The Thomas Crown Affair (1999)

In order to understand the portrayal of art crime criminals in the news media, one must understand the origins and uses of the medium. Currently, the general public holds a misguided belief that news media outlets deliver the truth with fact-filled stories meant to inform readers. However, given high incidences of exaggerated reporting of current events it is evident that a main purpose of the news media is the entertainment of the newsreader with fact-based news articles. In this case attention should be placed on the phrase “fact-based.” As with any business, news media outlets require profits in order to survive. Much of this income is derived from advertisers who prefer to work with outlets holding the largest percentage of circulation within a given market (Demers). As a direct result of this relationship news media outlets work to attract the most readers and in order to accomplish this they compete to create the most entertaining and interesting stories each day. Even if those stories stretch the concept of “fact-based.”

To be realistic about crime is not an easy task…We are caught between two currents, one which would grossly exaggerate the problems of crime, another covering a wide swathe of political opinion that may seriously underestimate the extent of the problem. Crime is a staple of news in the Western mass media and police fiction a major genre of television drama…the media abound with images of the dangerous stranger. On television we see folk monsters who are psychopathic killers or serial murderers yet offenders who even remotely fit these caricatures are extremely rare…the criminologist knows that this is far from the humdrum nature of reality…the nature of crime, of victimization and of policing is thus systematically distorted in the mass media (qtd. in Brown 42).

Katherine Ogden, ARCA Alum 2009

ARCA Blog: Katie, you specialized in dispelling the image of the eccentric art crime criminal. What surprised even you when conducting your research? 

Ms. Ogden: I was most surprised by how easy it is to fall victim to the popular images of art crime criminals reinforced by Hollywood and the media. While giving a presentation in one of our classes in Amelia, I put three pictures on the screen and asked if anyone could choose the art criminal out of the three images. Even while everyone in attendance was there because of our shared interest in art crime, not a single student could correctly identify any of the convicted art criminals I put on the screen. I started to wonder how there could ever be an honest portrayal of a realistic art crime criminal if even the students studying the genre had fallen victim to the sexy allure. 

ARCA Blog: How would you, in one or two sentences, describe a realistic image of an art crime criminal? 

Ms. Ogden: That is very difficult to pinpoint. I'll have to be vague and say unexpected and definitely not Pierce Brosnan. 

ARCA: The third incoming ARCA summer class in art crime will be arriving in Amelia in June. What do you recommend they prepare for to adjust to living in a medieval town in Umbria and what do you miss the most about Amelia? 

Ms. Ogden: The best way to learn how to adjust to living in Amelia is to learn to be flexible. There are certain days when things will simply close down, or days when the heat will be unbearable. On days like this you have to be willing to adjust like the Italians. Living in Amelia will be nothing like living in your hometown; that is after all, part of the adventure. A few bits of advice that took us a little while to figure out: laundry detergent in Italy does not come in brick form, you'll see this on the shelf with a picture of a washing machine, that is meant to clean the machine not your clothes. Nights in Amelia get chilly, pack a jacket. On any given day you can get Ricotta from the cheese maker in the afternoon and mozzarella if you rush in the late morning. He only makes a certain amount and if you don't get there you'll miss out. At Porcelli's get the Italian menu and break out your translation book, there are some fantastic items on this menu that don't make it to the English translation.

And finally, what do I miss the most about Amelia? Absolutely everything. 

ARCA Blog: I would like to add that the brick 'laundry detergent' did clean our clothes pretty well, Katie, or at least I hope so since we used it for a month.

LAPD Detective Don Hrycyk, Art Theft Detail

One suspect posed as an independent art dealer visiting art galleries to obtain consignments of art to sell. After gaining the trust of a gallery owner, the suspect secreted the paintings out of the gallery during business hours without the owner’s knowledge. Three paintings were taken from the unsuspecting art gallery over the period of two years. 

In August 2008, a burglary at the home in the Encino area of Los Angeles of 9 paintings by artists Hans Hofmann, Lyonel Feininger, Chaim Soutine, Emil Nolde, Marc Chagall, Kees van Dongen, Diego Rivera and Arshile Gorkey resulted in a $200,000 reward offer for information leading to the recovery of the paintings and apprehension of the suspects. 

In 2004, a suspect, a former physician and Harvard professor, was arrested by LAPD’s Art Theft Detail after selling a fake Mary Cassatt painting for $800,000 to undercover officers. The suspect possessed numerous other fake artworks. A few years earlier, the suspect had reported the theft of an artwork by Willem de Kooning valued at $1.5 million yet determined to be a fake and still in the suspect’s possession. The suspect had moved to California following a criminal conviction for selling fake art in Massachusetts in 1989. He was also the subject of a federal civil case alleging sales of fake art in 1985. The suspect used brokers to sell art to private parties and to invest money in his art collection. He avoided major auction houses and art dealers and preyed on people less knowledgeable about fine art. 

In October 2010, a TV auctioneer who from 2002 to 2006 sold $20 million in forged art, including works falsely attributed to Pablo Picasso and Salvador Dali, was sentenced to five years in prison in a Los Angeles court. Two other conspirators were sentenced to four and seven years for claiming to sell genuine works found in real estate liquidations and forging certificates of authenticity on some artworks sold to more than 10,000 US customers through DirectTV and Dish Network.

Detective Hrycyk: In the mid-1980s, I got tired of working homicide in South-Central L.A. and applied for an opening in a specialized burglary division in downtown L.A. After getting the spot I learned I would be working the newly formed Art Theft Detail. I developed an interest in art theft and art fraud investigations and took over the unit in 1994.

Detective Hrycyk: With only two detectives handling all art-related crimes in a city that is the second largest center for the visual arts in America, our focus is to be able to continue to do quality crime investigations with the resources available. Having a dedicated art crime unit has allowed us to professionalize and develop contacts in the art community that are essential to successful investigations.

Detective Hrycyk: Out of necessity, we handle not only traditional art but also a wide array of historical and cultural property, from Hollywood movie props to rare books and fossils. We just recovered a comic book valued at $1 million. When you think about it, most homes contain either an artwork, antique or collectible. Art theft is often a hidden crime because art objects are stolen all the time in routine burglaries along with cash, jewelry and other personal property. As a result, there are no accurate statistics on the prevalence of art thefts. There is no tracking of art thefts nationally. Added to this is the huge area of art fraud. Combined, these crimes keep us busy all the time.

Detective Hrycyk: In a city as diverse at L.A., smuggled antiquities is bound to be a problem but is primarily handled by federal law enforcement agencies that protect our borders and have international treaty obligations. Sales are often back room, private transactions. However, we often work with the agents from the FBI, DHS, ICE, Interpol and others when we receive actionable intelligence.

Detective Hrycyk: Stolen and fraudulent art often crosses international boundaries so it is important to have contacts in other countries who can work with us on difficult investigations. In a like manner, we often conduct investigations for foreign law enforcement agencies when an L.A. connection develops. It is important to convince thieves and con men that no safe haven exists for those who deal in stolen or fake art.

Detective Hrycyk: Finding the stolen artwork is the biggest challenge. A stolen painting sold in a private sale may hang on a bona fide purchaser’s living room wall for a decade or more before it comes up for sale again in a venue where it will come to our attention.

Detective Hrycyk: We try to ensure that fake artworks never reenter the legitimate marketplace. This is easier said than done. Unlike illicit drugs and counterfeit currency, fake art is not illegal to possess. As a result, there is no consistency in how fraudulent art is disposed of at the conclusion of a criminal case. We have encountered great resistance on the part of judges to authorize the destruction of fake art and some pieces have actually been returned to suspects by the courts.

Detective Hrycyk: Most of the intelligence information I receive about suspicious activities and unsavory characters comes from artists, dealers and galleries that I have established a relationship with over the years. The art community can be very closed mouth unless you are trusted.

Detective Hrycyk: Unfortunately, there are few career opportunities presently available in the United States in the public sector. I get inquiries all the time from people who would love to investigate art crimes but at present, the pickings are slim. It is tough to break into this field. This situation is bound to change but we aren’t there yet.

Detective Hrycyk: Right now, we have an open position in the Art Theft Detail that needs to be filled but we are unable to do so because of personnel shortages and budgetary considerations. With 37 years on the job, I need to find a permanent replacement that I can train before retirement. Art investigation is a specialty requiring great skill. However, there are few training opportunities in this field. I teach one of the few courses available to burglary detectives throughout the state of California.

ARCA received a charming email from a reader who follows this blog 'from time to time' who thought we might be interested in a recent investigation by the Federal Bureau of Investigation about fraudulent art work for sale on the internet.

CHICAGO—The owner and an employee of a River North art gallery and a New York man were indicted on federal fraud charges for allegedly producing and/or selling counterfeit limited edition fine art prints of renowned artists, federal law enforcement officials announced today. The charges stem from an international investigation of fraudulent artwork that became public in Chicago three years ago when federal agents executed search warrants at the Kass/Meridan Gallery (KMG), also doing business as Allegro Art, located on West Huron Street in Chicago. In March 2008, seven defendants from Europe, Florida, New York, and Illinois were charged with fraudulently producing and/or selling $5 million worth of counterfeit fine art prints. Subsequently, two additional defendants were charged. The indictment announced today brings to 12 the total number of defendants who have been charged in Chicago as a result of this investigation.

Action Comics #1 (Courtesy of http://xroads.virginia.edu/~ug02/yeung/actioncomics/cover.html)

Hrycyk did not identify the man who claims to have discovered the rare comic book after buying the contents of an abandoned storage container at auction. The veteran art detail detective said he's still checking out the story of the man, who has been unable to identify the exact place from where the comic came. 

"He claims he doesn't know the exact storage locker," Hrycyk said.