cherry-picker and broke into the museum's gallery.   Two other accomplices  waited below the museum's windows before all for left the museum on the waiting scooters at 9:38, headed in the direction of the Hôtel de Ville. 

Shortly after the incident CL Press posted a video of a motorcycle helmet which was one of several objects found with or underneath the abandoned cherry picker truck.  Taken into evidence, these items may allow for the identification of one or more of the robbers through DNA traces.

According to the press release issued by the  French Ministry of Culture, the eight stolen jewellery items are:

This tiara from the set of Queen Marie-Amélie and Queen Hortense;

This necklace from the sapphire set of Queen Marie-Amélie and Queen Hortense;

An earring, one of a pair from the sapphire parure of Queen Marie-Amélie and Queen Hortense;

This emerald necklace from the set of Marie-Louise;

This pair of emerald earrings from Marie-Louise's set.

This Reliquary brooch;

This tiara of Empress Eugenie;

And this large bodice bow of Empress Eugenie (brooch).

A ninth item, the Crown of Empress Eugénie de Montijo, set with numerous emeralds and diamonds and created by Alexandre-Gabriel Lemonnier for the Paris Universal Exposition of 1855, was dropped by the criminals during their escape and its condition is "under examination".

Immediately after the incident, the Louvre was shuttered for the day as the Paris prosecutor's office opened a judicial investigation in partnership with the Criminal Investigation Department's Anti-Banditism Brigade (BRB) with the support of the Central Office for Combating Trafficking in Cultural Property (OCBC).   

Frances crown jewels have always had a tough go of it.  

Between September 11 and 16 in 1792, amid the chaotic events of the French Revolution, and days before the storming of the Bastille, a group of thieves staged a burglary over multiple nights, breaking into the poorly guarded Garde-Meuble de la Couronne (Crown Furniture Storehouse), a grand building on Place de la Concorde (then called Place Louis XV then Place de la Révolution) in Paris.  Over a series of days these accomplices helped themselves to diamonds, pearls, sapphires, emeralds, and rubies, many considered priceless due to their association with the French monarchy. Three of the most important pieces taken (some later recovered) were the Sancy Diamond, the Regent Diamond, and the Blue Diamond of the Crown (a large blue diamond some believe was later recut to become the Hope Diamond which is now housed at the Smithsonian, however, that theory remains unconfirmed). It was a revolutionary cultural property loss to which France never fully recovered.

Luckily, the Regent was found the following year, in 1792 which allowed Napoleon to display it on his coronation sword on December 2, 1804. 

After the revolutionary debacle, successive monarchies endeavoured to bring parts of the treasure back, but with only limited success.

Fast forward almost two centuries later and the Louvre’s standout jewel theft was an armed night-time raid, which, like today's daylight theft, impacted the Galerie d’Apollon.  On 16 December 1976, three masked burglars climbed a metal scaffolding set up by workers cleaning the facade of the former palace at dawn and assaulted two guards.  After entering the gallery they broke into a glass display case and made off with the diamond-studded ceremonial sword made in 1824 by Frederic Bapst for the coronation of King Charles X, leaving behind his stirrups and saddle.  

That piece has never been recovered. 

It is surreal to think that these stolen objects, symbols of empire, artistry, and craftsmanship, might now be lost forever.  Beyond their material worth, these jewels are part of Europe's collective heritage: tangible links to empires powerfully built and faded, a testament to French culture, and to her power.

The loss is not only France’s, but the world’s.

By:  Lynda Albertson


February 3, 2023

The Paris Court of Appeal has ruled not to drop the antiquities trafficking indictment against former Louvre director Jean-Luc Martinez and curator Jean-François Charnier


In the French courts today, the investigative chamber of the Paris Court of Appeal ruled on the request to cancel the indictments against Jean-Luc Martinez and Jean-François Charnier requested by the Advocate General. 

Last summer, the country saw Martinez, its former director of the Musée du Louvre from 2013 to 2021, and the former scientific director of the Agence France Museums charged with "complicity" in money laundering, "by facilitating the false justification of the origin of the property of the author of a crime or an offense".  Charnier, for his part, is suspected of having intentionally favoured the sale of €50 million in acquisitions of illicit material to the Emirati museum, in spite of warnings about their problematic.  


The heart of the accusations has been the costly purchases of several Egyptian artefacts between 2014 and 2018, including:
  • a pink granite stele of Tutankhamun, acquired for 8.5 million euros
  • a bust of Cleopatra, acquired for 35 million euros, 
  • a golden funeral coffin ensemble for Princess Henouttaouy, acquired 5 million euros 
  • a bronze sculpture of Isis
  • a blue earthenware hippopotamus 

The alleged primary brokers and handlers of these artefacts include France-based art broker Christophe Kunicki, Hamburg-based art dealer Roben Dib, and Dib's business partner Serop Simonian, an art dealer of Armenian origin, born in Egypt, who also resides in Germany. 

Suspected of playing a central role in the sale of illegally excavated antiquities, Christophe Kunicki and Richard Semper were taken into custody on June 22, 2020 and charged with with gang fraud and money laundering. Both were released from French custody on June 26, 2020, with judicial supervision orders pending their trial outcome.  

Suspected by US and French authorities of playing a central role in the sale of suspect antiquities to the Metropolitan Museum of Art and the Louvre Abu Dhabi, Roben Dib, a director at Dionysos Ancient Coins & Antiquities was taken into French custody in March 2022, shortly after posting a €600,000 bail in Germany. 

Held in pretrial detention for seven months at the Centre pénitentiaire de Fresnes, Val-de-Marne, south of Paris, Dibs is released from French custody in October 2022 with an order of judicial supervision pending trial, alongside an additional €350,000 French bail condition.  Dibs was rearrested on January 10, 2023, and brought before a judge, who released him the same day with a stern advisory, that if the outstanding balance of his French bail requirement was not paid in full, he would again be subject to pre-trial detention. 

Today, the Investigating Chamber of the Paris Court of Appeal rejected both Martinez and Charnier's defence counsels requests to lift the “mise en examen” (the indictment by the investigating judge in the context of a judicial investigation) and confirmed that both the former president of the Louvre and the former scientific director remain under indictment.  Martinez has been indicted for laundering and complicity in organised fraud.  Charnier has been indicted for laundering by facilitating the false justification of the origin of the property of the author of a crime, or a misdemeanour, and placed under judicial control." 

Through their lawyers, both Martinez and Charnier have indicated they will appeal today's court decision.  Both remain free on judicial supervision while their case proceeds through the French court.

The OCBC's investigation built upon collaborative investigations with the New York County - Manhattan's Antiquities Trafficking Unit, who first unravelled the network of traffickers during their investigation into the illicit trafficking of the ancient gold mummiform coffin, inscribed in the name of Nedjemankh.  Like in the New York case, the French case centers on artefacts which were laundered by means of falsified documents, in particular false invoices and export licenses.

December 21, 2016

Museum Theft Identification: Louvre Museum "Le Campement de bohémiens" by Alexandre-Gabriel Decamps

Alexandre-Gabriel Decamps (1803-1860)
Le Campement de bohémiens, Oil on wood - 18 x 24.8 cm 
In a developing story, first reported by France's La Tribune de l'Art, a stolen painting, Le Campement de bohémiens, believed to be by the artist Alexandre-Gabriel Decamps, has been identified in an online auction catalog at the Paris auction house Hôtel Drouot

The artwork was first spotted by Xavier de Palmaert, who in turn notified Jacques Ranc, an art historian working on Alexandre-Gabriel Decamps catalog raisonné.  The painting on auction is believed to be one of 17 by the artist bequeathed to the Louvre Museum in Paris in 1902 from the collection of Thomy Thiéry.  Not on display at the time of its disappearance, the artwork was identified as being missing during an inventory check on January 15, 1977 and is believed to have been taken from the museum sometime between 1973 and 1977. 


2833 — Le Campement de bohémiens. 

Devant un mur dégradé, des bohémiens, un homme, une femme et uhc fillette, ont allumé du feu et font bouillir la marmite. La femme, au premier plan, misérablement vêtue, est assise sur une pierre ; l'homme, assis à terre, à gauche, est appuyé contre le mur du fond, tandis que la fillette debout, à droite, la pincette à la main, surveille le feu qu'abrite une vieille porte de bois. Quelques récipients grossiers sont à terre. 

Signé sur une pierre, à droite : Decamps. 

Bois. Haut., 18 cent.; larg., 24 cent. 

Collections J. Fan, Véron, dit Taillis, H. Didier. 
M"'"' la baronne Nath. de Rothschild et Denain. 
Catalogue Moreau, p. 193. 

(Translated in English)
2833 - The Gypsy Camp. 

In front of a degraded wall, gypsies, a man, a woman and a young girl, lit the fire and boil the pot. The woman in the foreground, miserably clad, sat on a stone; man, sitting down, left, is leaning against the back wall, while the girl standing, right, tongs in hand, watching the fire beside an old wooden door. Some containers thrown crudely down. 

Signed [by the artist] on a stone, on the right: Decamps. 

Wood. 18 cent .; 24 cent.

Collections J. Fan, Véron, dit Taillis, H. Didier. 
Miss Baroness Nath. Of Rothschild and Denain.
Catalog Moreau, p. 193.



Considered by some to be the founding father of Orientalism, Alexandre-Gabriel Decamps was one of the first French painters of the 19th century to turn from Neoclassicism to Romanticism.  Due to his influence, Decamps is likely one of the most copied and forged artists of the nineteenth century.

For Mr. Ranc to consider this work as potentially authentic is a big statement, especially as he has been vocal about the number of fakes or copies or "in the manner ofs" Alexandre-Gabriel Decamps artworks that are part of museum collections.

Hôtel Drouot has long been one of France’s most venerable and prestigious auction houses.  In March 2016 a scandal broke when 40 of the firm's self-governing and self-employed corps of porters, known as the ‘red collars’ indicted for pilfering' thousands of items. 

For the moment, the painting has been removed from sale pending the official demand for restitution by the Ministère de la Culture et de la Communication in France. 

Further details of the painting's history and provenance found on the Ministry's cultural patrimony portal: 

Alexandre-Gabriel Decamps
Photo Credit: Eugene Disdéri
Domaine: peinture
Dénomination: tableau
Titre: Le Campement de Bohemiens
Auteur/exécutant: DECAMPS Alexandre Gabriel
Précision auteur/exécutant: Paris, 1803 ; Fontainebleau, 1860
Ecole: France
Période création/exécution: 2e quart 19e siècle
Matériaux/techniques: peinture à l'huile ; bois
Dimensions: H. 18, l. 24.8
Inscriptions: signé
Précision inscriptions: Decamps (S.mi-h.d.)
Sujet représenté: scène (nomade, préparation des aliments)
Lieu de conservation: Paris ; musée du Louvre département des Peintures
Musée de France: au sens de la loi n°2002-5 du 4 janvier 2002
Statut juridique: propriété de l'Etat ; legs ; musée du Louvre département des Peintures
Date acquisition: 1902
Anciennes appartenances: Thomy Thiéry
Numéro d'inventaire: RF 1386
Bibliographie: Catalogue des peintures du Louvre, I, Ecole Française, Paris, 1A972, p. 121 ; Catalogue sommaire illustré des peintures du musée du Louvre et du musée d'Orsay, Ecole française, III, Paris, 1986, p. 190



July 15, 2015

Columnist Noah Charney on “Napoleon: Emperor of Art Theft” in "Lessons from the History of Art Crime" in the Spring 2015 issue of The Journal of Art Crime

In his regular column "Lessons from the History of Art Crime" Noah Charney writes on “Napoleon: Emperor of Art Theft” in the Spring 2015 issue of The Journal of Art Crimeedited by Charney (with Marc Balcells and Christos Tsirogiannis) and published by ARCA:
When Citizen Wicar, one of the key members of the art theft division of Napoleon's army, died in 1843, he bequeathed 1436 artworks as a gift to his birthplace, the city of Lille. Though most were works on papers (prints and drawings), this is an astonishing number. But there are two more facts about this bit of historical trivia that make it that much more surprising. First, almost all of these works had been stolen by him, personally, over the course of his service to the Napoleonic Army, in which he and several other officers were charged with selecting, removing, boxing up and shipping back to Paris art from the collection of those vanquished by la Grande Armee. Stealing over a thousand artworks is no small feat for a single person, even when with the sort of unrestricted access his position with the army allowed. Impressive enough, until we reach the second fact: Citizen Wicar had already sold most of the art he had stolen over the course of his post-war life, but still had those thousand odd pieces left over, to bequeath. In terms of quality, Citizen Wicar, who would serve as Keeper of Antiquities at the Louvre Museum, is the most prolific art thief in history. But it is his boss, Napoleon Bonaparte, who is often crowned with that title.
Noah Charney holds Masters degrees in art history from The Courtauld Institute and University of Cambridge, and a PhD from University of Ljubljana. He is Adjunct Professor of Art History at the American University of Rome, a Visiting Lecturer for Brown University abroad programs, and is the founder of ARCA, the Association for Research into Crimes against Art, a non-profit research group on issues of art crimes. Charney is the author of numerous academic and popular articles, including a regular column in ArtInfo called “The Secret History of Art” and a weekly interview series in The Daily Beast called “How I Write.” His first novel, The Art Thief (Atria 2007), is currently translated into seventeen languages and is a best seller in five countries. He is the editor of an academic essay collection entitled Art & Crime: Exploring the Dark Side of the Art World (Praeger 2009) and the Museum Time series of guides to museums in Spain (Planeta 2010). His is author of a critically acclaimed work of non-fiction, Stealing the Mystic Lamb: the True History of the World’s Most Coveted Masterpiece (PublicAffairs 2011), which is a best seller in two countries. His latest book is The Thefts of the Mona Lisa: On Stealing the World’s Most Famous Painting (ARCA Publications 2011). Upcoming books include The Art of Forgery (Phaidon 2015), The Collector of Lives: Giorgio Vasari and the Invention of Art (Norton 2015), and Art Crime: Terrorists, Tomb Raiders, Forgers and Thieves, an edited collection of essays on art crime (Palgrave 2014). 

Here's a link to ARCA's website about access to The Journal of Art Crime.