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May 21, 2012

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Police and Art Gallery of New South Wales Suspend Search for Stolen Self-Portrait of Frans van Mieris Stolen in 2008

A Cavalier, a self-portrait by Frans van Mieris
Andrew Taylor, arts writer for the Sydney Morning Herald, recently interviewed ARCA's CEO Lynda Albertson when reporting that the Art Gallery of NSW (New South Wales) has given up the search for the 17th century Dutch self-portrait of Frans van Mieris stolen almost five years ago.

The painting was insured for $1.4 million, Taylor reports, and the police have suspended the search "after exhausting all avenues of investigation."

New South Wales police told the SMH that the small painting may have been smuggled out of the country.

"The world is full of art lovers with rich tastes and and richer pocketbooks," Albertson was quoted by Taylor in the article.

Taylor reports A Cavalier was screwed into the wall with 'two visible keyhole plates' and 'in a room with no camera surveillance and a guard intermittently present' when it was stolen in 2008.

May 20, 2012

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Theft Anniversary: Two years ago five paintings stolen from Museé d'art moderne de la ville de Paris

Braque's beautiful Olive Tree Near Estaque
 on display in the museum in January 2009/Photo by C. Sezgin
Detail from Braque's painting
 Olive Tree Near Estaque/Photo by C. Sezgin
By Catherine Sezgin,
ARCA Blog Editor-in-Chief

Two years ago this painting was one of five masterpieces stolen from the Museé d'art moderne de la ville de Paris within view of the Tour Eiffel.

Last October, newspapers and bloggers reported police rumors that the paintings had been thrown away by an accomplice when two suspects had been arrested one year after the theft.

You can read about the theft and the condition of the museum on the ARCA blog as previously reported here, here, here, and here.




May 19, 2012

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BBC News reports Italian police seize 100 artworks from man convicted of altering slot machines in bars and cafes

Italian police seized 100 artworks, including an original painting by Salvador Dali, as part of an asset forfeiture of more than 330 million euros from a reputed Mafia member convicted last year of collecting millions of dollars in illegal profits from tampering with slot machines in Italy, reported Alan Johnston from Rome for BBC News.

The art will now belong to Italy.

The convict, associated with organized crime out of Calabria, was sentenced to 18 years in prison and had to give up more than 200 properties in Rome, Milan and Paris.


May 18, 2012

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REVISITING BOOKS: An Earthquake Shatters Expectations in The Caravaggio Conspiracy

by Catherine Schofield Sezgin, ARCA blog editor

Peter Watson writes in The Caravaggio Conspiracy that in 1980 when he was trying to negotiate the purchase of Caravaggio's Palermo Nativity that going to southern Italy with a 'briefcase full of cash' was considered dangerous. Watson wrote:
This was the time in Italy when kidnapping was increasing alarmingly.  In fact the risk of kidnap was so great that even going to Naples simply as a businessman was not without danger.  The proportion of foreign visitors to the city had slumped from 50 percent of hotel business to less than 10 percent.  Furthermore, a report had shown that murders by the Mafia at that time accounted for 29 percent of all killings, as opposed to 13 percent a decade before.
Watson was offered the painting in London by a member of the gang art detective Rodolfo Siviero had suspected of stealing the Palermo Nativity.  Watson received a phone call from Italy that he could have the Caravaggio painting for 150 million Italian lire or $150,000 American dollars.  The journalist booked three nights at the Excelsior in Naples to conduct the transaction.

In nearby Laviano, Watson was presented with two photographs of the painting:
It looked terrible.  It was very dark, darker than I had imagined it could look.  Bits appeared to have flaked off near the heads of the onlookers on the right of the painting and there was a patch, of damp or oil or whatever, in the right foreground covering the ankle and hand of St. Lawrence.  Worst of all there was a ragged crack, about a third of the way up, bisecting the Virgin's hands and penetrating St. Lawrence's shoulder.  That seemed consonant with the canvas having been rolled for some time, possibly immediately after it had been stolen.
Watson is told that the painting is in Sicily but that it can be brought to Naples in a few days.  Then a deadly and destructive earthquake leveled Laviano. Watson was unable to contact with his negotiators and any hope of purchasing the stolen painting vanished.

May 16, 2012

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ARCA Founder Noah Charney and ISGM's Security Director Anthony Amore Talk about the largest art theft in US history and the hunt for the paintings 22 years later; NBC's "American Greed" to feature Gardner Museum Heist Tonight

Vermeer's "The Concert"
CNBC's Lindsay Nadrich (with Reuters contributing) writes about the 1990 robbery of the Isabella Stewart Gardner Museum online "22 Years Later, $300 Million Art Theft Investigation Heats Up."

Last week's search of the Connecticut home of an alleged Mafia member, 75-year-old Robert Gentile, with a ground-penetrating radar device found two guns but no artworks.

Noah Charney, Founder of ARCA, is quoted here.
"Vermeer's "The Concert" is probably the single-most valuable missing artwork today," art crime expert Noah Charney said.
Anthony Amore, author of Stealing Rembrandts and an instructor at the ARCA program in 2009, issued a statement to CNBC:
"While the Museum continues to thrive, the investigation into the 1990 theft remains very active," Anthony Amore, the Gardner's security director, said in a statement, "We will continue to work every day to recover the stolen masterworks.
To hear the full story of the Gardner Museum Heist, watch "American Greed" Wednesday at 10 p.m. ET/PT on CNBC (in the United States).

Wednesday, May 16, 2012 - ,,,,,, No comments

REVISITING BOOKS: Watson's "The Caravaggio Conspiracy" and the motive for stealing the Palermo Nativity

Agrigento Ephebe
by Catherine Schofield Sezgin, ARCA blog editor

Part two of three

In the 1984 book, The Caravaggio Conspiracy, published by British journalist Peter Watson, Rodolfo Siviero is described as a the leading detective of stolen art in Italy.

Before Caravaggio's Nativity was stolen in 1969, Siviero had been working to recover art misplaced since World War II.  Siviero was 'an undercover agent in German-occupied Italy', Watson reported, and was 'head of the Italian Secret Service attached to the Allied Command.'  Part of his job was to oversee the protection of works of art, Watson explained.  When Siviero became the first Italian ambassador to Germany after the war, he used wartime records to look for paintings looted by the Nazis from the Uffizi, Watson wrote, and listed works Siviero helped to recover: Bronzino's Deposition of Christ, Antonio Pollaiuolo's Labors of Hercules; Domenico Feti's Parable of the Vine; a self-portrait by Lorenzo di Credi, a Nativity by a pupil of Correggio; Botticelli's Primavera and Paolo Uccello's The Battle of San Remo.

When Siviero returned to Italy, he was put in charge of the Delegation for the Recovery of Missing Works of Art (Watson).  He recovered works of art not related to war looting.  Watson wrote that Siviero recovered a fifth century B.C. bronze statue known of a boy known as the Ephebus from the Mafia in a sting operation.  Siviero posed as the "nephew" of a Florentine art gallery that would purchase objects without asking questions about ownership.  The bronze was recovered, Watson wrote, and six men arrested shortly before Caravaggio's Nativity was stolen.  "It was the Mafia's way of exacting revenge.  And this time, it was whispered, Siviero would not see the stolen work of art again.  Ever." (Watson)

This article concludes on May 18.

May 14, 2012

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REVISITING BOOKS: Peter Watson on the Palermo Nativity in the 1984 book "The Caravaggio Conspiracy"

The Palermo Nativity
by Catherine Schofield Sezgin, ARCA Blog Editor

Part one of three

Repeated rumors of the destruction of Caravaggio's painting, Nativity with San Lorenzo and San Francesco, reminded me of Peter Watson's telling of how an earthquake in southern Italy interupted his attempts to recover the painting ten years after it was stolen from a chapel in Sicily.

Watson's 1984 book, The Caravaggio Conspiracy (Doubleday), documents the journalist's cooperation with 'Italy's greatest art detective', Rodolfo Sievero, to recover The Nativity in 1979.  Watson, a British journalist, and Sievero, who at the time was 'an Italian diplomat' who headed 'a small section of the Italian Foreign Office exclusively concerned with the recovery of stolen art', concocted a plan to get one of Siviero's suspects in the theft of The Nativity to offer the Caravaggio or another stolen painting to Watson.

In the eighth chapter of the book, Watson sympathetically describes Michaelangelo Merisi da Caravaggio as a maverick painter whose erratic behavior and subsequent criminal record may have been the result of an illness contracted in his early years in Rome.  "Caravaggio's approach to his art -- conveying miraculous biblical episodes through vividly real but otherwise ordinary people, revolutionized painting," Watson wrote.

As an aside, I point out that in his summary of Caravaggio's career, Watson highlights the contribution after 1590 of one of the painter's supporters who originated from Amelia, home to ARCA's summer program and its International Art Conference:
A certain Monsignor Petrignani provided him with a room -- it was hardly a studio -- and Caravaggio began to turn out many pictures.  The younger painter enjoyed this work more, but though he was prolific he was not successful.  The arrangement eventually bore fruit, however, through the good offices of an art dealer named Valentino who had exhibited paintings by Caravaggio and finally succeeded in selling several of them to Cardinal del Monte.
The 16th century Palazzo Petrignani hosted the 2010 International Art Crime Conference in Amelia.

In 1609, running from knights and friends of a man who died by the painter's sword, Caravaggio painted what Watson describes as the "Adoration of the Child with St. Francis and St. Lawrence" (also  known as the "Palermo Nativity") in the church of the Oratorio of San Lorenzo in Palermo. Watson wrote:
It is an unusual painting for Caravaggio: it almost seems that the events of the preceding months were beginning to catch up with him.  It is still a Caravaggio but it is as if he had begun to doubt his own vision.  The peasants watching the event are in the old, familiar style.  They are ordinary, balding, tired rather shabby people lost in wonder.  But Mary particularly is a more stylized figure: her features are regular, smooth, her skin is like marble.  There is even an angel descending from on high.  Some sort of change appeared to be coming over Caravaggio.... Whoever had stolen it had taken more than an object; he had deprived the world of a sign of change in the mind -- the somewhat unstable mind -- of a great man.
Caravaggio's eight foot by seven foot painting of the Nativity served as the altarpiece for the Baroque chapel of the Oratory of San Lorenzo for 359 years until it had been "hacked" "out of its splendid frame with a razor blade," Watson wrote.

A few weeks after the theft, Siviero, Watson wrote, had received a message that the theft had been revenge for what Siviero had done 'to the Mafia over the Ephebus in Foligno."

Part two continued on May 16.

May 13, 2012

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Art Crime in Film: Art Theft and Helen Mirren Starring in "Painted Lady" (1997)

Judith Slaying Holofernes
by Artemisia Gentileschi at the Uffizi Gallery 
Just for fun ...

"Painted Lady" features the beautiful Helen Mirren, art crime, and an Hérmes handbag.

Mirren stars in the 1997 three hour TV movie "Painted Lady" as a 'retired' singer and former drug addict who poses as aristocratic art collector (accessorized with a black Hérmes Kelly bag) to safe the life of a family friend who owes drug money to dangerous Irish criminals.  The heavily art-themed plot involves the theft of an Irish manor, theft for insurance money, reattribution of a painting, a sale at an auction house, and looted art from Italy during World War II.

Maggie Sheridan lives in a cottage on the Irish estate of a family friend, Sir Charles Stafford.  One night while Maggie is blissfully entertaining a friend, burglars clip the barb wire surrounding the property and drive up to the house.  They smash the glass of a French door and set off the alarm, awakening Charles.  The house dog barks furiously from behind a closed door.  One thief carries a framed painting out to the truck, the other thief is cutting a canvas from its frame when Charles, holding a gun, stops the thief from stealing the portrait of his deceased wife.  The threatened thief shoots Charles dead.  After driving away, the thieves switch the painting to a second vehicle, blow up the getaway car, and then deliver the large canvas to their boss who orders it to be burned.  One of the thieves only pretends to burn the painting and later tries to sell the painting.

Maggie's life is turned upside down when she finds out that it was the cash-strapped Charles who orchestrated the theft of recently insured paintings in order to pay off the 60,000 pound debt his drug-addicted son Sebastian owes to a dangerous Irish gangster.

The movie features Judith Beheading Holofernes by Artemisia Gentileschi which is on display at the Uffizi Gallery in Florence.

"Painted Lady" is available on DVD or through a video subscription service such as Netflix.

May 12, 2012

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Courthouse News Service: "Stolen Pissarro Turns Up with Walrus Tusks, Polar Bear Belts"

On May 3, Purna Nemani reported for the Courthouse News Service that stolen paintings had been found by an undercover wildlife agent in Anchorage, Alaska.

Five stolen works of art found include a chalk study, three watercolors,and an oil painting: "Study of Alexa Wilding," by Dante Gabriel Rossetti; "Milton" by Lucien Pissaro; "Nests at Kilmurry" by Mildred Anne Butler; "Castle and Figures in a Farmland" by William Payne; and "Landscape and Cattle on the Thames" by Henry Garland.  Nemani wrote:
All were originals and/or signed; most were produced in the 19th century and had been auctioned to private sellers at Christies and houses at museums in America and London, accordign to the police report (Bloomfield Police Report) and the federal complaints.  Three of the five works had been reported stolen by a private owner, Nicolette Wernick, and were valued at $68,000, according to the police report and complaint.
The U.S. Fish and Wildlife discovered the stolen art in September 2010 in a suspect's home.  According to the forfeiture complaint:
He told the agent how the paintings were stolen by his half-brother, later identified as Mario Murphy, and some other 'cousins,' from the Wernick Collection approximately five years before.
The suspect apparently wanted the undercover agent for the Fish and Wildlife Service to find a buyer for the stolen artwork in exchange for a finder's fee.

Interpol did not list the Lucien Pissarro painting in its Stolen Art Database; the only painting by the artist identified on the list is "Fog over Herblay" stolen from France in 1999.

Nemani reports that 'three of the five paintings were confirmed as stolen through the "Art Loss Register" and are currently in custody of the U. S. Fish and Wildlife Service.

May 11, 2012

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Update: Von Saher vs. Norton Simon Museum and Norton Simon Foundation

Marei von Saher, the daughter-in-law of Jewish art dealer Jacques Goudstikker, filed a Notice of Appeal on March 22, 2012 to the U. S. Court of Appeals for the Ninth Circuit regarding her case against the Norton Simon Museum in Pasadena to recover Lucas Cranach's diptych "Adam" and "Eve".  Her opening brief is not due for several months.

Von Saher is represented by Lawrence M. Kaye and Howard N. Spiegler of Herrick, Feinstein of New York and Donald S. Burris and Randol Schoenberg of Burris, Schoenberg & Walden of Los Angeles.  Herrick, Feinstein recovered "Portrait of Wally" and Schoenberg recovered the Adele Bloch-Bauer paintings by Gustav Klimt for families who had lost possession of the works during the Holocaust. 

Mike Boehm for the Los Angeles Times wrote about the case here last week.

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