Tuesday, May 28, 2013 -
ARCA,Dan Brown,Four Horses,Inferno,stolen art,Triamphal Quadriga,venice
No comments
Dan Brown's fictional Robert Langdon uses the "ARCA Web site" in "Inferno" to research the Horses of St. Mark's in Venice
The Horses of St. Mark's (The Triamphal Quadriga) |
ARCA Blog Editor-in-Chief
In Chapter 17 of Dan Brown's Inferno published May 14 by Doubleday, (and reviewed by Janet Maslin in The New York Times), the fourth book featuring Robert Langdon, the fictional Harvard University professor of religious iconography and symbology, researches the Horses of St. Mark's:
As
it turned out, the powerful bodies of the early Friesian horses had inspired
the robust aesthetic of the Horses of St. Mark’s in Venice. According to the
Web site, the Horses of St. Mark’s were so beautiful that they had become
“history’s most frequently stolen pieces of art.”
Langdon
had always believed that this dubious honor belonged to the Ghent Altarpiece
and paid a quick visit to the ARCA Web site to confirm his theory. The Association for Research into Crimes Against Art offered no definitive ranking, but they
did offer a concise history of the sculptures’ troubled life as a target of
pillage and plunder.
This appears to be a reference to the blog post(s) by Judge ArthurTompkins, an ARCA Lecturer, written in June of 2011: The Four Horses of the Basilica San Marco, Venice (Part I); More on the History (Part II); Continued Short History (Part III); and The Four Horses Rest Inside St. Mark's Basilica in Venice After Being Plundered from Constantinople in the 13th Century (Part IV). On the ARCA blog is another post about the "The Triamphal Quadriga" in Paris Diary: Replica of Stolen Art at Arc de Triomphe du Carrousel.
Then Brown is a bit more definitive about what academics
would question:
The
four copper horses had been cast in the fourth century by an unknown Greek
sculptor on the island of Chios, where they remained until Theodosius II
whisked them off to Constantinople for display at the Hippodrome. Then, using
the Fourth Crusade, when Venetian forces sacked Constantinople, the ruling doge
demanded the four precious statues be transported via ship all the way back to
Venice, a nearly impossible feat because of their size and weight. The horses
arrived in Venice in 1254, and were installed in front of the façade of St.
Mark’s Cathedral.
More
than half a millennium later, in 1797, Napoleon conquered Venice and took the
horses for himself. They were transported to Paris and prominently displayed
atop the Arc de Triomphe. Finally, in 1815, following Napoleon’s defeat at
Waterloo and his exile, the horses were winched down from the Arc de Triomphe
and shipped on a barge back to Venice, where they were reinstalled on the front
balcony of St. Mark’s Basilica.
Although
Langdon had been fairly familiar with the history of the horses, the ARCA site
contained a passage that startled him.
The decorative collars were added to the horses’ necks in 1204 by the
Venetians to conceal where the heads had been severed to facilitated their
transportation by ship from Constantinople to Venice.