In the 1962 film, "Dr No", James Bond spots the actually stolen "Portrait of the Duke of Wellington" by Francisco Goya in Dr. No’s lair.

A question ARCA get's asked often is whether works of art stolen from museums end up with wealthy private collectors for their hidden lairs.

When journalists raise the idea of a “theft-to-order” commissioned by an elusive connoisseur who purchases stolen works to display in secrecy has persisted in popular imagination for decades.  Yet, in practice, this trope has little grounding in criminological reality.  As in many forms of property crime, museum theft is less often the result of grand conspiracy involving a “Dr. No” type figure, than it is about  opportunism and the exploitation of institutional vulnerabilities.  In truth, the motivations and personalities who make up the actors involved in art crime are far more complex, and have little to do with the Hollywood myth. 

Impulsive Crimes of Opportunity

Take, for example, the case of Kempton Bunton, a retired British bus driver, who confessed to stealing Francisco Goya’s Portrait of the Duke of Wellington from London’s National Gallery in 1961. Bunton wasn’t wealthy, nor was he a criminal mastermind.  He was a disgruntled pensioner who objected to public money being spent on expensive art while the poor had to pay for a TV tax, for watching the telly in their home.  The painting spent weeks not in a villain’s lair or secret vault, but behind a wardrobe in Bunton’s modest Newcastle council flat. That incident also made it to the big screen, in a film aptly titles "the Duke,  staring Jim Broadbent and Helen Mirren. 

By contrast, some thefts do arise from explicit financial arrangements.

There are, however, the occasional, 

One infamous "if-you-steal-it-I-will-buy-it" arrangement is the 2010 Musée d’Art Moderne de la Ville de Paris heist, carried out by French burglar Vjéran Tomic, nicknamed “Spider-Man” for his acrobatic rooftop exploits.  After methodical planning, he broke into the Musée d’Art Moderne de la Ville de Paris under the cover of darkness, gaining entry by manipulating window screws over several nights using acid.  He then entered through the window, sidestepped defective alarms, and absconded with five masterpieces by Pablo Picasso, Henri Matisse, Georges Braque, Amedeo Modigliani, and Joseph Fernand Henri Léger, estimated to be worth over €100 million. 

But Tomic did not act alone in the museum burglary: Jean Michel Corvez, a Parisian art dealer, is believed to have commissioned, or minimally financially incentivised,  the heist.  Corvez provided Tomic with a target list of artists desired by his clients, one of them being a Léger.  Corvez then offered the cat burglar payment once the works had been stolen. 

After the burglary, the paintings passed through a third accomplice, watchmaker Yonathan Birn, who was tasked with storing them, who later claimed to have destroyed them in panic. In February 2017 the trio were convicted.  Tomic received eight years; Corvez seven years, and Birn six. 

This case demonstrates how traditional property crime can intersect with art-market demand structures, transforming theft into a form of illicit commission.

Art crime also intersects with organised criminal economies, where artworks function as negotiable assets.

Right now there is an enormous drug trafficking trial underway in Belgium involving the alleged cocaine kingpin Flor Bressers, nick-named "the finger cutter" who over encrypted messages, told fellow criminals that he purchased the painting "Two Laughing Boys with a Mug of Beer" by Frans Hals (worth millions) for €550,000 in September 2020, hoping to use it's return as a bartering tool with the authorities to keep then-girlfriend out of jail were they to be caught.   That painting was stolen, (for the third time in a span of thirty-five years,) by an enterprising thief from the Hofje Van Aerden museum.  That thief, Nils Menara, was sentenced to eight years in prison for the the theft of the Hal's painting as well as the theft of Vincent Van Gogh's  The Parsonage Garden at Nuenen in Spring.   Only the Van Gogh has been recovered. 

Earlier, drug trafficking kingpin and Camorra's affiliate Raffaele Imperiale, once one of Italy's most-wanted fugitives, bought two stolen paintings by Vincent Van Gogh taken from the Van Gogh Museum in 2002.  Both were later recovered after the convicted organised crime figure told the authorities were the paintings were. 

Such cases highlight how the symbolic and financial value of art can converge with individuals involved in large transnational organised crime circuits, where cultural property becomes a form of collateral or currency for underworld actors.

Even militias have found stolen art useful.

In the tangled web of organised crime, illicit art dealings can sometimes serve as both currency and collateral.  The ongoing trial of "Flor B.,"a Belgian national with a shocking criminal resume and a growing reputation as one of Europe's most dangerous narco-traffickers, has taken a dramatic turn into the world of cultural crime.  Dubbed the “Bongoking” in encrypted chat logs, this individual has been linked by prosecutors to the high-profile theft of Two Laughing Boys with a Mug of Beer, a 17th-century masterpiece by Dutch Golden Age painter Frans Hals, stolen on 26 August 2020 from the Hofje van Mevrouw van Aerden Museum in Leerdam, housed on the Kerkstraat.

The first lead on this case came in early 2021, when White Hat cyber-exploit hackers in the European police cracked SKY ECC's EncroChat encryption software, a chat service app that only ran on specially configured Nokia, Google, Apple and BlackBerry phones.  Listening in, the law enforcement officers struck intelligence gold.  By 2023, officers had intercepted some 115 million criminal conversations, by an estimated 60,000 users in which criminals openly negotiated, sometimes in extremely granular detail, money laundering, murders, counterfeiting, drugs, and firearms trafficking.  

In some of these messages and voice recordings, shared both in group chats and one-on-one conversations, members of this drug network coordinated cocaine shipments, talked about their connections with South America drug barons, bragged about violent exploits, and discussed the recent high-profile art theft.

Just two weeks after the museum theft in Leerdam, in messages from the police-cracked app which are now part of trial records, occurred between an individual going by the chat handle Bongoking (Flor B's alleged pseudonym) who discussed the recently filched 17th-century painting, bragging about negotiating a lower purchase price.  

In selected texts released to the public Bongoking writes:

“I recently bought a Frans Hals, 2 laughing boys,” 

“Paid dearly, brother… Asked for 750, settled for 550.” 

Authorities believe this figure represents €550,000, the price the speaker paid for the stolen painting.  He chillingly outlines the painting's purpose in the same chat: not as a collector’s trophy, but as a strategic asset—something to potentially barter for leniency in relation to his wife's role in the criminal's illegal affairs.

“It won’t work for me, brother. But I might still be able to keep my wife out of jail with it, you know,” he wrote, anticipating his own eventual downfall.

He also talked about his construction of a private airport in Equatorial Guinea, used to exploit a shipping loophole which allowed cocaine to flow more easily into the Benelux as part of the kingpin's rapidly expanding criminal enterprise. 

Already a fugitive from justice, the discerning kingpin was in hiding in Switzerland, where for 20 months, he is alleged to have run his international drug cartel from various luxury properties unchallenged.  To do so he used the names Artur Gitta or later Georgios Kandylidis.  His wife for her part became known first as Simone Jung and then as Alexandra Sapranova.  That is until shortly before midnight on 16 February 2022 when both their crime-filled lives caught up with them.   

Following an intensive manhunt, Flor B. and his wife were arrested at a luxury 22nd floor apartment in the exclusive Renaissance residence (Mobimo Tower) in the heart of Zürich West.  The couple's infant son was sleeping in his crib in the next room when law enforcement officers raided the highrise.

Taken into custody, Flor B will be held at the Pöschwies correctional facility for eight months before being extradited to Belgium where he is placed in solitary confinement at Poort van Beveren, a state of the art, high security penal institution while his case in Begium proceeds.  His wife is initially held at the Dielsdorf women's prison in special prison accommodation for offenders with small children.  She will remain there for eight months before being released, and subsequently also extradited to Belgium.  

Flor B's legal team, led by attorney Yehudi Moszkowicz, disputes the prosecution’s interpretation of the messages related to the stolen painting.  Moszkowicz insists his client denies authorship of the incriminating texts and criticises the one-sided nature of the evidence, pointing out the absence of full chat transcripts, as well as the identity of the recipient. “These chats do not show that the sender of the messages actually has access to the painting,” he argued, suggesting the possibility of exaggeration.

But this is far from Flor B’s only serious criminal allegation.  The breakthrough in the SKY ECC cryptophone app exposed this network's trafficking operations, which investigators say revealed the young man as a central figure in a massive European drug empire.  His purported alias Bongoking surfaced repeatedly in communications linked to the importation of more than 16 tons of cocaine, valued at €400 million.  The message also allegedly tie him to violent networks in South America and the Netherlands.  Among the most startling revelations is his alleged orchestration of a drug smuggling scheme using Kriva Rochem, an Antwerp-based water treatment firm that doubled as a front business for cocaine importation.

In closing, the alleged link between Flor B., and his potential connection to the Frans Hals painting is remarkably similar to the thefts of two Van Gogh paintings which ended up in the hands of Camorra-linked mafia boss Raffaele Imperiale.  Likewise last December Stefan Papić, a member of the drug cartel Tito and Dino and considered to be the right-hand man of Flor B was arrested on the basis of a warrant from Belgium.  Papić had opened an art gallery Puro Arte in Breda which is suspected of being used to launder the proceeds of crime.  All three illustrate transnational organised crime figures who are members of massive drug cartels and who dabbled in the world of artistic works with the motivation of using them to launder the proceeds of crime, or use them as collateral or leverage in negotiations, whether in backrooms, on smart phones, or ultimately, in courtrooms during plea deals.

Unfortunately as Flor B's trial continues, the Frans Hals painting remains missing and its fate remains uncertain.  What we do know is that its value is immense not only in monetary terms but as a documented example of how deeply organised crime can entrench itself in the cracks of legitimate society.  Whether hanging in museums or hidded in a drug lord's hideaway, the convergence of fine art and criminal finance continues to challenge the boundaries of law enforcement, and the integrity of the art world itself.

For several years ARCA has followed the escapades of Raffaele Imperiale, one of Italy's most important (and violent) drug dealers, who admitted to purchasing two Van Gogh paintings stolen from the Van Gogh Museum.  This month, a new book, aptly titled Il Narcos, by Daniela De Crescenzo, a journalist for Il Mattino from 1981 to 2016 and part of the scientific committee of the magazine Narcomafie and Tommaso Montanino, an inspector with the Guardia di Finanza serving at the GICO in Naples explore in great detail, the life on the run of this once-fugitive Camorra affiliated boss.                                                                                                          In Il Narcos, the writers deliver an in-depth and riveting account of the rise and fall of Raffaele Imperiale, one of Italy’s most notorious drug traffickers. This true crime story takes readers from the rough streets of Castellammare di Stabia, where Imperiale was born, through a Naples dominated by feuding clans of the Camorra, and on to the glitzy excess of Dubai, where the drug kingpin evaded capture for years.

De Crescenzo skillfully traces Imperiale's path from his early years in organised crime to his eventual role as an international drug lord who dominated cocaine trafficking between Europe and South America for thirty years. And who, in order to obtain a reduction in his Italian sentence, handed over two Van Gogh paintings to the State in 2016 as well as the island of Taiwan, off the coast of Dubai, in 2023. 

Imperiale’s story is both a portrait of ambition and a chilling reflection of the global reach of the criminal underworld and this book’s strengths lies in its meticulous research.  Drawing on legal documents, police reports, and interviews the writers  construct a narrative that is comprehensive, yet still accessible to readers, vividly portraying not just Imperiale himself, but the entire ecosystem of crime and corruption that allowed him to thrive. 

The book also introduces readers to the intricate ties between Italian transnational organised crime groups, drug cartels, and political complicity, while never losing sight of the brutality and violence that Imperiale's operations left in their wake.  Throughout the book, the authors explore not only Imperiale's rise to power but also the societal conditions that enabled his success, providing insight into how economic disparity and the lawlessness of certain regions in Italy actively fuel the rise of figures like Raffaele, leaving us with an unsettling truth.  That sometimes crime does pay, if only for a time. And when it crumbles, it does so with devastating consequences—for the criminals, their families, and the societies that allowed them to flourish. 

Lastly, the book also covers the little talked about negotiations with agencies in the United States, citing that for six years, the FBI and the DEA negotiated conditions of collaboration, where, in exchange for help in framing the other leaders of the global drug cartel, the US would have guaranteed Imperiale a plea bargain for a lenient sentence for money laundering and, after a short period of detention, a new life in the United States, with his family and loved ones. 

This plan however was stalled when prosecutor of Naples Giovanni Melillo (now head of the National Anti-Mafia Directorate), removed the 'Imperial meatball' from the plate of the Americans.  All said, Il Narcos is more than just a biography of a single drug lord and the empires he built on violence and deception.  It is a stark meditation on the human cost of greed, corruption, and power.

By:  Lynda Albertson

«Con il traffico di opere d'arte ci manteniamo la famiglia.»

"With the trafficking of works of art we support our family."  So read a purported intercepted pizzini, stated to have been written by Cosa Nostra boss Matteo Messina Denaro to one of his men.

Pizzini, literally little messages, are generally codified messages which represent the orders, thoughts and concerns of the mafia's men in power. Provenzano for instance, was known to write his on a small typewriter, folding and taping them into tiny squares, so that he could communicate his orders among the uomini d'onore through these tiny secret messages while on the run as a mafia fugitive.

When captured and deciphered by law enforcement, pizzini like these can serve as evidence, paper accomplices, which like informants, give concretised clues on mafia operations and in some cases, outlining specific orders given in the commission of crimes by clan bosses. 

News of this leaked message was first published in a 2021, in a Huffington post article by Vincenzo Musacchio, a Jurist and Professor of Criminal Law.  It is now making the airwaves again, following Messina Denaro's arrest.

But even if this pizzini turns out to be real evidence, proven to have been written by Messina Denaro, it merely confirms what we already know.  

The trafficking of art as a form of "currency" has already been concretised through other well known organised crime cases in Italy.  One of the more dramatic examples, a few years back, is that of Camorra clan boss, Raffaele Imperiale, who held on to two Van Gogh paintings, first stolen in Amsterdam and later recovered at a property connected to him in the Bay of Naples.

While both were potent actors in Italy's organised crime syndicates, Imperiale and Messina Denaro are not the only mobsters who have used art for illegal means. The art market is a global one, allowing for easy movement of assets across borders. 

Art and antiquities are attractive financial instrument, especially for the underworld, as it can be used by criminals as a means of concealing the proceeds derived from illicit activities.  This can also include purchasing legitimate works of art with dirty money, selling it at a later date for a profit and thereby "washing" the money so that it appears that the funds come from a legitimate, and now more traceable, source. 

Criminals may also use art and antiquities as a means of transferring large sums of money across international borders, as art is not subject to the same regulations and scrutiny as financial banking transactions. 

Art and antiquities can also been used as collateral for underworld loans, or when the location of stolen material is disclosed during plea deals, may sadly serve as a bargaining chip used by charged offenders as a means of negotiating lower prison sentences, as we have just seen in Germany this week.

What comes out publicly in the Messina Denero investigation, related to art and antiquities crime, which might back up this slip of paper should be interesting. 

For now, we will have to settle with seeing the back side of the Sicilian crime boss' wardrobe, in one of his hideouts.  A space where Messina Denero could access - via a sliding wooden wall - an armoured room, complete with boxes of jewels, precious stones, and it seems, paintings...but also empty boxes. 

It is with deep regret that we learned of the passing of our former museum security and risk management professor and dearest friend Dick Drent, who passed away on the 12th of July 2022.

Dick served as a professor with ARCA’s Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection for more than a decade. Each year, his course not only provided participants with a thorough knowledge of the fascinating field of museum security, but drew upon his own magnificent career which spanned over three decades working on investigations, security and risk management. His unrivalled experience, his humour, and inspiring way of earning the respect of others, made his courses unique and unforgettable.  Entering a museum would never be the same again for anyone who had the privilege of studying with him. Or in his own words ‘your days of solely enjoying a museum or art will be over. Forever’. 

During his career in law enforcement, Dick fought organised crime and terrorism, mostly within the Netherland's Undercover and Sensitive Operation Unit. In 2005, he left policing to take on the role of director of security for the Van Gogh Museum in Amsterdam. Over the next ten years he worked with this award-winning museum developing an OCE matrix which challenged traditionally reactive methods of museum risk management and instead took on a proactive security approach which focused on preventing incidents before they happen.  

Dick receiving the confirmation that the two Van Gogh paintings recovered from drug lord Raffaele Imperiale were the art works stolen during the 2022 Van Gogh Museum heist.

Congregation Leaving the Reformed Church in Nuenen. 

These paintings were stolen from the Van Gogh Museum in 2002 and successfully recovered 14 years later in coordination with Italian and Dutch law enforcement after it was determined that the paintings were held by one of the leaders of a Camorra affiliated drug trafficking clan operating throughout the Bay of Naples, the Netherlands and Spain.

Even after the paintings were recovered, Dick's security guard instincts carried on, even during the press event at Naples Museo Nazionale di Capodimonte when this recovery was being celebrated.  In a room filled with over two hundred members of the press and law enforcement officers, Dick stood guard over the two Van Gogh paintings as if they were heads of state, ensuring that they were well protected. 

Besides these memorable recoveries, Dick was also active in several other ways for ARCA. In Lebanon, he was one of our key instructors in a specialised training program for countering antiquities trafficking in the Mashreq, a joint collaboration between UNESCO with ARCA along with other affiliated NGOs working on art and heritage crime in conflict, post conflict and transit countries. 

Dick also stepped in to provide online eLearning courses when the COVID pandemic made our summer training program too risky, and assisted ARCA in any way he could, using his expertise, wide network, and endless energy to advance the mission of our association in the fields of cultural property protection.

Having him here to teach with and for ARCA was a profound gift.  One that we will miss dearly. 

We are incredibly grateful for everything he has done for the association and for the whole ARCA family of alumni, professors, staff, and volunteers, all of whome will miss him tremendously.

Our thoughts are with Dick’s wife Petra, his daughter Simone, his granddaughter Kato Marie, his son in law Wouter, and his bonus daughter Barbara. 

A condolence service will be held on Tuesday, the 19th of July at 7:00 pm in Zaandam. 

The pain of this hard good-bye is our heart’s tribute to the privilege to knowing, learning, and working with him. 

Rust zacht, beste makker,

ARCA Alumni
ARCA Professors
Edgar Tijhuis, academic director
Noah Charney, founding president
Lynda Albertson, CEO

Ohhh I am so sorry to hear this. He really did stand out and I loved all the stories he shared with us about the museum. I will always remember him. 

Please stay strong. I know deep in my heart that he will stay alive inside all of us. No one forgets a friend and a professor....he worked so hard in his careers and passed on knowledge and changed us all. I say this with a tiny tear in my eyes. I don't think I can ever forget what he gave us at ARCA. Please know that he will live forever. You will see and feel him in every course you succeed in. You all made it happen. Stay strong for his sake. 🌸❤️  --Rania Kataf - ARCA 2016

Dick was so very important and he did it through his heart. There are tons of people who insist you listen to them and respect their authority, but he never did that. He was always himself and that assurance and humor made you want to be near him, learn from him, work with him. -- Summer Clowers - ARCA 2013

Very sad to hear this. Such good memories from Dick’s course, especially at the museum trip. All the best wishes to Petra, family and friends. --Max Van Steen - ARCA 2019

I’m so very sorry to hear this 😞 Please pass our love on to Petra and the family. Dick was an incredibly generous, kind and gifted individual. He will be missed.  --Alexandra Taylor - ARCA 2019

Goodbyes really hurt when the story is not finished and the book has been closed too soon.  I will truly and deeply miss you my dear friend.  --LA

For information about sending condolences, please write to us at support@artcrimeresearch.org

 

The General Department of Criminal Investigation of the Dubai Police has released a somewhat dramatic video that shows the capture and arrest of fugitive Raffaele Imperiale, the Camorra affiliated boss of the international drug trafficking Amato-Pagano clan which supplied cocaine to Amato and Scarpa, who, years back and already on the run in Dubai, admitted to purchasing two stolen Van Gogh paintings and to his illegal operations in letters to the Italian prosecuting authorities.  Sentenced in absentia, Imperiale is known to have continued working in the illegal drug trade, even after his conviction and despite being named as a fugitive wanted for prosecution in a 27 January 2016 red list notice. 

Living under the assumed name, Antonio Rocco, mafia boss Imperiale continued to meet and transact underworld business with affiliates of his crime syndicate in various locations in the UAE city.  Video images of his arrest released by the Dubai police attest that the Italian drug lord was using a Federation of Russia driving license and passport, as at least one means of staying below law enforcement radar.  

Scenes in the three-minute video released by police give us a sanitised look at policework in the UAE, as well as a voyeur's peep show inside Imperiale's Dubai digs, complete with luxury cars, a villa, duffle bags containing hundreds of dollars, and boxes of unopened phones, which may have been used to impede wiretaps.  One of the most bizarre images on the film was a rather ironic Avengers artwork hanging on Imperiale's wall.  Hanging next to an elevator, the painting or poster depicts a maniacally grinning Pablo Escobar, recreating the Colombian narcoterrorist's mug shot photo by Colombia's Cárcel del Distrito Judicial de Medellín during Escobar's years of Argento O Piombo. The irony here is not lost as it was with the use of bribes (silver) with a not-so-subtle threat of violence (lead), that allowed the Medellín Cartel drug lord to pump an endless supply of cocaine into the market while remaining free from justice for as long as he did. 

Major General Khalil Ibrahim Al Mansouri, Assistant Commander-in-Chief for Criminal Investigation Affairs at the Dubai Police, told UAE news services that police had also arrested fellow Camorrista Raffaele Mauriello, also known as 'o Chiatto', another prominent member of the Amato-Pagano clan.  Like Imperiale, 31-year-old Mauriello, was a fugitive on the run from Italian justice for almost three years.  

Wanted in connection with charges of murder as well as drug trafficking, Mauriello was apprehended in Dubai on 14 August, following closely on investigations coordinated by the Public Prosecutor of Naples, led by Giovanni Melillo, and conducted by the Mobile Squad of the Naples Police Headquarters, led by Alfredo Fabbrocini, with the support of the Central Operational Service of the State Police.

Imperiale's clansman was identified by law enforcement authorities in Italy as having been involved in two mob hits during the violent Third Scampia feud, which resulted in the murders of Fabio Cafasso, killed in Scampia in 2011, and the double murder of Andrea Castello and Antonio Ruggiero, each killed one day after each other in Casandrino in 2014.  Prior to their arrest, Imperiale and Mauriello had been under close surveillance by Dubai investigators from the General Department of Criminal Investigation, aided by analysts working at the Dubai Police Criminal Data Analysis Centre and the “Oyoon” AI Surveillance Programme. The Oyoon (Eyes) project is part of the Dubai 2021 plan to enhance the emirate’s global position in terms of providing a safer living experience for all its (legal) citizens, residents and visitors.

The men in attendance included:

• Raffaele Imperiale, a convicted narco boss to the Camorra and a fugitive from justice on Italy's most wanted list since 2016, 
• Ridouan Taghi, the alleged head of the Mocro Mafia, a Dutch-Moroccan criminal organisation, 
• Daniel Kinahan, named in Dublin’s High Court as a senior fugure in the Kinahan cartel, a group involved in attempting to ship €35m of cocaine disguised as charcoal from South America Republic of Ireland in July,
• and Edin Gačanin, a Bosnian drug trafficker who purportedly heads up the Balkan Tito and Dino Cartel which has a strong footprint in Dubai as well as the Netherlands.

On 19 December 2019 Ridouan Taghi was the first of the four to hear the clang of a cell door.  Expelled from the United Arab Emirates as an undesirable foreigner at the request of the authorities in Dubai, Taghi is currently being held at Nieuw Vosseveld, a maximum-security prison in Vught, as his court case proceeds in the Morengo trail. The Dutch Ministry of Justice and Security believe Taghi to be the head of a major cocaine smuggling operation and to have had a hand in at least 11 gangland-related murders as well as a series of attempted murders, one of which, the assassination of journalist Peter R. de Vries, may have been ordered after Taghi was already in custody.

"At the moment, the Bulgarian authorities are blatantly violating the law by seizing priceless objects from the Vasil Bojkov Collection without any legal justification. The authorities made the decision to export fragile and unique works of art in plastic bags during the unregulated raid that took place in the building of Nove AD Holding, which has the status of a museum."