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August 1, 2023

Harlan Crow, the recently restituted Plannck I Columbus letter incunabulum

In mid July, those following restitution news might have read about the United States and Italian authorities happily announcing the restitution of a stolen 15th-century letter written by Christopher Columbus.  Most of the many news articles which covered this particular restitution, were fairly pro forma.  They focused on the historic significance of this precious incunabulum, written by the controversial Italian explorer in 1493 upon returning from his first voyage to the so called "New World".  In his epistolary announcement, Columbus described his momentous journey to his royal patrons, King Ferdinand and Queen Isabella of Spain, who financed his expedition.

Portrait of Christopher Columbus 
By Ridolfo Ghirlandaio

While the series of news articles discussed that the document had been stolen before 1988, from the Biblioteca Marciana in Venice, most were written in a perfunctory way, with many simply echoing the spartan details regarding the historical significance of this document, alongside the object's circulation as outlined in the US government's July 2023 announcement, ie., that the stolen document had been found in "the collection of a privately owned library located in the United States" after having been purchased via "a rare book dealer in the United States."

Why government press announcements on the restitution of historic artefacts can be rather "vanilla".  

Normally the investigative agency announcing a restitution begins by describing why the painting or artefact is significant, and when and/or where it has been stolen.  Press announcements then move on to state when, or sometimes how, the object in question has been identified, and then might, or might not, mention who the buyer or seller were.  Usually at the conclusion of these briefs, the announcement wraps things up by thanking key individual investigators and the agencies involved, wrapping things up by naming all of the ceremonial VIPs who would have been present during the handover ceremony.

But as participants of ARCA's PG Certification Program in Art Crime and Cultural Heritage Protection learn during their studies with us.  Sometimes these types of press statements leave us asking more questions than are answered.  One question being, why are these announcements intentionally vague. 

The writers of these briefings may choose to say less, as saying more might inadvertently impact other ongoing investigations. Other times, the agreed-upon press statement skims over the nominal information involving the handlers of the object for privacy considerations, or when the return is of a voluntary vs. criminal forfeiture.  

Names can also be left out when the collector or museum who previously held ownership of the artefact or artwork has consented to its seizure and civil forfeiture, but has insisted on confidentiality provisions as part of their agreed-upon settlement whereby they relinquish all rights and titles. In tandem, sometimes these settlements can carry stipulations which clearly state that by relinquishing said object, doing so in no way should be deemed as an admission of culpability, liability, or guilt. 

But what if you want to know more? And why we teach our researchers that OSINT gathering is a useful tradecraft, not reserved for the sneaky world of spies.  

One of the things ARCA strives to impart to its art crime trainees is the need to explore and research beyond what seems obvious.  To look beyond the low hanging fruit of a happy, but perfunctory, going home press release to what you might be able to find and interpret from unrelated sources.  This is useful for provenance researchers as knowing more about an object's handlers can (sometime) tell us more about other artworks or artefacts which should also be explored. 

To advance their provenance research skills, we teach our trainees how to conduct structured intelligence analysis, using a variety of techniques to efficiently gather and utilise the wealth of information readily accessible from disparate news sites, academic articles, blog posts, social media sites, search engine result pages (SERPs), and other public-facing digital assets.  We do so because true OSINT is more than just taking a stab at scrolling-through the first page of ranked Google hits. 

The European Commission defines open-source intelligence (OSINT) as the practice of collecting and analysing information gathered from open sources to produce actionable intelligence

At ARCA we provide our participants with opportunities to test their abilities in practical and advanced image and video analysis and verification, as well as fact-checking and analysis of information, disinformation, and misinformation.  These types of intelligence gathering can support, for example, national security, law enforcement investigations and even due diligence when vetting potential art and artefact purchases.  At its very core, OSINT investigations look for open (source) data which was created for one purpose but when combined with other data, shed's additional or unforeseen light on otherwise hidden topics. 

To illustrate how our researchers can glean more details on an object's circulation within the art, antiquities, and rare book market utilising only open source techniques, last month we had them start with the clues found in the July 18, 2023 U.S. Immigration and Customs Enforcement (ICE) announcement on the restitution of the  Columbus letter titled Epistola de insulis nuper inventis, Rome, Stephan Plannck, after 29 April 1493, Goff C-757 

I asked our researchers to explore a rudimentary hypothesis of whether this object's handlers might or might not be problematic art market actors and to back that up with their explorations.  I also asked them to try and explore who the collector might be who discreetly relinquished the Columbus document, and was he (or she) of the ilk known to satisfactorily vet potential acquisitions such as this historic document.

We started by documenting the July 2023 HSI-ICE announcement which featuring Special Agent Mark Olexa, who served as the lead case agent in this ten+ year investigation into the thefts of several historic incunabula stolen from Italy. 

His post appeared on Twitter on July 18th. 

In this video we see footage of the what has come to be referred to as a Columbus Plannck I incunabulum, included the screen shot captured below.  Pay attention to the annotations marked in red, as these will provide confirmations that we will come back to later. 


We then looked for earlier mentions of any Columbus letter, 1493, Plannck I.  Searching also for Plannck II, Cristoforo Colombo, rubata, Biblioteca Marciana, incunabolo, and so forth. 


"In or around May 2003, INDIVIDUAL purchased the Biblioteca Nazionale Marciana's Columbus Letter-Plannck I from a rare book dealer in the United States for a sum of money."

A later United States Attorney's Office for the District of Delaware press release, dated January 22, 2020, states that this Plannck I edition of the Columbus letter has been valued in excess of $1,300,000, and is an exceptionally rare first edition that only mentions the King of Spain, while the second edition, commonly known as Plannck II, acknowledges both King Ferdinand and Queen Isabella.   This press release speaks to the good faith purchase of the document by the collector, stating:

"a collector acting in good faith unknowingly purchased the Biblioteca Nazionale Marciana’s Columbus Letter-Plannck I letter from a rare book dealer in the United States."

Also useful, Italian newspaper Corriere del Veneto geolocates the collector's home when describing where the Columbus document was discovered: 

 The key phrase being "in the house of a Dallas collector." 

Added to our earlier data of the document being found in "the collection of a privately owned librarywe now can assume, if the Italian article is accurate, that the collector maintains a private library, in a home, located in the city of Dallas.

An excellent article by Nicholas Schmidle published on December 8, 2013 in The New Yorker gives us a pretty thorough rundown of Richard Lan, of Martayan Lan Inc., in New York City, who sold at least Christopher Columbus incunabulum in and around this same period. Talking about Lan's controversial relationship with notorious Italian book thief and forger Massimo Marino De Caro, writing 

"Despite these incidents, De Caro’s rise in the rare-book market continued largely unimpeded, as he obtained one remarkable book after another. Perhaps his most important client was Richard Lan. De Caro told me, “He was paying a high price for books, and he had the best customers in the world.” In 2004, Lan paid two hundred and forty thousand dollars for two of the Vatican books—first editions of Galileo’s “Discourses and Mathematical Demonstrations Concerning Two New Sciences” and “The Assayer”—and a 1611 copy of Johannes Kepler’s “Refraction.” Around this time, Lan also paid De Caro five hundred and eighty thousand dollars for a copy of the letter that Christopher Columbus sent to Ferdinand and Isabella in 1493, announcing the discovery of the New World. De Caro was beginning to think that Lan would buy anything from him."

In May 2012, De Caro, the former director of the Girolamini Library in Naples, was sentenced in Italy to 7 years imprisonment and a lifetime exclusion from public office following an expedited trial in Italy for the embezzlement of hundreds of stolen volumes from the Girolamini Library in Naples as well as thefts and forgeries impacting other libraries throughout Italy. 

Given that a Columbus incunabulum, stolen from the Vatican Library had already been identified as sold by De Caro to a New York dealer who turned out to be Richard Lan, then on to collector Robert David Parsons, an actuary from Atlanta, the anonymously described book seller involved, who is now deceased, becomes more interesting. 

But what about the Texas collector with a private library in him Dallas home?

Further exploration turns up several articles describing the expansive, and sometimes controversial, art and historical documents collection of Harlan Crow, a conservative billionaire, who recently gained unwanted attention for having been the secret benefactor of Supreme Court Justice Clarence Thomas.  Many articles refer to his ownership of an unique Christopher Columbus letter, but none of them, that we reviewed, provided imagery for comparison purposes.  

In one article, posted to the website InCollect discussing some of Crow's extraordinary pieces, we find another important clue, as the website describes the Texan's rare Columbus incunabulum as follows:


Given that the Harlan Crow Library copy is reported (and not proven) to be the sole extant Latin Stephan (Stephanus) Plannck (Planck) quarto written “To the Most Invincible King of the Spains” [Ad Inuictissimum Regem Hispaniarum] listed as being in private hands, our next step was to confirm through OSINT means, if it was  possible, that the one described and depicted in various restitution announcements could be the same document reported as being part of Crow's private collection in Dallas. 

Circling back to our screen grab from the HSI- ICE restitution tweet, we already had clear, high resolution images of the object which had been returned to the Italian authorities.  Now we just need to see if we could find an available image of the Columbus letter which was part of Crow's collection.  


Retrieving a 2019 web page, hosted by the Bullock Texas State History Museum, we were able to document, through images, exactly what Harlan Crow's Columbus incunabulum looks like.  In a comparison of the two, we can see that both the HSI-ICE image and the museum's photos of Crow's incunabulum both have matching traits, including a unique blue binding and slight page blemishes visible on two of the respective folio leaves.

Likewise a video presented of the object's return home published on Youtube also shows similarities in the fading of the ink's patterns.


Through this exercise, we can demonstrate that taking the time to scratch a bit beneath the surface of press announcements, and then systematically collecting analysing, and interpreting publicly available information from a wide array of sources, we can begin to further explore some interesting puzzle pieces.  Ones that might lead to an interesting thread or two worth pulling regarding how many other suspect manuscripts and rare books, stolen by De Caro, were purchased by Richard Lan, and in turn, did Lan sell other material to Harlan Crow, or others which can be traced back to thefts traceable to Massimo Messina De Caro's crime spree, or might still be in circulation in the rare text and manuscripts market in the United States.  

By:  Lynda Albertson, CEO of the Association for Research Into Crimes Against Art

OSINT Bibliography

‘A Look at Harlan Crow, the Billionaire Central in Clarence Thomas Controversies’. All Things Considered. NPR, 4 May 2023. https://www.npr.org/2023/05/04/1174083586/a-look-at-harlan-crow-the-billionaire-central-in-clarence-thomas-controversies.
ANSA. ‘Sangiuliano, Torna l’incunabolo Di Colombo, Faremo Grande Mostra’. Accessed 30 July 2023. https://www.ansa.it/canale_viaggi/notizie/arte/2023/07/19/sangiuliano-torna-lincunabolo-di-colombo-faremo-grande-mostra_3c9789fb-1ffb-41c1-ae43-6468db81d373.html.
Archaeology Magazine. ‘Historic Columbus Letter Will Return to Italy’. 28 January 2020. https://www.archaeology.org/news/8386-200128-columbus-plannck-letter.
Bullock Texas State History Museum. ‘Epistola Christofori Colom’. Bullock Texas State History Museum. Accessed 22 July 2023. https://www.thestoryoftexas.com/discover/artifacts/epistola-christofori-colom.
Bullock Texas State History Museum. ‘Epistola Christofori Colom | Bullock Texas State History Museum’. Accessed 18 July 2023. https://www.thestoryoftexas.com/discover/artifacts/epistola-christofori-colom.
Burnett, Elena, Ashley Brown, and Juana Summers. ‘A Look at Harlan Crow, the Billionaire Central in Clarence Thomas Controversies’. NPR, 4 May 2023, sec. Law. https://www.npr.org/2023/05/04/1174083586/a-look-at-harlan-crow-the-billionaire-central-in-clarence-thomas-controversies.
‘Columbus Reports on His First Voyage, 1493 | Gilder Lehrman Institute of American History’. Accessed 31 July 2023. https://www.gilderlehrman.org/history-resources/spotlight-primary-source/columbus-reports-his-first-voyage-1493.
Dallas News. ‘Harlan Crow Drops Plan to Rezone Home for Future Museum’. 3 March 2014, sec. News. https://www.dallasnews.com/news/2014/03/03/harlan-crow-drops-plan-to-rezone-home-for-future-museum/.
Eliasoph, Philip. ‘American Pantheon: A Neo-Georgian Estate Honors National Heritage’. InCollect. Accessed 18 July 2023. https://www.incollect.com/articles/american-pantheon.
Finestre Sull Arte. ‘Torna in Italia una preziosa lettera con cui Colombo annunciava la scoperta dell’America’. Accessed 19 July 2023. https://www.finestresullarte.info/attualita/torna-in-italia-incunabolo-lettera-cristoforo-colombo-annuncio-scoperta-america.
Greene, Mariana. ‘History Abounds inside Harlan Crow’s Home’. Dallas Morning News, 7 April 2023, sec. Arts & Entertainment. https://www.dallasnews.com/arts-entertainment/2014/03/21/history-abounds-inside-harlan-crows-home/.
Homeland Security Investigations [@HSI_HQ]. ‘For over Ten Years, #HSI Has Collaborated with International Partners to Investigate a Rare Stolen 15th Century Christopher Columbus Letter.’ Tweet. Twitter, 18 July 2023. https://twitter.com/HSI_HQ/status/1681366202126413824.
ILAB - EN. ‘The Girolamini Thefts - Marino Massimo de Caro Sentenced to 7 Years Imprisonment’, 17 March 2013. https://ilab.org/article/the-girolamini-thefts-marino-massimo-de-caro-sentenced-to-7-years-imprisonment.
‘January - February 2008 Texas Institute of Letters Newsletter’. Texas Institute of Letters, January 2008.
La Prova, Emanuele. ‘Torna in Italia La Lettera Con Cui Colombo Annunciò La Scoperta Dell’America’. La Voce Di New York (blog), 19 July 2023. https://lavocedinewyork.com/news/2023/07/21/torna-in-italia-la-lettera-con-cui-colombo-annuncio-la-scoperta-dellamerica/.
People Newspapers. ‘Harlan Crow’s House Is Filled With History’, 2 April 2014. https://www.peoplenewspapers.com/2014/04/02/harlan-crows-house-is-filled-with-history/.
Povoledo, Elisabetta. ‘Vatican Gets Back Stolen Columbus Letter, but Case Remains a Whodunit’. The New York Times, 15 June 2018, sec. World. https://www.nytimes.com/2018/06/15/world/europe/vatican-columbus-letter.html.
Prejean, Jeanne. ‘Post Genesis Luncheon Reception At OMG Library Was Something To Crow About With Condi’. My Sweet Charity (blog), 14 May 2010. https://mysweetcharity.com/2010/05/post-genesis-luncheon-reception-at-omg-library-was-something-to-crow-about-with-condi/.
Price, Courtney. ‘Christopher Columbus Manuscript Harlan Crow Collection’. Courtney Price (blog), 13 April 2014. https://www.courtneyprice.com/christopher-columbus-manuscript-harlan-crow-collection/.
Schmidle, Nicholas. ‘A Very Rare Book’. The New Yorker, 8 December 2013. https://www.newyorker.com/magazine/2013/12/16/a-very-rare-book.
Stevens, Alexis. ‘Historic Vatican Letter Turns up in Atlanta’, 15 June 2018. https://www.ajc.com/news/crime--law/vatican-stolen-christopher-columbus-letter-found-atlanta/vxIpLCpeVlN0m4NyGBLa3O/.
United States Attorney’s Office for the District of Delaware. ‘Delaware U.S. Attorney’s Office and ICE Recover Fourth - and Most Rare - Stolen Christopher Columbus Letter On Behalf Of The Government Of Italy’. United States Attorney’s Office for the District of Delaware, 23 January 2020. https://www.justice.gov/usao-de/pr/delaware-us-attorneys-office-and-ice-recover-fourth-and-most-rare-stolen-christopher.
U.S. Department of Homeland Security. ‘HSI Repatriates Rare 15th Century Columbus Letter to Italy’. Accessed 18 July 2023. https://www.ice.gov/news/releases/hsi-repatriates-rare-15th-century-columbus-letter-italy.
Weiss, David C. Stipulation and Order IN RE: Columbus, Christopher, Epistola de Insulis Nuper Inventis, Case No. 20- ROME, Stephan Plannck, after 29 April 1493, Goff C-757 (United States District Court, District of Delaware 14 November 2019).
Wisconsin Public Radio. ‘A Stolen Christopher Columbus Letter Found in Delaware Returns to Italy Decades Later’. Wisconsin Public Radio, 21 July 2023. https://www.wpr.org/stolen-christopher-columbus-letter-found-delaware-returns-italy-decades-later.
World Affairs Councils of America - Dallas Fort Worth. ‘Global Young Leaders’, 8 May 2021. https://www.dfwworld.org/what-we-do/global-young-leaders?cid=9&ceid=261195&cerid=0&cdt=5%2F8%2F2021.

April 26, 2023

The Amelia Conference - June 23-25, 2023 - Registration is now open


Conference Date:
  
June 23-25, 2023
Location: Amelia, Italy

Celebrating more than a decade of academic conferences addressing art and antiquities crimes, ARCA will host its 12th summer interdisciplinary art crime conference the weekend of June 23-25, 2023.

Known as the Amelia Conference, the Association's weekend-long event aims to facilitate a critical appraisal of art crimes and the protection of art and cultural heritage and brings together researchers and academics, police, and individuals from many of the allied professions that interact with the art market, coming together to discuss issues of common concern. 

The Amelia Conference is an annual ARCA event, held in the historic city of Amelia, in the heart of Italy's Umbria region where ARCA also plays host to its Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection.

The conference includes a weekend full of multidisciplinary panel sessions, and plenty of time to meet others who are working towards the protection and recovery of cultural heritage.


Confirmed Presentations (additional names will be added as speakers confirm)


Dutch Perspectives on Police Specialisation in Art Theft
Richard Bronswijk,
Head, Dutch Politie Art Crime Unit

"Proactive Protective Training – A Crime Reduction Strategy for All"
Frank Andrew Davis, MSc., CSyP, FSyI, CPP.
Managing Director, Trident Manor Limited

"Cultural Heritage:  The Canary in the Coal Mine"
Colonel Andrew Scott Dejesse
US Army CENTCOM CCJ5, Program Director, Strategic Initiatives Group 
Gabriella Corey
Restitution Researcher, Christie's New York

"The Mitigation of Protests and Activism in our Museums"
Wesley De Smet
Ghent Museum of Fine Arts
Kim Covent
Ghent Police

"Non-Fungible Tokens: Art and Crime in a Virtual World"
Saskia Hufnagel, Ph.D.
Reader in Criminal Law, School of Law, Queen Mary University of London
Colin King, Ph.D.
Professor, Institute of Advanced Legal Studies, London

"The Fate of the Adolphe Schloss Collection – Lessons learned from provenance research during the Pandemic"
Marc J. Masurovsky, MA 
Co-founder, Holocaust Art Restitution Project (HARP), Washington DC, USA 
Claudia Hofstee, MA 
Independent Art Historian and Provenance Researcher, Amsterdam, Netherlands 
Saida S. Hasanagic, MA / Postgraduate Certificate in Art Crime and Cultural Heritage Protection (ARCA)
Independent Art Historian and Provenance Researcher, London, United Kingdom

"The destruction, laundry and sale of Egypt’s cultural heritage"
Marcel Marée, Ph.D.
Assistant Keeper, Egypt and Sudan, The British Museum

"Papyrus and Provenance, solving more than an ancient puzzle: The case of the Artemidorus papyrus and its controversial seller, Serop Simonian"
Roberta Mazza, Ph.D.
Papyrologist and ancient historian, University of Bologna, Cultural Heritage Department - Ravenna 

"Investigation and Prosecution of Museum Thefts from a Half-Century Ago"
K.T. Newton, J.D.
Assistant United States Attorney, United States Attorney’s Office for the Eastern District of Pennsylvania

"Title Forthcoming"
Loes Schouten
Senior Publishing Director, Brill

"Presumed Guilty: Is it still possible to create a private collection of archeology?"
Massimo Sterpi, J.D.
Partner and Head of the IP and Art Law at Gianni & Origoni, Rome

"Museums: Accountability?"
Yasmine Zahir
Barrister-at-Law, Liberty Chambers, Hong Kong 


Registration:
To register for this event, please go to our Eventbrite page located here.



Conference Networking Events

Saturday and Sunday's conference sessions include complimentary morning and afternoon coffee breaks, with coffee, juices and light pastries or afternoon hors d'oeuvres to allow time for networking. 

Friday, June 23rd - James Bond themed Icebreaker Cocktail "Cena" at the Country House Monastero le Grazie  
NB: To attend this event, please select the correct registration payment option during your conference registration.

ARCA will open its conference weekend with this relaxing icebreaker cocktail at the Country House Monastero le Grazie, an enchanting centuries-old Cistercian monastery adjacent to the Church and Sanctuary of Santa Maria delle Grazie, built in 1300.  This unique conference venue is located in the hamlet of Foce, just a few kilometers outside the centro storico of Amelia and will also play host to Saturday's Gala Dinner. 


Saturday, August 6 - Cloister Buffet Luncheon in the centro storico of Amelia**
Saturday, August 6 - Italian Slow Food Conference Dinner at Il Ristoro del Priore, Country House Monastero le Grazie  (Please RSVP by 20 June 2023). **
Sunday, August 7 - Cloister Buffet Luncheon - in the centro storico of Amelia**


** Ticketing to the optional Gala Dinner and Conference Lunches can be paid for directly at the conference venues:

Please note: The Amelia Conference has sold out in 2019 and 2022.  We recommend that those interested in attending reserve their tickets in advance to ensure availability.   Seating is limited and fire-safety and COVID prevention rules prevent us from overbooking.

If you have any questions regarding this conference, please contact the ARCA conference organisation team at:

italy.conference [at] artcrimeresearch.org

April 21, 2023

Summer Course in Provenance Research, Theory and Practice

Photo taken by Nazi authorities during World War II
showing a room filled with stolen art
at the Jeu de Paume Museum in Paris

Recognizing that reclaiming looted cultural assets can feel like a Sisyphean task, and that restitution cannot be accomplished without the practical knowledge of how to conduct critical research, the Association for Research into Crimes against Art (ARCA) and the US-based Holocaust Art Restitution Project, [Inc.] (HARP), have teamed up to offer its 4th annual stand-alone provenance course which tackles the complex issues of cultural plunder.

Course Title: “Provenance and the Challenges of Recovering Looted Assets,”
Course Dates: June 26 - 30, 2023
Course Location: Amelia, Italy

Exhibition in the library of the Collecting Point, summer 1947
© Zentralinstitut für Kunstgeschichte

Open to applicants interested in exploring the ownership history of looted cultural objects, their trafficking and their restitution/repatriation, this 5-day course will provide participants with exposure to research methodologies used to clarify and unlock the past history of objects likely to have been displaced in periods of crisis. It will also examine the complex nuances of post war and post conflict restitution and repatriation, as well as its ethical underpinnings.

This course is taught by Marc Masurovsky, who cofounded HARP in September 1997 and currently serves as its Director of Research. 

Since 1980 Marc has examined the general question of assets looted during the Nazi era and has worked as an expert historian on a class-action lawsuit filed by Jewish claimants against three leading Swiss banks, accusing them of having expropriated the property that their families had deposited in their safes and bank accounts. 

As a consultant and historian for the Department of Justice's Office of Special Investigations, Masurovsky, has investigated alleged Nazi war criminals living in the U.S. and post-war relations between former Nazi officials and Allied intelligence agencies. Mr. Masurovsky earned his M.A. in Modern European History from American University in Washington, D.C. For his Master's thesis, he researched "Operation Safehaven: the Allied response to Nazi post-defeat planning, 1944-1948". He is also the co-author with Fabrizio Calvi of Le Festin du Reich (Editions Fayard, 2006).

This course will provide participants with the opportunity to engage in an intensive, guided, dynamic exchange of ideas on research methods while highlighting the multiple diplomatic, political and financial challenges raised by restitution and repatriation claims. Special emphasis will also be placed on the contextual framework of provenance research in an era increasingly reliant on digital tools.

With an emphasis on an interdisciplinary and comparative approach, this provenance course will benefit anyone with an interest in art, art history, art collecting, the global art market writ large, museum and curatorial studies, art and international law, national and international cultural heritage policies.

As an added bonus participants accepted into this 5-day course will automatically registered be registered to attend ARCA’s Amelia Conference, the weekend of June 23-25, 2023.  This weekend-long forum of intellectual and professional exchange which explores the indispensable role of research, detection, crime prevention and criminal justice responses in combating all forms of art crime and the illicit trafficking in cultural property. 

For more information on the course, course fees and how to apply, please see this link.

March 1, 2023

2023 ARCA Amelia Conference - Save the Date & Call for Presenters


Conference Dates: June 23-25, 2023

Location:
Collegio Boccarini, 
adjacent to the Museo Civico Archeologico e Pinacoteca Edilberto Rosa, 
Piazza Vera
Amelia, Italy


Held in the beautiful town of Amelia, Italy, the seat of ARCA’s summer-long Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection, the Association’s 12th annual Amelia Conference will be held the weekend of June 23-25, 2023 with a networking cocktail opening the event for all Amelia Conference attendees and speakers. 

At the heart of the conference will be two days of panel sessions, on Saturday and Sunday, June 24-25, 2023, devoted to presentations selected through this call.

ARCA’s annual Amelia Conference serves as an arena for intellectual and professional exchange and highlights the nonprofit’s mission to facilitate a critical appraisal of the need for protection of art and heritage worldwide. Over the course of one weekend each summer, this art crime-focused event serves as a forum to explore the indispensable role of detection, crime prevention, and scholarly and criminal justice responses, at both the international and domestic level, in combatting all forms of crime related to art and the illicit trafficking of cultural property.

Geared towards international organizations, national enforcement agencies, academics, cultural institutions, and private sector professionals in the art and antiquities fields, the Amelia Conference follows a long-established commitment by the Association to examine contemporary issues of common concern in an open, non-combative, multi-disciplinary format in order to promote greater awareness and understanding of the need for better protection of the world’s cultural patrimony.

2023 Call for Presenters: Session Formats and Topics

Given the success of the Amelia Conference over the past decade, it is important to recognise the growing interdisciplinary and international nature of this emerging field, the growing complexity of art and heritage crime, and the disciplines and subject matter experts who follow along and contribute within their areas of speciality.  With that in mind, this year’s conference will build upon topic-specific sessions designed to stimulate discussion and share learning on a series of topics of common concern. Some conference panels may feature more active panel debate about a session topic, or present various and/or contrasting perspectives about a topic. Each panel session will last approximately 75 or 90 minutes and will include a number of oral presentations with some time dedicated for interactive discussion.

ARCA welcomes presentation proposals related to the conference’s art and antiquities crime theme from individuals in relevant fields, including law, policing, security, art history, art authentication, archaeology, or the allied art market.  Presenters with topics related to the following areas are particularly encouraged to submit a speaking proposal this year highlighting the following issues of common concern:

Strengthening international cooperation in the fight against illicit trafficking, Do MLATs and ILORS work? And is this formality always useful?

Organised crime and illicit trafficking.

Recent successes in the field and what we can learn from them collectively.

The Elephant in the Room: How museums can proactively address problematic art in their collections.

Consciousness raising vandalism as a form of protest in museums. 

Digital and technology-facilitated approaches to combatting illicit trafficking: Do automated web-scraping tools work for combatting art crime?

Solving societal issues using Open Source Intelligence (OSINT) – 

Open-source intelligence (OSINT) continues to grow in acceptance and use beyond the traditional military and law enforcement sectors. How has it been applied to combatting art and antiquities crimes.

Recent convictions: Art crime’s bad boys (and girls) and what we can learn from their prosecutions. 

Each selected presenter will represent a coherent and clearly focused presentation of 15 to 20 minutes maximum on a topic of common concern, that combined with presentations given by co-panelists, are designed to provide significant insights into the topic or theme and to stimulate thoughtful, not combative or antagonistic, discourse.

We very much look forward to receiving presentation proposals on the aforementioned or alternative art and antiquities crime topics, noting that panels may change or be altered based on speaker availability.

Abstract and CV Submission Deadline: March 30, 2023

Abstract Word Limit: 400 words, excluding abstract title, presenter/co-presenter names and affiliations

Abstract Selection Process

Each submitted abstract must be accompanied by a CV. The abstract review process will be conducted blind, i.e. all author names will be removed before the abstract before being sent out for peer review. The abstract itself will be reviewed and scored by independent reviewers who have expertise in the specific session’s identified subject area.

Peer Reviewers apply the following criteria to judge abstract submissions 

I. Quality and Originality (1 to 5)

Abstracts containing significant new findings or presenting concretised information or new approaches will be given higher scores than those that merely serve as a chronology of, or modifications to, older findings or routine topics of dischord.

II. Importance (1 to 5 pts)

This criterion addresses the importance of the presentation or research in terms of covering new ground and in advancing knowledge in the art crime and cultural heritage protection field.

III. Presentation (1 to 5 pts)                                                                              This criterion addresses how well the specific research question(s) and objectives, methods used, primary results, facts ascertained, etc., are explained, rather than simply titling the topical subject itself. A clearly written abstract follows a logical order (e.g. aims, methods, outcome of investigation or analysis).

FINAL NOTE 

All accepted participants are responsible for their own travel and accommodation expenses, however, accepted conference presenters will have their attendance fee waived and will be invited to be ARCA’s guest for the Amelia Conference icebreaker cocktail on 23 June 2023.

February 23, 2023

77 looted artefacts to the Republic of Yemen and a well known Brooklyn dealer


On February 21, 2023 the United States restituted 77 looted artefacts to the Republic of Yemen via its Embassy in Washington DC.  This marks the first time in nineteen years that the US has restituted material to that country, the last being a single funerary stela in 2004.  

This week's handover included 11 ancient Quranic manuscripts and 64 South Arabian stelae, many carved in relief, depicting male faces with oval eye-sockets (originally containing inlays) and eyebrows in low relief, some of which have Sabaean or Qatabian inscriptions dating them to c.4th-1st century BCE.  

Participating in the ceremonial handover were Yemeni Ambassador Mohammed Al-Hadhrami, the U.S. Attorney’s Office for the Eastern District of New York, Steve Francis, Acting Executive Associate Director, HSI at the U.S. Department of Homeland Security (DHS), the U.S. Department of State, and representatives from the Smithsonian Institution. 

The roots of this handover date back to an investigation started a decade ago. 

In May 2011, a federal grand jury in the Eastern District of New York issued a sealed multiple-count indictment charging four individuals as having together with others, engaged in a scheme to smuggle illicit cultural property into the United States. 

The four charged in U.S. v. Khouli et al. CR.11-340, (E.D.N.Y) were: 

• Brooklyn-based antiquities dealer Mousa Khouli (aka Morris Khouli) of Windsor Antiquities, 
• Then-Michigan-based coin dealer Salem Alshdaifat of Holyland Numismatics, 
• UAE-based dealer Ayman Ramadan of Nefertiti Eastern Sculptures Trading, and,
• a collector, Joseph A. Lewis, II, president and CEO of Pharma Management Corp. 

According to the indictment, between October 2008 and November 2009 Khouli had arranged for the purchase and smuggling of a series of Egyptian antiquities into the United States from Dubai, specifically a set of Egyptian funerary boats, a Greco-Roman style Egyptian coffin, a three-part nesting coffin that once contained an ancient Egyptian named Shesepamuntayesher, and some Egyptian limestone figurines.

All of the aforementioned Egyptian artefacts mentioned in this article were recovered during a joint investigation conducted by the U.S. Immigration and Customs Enforcement's Homeland Security Investigations, and U.S. Customs and Border Protection.  Some of the artefacts had been seized at the Port of Newark, New Jersey, the garage of Khouli's Brooklyn, New York, residence, his New York gallery, and during the search of co-defendant Joseph A. Lewis II’s residence. 

During the Egyptian materials investigation, agents also found artefacts from other countries whose correspondence and invoices also contained inconsistencies or irregularities.  This resulted in a separate civil complaint, filed on July 13, 2011, seeking forfeiture of not only the Egyptian material, but Iraqi artefacts, cash, and the artefacts we have seen returned to the Republic of Yemen this week. 

On 18 April 2012, Khouli pled guilty to the charges of smuggling Egyptian cultural property into the United States, and making a false statement to law enforcement authorities.  As part of his guilty plea, Khouli also entered into a stipulation of settlement, resolving a civil complaint seeking forfeiture of the Egyptian antiquities, Iraqi artefacts, cash and other pieces of cultural property seized in connection with the government’s investigation.  

On November 20, 2012 Khouli was sentenced to six months home confinement, with up to 200 hours of community service, plus one year of probation and a $200 fine.  

Due to the ongoing eight-year conflict between the Republic of Yemen Government (ROYG) and the Iran-backed Houthi insurgency, by agreement, these artefacts will remain in the United States, housed at the Smithsonian’s National Museum of Asian Art, for the next two years, but will eventually be returned home. 


Mousa Khouli is a dealer ARCA has written about on this blog in the past.  He continues to do business in New York, though now under the business name of Palmyra Heritage Gallery.  In 2016, we wrote about another suspect artefact handled by this Brooklyn dealer, a c. 3rd-5th century CE Palmyrene funerary head of a woman.  Despite being Syrian in origin, it was sold with questionable Israeli paperwork and remains in circulation.