For several years ARCA has followed the escapades of Raffaele Imperiale, one of Italy's most important (and violent) drug dealers, who admitted to purchasing two Van Gogh paintings stolen from the Van Gogh Museum.  This month, a new book, aptly titled Il Narcos, by Daniela De Crescenzo, a journalist for Il Mattino from 1981 to 2016 and part of the scientific committee of the magazine Narcomafie and Tommaso Montanino, an inspector with the Guardia di Finanza serving at the GICO in Naples explore in great detail, the life on the run of this once-fugitive Camorra affiliated boss.                                                                                                          In Il Narcos, the writers deliver an in-depth and riveting account of the rise and fall of Raffaele Imperiale, one of Italy’s most notorious drug traffickers. This true crime story takes readers from the rough streets of Castellammare di Stabia, where Imperiale was born, through a Naples dominated by feuding clans of the Camorra, and on to the glitzy excess of Dubai, where the drug kingpin evaded capture for years.

De Crescenzo skillfully traces Imperiale's path from his early years in organised crime to his eventual role as an international drug lord who dominated cocaine trafficking between Europe and South America for thirty years. And who, in order to obtain a reduction in his Italian sentence, handed over two Van Gogh paintings to the State in 2016 as well as the island of Taiwan, off the coast of Dubai, in 2023. 

Imperiale’s story is both a portrait of ambition and a chilling reflection of the global reach of the criminal underworld and this book’s strengths lies in its meticulous research.  Drawing on legal documents, police reports, and interviews the writers  construct a narrative that is comprehensive, yet still accessible to readers, vividly portraying not just Imperiale himself, but the entire ecosystem of crime and corruption that allowed him to thrive. 

The book also introduces readers to the intricate ties between Italian transnational organised crime groups, drug cartels, and political complicity, while never losing sight of the brutality and violence that Imperiale's operations left in their wake.  Throughout the book, the authors explore not only Imperiale's rise to power but also the societal conditions that enabled his success, providing insight into how economic disparity and the lawlessness of certain regions in Italy actively fuel the rise of figures like Raffaele, leaving us with an unsettling truth.  That sometimes crime does pay, if only for a time. And when it crumbles, it does so with devastating consequences—for the criminals, their families, and the societies that allowed them to flourish. 

Lastly, the book also covers the little talked about negotiations with agencies in the United States, citing that for six years, the FBI and the DEA negotiated conditions of collaboration, where, in exchange for help in framing the other leaders of the global drug cartel, the US would have guaranteed Imperiale a plea bargain for a lenient sentence for money laundering and, after a short period of detention, a new life in the United States, with his family and loved ones. 

This plan however was stalled when prosecutor of Naples Giovanni Melillo (now head of the National Anti-Mafia Directorate), removed the 'Imperial meatball' from the plate of the Americans.  All said, Il Narcos is more than just a biography of a single drug lord and the empires he built on violence and deception.  It is a stark meditation on the human cost of greed, corruption, and power.

By:  Lynda Albertson

«Con il traffico di opere d'arte ci manteniamo la famiglia.»

"With the trafficking of works of art we support our family."  So read a purported intercepted pizzini, stated to have been written by Cosa Nostra boss Matteo Messina Denaro to one of his men.

Pizzini, literally little messages, are generally codified messages which represent the orders, thoughts and concerns of the mafia's men in power. Provenzano for instance, was known to write his on a small typewriter, folding and taping them into tiny squares, so that he could communicate his orders among the uomini d'onore through these tiny secret messages while on the run as a mafia fugitive.

When captured and deciphered by law enforcement, pizzini like these can serve as evidence, paper accomplices, which like informants, give concretised clues on mafia operations and in some cases, outlining specific orders given in the commission of crimes by clan bosses. 

News of this leaked message was first published in a 2021, in a Huffington post article by Vincenzo Musacchio, a Jurist and Professor of Criminal Law.  It is now making the airwaves again, following Messina Denaro's arrest.

But even if this pizzini turns out to be real evidence, proven to have been written by Messina Denaro, it merely confirms what we already know.  

The trafficking of art as a form of "currency" has already been concretised through other well known organised crime cases in Italy.  One of the more dramatic examples, a few years back, is that of Camorra clan boss, Raffaele Imperiale, who held on to two Van Gogh paintings, first stolen in Amsterdam and later recovered at a property connected to him in the Bay of Naples.

While both were potent actors in Italy's organised crime syndicates, Imperiale and Messina Denaro are not the only mobsters who have used art for illegal means. The art market is a global one, allowing for easy movement of assets across borders. 

Art and antiquities are attractive financial instrument, especially for the underworld, as it can be used by criminals as a means of concealing the proceeds derived from illicit activities.  This can also include purchasing legitimate works of art with dirty money, selling it at a later date for a profit and thereby "washing" the money so that it appears that the funds come from a legitimate, and now more traceable, source. 

Criminals may also use art and antiquities as a means of transferring large sums of money across international borders, as art is not subject to the same regulations and scrutiny as financial banking transactions. 

Art and antiquities can also been used as collateral for underworld loans, or when the location of stolen material is disclosed during plea deals, may sadly serve as a bargaining chip used by charged offenders as a means of negotiating lower prison sentences, as we have just seen in Germany this week.

What comes out publicly in the Messina Denero investigation, related to art and antiquities crime, which might back up this slip of paper should be interesting. 

For now, we will have to settle with seeing the back side of the Sicilian crime boss' wardrobe, in one of his hideouts.  A space where Messina Denero could access - via a sliding wooden wall - an armoured room, complete with boxes of jewels, precious stones, and it seems, paintings...but also empty boxes. 

It is with deep regret that we learned of the passing of our former museum security and risk management professor and dearest friend Dick Drent, who passed away on the 12th of July 2022.

Dick served as a professor with ARCA’s Postgraduate Certificate Program in Art Crime and Cultural Heritage Protection for more than a decade. Each year, his course not only provided participants with a thorough knowledge of the fascinating field of museum security, but drew upon his own magnificent career which spanned over three decades working on investigations, security and risk management. His unrivalled experience, his humour, and inspiring way of earning the respect of others, made his courses unique and unforgettable.  Entering a museum would never be the same again for anyone who had the privilege of studying with him. Or in his own words ‘your days of solely enjoying a museum or art will be over. Forever’. 

During his career in law enforcement, Dick fought organised crime and terrorism, mostly within the Netherland's Undercover and Sensitive Operation Unit. In 2005, he left policing to take on the role of director of security for the Van Gogh Museum in Amsterdam. Over the next ten years he worked with this award-winning museum developing an OCE matrix which challenged traditionally reactive methods of museum risk management and instead took on a proactive security approach which focused on preventing incidents before they happen.  

Dick receiving the confirmation that the two Van Gogh paintings recovered from drug lord Raffaele Imperiale were the art works stolen during the 2022 Van Gogh Museum heist.

Congregation Leaving the Reformed Church in Nuenen. 

These paintings were stolen from the Van Gogh Museum in 2002 and successfully recovered 14 years later in coordination with Italian and Dutch law enforcement after it was determined that the paintings were held by one of the leaders of a Camorra affiliated drug trafficking clan operating throughout the Bay of Naples, the Netherlands and Spain.

Even after the paintings were recovered, Dick's security guard instincts carried on, even during the press event at Naples Museo Nazionale di Capodimonte when this recovery was being celebrated.  In a room filled with over two hundred members of the press and law enforcement officers, Dick stood guard over the two Van Gogh paintings as if they were heads of state, ensuring that they were well protected. 

Besides these memorable recoveries, Dick was also active in several other ways for ARCA. In Lebanon, he was one of our key instructors in a specialised training program for countering antiquities trafficking in the Mashreq, a joint collaboration between UNESCO with ARCA along with other affiliated NGOs working on art and heritage crime in conflict, post conflict and transit countries. 

Dick also stepped in to provide online eLearning courses when the COVID pandemic made our summer training program too risky, and assisted ARCA in any way he could, using his expertise, wide network, and endless energy to advance the mission of our association in the fields of cultural property protection.

Having him here to teach with and for ARCA was a profound gift.  One that we will miss dearly. 

We are incredibly grateful for everything he has done for the association and for the whole ARCA family of alumni, professors, staff, and volunteers, all of whome will miss him tremendously.

Our thoughts are with Dick’s wife Petra, his daughter Simone, his granddaughter Kato Marie, his son in law Wouter, and his bonus daughter Barbara. 

A condolence service will be held on Tuesday, the 19th of July at 7:00 pm in Zaandam. 

The pain of this hard good-bye is our heart’s tribute to the privilege to knowing, learning, and working with him. 

Rust zacht, beste makker,

ARCA Alumni
ARCA Professors
Edgar Tijhuis, academic director
Noah Charney, founding president
Lynda Albertson, CEO

Ohhh I am so sorry to hear this. He really did stand out and I loved all the stories he shared with us about the museum. I will always remember him. 

Please stay strong. I know deep in my heart that he will stay alive inside all of us. No one forgets a friend and a professor....he worked so hard in his careers and passed on knowledge and changed us all. I say this with a tiny tear in my eyes. I don't think I can ever forget what he gave us at ARCA. Please know that he will live forever. You will see and feel him in every course you succeed in. You all made it happen. Stay strong for his sake. 🌸❤️  --Rania Kataf - ARCA 2016

Dick was so very important and he did it through his heart. There are tons of people who insist you listen to them and respect their authority, but he never did that. He was always himself and that assurance and humor made you want to be near him, learn from him, work with him. -- Summer Clowers - ARCA 2013

Very sad to hear this. Such good memories from Dick’s course, especially at the museum trip. All the best wishes to Petra, family and friends. --Max Van Steen - ARCA 2019

I’m so very sorry to hear this 😞 Please pass our love on to Petra and the family. Dick was an incredibly generous, kind and gifted individual. He will be missed.  --Alexandra Taylor - ARCA 2019

Goodbyes really hurt when the story is not finished and the book has been closed too soon.  I will truly and deeply miss you my dear friend.  --LA

For information about sending condolences, please write to us at support@artcrimeresearch.org

 

The General Department of Criminal Investigation of the Dubai Police has released a somewhat dramatic video that shows the capture and arrest of fugitive Raffaele Imperiale, the Camorra affiliated boss of the international drug trafficking Amato-Pagano clan which supplied cocaine to Amato and Scarpa, who, years back and already on the run in Dubai, admitted to purchasing two stolen Van Gogh paintings and to his illegal operations in letters to the Italian prosecuting authorities.  Sentenced in absentia, Imperiale is known to have continued working in the illegal drug trade, even after his conviction and despite being named as a fugitive wanted for prosecution in a 27 January 2016 red list notice. 

Living under the assumed name, Antonio Rocco, mafia boss Imperiale continued to meet and transact underworld business with affiliates of his crime syndicate in various locations in the UAE city.  Video images of his arrest released by the Dubai police attest that the Italian drug lord was using a Federation of Russia driving license and passport, as at least one means of staying below law enforcement radar.  

Scenes in the three-minute video released by police give us a sanitised look at policework in the UAE, as well as a voyeur's peep show inside Imperiale's Dubai digs, complete with luxury cars, a villa, duffle bags containing hundreds of dollars, and boxes of unopened phones, which may have been used to impede wiretaps.  One of the most bizarre images on the film was a rather ironic Avengers artwork hanging on Imperiale's wall.  Hanging next to an elevator, the painting or poster depicts a maniacally grinning Pablo Escobar, recreating the Colombian narcoterrorist's mug shot photo by Colombia's Cárcel del Distrito Judicial de Medellín during Escobar's years of Argento O Piombo. The irony here is not lost as it was with the use of bribes (silver) with a not-so-subtle threat of violence (lead), that allowed the Medellín Cartel drug lord to pump an endless supply of cocaine into the market while remaining free from justice for as long as he did. 

Major General Khalil Ibrahim Al Mansouri, Assistant Commander-in-Chief for Criminal Investigation Affairs at the Dubai Police, told UAE news services that police had also arrested fellow Camorrista Raffaele Mauriello, also known as 'o Chiatto', another prominent member of the Amato-Pagano clan.  Like Imperiale, 31-year-old Mauriello, was a fugitive on the run from Italian justice for almost three years.  

Wanted in connection with charges of murder as well as drug trafficking, Mauriello was apprehended in Dubai on 14 August, following closely on investigations coordinated by the Public Prosecutor of Naples, led by Giovanni Melillo, and conducted by the Mobile Squad of the Naples Police Headquarters, led by Alfredo Fabbrocini, with the support of the Central Operational Service of the State Police.

Imperiale's clansman was identified by law enforcement authorities in Italy as having been involved in two mob hits during the violent Third Scampia feud, which resulted in the murders of Fabio Cafasso, killed in Scampia in 2011, and the double murder of Andrea Castello and Antonio Ruggiero, each killed one day after each other in Casandrino in 2014.  Prior to their arrest, Imperiale and Mauriello had been under close surveillance by Dubai investigators from the General Department of Criminal Investigation, aided by analysts working at the Dubai Police Criminal Data Analysis Centre and the “Oyoon” AI Surveillance Programme. The Oyoon (Eyes) project is part of the Dubai 2021 plan to enhance the emirate’s global position in terms of providing a safer living experience for all its (legal) citizens, residents and visitors.

The men in attendance included:

• Raffaele Imperiale, a convicted narco boss to the Camorra and a fugitive from justice on Italy's most wanted list since 2016, 
• Ridouan Taghi, the alleged head of the Mocro Mafia, a Dutch-Moroccan criminal organisation, 
• Daniel Kinahan, named in Dublin’s High Court as a senior fugure in the Kinahan cartel, a group involved in attempting to ship €35m of cocaine disguised as charcoal from South America Republic of Ireland in July,
• and Edin Gačanin, a Bosnian drug trafficker who purportedly heads up the Balkan Tito and Dino Cartel which has a strong footprint in Dubai as well as the Netherlands.

On 19 December 2019 Ridouan Taghi was the first of the four to hear the clang of a cell door.  Expelled from the United Arab Emirates as an undesirable foreigner at the request of the authorities in Dubai, Taghi is currently being held at Nieuw Vosseveld, a maximum-security prison in Vught, as his court case proceeds in the Morengo trail. The Dutch Ministry of Justice and Security believe Taghi to be the head of a major cocaine smuggling operation and to have had a hand in at least 11 gangland-related murders as well as a series of attempted murders, one of which, the assassination of journalist Peter R. de Vries, may have been ordered after Taghi was already in custody.

"At the moment, the Bulgarian authorities are blatantly violating the law by seizing priceless objects from the Vasil Bojkov Collection without any legal justification. The authorities made the decision to export fragile and unique works of art in plastic bags during the unregulated raid that took place in the building of Nove AD Holding, which has the status of a museum."