ART meets SECURITY

by Catherine Schofield Sezgin, ARCA Blog Editor-in-Chief

Why did you choose an antique dealer as your protagonists' profession?

So that I could talk about the high culture as well as the low points required of the genre. I much prefer the culture, which includes art, but you don't have a mystery/thriller without the low. Very few have both. 

JAPANTOWN and the Jim Brodie series will always have an art theme running through them either as a plot or subplot, or as background.  In JAPANTOWN, as you'll see, art provides color and culture and character, and sometimes provides clues or insights into character.  And then there's the calligraphy, but I'll leave it there to prevent spoilers.

In the books to follow in this series, will there be any art crimes -- thefts, forgeries or even smuggling?

Book 2 also has an art theme woven into the story, and so will the next book. In Jim Brodie's second outing, there are plenty of art crimes -- theft, a long-lost treasure (that is controversial but said to exist by some), an illegal art auction, an actual art object used for very unpleasant political purposes, and more.

Will art historians, art lovers, and collectors learn a lot about Japanese art from your book? Do you strive for authenticity? 

Without a doubt. One of my goals is to pass on some Japanese culture and history with each book, and much of that comes in the form of Japanese art. 

As a book editor for over two decades--and many of them art books--I'm very careful about how I present the culture and the art, and it's all authentic (unless I need to invent something for the story). I've got an About Authenticity section at the end of the book so readers can tell exactly what is accurate in regards to the art, history, culture, and so on.

Here are a few interviews: NPR / CPR (Capitol Public Radio)interview with Beth Ruyak of INSIGHT (4^th button); Out of Ink.  “From the US toJapan and back again – an interview with Barry Lancet”; and “5-in-5: Barry Lancet” by J. Daniel Parra  (Pieces of Tracy).

A wonderful contemporary Japanese tea bowl.  Jim Brodie, the art-dealer protagonist of JAPANTOWN, is working on just such a repair when he receives an urgent phone call from the SFPD.  For more Japanese pieces featured in the book see “Brodie’s Antiques” in the “Japan & More” section of the author’s website (click on the images to enlarge).  Iga tea bowl, with "half moon" gold repair by Shiro Tsujimura (b. 1947– ).

On December 27, 2012, Eric Prokopi, a self-described “commercial paleontologist,” pled guilty to engaging in a scheme to illegally import the fossilized remains of numerous dinosaurs that had been taken out of their native countries illegally and smuggled into the United States. Specifically, Mr. Prokopi pled guilty to a three-count criminal information: Count One charged conspiracy to smuggle illegal goods and make false statements with respect to a Chinese Microraptor fling dinosaur; Count Two charged entry of goods by means of false statements with respect to two Mongolian dinosaur fossils; and Count Three charged interstate and foreign transportation of goods converted and taken by fraud.

"(1) RAISE public and political awareness of the increasing trend in counterfeit art, fakes, forgeries, and intentional misattribution, and the impact on cultural heritage, the art market and historic and scientific knowledge";  (2) ENFORCE, review and, if necessary, adapt existing national laws to be able to fight the above-mentioned crimes effectively;  (3) CALL FOR counterfeit art to be explicitly included in regional and international laws criminalizing other types of counterfeiting or DEVELOP specific regional and international legislation on this subject;  (4) DEVELOP mechanisms and procedures to fight counterfeit art effectively, if necessary by creating working groups and inter-sectorial commissions;  (5) SUPPORT national  law enforcement agencies in preventing and suppressing the above crimes and in allocating adequate resources;  (6) DEVOTE, where possible; additional efforts and resources to tracing assets generated through the above crimes so as to dismantle the criminal networks involved;  (7) ENHANCE the information exchange on the above crimes through INTERPOL channels, and share experiences and best practices among member countries; (8) DEVELOP AND DISSEMINATE a checklist of precautions to be taken by potential customers to prevent them from acquiring fake objects; (9) DEVELOP AND DISSEMINATE a set of principles for professionals to prevent them from becoming invovled in the commerce of fake objects.

The aim of this study is to highlight new trends in the art market and the different ways in which issues concerning ownership of cultural objects have been revealed. In investigating the reasons behind the repatriation of Chinese art via the art market and analyzing its impacts on the art market, this paper will try to uncover what lies behind this new type of recovery.