Chinese gilt metal box

Tom Flynn, a London-based journalist and art historian, writes with passion about the business of selling art. Recently on his blog, artknows, a post titled "More 'loot' from the Beijing Summer Palace at Salisbury auction in November' was distributed by the Museum Security Network (MSN) and caught my interest as we had recently at the ARCA blog run posts about auction catalogues and provenance descriptions.

The fine and rare Chinese Qing dynasty Imperial gilt metal box appearing at Wooley & Wallis's November 16 sale of Asian Art bears an inscription - "Loot from the Summer Palace, Pekin, Oct. 1860. Capt. James Gunter, King's Dragoon Guards."

Modigliani's "Seated  Man with Cane" (1918)

"Due to the paucity of information released to the public, there is potentially conflicting reporting on the story of the allegedly illicit sale of the Stettiner Modigliani in 1944. Artinfo states that Oscar Stettiner placed the painting in the care of Marcel Philippon before he fled to the unoccupied zone of France. If that is so, why would other articles allege that the Nazis appointed him as the administrator of Stettiner's assets? That makes no sense. Vichy was responsible for appointing non-Jewish overseers of Jewish-owned property. Sometimes, it was for liquidation purposes, other times to facilitate the transfer of ownership of those assets to an Aryan. The real question becomes: did Stettiner leave instructions to Philippon to dispose of the property or did Vichy instruct Philippon to do so? I am curious to know why it took 3 years to sell the painting after it had been placed under Philippon's management. Once the full historical docket is released, we can make a more informed decision about who's right and who's wrong in this instance."

Dealers and collectors say confidence in the German art market has been shaken by the forgery scandal, described as the biggest ever in Germany, as art historians, museums and auction houses were duped by the fake pictures.

The forgers were only caught out when one buyer became suspicious and sent his picture to be examined by scientists. They discovered a paint color that had not existed at the time the work was supposed to have been produced. 

As many as 41 more paintings not included in the trial because of statutes of limitations may also be forgeries by Beltracchi. The scandal has also spawned a number of civil cases against dealers and auction houses, as well as the criminal trial. Kremer said today it is not the job of the court to try to uncover each forgery.

Judge Arthur Tompkins will deliver a public lecture on "Stealing Beauty: Art Crime during War" at 6 p.m. Friday, November 4, 2011, at Lecture Theatre 3 in the Old Government Building in Wellington. Across the road from the Parliament, the Old Government Building now houses the Law School of the University of Wellington.

“Art always suffers during wartime. From the sack of the Temple of Solomon, through the many crimes committed against the Ghent Altarpiece (above), and the depredations of Napoleon and Hitler across Europe, this has always been so. This lecture will survey fascinating examples of these sorts of crimes, the people involved, and some of the stories and myths surrounding them. 

“As well as the Ghent Altarpiece, the lecture will include the long history of the Four Horses of San Marco’s Basilica in Venice, the theft of Veronese’s Wedding at Cana, the sack of Constantinople by the Fourth Crusade, the miracle of the Alt Aussee salt mine, and the bizarre story connecting Goya, the Duke of Wellington, James Bond, and television licensing fees.”

In order to celebrate 12 months of global usage of the contents of this historical database, here are some generic statistics that give some idea about the people who visit and use it. 

Thanks again to the Conference of Jewish Material Claims against Germany, the US Holocaust Memorial Museum, the Commission for Art Recovery, the interns, technicians, programmers, and volunteers who made this database a reality.