Lipinski Stradivarius/Frank Almond

After a performance at Wisconsin Lutheran College, the concertmaster of the Milwaukee Symphony Orchestra was assaulted and robbed of a rare, valuable Stradivarius violin built in 1715. At approximately 10:20pm on January 27, Frank Almond was walking to his car after performing at Wisconsin Lutheran College with other musicians. As he approached his parked car, a suspect used an electronic control device on Mr. Almond, causing Mr. Almond to drop the violin he was carrying. The suspect then took the violin and fled in a waiting car driven by a second suspect. 

The vehicle description is a late-80’s or early-90’s maroon or burgundy Chrysler or Dodge minivan.  It appears at this time that the violin was the primary target of this assault and robbery. It is important to note that this violin is valuable to a very small number of people in the world and is not something easily sold for what it is worth. We have a photograph of the specific Stradivarius violin and a car similar to the one used in the crime at the bottom of the screen.

Milwaukee Police Chief Edward Flynn said “Last night, the artistic heritage of the City of Milwaukee was assaulted and robbed.”  Flynn was joined at the press conference by Mark Niehaus, President of the Milwaukee Symphony Orchestra.

The Milwaukee Police Department is working with the FBI’s Art Crimes Team out of FBI Headquarters in Quantico, Virginia. This team specializes in high-end art thefts, including instruments like the violin taken on Monday. This violin has been entered into the international art theft database. The FBI team works with Interpol to connect with international art dealers who are able to help locate stolen items throughout international markets. 

We are following up on every lead. We encourage anyone with any information about things they have seen or heard that may be related to this assault and robbery to contact the Milwaukee Police Department at 414-935-7360 or the Milwaukee Symphony Orchestra at 414-226-7838.

It's important to note that this violin is very valuable but very valuable to a very small population. This is not something that can be easily sold for even a fraction of its monetary value.

Two of the other suspects were sentenced to six years and eight months in prison by a Bucharest court last month. The 29-year-old Radu Dogaru and 25-year-old Eugen D were found guilty of the theft and of membership in a criminal organisation. Dogaru took part in the robbery in October last year. Eugen D was responsible for transporting the stolen paintings to Romania. The case against three other defendants is continuing.

The posters don't sport the usual most-wanted suspects. instead, they display the missing artwork in an effort to get someone to come forward with what they know about the most significant art heist in history.

"It was such a painful and horrible moment in the museum's life," Hawley said. Until now, Hawley has said little about the theft and what happened in the immediate aftermath. "We also are being threatened from the outside by criminals who want attention from the FBI, and so they were threatening us, and threatening putting bombs in the museum," she said. "We were evacuating museum, the staff members were under threat, no one really knew what kind of a conundrum we were in."

[...]

WGBH News' Emily Rooney interviewed Jeff Kelley, a special agent in the FBI's Boston field office, and a member of the art crime unit.

Emily Rooney: You have been in this for at least ten years.

Jeff Kelley: It is actually 11 years now I have been the investigator on this case.

Rooney: You essentially know who did it.

Kelley: Yes.

Rooney: Why can't you say?

Kelley: We have to temper what we put out there in the public, and we certainly want to get the assistance of the public and we feel it is important to kind of lay our cards out on the table and say we know who did it, and we know who is involved, but we need your help. 

[...]

Rooney: The former Boston Herald reporter Tom Mashburger has a great tale of being, essentially, blindfolded and taken to a place where somebody unrolled something and he got some chips. Is there any possibility what he saw is one of the real pieces?

Kelley: I know Tom and he has the utmost integrity. But from what I have learned about the art itself, I don't think that what he saw was the actual painting. He described it as being unrolled, kind of unfurled, but from speaking to the experts at the museum and at other museums, the paintings are so thick that they would really be almost impossible to roll up.

Rooney: Do you think that they are still in existence and do you think together — because with 13 objects, some of them are odd objects, they weren't all paintings — to think that they're together?

Kelley: I don't know if they are still together. I think they are all in existence.

Reuters: Eugen Darie (center) and Radu Dogaru (right)

A Romanian court sentenced the ringleader of a gang that stole paintings from a Dutch museum in one of the world's biggest art heists to six years and eight months in prison on Tuesday. Radu Dogaru and fellow gang member Eugen Darie, both Romanians, received the same sentence for stealing the masterpieces, including two Monets and a Picasso, in October 2012. The paintings have yet to be found. The trial will continue on Dec 3. for four other defendants including Dogaru's mother, who is also accused of destroying the art and has exercised her right not to comment. Dogaru and Darie pleaded guilty earlier this year to stealing the artworks, insured for 18 million euros ($24.4 million), from Rotterdam's Kunsthal museum.

Upon arrival at a crime scene, if investigators were to find nothing more than black ash, analyzing any of it would be impossible. “But fortunately, that’s never really the case,” Tague said. “If things are charred, then you can typically identify which artist would have generated the art.” 

It’s a delicate process. The eye can only see something as small as seventy-five microns, or about the width of a strand of hair. “You’re looking for particles much smaller than that,” Tague said. “So it’s tedious, really tedious. And you don’t want to disturb a crime scene. So it could take weeks or months just to recover the particles.” Even just two or three microns of dust could be the key to identifying the signature of Picasso.

Was this painting destroyed in Romania?

Dogaru told investigators she was scared for her son after he was arrested in January and buried the art in an abandoned house and then in a cemetery in the village of Caracliu. She said she later dug them up and burned them in February after police began searching the village for the stolen works.

'The loss of the pictures was also painful because of their sentimental value [Marinello]. They belonged to his father, but had become so valuable that Mitchell could not afford to insure them for their full worth. Back in 1979, the paintings were valued £5,000 reward for their recovery, placing advertisements in international journals and approaching a specialist art detective. But the trail went cold.

'It surfaced by chance a few weeks ago after a Dutch dealer tried to buy it in Italy. Before paying for it, he decided to check the database of the Art Loss Register (ALR), which tracks down the world's stolen art from its headquarters in London.'

'Negotiations were particularly delicate because, under Italian law, if someone buys a stolen work in good faith the buyer is sometimes entitled to keep it.'

Degas' After the Bath c 1883

Shapiro does several clever things. She uses real artists and real connoisseurs like Gardner in the telling of the book. All the forgers Claire learns from are real, as are the techniques they used. She mixes in chapters of Isabella Gardner’s letters to her niece detailing her adventures with Degas — these are juicy fiction. She offers “A Note on the Research” at the end of the book to make clear what is history and what is fiction.

The painting techniques that Claire uses for both her forgery and her own work are consistent with current practices, as are the descriptions of the struggles of a young artists. The forgers and dealers she discovers through her Internet research were/are actual people, including John Myratt, Ely Sakhai, and Han van Meegeren, and the specifics of their crimes, methods, inventions, and punishments are also accurate. 

The details of the 1990 robbery of Gardner Museum are factual -- it remains the largest unsolved art heist in history -- with the exception of the inclusion of Degas' fifth After the Bath, which neither was stolen nor exists, although it is a composite based on his other four After the Bath works.

Federal investigators have concluded that thieves armed with detailed shipping information were behind the removal of a Goya painting from a truck en route to the Solomon R. Guggenheim Museum from Ohio last week, law enforcement officials said Friday. 

The 1778 painting, “Children With a Cart,” was packed inside several nested crates aboard a locked unmarked truck used by a professional art transporter. The crated painting was removed from an outer shipping container in the truck while it was parked at a Howard Johnson Inn near Bartonsville, Pa. 

The two drivers checked into the hotel around 11 p.m. on Nov. 7, according to the motel manager, Faizal Bhimani. He said the white midsize truck was left in an unlighted parking lot adjacent to the hotel, out of sight of the hotel’s rooms and the main office. 

When the drivers returned to the truck at about 6:30 a.m. on Nov. 8, the locks had been broken and the painting, insured for $1 million, was gone, law enforcement officials said, speaking on condition of anonymity.

Robert K. Wittman, former head of the FBI's Art Crime team and now a security consultant in Philadelphia, notes that history's most infamous art thefts, including the 1990 Isabella Steward Gardner Museum heist in Boston, targeted works hanging on walls, not in transit. But he adds that art on the move is at its most vulnerable. 

Mr. Wittman helped recover a 1778 Goya masterpiece stolen off a truck in Pennsylvania in 2006 en route from the Toledo Museum of Art in Ohio to the Guggenheim in New York. In that case, its two drivers made the dumb decision to check into a motel for a nap. They returned to find their parked truck busted open and the unmarked Goya crate gone. The thief didn't know what he had, and said he wanted to get rid of it. He didn't destroy the painting because "it kind of grew on me." He had a lawyer contact authorities saying he had found it in his basement—there was a $50,000 reward—but wound up pleading guilty and being sentenced to five years in prison.

LOS ANGELES – Six people are awaiting arraignment this afternoon in connection with the $3.2 million theft of paintings, wine, jewelry and a car from financier Jeffrey Gundlach in September, the District Attorney’s Office announced. 

Darren Agee Merager, 43, allegedly broke into Gundlach’s Santa Monica home between Sept. 12 and Sept. 13, 2012, and stole valuable art work, jewelry and wine, said Deputy District Attorney Alva Lin with the Airport Branch office. Merager then allegedly returned hours later and stole Gundlach’s Porsche at the behest of Jay Jeffrey Nieto, 45. 

Nieto allegedly helped conceal the stolen art and other items at his Pasadena store. Pasadena police, who received a tip, and the Santa Monica Police Department investigated the case. 

Charged as co-conspirators are Merager’s 68-year-old mother, Brenda Joyce Merager, and two brothers, 29-year-old Wanis George Wahba and his 26-year-old brother, Ely George Wahba. The three allegedly tried to sell and conceal the stolen items. In addition, Wilmer Bolosan Cadiz, 40, is charged with conspiracy and receiving stolen items. 

The six, who are charged in case SA082879 with multiple counts, including first-degree residential burglary, conspiracy and receiving stolen property, are scheduled to be arraigned at the Los Angeles Superior Court, Airport Branch, in Department 144. 

Prosecutors will ask that bail be set at $10 million for each defendant. 

Merager, who has multiple prior convictions, is facing more than nine years in state prison if convicted.