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August 9, 2013

Friday, August 09, 2013 - ,,,,,,, No comments

Report from ARCA in Amelia: More on the Pompeii field class, Napoli, and courses by Valerie Higgins and Dick Ellis

Painting of Amelia
 by A. M. C Knutsson
by Sophia Kisielewska, ARCA Intern

Extremely early on Sunday morning a large proportion of the ARCA class gathered outside the town walls of Amelia to wait for the bus that would take them to Pompeii. 

Other members of the class had taken a train two days earlier to enjoy at the great sights of Naples. High on everyone’s agenda seemed to be the Museo Archeologico Nazionale di Napoli; Caravaggio’s spectacular ‘The Seven Acts of Mercy’ at the church of Pio Monte della Misericordia; Napoli Sottoterranea (underground); and above all a pizza from one of the three classic Neapolitan pizzerias: Da Michele, Di Matteo and Sorbillo.

The class caught up with these students at the gates of Pompeii at around 11 a.m. After a much needed cup of coffee, the reunited class entered the site and met up with Crispin Corrado, ARCA’s academic director and Adjunct Assistant Professor of Classical Archaeology at The University of California, Rome Study Center. Dr. Corrado led the students around the site, successfully keeping everyone distracted from the desert heat. She explained how the inhabitants of Pompeii had been living at the time of Mount Vesuvius’s eruption in 79 AD and the history of the site since its discovery in 1748 by Spanish Engineer Rocque Joaquin de Alcubierre. Later in the afternoon we visited the villa at Oplontis situated in the heart of the Mafia district, but a beautiful spot regardless. After this we all hopped back on the coach to return to Amelia. It was perhaps both the most beautiful and the most exhausting day yet.

Walking in Pompeii
Monday morning saw the arrival of the first British lecturer of the week, Valerie Higgins, the Associate Professor and Chair of Archaeology and Classics at the American University of Rome. Dr. Higgins teaches courses in Roman archaeology and history; ancient art; archaeological method and theory; funerary archaeology and human remains. Her personal research focuses on the role of archaeology in contemporary society covering aspects such as trafficking of antiquities; contemporary approaches to human remains; heritage in conflict situations; and the role of heritage in contemporary Rome. Her ARCA course, Antiquities and Identity, touched upon many of these topics. The primary focus of Day One was to assess how far the current issues of repatriation and disputed legal ownership are the result of the archaeology practices of the past and how contemporary attitudes to heritage are consequently changing, bringing new challenges to the field. To fully understand this problem, we were required to know a little more about the history of the field and this began with a lecture on the growth of antiquarianism and collecting from the time of Raphael. 

With a limited number of archeology trained students this summer, everyone was captivated by Day Two’s lectures in which Dr. Higgins explained the different archeological methods. A run through of the controversial debates that surround archeology in today’s climate was the heart of discussions during Wednesday’s lectures.

Mark & Laura renew vows at Palazzo Farrattini
Midway through this intense series of lectures, ARCA students and staff joined their classmate Mark and his wife of five years, Laura, at a ceremony to renew their marital vows at sunset in the beautiful garden at Palazzo Farrattini. It was a fantastic event and a welcome opportunity to relax and forget the murky world of art crime.

After lunch on Wednesday, Richard "Dick" Ellis, founder of Scotland Yard’s Art and Antiquities Squad and current Director of Art Management Group, began the last course of the program, Art Policing and Investigation. Mr. Ellis brings an unparalleled level of expertise and field experience to the ARCA classroom. In his first class, Mr. Ellis directed the non-law enforcement figures in the room through the structure of police services around the world and their differing contributions towards the protection and recovery of stolen art.


The following two mornings, through a series of case studies, often ones that Mr. Ellis was closely involved in, the class learned the common reasons why art is targeted by criminals. We also understood, through such case studies, how large a role the global art market plays in aiding these criminals. The myth that art is stolen by the order of Thomas Crown-figures was immediately dismissed, and any sense of glamour evaporated as we were instantly made aware of the rather more sinister figures that govern the illicit art trade.

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