Wednesday, October 04, 2017 - 
art crime,art crime exhibit,art theft,Dick Drent,exhibit,Martin Finkelnberg,Westfries Museum
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art crime,art crime exhibit,art theft,Dick Drent,exhibit,Martin Finkelnberg,Westfries Museum
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Art Theft Exhibited - A unique exhibit of thirty years of art thefts in Holland
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| Westfries Museum director Ad Geerdink in Kiev, standing next to the recovered painting "Lady World". Image Credit: Westfries Museum |
It was a Sunday night in October 1999 when a group of masked men entered the villa of the 84 year old lady in Bilthoven. The fragile woman was smashed against a radiator and guarded, while other robbers emptied the walls and took seven masterpieces within fifteen minutes. The brutal robbery had an enormous impact on her, one of which she would never recover. It was only in 2012 when one of the paintings was offered at Christie’s and recognized by the auction house staff. The fences were arrested and four more paintings were recovered, together with several types of drugs. For the owner, the recovery came too late. She had died several months before.
This tragic history is one of thirty stories of art thefts in the Netherlands that together make up the unique exhibition Plunder, Art Theft in the Netherlands, opening October 15th in the Westfries Museum in Hoorn. For the first time, art crime is the subject of an exhibition in the Netherlands, instead of the art works themselves.
And for anyone interested in art crime, the Westfries Museum probably rings a bell. It is the museum that was robbed in 2005, the night before it was scheduled to celebrate its 125th birthday. Twenty four paintings were stolen, together with 70 pieces of antique silver from the museum's collection.
And for anyone interested in art crime, the Westfries Museum probably rings a bell. It is the museum that was robbed in 2005, the night before it was scheduled to celebrate its 125th birthday. Twenty four paintings were stolen, together with 70 pieces of antique silver from the museum's collection.
In April 2016, four paintings were recovered in the Ukraine and a fifth was later voluntarily returned by its new owner. In September that year, they were returned to the museum, some in very bad condition requiring extensive restoration. The fifteen other paintings and silverware still remain missing.
Through this exhibit the museum aims to highlight the phenomenon of art theft in all its facets. From the motives of perpetrators to the suffering of victims. Thirty objects are used to demonstrate this. The singular thing each object has in common is the fact that they each were stolen in the Netherlands during the last few decades. Every item tells its own story and together they provide a fascinating look into the world of art and antiquities crime.
Even for someone familiar with art crime, the enormous diversity of the objects stolen is striking. Examples of works of art stolen from museums are supplemented with art stolen from private residences, art dealers and even a whole truck of art and antiquities destined for an art fair. One artist was robbed many times with a total loss of 27 bronze statues, another lost 37 of his paintings in one single theft. The motives of the thieves are less diverse, and show the ugly reality of art theft. In the end it usually comes down to money, even when the modus operandi may differ.
Theft for ransom, stolen art as collateral for criminals, theft in order to sell the works at auction or to dealers, and even theft to order from a dealer are all present in one remarkable exhibition. The latter case is especially interesting as this type of theft is often suspected but rarely proven.
In preparing this article, I spoke with the museum about the purpose of this exhibition, in their museum that was, and still is, a victim of art crime itself. Ad Geerdink, the director or the Westfries Museum, explains:
We want to achieve more awareness and public outrage about this topic. But also to ensure that owners of art and antiquities are more conscious of what they themselves can do themselves to prevent thefts. Or, in the unfortunate case a theft nevertheless happens, to ensure they have adequate documentation for police agencies and registers of stolen art. For that reason, we decided to organise a workshop around the exhibition, in collaboration with Donatus Insurance and Kerkmagazine (Church Magazine), for administrators of religious heritage.
Documentation, or the lack of it, is a recurring theme around art thefts. When asked about the lessons one can learn from this exhibit and art theft in general, Martin Finkelnberg also stresses the importance of documentation. Finkelnberg is head of the Art and Antique Crime Unit, National Criminal Intelligence Division of the National Police of the Netherlands.
The takeaway to learn here is that everything of value is vulnerable and thus a potential target for criminals. To guard against that it's very important to document every valuable object as without documentation recovery after a theft is almost impossible. Everybody already understands that to recover from an automobile theft, the owner cannot merely state “it was a green car of a German brand”. Why then do individuals assume that one can do this with an artwork. How effective can police officers be if the only thing they have to go on is “it was old, multicolored and painted on wood”?
Dick Drent, associate director with Sosecure and owner of Omnirisk, a risk management firm, also points to the need for improved and more comprehensive protection of cultural heritage. As an international protective intelligence expert on the security of cultural heritage, I spoke with him in Amsterdam about this upcoming exhibition and he had this to add:
It is a very special exhibition about a topic shrouded by sensation and even romance. But wouldn’t it be great if there would never be a sequel. Instead we should have an exhibit about the successful protection of cultural heritage, by preventing these awful raids through pro-active security. I already have a title: “The Netherlands - 30 years without art theft. Utopia or challenge?”. But above all, let’s not wait for another 30 years for this exhibit…
The exhibition ‘Plunder, Art Theft in the Netherlands’ will open on October 15, 2017 and run through February 12, 2018 at the Westfries Museum, Roode Steen 1, Hoorn (The Netherlands). ARCA’s CEO Lynda Albertson will be speaking at the official opening of the exhibition, together with the Secretary of Culture of the Netherlands.
By Edgar Tijhuis
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Check out this video of the restoration work process on the Westfries Museum paintings recovered in the Ukraine.
