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Showing posts with label organized crime. Show all posts
Showing posts with label organized crime. Show all posts

January 26, 2015

Policeman, Antiquities Smuggler, Black Market Cigarette Bootlegger, Arms Trafficker, Terrorist: A Snapshot of the Many Faces of One, Greek, Organized Crime Cell


Investigating organized crime links with art crimes components is complicated. Sometimes researchers are able to draw detailed maps of criminal enterprise that fuels the illicit art and antiquities trade and other times investigations lead us down windy roads to nowhere, or at least to places where gathering further evidence is not likely and possibly dangerous.

Earlier this month Greek news bureaus hit the wires reporting on a series of startling arrests, some involving suspects who liked to mix a little art and culture with their organized crime activities.

Image Credit - Yahoo News
On Saturday, January 3, 2015 Greece’s anti-terrorism unit captured Christodoulos Xiros; an on-the-run associate of the once-powerful and ultra-violent 17N group (Greek: Επαναστατική Οργάνωση 17 Νοέμβρη ).  Xiros had walked away from his prison sentence in January 2014 while on furlough visiting his family during the Christmas holidays.

Tracked to the town of Anavyssos in southeast of Athens, Christodoulos Xiros had changed his appearance, let his hair grow out and dyed it blonde.  But instead of lying low and enjoying his freedom while on the lam, the escapee chose to taunt Greek authorities; releasing ominous statements that implied he intended to pick up where he left off before his original incarceration for murder began.

Less than one month into his escape, Xiros submitted a long-winded manifesto along with a four-minute video to the website Independent Media Center. His untraceable statements, posted online at Indymedia/IMC were laced with violent innuendo alongside governmental and civil rights complaints. 

Speaking in front of images of Ernesto "Che" Guevara, two heroes of Greece's war of independence and a communist World War II resistance fighter, Xiros promised to wage war against those he believed were responsible for the destruction of Greece.  He vowed to “fight to the bitter end" and went so far as to dedicate lyrics from a song by V. Papakostantinou called 'Karaiskakis' emphasizing the phrase “When I return I will f**k you up.”

Image Credit: protothema.gr
Police Chief Dimitris Tsaknakis informed the press that Greek authorities had been searching for Christodoulos Xiros in and around the Athens’ suburbs for three months.  Investigators traced him via informant tips relayed to police, possibly in hopes of receiving part of the reward money being offered for information leading to his capture and arrest.

These tips, along with information gleaned from intercepted phone calls and solid gumshoe policing helped track the fugitive and set the stage for his organized apprehension.  Xiros had been hiding in relatively plain sight, going by the name “Manolis”.

At the time of his recapture, he was armed with a fully loaded Belgian or Hungarian-constructed Browning P35 9mm pistol.  News agencies reported that the gun’s serial number and make were scratched out, an action that impeded its traceability.

Image Credit: http://mikrometoxos.gr
A search of the house where he had been holed up contained an extensive cache of weaponry.  Law enforcement authorities inventoried assault rifles, Magtech 9mm ammunition, a rocket-propelled launcher, RPGs, grenades, six kilograms of explosive-making materials and a plethora of parts used for the manufacture of explosive devices including fuse wire, detonators and ignition wicks.

For a complete list of the evidence seized, please click here.
Image Credit: http://mikrometoxos.gr

After examining the evidence confiscated from the house in Anavyssos, Public Safety Minister, Vassilis Kikilias told reporters "Greek police prevented a major attack against the heart of the Greek prison system."  It seems that alongside the weaponry, police had found a well-developed diagram of the Korydallos prison complex.  Authorities believe that in stockpiling arms, Christodoulos Xiros was preparing for an armed assault and possible break-out on the western Athens prison, most likely to occur during Greece’s recent lead-up to the election that was held this weekend.

As a maximum-security facility, Korydallos Prison Complex has a notorious reputation.  In addition to housing other 17N convicts, it’s also has had its share of movie-worthy prison escapes.  Not only did Christodoulos Xiros vanish while on furlough but inmate/kidnapper Vasilis Paleokostas escaped twice, each time using a hijacked helicopter, first in June 2006 and again in February 2009.  During the second breakout a nearby resident captured the get-away chopper on amateur video. The grainy footage on this film shows the helicopter rising from the prison grounds and shots can be heard firing in the background while the amateur video maker comments.


Korydallos prison is also an over-crowded penal facility that has had substantial civil rights issues, many of which Christodoulos Xiros written manifesto outlined in Robin Hood-esque detail. Plagued by riots, overcrowding, poor health and sanitation conditions and a purported thriving black economy, the prison facility has been criticized not only by its convicts, but by Amnesty International and human rights bodies such as the Council of Europe's Committee for the Prevention of Torture. On occasion things have been so bad that inmates have staged hunger and medicine strikes to demand better living conditions and more immediate access to medical care.

But before Christodoulos Xiros, became a murdering guerrilla anarchist he was once a musical instrument maker and lived on the Aegean island of Ikaria.  Born to a retired priest, Triantafyllos Xiros, and his wife Moschoula, three of their ten children would later be condemned for participation in the 17 November group: Christodoulos, Savvas, and Vasilis.

Savvas Xiros was a painter of Greek religious icons.  He came to the attention of police following a botched bombing attack on June 29, 2002.  Whether from faulty fusing or poor execution, the IED he was handling detonated prematurely.  The explosion blinded him in one eye and caused partial vision loss in the other, blew off three fingers from his right hand, burst an eardrum and collapsed one of his lungs.  In total, he would spend 65 days at the Evangelismos Hospital in Athens recuperating from his debilitating injuries.
Savvas (L) and Vasilis (R) Xiros - Image Credit http://www.tovima.gr

Unconscious for four days, when Savvas Xiros came to he started cooperating with authorities, possibly encouraged by Greece’s rulings that enabled terrorists to receive lighter prison sentences in return for cooperation.  Later he would recant his statements and imply that his confession was made under extreme duress, while under the influence of psychotropic drugs or "truth serums" administered without his consent.  No evidence has been presented which collaborates this allegation, nor his later claims that prison inmates at Korydallos are routinely administered chemical restraints for non-therapeutic reasons.

Whether or not his confessions were self-preserving or influenced by state persuasion, Savvas Xiros’ testimony proved pivotal in Greece’s case against 17N and in dismantling the organized crime group. His testimony detailed the history of the cell from its nascent birth in 1975 as a Marxist-leaning domestic terrorism organization to its fateful decision to murder British defense attaché, Brigadier Stephen Saunders June 8, 2000.

As a result of Savvas Xiros’ testimony and the testimony of others, including his own brother, Christodoulos Xiros, ten members of 17N would be convicted for their rolls in 23 murders and sent to prison.   Prior to his escape from justice, Christodoulos Xiros was serving six life terms, plus 25 years. Savvas received five life sentences plus 25 years for his own role in 5 assassinations and Vasilis Xiros, the youngest of the three siblings, was condemned to 25 years for simple collusion to assassinate.

But this article’s publication in in ARCA’s blog is not solely to outline the life-cycle of one of Greece’s grimmest terrorist groups. Its purpose is to illustrate that organized criminal enterprise has many diverse elements and sometimes significantly and sometimes casually art crime plays its own part.

Theocharis Chrysakis -Image Credit - http://www.telegrafi.com
Following Christodoulos Xiros capture, on January 3, 2015 police have begun identifying additional co-conspirators.  One has been listed as a 37-year-old Albanian who posed as a Coast Guard officer using the pseudonym “Theocharis Chrysakis” or "Hari Koka". Police have indicated that this accomplice had prior arrest records for gun and narcotics possession.  There has also been speculation that Xiros’ stash of weapons and explosives may have been acquired via Greek criminals with Albanian supplier connections, possibly affiliated with this ally.

Christos Patoucheas - Image Credit - http://www.ethnos.gr
A second accomplice has been reported to be a 54-year-old former law enforcement officer.  Greek news wire reports have separately listed the individual as “unnamed” “Christos P” and “Christos Patoucheas” describing him as an ex police officer, dismissed from the EKAM, Special Counter-Terrorist Unit of the Hellenic Police twelve years ago.

The reason for his dismissal: involvement in antiquities smuggling and links to extortion rackets.  Patoucheas also seems to be involved in a functioning extortion ring operating from within the 6th wing of Korydallos prison which allegedly orchestrated additional bombings.

As abettors to Christodoulos Xiros these men now face graver charges than simple gun possession and antiquities trafficking.   Each can be charged as a member of a terrorist organization, as well as with contributing to the manufacturing, supply and possession of common explosives and bombs.  All of these offenses can be tried under Greece’s Anti-Terrorism Act.

But despite the successes of preventing further armed attacks and the recapture of a fugitive from justice, many questions remain regarding this organized crime group.

How is it that prison authorities felt it appropriate to grant furlough to a convicted terrorist despite his direct and indirect involvement in the deaths of 23 people?  How long has Christodoulos Xiros had this relationship with the former officer of Greece’s EKAM?  What are the details of this accomplice’s prior involvement in antiquities smuggling and extortion and is there any correlation between Accomplice One's Albanian arms channels and Accomplice Two's earlier involvement in art trafficking?

But before any of our readers jumps to premature conclusions, I am not implying that Christodoulos Xiros’ organization was in any way funded by antiquities smuggling.  None of my research, in looking for antiquities smuggling connections to this escapee or his associates has uncovered evidence that would substantiate such a claim. Given the more lucrative profitability of extortion and arms and cigarette trafficking, it would also seem superfluous at best as a potential revenue stream to fund Greek terrorism.

My point is merely to underscore, in a thought provoking way, the complexity of criminal behavior and that traffickers, especially art traffickers, are not always tie-wearing antiquities dealers with glossy Geneva free ports and warehouses.

Some art criminals are simply opportunistic criminals. They are incentivized to smuggle whatever illicit commodity has a willing buyer.  The type of “merchandise” isn’t important.  The contraband could be art and antiquities, or drugs and weaponry.  The sole criterion is that the enterprising criminal has access to a willing buyer and a steady supply stream of merchandise that supports his market’s demand.

I mention this because I think it is important, when examining organized crime and terrorism and its potential connection to antiquities smuggling, that researchers not to fall into the trap of feeding the media’s insatiable desire to see actuarial percentages that calculate the risk, size, percentage, threat, motivation or impact of a specific subset of organized crime, be it terrorism, arms trafficking, cigarette bootlegging or antiquities looting.  When we do, we allow the media to skim over the complexity of the subject in exchange for scary headlines that superficially skim the surface and are often based on estimates.

By the same toke art crime researchers should be more comfortable with admitting to journalists “I can’t answer that” or "there is not enough evidence to confirm links between art smuggling and terrorism" in cases like the Xiros investigation, when there is not enough proof available to satisfy the hypothesis.   In most cases, the mere mention of the words ‘organized crime’ and the circumstances of real life cases, as complex as this Greek terrorism cell, already have sufficiently powerful details on which journalists can draw readership without the need for supposition.

For those that want to take a closer look at organized crime and the difficult problem of assessing its scope, I suggest starting with this 2004 academic article.  Produced by criminologists, it gives readers a far greater understanding of the complexity of quantifying organized criminal behavior than I can within the scope of this already overly-long blog post.   The article also sadly underscores that despite having been written more than ten years ago, we are still wrestling with the same problems where organized crime information gathering is concerned.

The sad truth is that even today conclusions are too-often drawn based on too few cases and estimates rather than harder-to-actually-substantiate data giving the media tantalizing conjecture rather than providing much in the way of concrete evidence regarding a specific subset of criminal enterprise.

Part of the reason for this is that researching the mechanisms behind organized crime and any illicit trafficking market is a potentially risky endeavor. Global Initiative estimates that 35% of the journalists killed in the last ten years were reporting on organized crime or corruption.  And no matter how firmly experts researching organized crime disclaim unrealistic estimates or over-reaching assumptions it will always be, at best, an imprecise science by its very nature.

Measuring something as complex and elusive as organized crime, or specifically organized crime with art-related offenses would require law enforcement to develop a conceptual and theoretical framework that permits the police to gather data on and then measure the types of art crimes in a more meaningful way.

Unfortunately we aren't there yet, despite what some media headlines tell you.

By Lynda Albertson, ARCA


References used in this article: 
http://www.amnesty.org/en/region/greece?page=14
https://athens.indymedia.org/post/1512022/
http://www.cpt.coe.int/documents/grc/2011-10-inf-eng.htm
http://en.protothema.gr/counter-terrorism-police-investigates-more-suspected-accomplices-of-xiros/
http://en.protothema.gr/public-order-minister-v-kikilias-gives-details-on-the-capture-of-terrorist-c-xiros-photos/
http://www.ethnos.gr/article.asp?catid=22768&subid=2&pubid=63369134
http://www.globalinitiative.net/programs/drugs/reporting-on-organized-crime/
http://news.google.com/newspapers?nid=1683&dat=20020720&id=ZqkaAAAAIBAJ&sjid=PUUEAAAAIBAJ&pg=6721,6856359
http://www.grreporter.info/en/police_expect_largescale_terrorist_attack/10589
Inside Greek Terrorism, by George Kassimeris, Oxford University Press (October 1, 2013)
http://www.kathimerini.gr/799330/article/epikairothta/ellada/plhroforiodoths-edwse-ton-3hro
http://mikrometoxos.gr/?p=4991
http://www.newsweek.com/christodoulos-xiros-greek-marxist-guerrilla-arrested-296458
Organized Crime, Corruption and Crime Prevention, Editors: Stefano Caneppele and Francesco Calderoni
Race Against Terror, By Nicholas Gage, Vanity Fair, Jan 2007 Issue 557, p64, 9p
http://www.telegrafi.com/lajme/ky-eshte-shqiptari-qe-bashkepunonte-me-terroristin-grek-foto-80-8897.html
The Faces of Terrorism: Multidisciplinary Perspectives, edited by David Canter
http://www.thetoc.gr/eng/news/article/the-terrorists-next-door
‘Threats and Phantoms of Organised Crime, Corruption and Terrorism’ (Critical European Perspectives), June 1, 2004 by Petrus C. Van Duyne (Author, Editor), Matjaz Jager (Editor), Klaus Von Lampe (Editor), James L. Newell (Editor)
http://www.tovima.gr/en/article/?aid=664944
http://www.tovima.gr/relatedarticles/article/?aid=155710
http://www.veth.gov.gr/index.php?MDL=pages&Branch=N_N0000000100_N0000002123_N0000002173_S0851703103






July 17, 2013

Kunsthal Rotterdam Art Heist: Six People to be tried in Budapest for stealing 18 million Euros of art; DIOCT denies making any conclusions about the destruction of the stolen paintings

On Monday, July 15, Romanian authorities under the umbrella of "DICOT" will be prosecuting six people in a court in Bucharest for the theft of seven paintings from the Kunsthal Rotterdam on October 16, 2012, according to Mediafax.ro.

DIOCT is the Directorate for Investigating Organized Crime and Terrorism, within the Public Ministry/Romanian Police, with 280 prosecutors and another 200 administrators and 40 specialists to combat and prevent organized crime. According to a statement issued on July 17 by DIOCT related to the Kunsthal Rotterdam theft indicates (based upon a Google translation from Romanian to English) that the DIOCT is not confirming or approving any conclusions regarding the stolen paintings (alluding to the question of whether or not the paintings have been destroyed).

The DIOCT's press release dated July 15, 2013 (loosely translated by Google from Romanian into English) announces the indictment of defendants Radu Dogaru; Adrian Procop (în lipså); Eugen Darie;  Alexandru Mihai Bitu; Olga Dogaru; and Petre Condrat (still at large). The prosecutor claims to have evidence that the defendants acted as a criminal group to steal seven works of art stolen from the Kunstal Rotterdam on October 16, 2012, worth an estimated 18 million Euros. One of the defendants (Bitu) is accused of trying to sell the artworks stolen by three of the defendants (Dogaru, Darie and Procop). Condrat is accused of knowingly handling two of the stolen artworks. Defendant Olga Dogaru (mother of one of the suspects) is accused of transporting and concealing the stolen art. The trial will be held in Bucharest.

July 13, 2013

America's Book of Secrets features segment on the Isabella Stewart Gardner 1990 Theft

Here's the show, America's Book of Secrets on the History Channel, which interviewed ARCA trustee Erik Nemeth (PH.D., Independent Researcher) for an episode aired in June, Lost Treasures.  At around minute 29, the show focuses on the 1990 theft of the Isabella Stewart Gardner Museum in the segment "Bare Walls". Interviews include FBI Special Agent Geoffrey J. Kelly; Robert K. Wittman, former FBI Special Agent; Nemeth; Catherine Williamson, PH.D., Director of Fine Books and Manuscripts, Bonhams; and Chris Isleib, Director of Communications, National Archives.

January 22, 2013

Organized crime unit of Romanian police arrest three men for Kunsthal Rotterdam theft; no paintings found

Romanian police arrest three men suspected of robbing
Kunsthal Rotterdam last October.
Today DutchNews.nl in its post "Three arrested for Kunsthal art theft in Romania, say local media"cited Nos Television as the source of the information.

The photo to the left is from the online Romanian news service Adevarul.

On the Dutch television channel, Nos cites a Rotterdam police twitter for the information that none of the paintings stolen from a temporary exhibit on October 16 were recovered.  Nos cites Romania's antena3.ro for information that the suspects have been arrested and will be held for 30 days in police custody while the investigation proceeds.  According to the report out of Romania, the police on the case specialize in combatting Organized Crime and Terrorism.

Martijn van der Starre and Irina Savu for Bloomberg News quote police spokesman Roland Ekkers that none of the stolen paintings by Picasso, Monet, Matisse, Gauguin or Lucian Freud were found.  A Bucharest court issued the arrest warrant.
Kunsthal Rotterdam

According to Robin Van Daalen for The Wall Street Journal online (Three Arrested Over Dutch Art Theft), a Romanian police spokeswoman said 'that officers had "carried out multiple activities" at the request of organized-crime prosecutors and that the operations were continuing'.

BBC News covered the theft under Rotterdam Dutch art thefts lead to Romanian arrests.

You can read previous ARCA blog posts about this theft here regarding the theft; the press conference; expert opinions; questions the day after the theft; available information about the owner of the paintings, the Triton Foundation; discussion with former Scotland Yard art detective Charley Hill; discussion with security consultant Ton Cremers; case progress reported by Rotterdam-Rijnmond police; speculation that flipper method opened back door; AP's press conference video (excerpt); Dutch news reporting theft (video); theft shown on surveillance video; the question of fire alarmed doors; former FBI agent Virginia Curry on fire and safety; "overvaluation" of stolen paintings; private art investigator Arthur Brand on last year's rhino theft adjacent to Kunsthal and Irish organized thieves; and Brand on messenger bag used in theft.


November 30, 2010

ARCA Student Kim Alderman Presents "Honor Amongst Thieves"

by Catherine Schofield Sezgin

Kim Alderman, a Clinical Assistant Professor at the University of Wisconsin Law School and a student in ARCA’s Class of 2010 postgraduate program in International Art Crime Studies, presented at the Antiquities Trafficking panel at the American Society of Criminologists Conference in San Francisco in mid-November.

Alderman, who studied art history and archaeology at the University of Maryland at College Park, provided an abstract of her presentation on her blog, Cultural Property and Archaeology Law Blog, and we followed up via email with some questions of our own.

ARCA Blog: Do you believe that organized crime has fueled the illicit antiquities trade since the early 1960s?

Alderman: “Whether organized crime is connected to the illicit antiquities trade depends on how you define “organized crime.” The broad definition of organized crime is three or more people, engaged in a pattern of illegal conduct, for the purpose of obtaining material gains. If you use this definition, then it is correct to say that organized crime is involved in the illicit antiquities trade. From subsistence looters to tombaroli to smugglers, there are always people working in concert to excavate and move illicit antiquities. If you are talking only about mobsters or the mafia, then there is less evidence to support the alleged connection. As to the claim that the involvement began in the 1960s, I suspect this originated with allegations of the mafia’s entry into art theft during that decade, and was later extended by imprecise language to the illicit antiquities trade. There has certainly been increasingly organized subversion in the illicit antiquities trade since then, although whether the 1960s served as a temporal starting point for such organization remains to be seen.”

ARCA Blog: Is the illicit antiquities trade linked to money laundering, extortion, the drug and arms trades, terrorism and even slavery?

Alderman: “Claims that the illicit antiquities trade is connected with money laundering, extortion, the drug and arms trades, terrorism, and slavery, should be taken individually. The purchasing of illicit art and antiquities has long been a way to take cash gained from criminal activities and convert it to the ownership of goods, thereby concealing the source of the funds. Extortion would be more an issue for stolen artwork, and I have not observed a link between it and antiquities. As to terrorism, there are discrete instances of terrorist groups unearthing and exporting antiquities in their local regions, but these instances serve as indicators of a potential connection – not hard evidence. Finally, as to the alleged connection between illicit antiquities and the drug and arms trades or slavery, Eastern European mafias have been accused of trafficking in “everything from antiquities to humans.”

ARCA Blog: Thank you, Kim.

Readers can follow Kim Alderman at http://www.culturalpropertylaw.net.

December 8, 2009

US Justice Department & Central Bureau of Interpol Rate Art Crime Third Highest-Grossing Criminal Trade and Links It To Organized Crime

Statistics on art crime are unfortunately few and generally inaccurate. The reasons for this are detailed in ARCA's book, Art & Crime, and come down to a variety of factors.
  1. At a local level, most police are told to file stolen art with general stolen goods. This means that art thefts are lost among stolen property files and only those unusual or far-sighted police who set art thefts aside for filing, or choose to send files on to Interpol or national art police will be filed as art thefts, and can therefore be studied and constitute a portion of the national statistics.
  2. The legitimate market dollar value of artworks is a nebulous concept. One day a painting could be worth one million, another day two, another day seven-hundred thousand. It all depends on the stock market, the perceived demand of the art market for the object in question, the whims of a handful of individual collectors and museums. So to say that an artwork is worth X amount of money is untrue--it can only be stated that at one time this artwork, or a similar one, sold for X amount of money, and that this is the current best guess as to its value. Therefore it is useful only in terms of situating art crime at a general hierarchical level, and getting people to take it seriously.
  3. We know that reported art crimes represent only a fraction of the total number, the tip of the iceberg. Antiquities looted from the earth or the sea will only be discovered by happenstance, should an archaeologist or policeman happen upon a looted tomb in the wilderness, for instance. Even then, there is no way of knowing what was in the tomb to begin with, which is now stolen. Much fine art theft goes unreported, by museums which do not want to show their insecurity, by collectors who did not declare all of their collection to avoid luxury tax, by libraries or churches or archives that might not realize what is missing.
While the study of art crime is, necessarily, at this point more anecdotal than scientific, due to the poor, incomplete, and often inaccessible statistics, the major police forces agree on the extent and severity of art crime, and its links to Organized Crime, which make it a crime to take very seriously, indeed.

In ARCA's many projects and conferences, those with whom we have worked have conveyed the fact that art crime is the third-highest-grossing criminal trade, behind only drugs and arms, and have underlined with countless examples the links with Organized Crime since 1960. Organized Crime, which includes but is not limited to major Mafias (it also includes any group of three or more individuals working together in a diverse array of criminal enterprises for long-term collective goals), is responsible for some activity in the life of the crime. This is least often the theft or looting itself, which is done by mercenary burglars or local tomb raiders. But syndicates have the international networks necessary to take stolen objects off the hands of the thieves, smuggle them abroad, launder them, and sell them on. Because of this, art crime funds all of Organized Crime's other activities, from the drug and arms trade to terrorism.

Individuals from the major world art police have quoted these facts repeatedly, as have art criminals, lawyers, security staff, criminologists and more. But it is difficult to find published, publicly available statements to back this up. For anyone looking for a good, reliable source to cite when quoting information about art crime as the third-highest-grossing criminal trade, and the involvement of Organized Crime, need look no further than the US Department of Justice and the US Central Bureau of Interpol:


Cultural Property Crimes Program
The annual dollar value of art and cultural property theft is exceeded only by the trafficking in illicit narcotics and arms. The illegal trade of works of art and cultural property is as dangerous as these crimes. The criminal networks that traffic in the illicit sale of Works of Art and Cultural Property are often times the same circles that deal in illegal drug, arms dealing, and other illegal transactions. It has also been found recently that many insurgent and terrorist groups fund their operations through the sales and trade of stolen Works of Art and Cultural Property.