"Ali Aboutaam knew or must have assumed that they had been wrongfully acquired". 

Provenance:

Elias Bustros, Beruit 1950’s-1983;

By descent, 1983-1986?;

(Gawain McKinley, England, on behalf of Selim Dere and Sleiman Aboutaam, 1986)

"Ali Aboutaam, in his capacity as administrator of Phoenix Ancient Art SA, has asked art experts, or has asked employees of Phoenix Ancient Art SA to obtain from art experts: produce and/or sign false invoices; and/or produce or cause others to produce documents indicating source that are contrary to reality, sometimes contained directly in invoices; and/or provide untrue source indications for use by others."

"a pedigree aimed at dispelling suspicion of illicit provenance and/or to facilitate their customs transfer with a view to their sale on the art market through Phoenix Ancient Art SA, Tanis Antiquities LTB and Inanna Art Services SA, i.e. companies of which Ali Aboutaam has Control."

This is a timeline of the two Washe investigations.

"We are selling 2 Andy Warhol paintings from our private collection. We are parting with these pieces only because we need the money for renovations to our house. Our loss is your gain. Pieces bought from a former Martin Lawrence art dealer in California. We over paid terribly in 2007 for the art. Price paid $240,000. We have enclosed the Christie's estimates as of 2011 for the art as well.  Auction range $120,000 to $180,000. We are trying to sell on Ebay because it is much cheaper and because Christie's won't be able to auction our pieces till May 2017. The pieces are numbered and registered with the Warhol Foundation. Pieces are from 1979. Size 14 inches by 11 inches. Synthetic Polymer Paint and Silkscreen ink on canvas. Warhol Foundation # PA65.049 & PA65.032."

"Hello [redacted], Thank you for calling my wife. She said you were very kind and respectful, which is how I remembered you from our first interaction. I was going to call on Tuesday (election day) to ask about the 'shadows', but because of the time difference I was unable. I was in meetings and buildings all that day which did not allow me to have my phone. Once I saw your messages, things had already escalated to an uncomfortable level. Mr.  [redacted] is our family lawyer. He was trying to resolve the matter without unnecessary litigation. He was not going to represent me formally in any civil or criminal proceedings, but was hoping to satisfy you as a client. On Friday he did offer a full refund to your lawyer, but from your Saturday email it seemed it was too late to resolve this matter without a drawn-out court case. The information you explained to my wife is very troubling. If the photos I sent you are clearly different then the ‘Shadows' you have now, then that is a serious problem. However, regardless of the problems with the 'shadows', you have a right to a full refund according to our written agreement in section 9.3. I have no reason to believe that you would mis-represent any information. When I spoke to you last I had the impression that you were a fair and honest businessman. My wife has the same impression since your conversation yesterday. I was just surprised with how quickly things escalated. I am traveling this week, but I would like to return your $80,000 ASAP. Please send me your Bank of America information and I will send you the money. Once you receive your money please send me the 'shadows'. I need to investigate what happened on my side of this transaction. Once I have the ‘shadows' and can confirm your information, I will also refund the cost of sending [redacted] to Boston. I don't want you to suffer financially from this transaction. Especially, if the fault is on my side. Thank you again for reaching out to my wife. I will be in touch directly with you later this week. Best Brian".

one count of wire fraud, 

one count of interstate transportation for a scheme to defraud, 

one count of possession of converted goods and an unlawful monetary transaction. 

While most in the world can remember the fracturing of politics in the United States on January 6, 2021 following the defeat of then-U.S. President Donald Trump in the 2020 presidential election, this week made way for a grim copycat incident, equally violent in nature in the Capital of Brazil this week. 

During the more than three hour long incident on Sunday, supporters of Jair Bolsonaro, protesting the October 30, 2022 runoff vote for the 2022 Brazilian general election which replaced the former president with Luiz Inacio Lula da Silva, swarmed over the Praça dos Três Poderes (Square of the Three Powers).  Protesters then invaded and damaged the Palácio do Planalto (Presidential Palace), which is the seat of government, where the President of the Republic meets with advisors and visitors.  

The riots quickly spread to the seat of the Supremo Tribunal Federal, Brazil's Supreme Court and the highest authority of the judicial power as well as to the buildings of the Congresso Nacional do Brasil, Brazil's Congress which houses the legislative body of Brazil's federal government.  There some protesters attempted to set the carpet on fire, which flooded rooms in the building when the fire suppression systems activated.  

Protesters swarming the Congresso Nacional do Brasil

Video provided by Twitter account @ALendaDePassos documents extensive damages to the Great Hall of the Superior Federal Court (STF). A largely ceremonial room, it was decorated with furniture from the 19th century, and housed works of art over 100 years old, as well as gifts given to the Brazilian Government by more than 20 countries. 

In another area, Paulo Pimenta, chief minister of the Social Communication Secretariat of the Presidency of the Republic, walked reporters through the destruction caused by the insurrection to his office where videos recorded vandalism to the tables, chairs, documents, printers, computers, televisions and artwork.  Later, on his Twitter account Pimenta called the invasion a coup, and urged Brazilians to unite against domestic terrorism. 

As depicted in the photo below, the Sala de Armas do GSI at the Palácio do Planalto was also ransacked, with protesters even attempting to burn chairs in the outer control room.  In a second video released by Pimenta he shows empty weapon boxes which which could point to theft of arms the GSI's usually uses to maintain building security. 

More images of damages have been uploaded to Brazilian news site Globo.

The total historic assets damaged in Sunday's riot are yet to be documented and ARCA will update this blog post as further details emerge. 

For the first time, the United States of America has handed over a rare artefact that was smuggled from the ruins of the Com in Hebron into the United States.  Carved from ivory, this object dates to circa 800-700 BCE and features an engraving of a winged creature.

This artefact is one of the 180 seized antiquities, valued at $70 Million purchased by Michael Steinhardt which were trafficked by a total of 12 different criminal smuggling networks. 

As the result of the District Attorney of New York - Manhattan investigations compelling evidence demonstrated that this, and other pieces were stolen from their country of origin, none of which had any specific provenance that could be verified by the collector or the DA's investigative team.

According to an invoice, Steinhardt purchased this ancient artefact on 21 January 2003 with no prior provenance for $6,000 from (then) licensed Israeli dealer Gil Chaya. While Chaya had listed his dealer’s license on his invoice to Steinhardt, the artefact was never registered (as required by Israeli law) with the Israeli Antuities authorities. 

Evidence as to its origins is documented in an email sent to Michael Steinhardt’s then-Collection Manager by Gil Chaya's then-wife Lisa, which stated:

“Cosmetic Spoon is from the Hebron area, a place called El Kom, this is the area of the richest Iron age Jewish tombs (many royal).” 

Map of the Hebron district

If Chaya's statement is to be believed, this artefact may come from Khirbet el-Qom, (خربة الكوم), an archaeological site in the village of al-Kum, between Lachish and Hebron.  The Hebron district (al-Khalil) itself is located 30 km south of Jerusalem where Chaya sold pieces he sourced illegally. Hebron is the largest governorate in the Palestinian territories, not only in terms of size and population (PCBS, 2009: 55-60), but also in its richness of cultural and natural heritage and is noted for being one of the oldest continuously inhabited areas in the world, sacred to the three monotheistic religions.

Over the last year, as museums were forced to grapple with the question of how to to handle illicit antiquities in their collections, this year we see some of the more interesting pieces beginning to make their way home.  One of which is the 500 kilogram Late Period (747-332 BCE) "green sarcophagus" of a priest named Ankhenmaat, which was received by the Egyptian Ministry of Tourism and Antiquities in a formal handover ceremony in Cairo on January 2nd.  

Acquired by the Houston Museum of Natural Science in Texas in 2013, the artefact was looted, likely from a shaft tomb, at the Memphis necropolis at Abusir Al Malaq in Egypt, an archaeological locality on the western bank of the Nile River, approximately 25 kilometers southwest of Cairo.  Investigations overseen by the New York District Attorney’s Office in Manhattan determined that the sarcophagus had been illicitly exported out of Egypt and subsequently smuggled into Germany before eventually passing onward to the United States in 2008. 

January 2, 2023 ceremony at the Ministry of Foreign Affairs hosted handing over the "green sarcophagus" to the Ministry of Tourism and Antiquities after it was recovered in the United States.

2023 may also be the year where some of the same museums which grappled with their illicit antiquities in 2022 also begin, this year, come to terms with their acquisition of Nazi-stolen art or art sold by members of the Jewish community under Nazi duress.

In the last week of 2022 Judith Silver, her sister Deborah Silver, and seven other individuals from Los Angeles, Seattle and Israel, named in a lawsuit as the surviving heirs of Jewish collector Hedwig Stern, filed a claim in the Northern District of California District Court, against the Metropolitan Museum of Art in New York and the Athens-based Basil & Elise Goulandris Foundation.  

Their lawsuit, surrounding the museum's deaccessioning of Van Gogh's "Olive Picking, 1889, contends that the Met's (then) chief curator Theodore Rousseau, “knew or consciously disregarded that the painting had been looted from Hedwig Stern by the Nazis” but still approved the Van Gogh painting's purchase and its later deaccessioning and sale. 

The painting's World War II era owner, Hedwig Stern, escaped Germany in December 1936 leaving behind a collection of artworks, which a Nazi-appointed trustee then sold onward.  The painting named in the lawsuit was deaccessioned by the Metropolitan Museum of Art in 1972 and after a series of transactions is now part of the collection of the Goulandris Museum of Contemporary Art, an Athens museum run by the family foundation of the late Greek shipping magnate Basil Goulandris and his wife, Elise Goulandris.   The lawsuit further contends that the Foundation continues to hold the painting despite its known provenance problems. 

Not counting this deaccessioned work, the Metropolitan Museum of Art reported that it has identified 53 works in its collection as having been seized or sold under duress during the Nazi era, excluding Picasso's painting “The Actor.”

Elsewhere, Timothy Reif and David Fraenkel, heirs of another collector persecuted during the Nazi regime, Fritz Grünbaum, have also filed lawsuits against the Museum of Modern Art in New York and the Santa Barbara Museum of Art in California seeking to recover a 1912 painting and 1915 pencil drawing, by Egon Schiele, each of which depict a woman. Grünbaum's art collection was looted by Nazis before he died on January 14, 1941 while held at Dachau Concentration Camp.

On the side of building capacity and advancing knowledge, later this month on January 18, 2023, at 5:00 pm, London time The Institute of Art and Law will host its next instalment of The Restitution Dialogues conference series.  This event will take place in the form of an online seminar investigating the Vatican Archives and its holdings of Indigenous items, including questions of returning items to communities of origin.

"The panel will discuss items such as the broader impact of the contemporary ‘restitution revolution’, the nature and provenance of Indigenous material in the Vatican collection, institutional best practices in restitution and repatriation, and the cultural impact of return and renewal."

The webinar is free for to anyone who registers.

January also marks the month when the Association for Research into Crimes against Art will accept general applications for admission to its 2023 Postgraduate Certificate program in Art Crime and Cultural Heritage Protection.  Back in 2009, ARCA started the very first interdisciplinary program designed to study art crimes holistically, in a structured and academically diverse format which includes eleven interconnected courses focusing on important theoretical and practical elements related to identifying, combatting, and studying art and heritage crime. 

Taught in Italy, over the course of one summer, the General Applications Period runs through 30 January 2023.  Late applications will be considered after, subject to remaining census availability. 

ARCA will also post information later this month regarding its annual Amelia Conference (and its call for presenters).  This event will be held the weekend of June 23- 25, 2023 in the beautiful town of Amelia, Italy, the seat of ARCA’s summer-long PG Cert program. 

Debris covering stairs inside the Donetsk Academic Regional Drama Theatre following a March 16, 2022, bombing in Mariupol, Ukraine. Image Credit AP - Alexei Alexandrov

As the year comes to a close, it's time to highlight (some) of the losses, and a few of the successes from the year 2022 before we look ahead to what 2023 will bring.  

In 2022 we witnessed Russia’s invasion of the Ukraine, taking thousands of lives and creating a tragic humanitarian crisis.  One symbol of both heritage and human loss was the airstrike upon the historic Donetsk Academic Regional Drama Theatre in Mariupol, a cultural landmark where hundreds of people had been sheltering as a result of the city's siege.  The theatre strike serves as painful testimony to the cost of war and the painfully permanent scale of destruction to the Ukrainian port city and ints inhabitants, as Russia's primary target in Ukraine's southeastern region of Donbas.  

Evidence collected by the AP estimates that as many as 600 civilians may have died as a result of the theatre's March 16th double airstrike, which placed this cultural institution directly in the crosshairs of the conflict.  This despite the centre's obvious civilian character and the fact that the displaced individuals who sought refuge there had plainly marked the pavement, in front of each entrance to the structure, with the word дети (children), written in Cyrillic and could be seen cooking daily meals outside.  

Five days later and just a few blocks away, Russia's bombardment also heavily damaged the Kuindzhi Art Museum, dedicated to the life and work of local realist painter Arkhip Kuindzhi.  Kuindzhi’s works were not in the museum at that time,  however, the fate of other artworks in the museum remains difficult to ascertain. 

It total UNESCO has documented 64 damaged or destroyed sites of historical and/or artistic interest in the Donetsk Region alone. 

As of December 23rd, throughout Ukraine, again according to UNESCO, the agency has verified damage at 102 religious sites, 18 museums, 81 buildings of historical and/or artistic interest, 19 monuments, and 11 libraries.

Outside Ukraine, two themes for 2022 are museums, and those in charge of them, behaving badly, and crime doesn't pay. 

On the West Coast, the J. Paul Getty Museum in Los Angeles saw its hand forced by the same East Coast prosecutor, following an ongoing criminal investigation by DANY.  That investigation resulted in the California museum relinquishing, post-seizure, its looted group of life-size terracotta figures known as Orpheus and the Sirens back to Italy. 

Things were no quieter for museums over in Europe and the Middle East, where over the summer, France saw its former director of the Musée du Louvre, Jean-Luc Martinez and archaeologist-curator Jean-Francois Charnier formally charged for “complicity“ in having facilitated $50 million in acquisitions of illicit material by the Louvre Abu Dhabi, connected to investigations of suspect antiquities dealers Roben Dib (currently in French custody) and Germany-based dealer Serop Simonian.

As legal investigations usually take several years to unfold in France, Martinez and Charnier have been released under judicial supervision while a ruling of the examining chamber is expected in the new year, which some say, may see these preliminary charges dropped.

Dealers who behaved badly include Inigo Philbrick who received an 84 month prison sentence in May in connection with a multi-year scheme to defraud various collectors and business entities in order to finance his art business.

Eighty year old Raffaele Monticelli, a man considered by various Italian prosecutors to be one of the biggest middle-tier traffickers of archaeological finds in Europe, died in October.  Still active in smuggling illicit material out of Italy, he had only recently returned home to Taranto following the conclusion of a short prison sentence involving a looted helmet in circulation in the Netherlands. 

Also in the Netherlands, the Dutch appeals court confirmed the 8 year prison sentence in July for 59 year old Nils Menara, a professional burglar known on the street as 'Gauwtje' for his role in the thefts of two paintings, The Parsonage Garden at Nuenen in Spring (1884), by Vincent van Gogh, and Two Laughing Boys with a Mug of Beer by Frans Hals.  The two paintings, worth $20 million are still missing. 

In France, the 33rd criminal chamber of the Paris Judicial Tribunal held a decision in October in a case where Egypt requested the restitution of Egyptian antiquities within a criminal proceeding against Didier Wormser, who was accused of dealing stolen cultural property from the Saqqara necropolis. The director of the Star of Ishtar gallery, was given a three-year suspended prison sentence. 

In India, November saw disgraced antiques dealer Subhash Kapoor convicted of burglary and the illegal export of 19 antique idols during his first completed trial to date, held in the town of Kumbakonam in the Indian state of Tamil Nadu.   With more court cases to follow, Kapoor was handed a 10-Year jail sentence for this first conviction.  The judge also imposed sentences on Kapoor's accomplices: Sanjivi Asokan, Marichamy, Packiya Kumar, Sri Ram alias Ulagu and Parthiban. 

In happier news, the last month of the 2022, marked the month where German police successfully recovered 31 of the priceless 18th-century jewellery pieces stolen from  the Royal Palace that houses the historic Green Vault (Gruenes Gewoelbe) in Dresden in 2019.   

Let's hope 2023 is a year of recoveries, more successful prosecutions and an end to conflicts. 

On 25 November 2019, burglars entered the Green Vault (Grünes Gewölbe in German) museum within Dresden Castle in Saxony, Germany and smashed open exhibition cases using an axe. In only a few minutes, the precision coordinated team of thieves slipped away with an outstanding cache of jewellery, including the 49-carat Dresden White Diamond, the diamond-laden breast star of the Polish Order of the White Eagle, a 16-carat diamond hat clasp, a diamond epaulet, and a diamond-studded hilt containing nine large and 770 smaller diamonds, as well as its jewel-encrusted scabbard.  

Despite having torching the motor vehicle used in the getaway to any destroy evidence they may have theft behind in its interior, clues surrounding the spectacular art theft, lead German authorities to investigate the purchase of SIM cards by members of a clan known to have been involved in a series of criminal offenses which eventually resulted in the arrest of several members of the Remmo clan, one of the grandfamilies of Lebanese-Kurdish descent who immigrated to Germany during Lebanon's 1975-1990 civil war. 

Members of this clan have been criminally conspicuous, gaining reputations for trafficking, racketeering and robbery, some of which have been spectacular in their execution. Their complicated family ties and property ownership structures, have made it possible for the tightly knit groups to launder money - and sometimes, but not in this case, have made it considerably more difficult for investigators to entangle who is involved and in what capacity. 

Today, during a press conference held by the Ministry of the Interior of Saxony, jointly with the Dresden Public Prosecutor's Office and Police, German officials announced that between December 16th and 17th, the Dresden public prosecutor, Soko Epaulette and the LKA Sachsen seized 31 of the stolen Green Vault jewels in Berlin  Several of the pieces appeared to be complete including the hat decoration (heron tail) and the breast star of the Polish Order of the White Eagle from the diamond set. 

The items recovered will now go before specialists from the Dresden State Art Collections to ensure their authenticity and completeness.  The epaulette with the "Saxon White" that was damaged during the theft and the large breast bow of Queen Amalie Auguste remain missing.

On September 2, 2021, six members of the Remmo family were formally indicted in Dresden for serious gang theft and arson for their alleged involvement in the 25 November 2019 burglary of the Green Vault (Grünes Gewölbe in German) museum within Dresden Castle in Saxony.

Wissam Remmo, Rabih Remmo, and Bashir Remmo, were arrested in 2020.  Wassim was arrested in his car in Berlin while Rabih and Bashir were picked up when police stormed apartments in the densely populated suburbs of Neukölln and Berlin-Kreuzberg. 

On 14 December 2020 and 18 May 2021 twin cousins Mohamed Remmo and Abdul Majed Remmo were also placed in handcuffs.  Later that summer, law enforcement officers in Saxony arrested the sixth suspect, Ahmed Remmo on 19 August 2021 at an apartment in Berlin-Treptow.  

German authorities have stated that the jewellery was recovered following ongoing negotiations with defence counsel for members of the Remmo clan. While information pertaining to what plea deal, if any, has been agreed upon regarding the charges faced by the six defendants, a followup hearing  is scheduled for Tuesday, December 20th, 2022. 

Previously, members of the Remmo clan were charged and sentenced in another audacious heist, which took place at the Bode Museum.  In that theft, the thieves made off with a 100 kilo gold coin on 27 March 2017 which has never been recovered and is believed to have been melted down. 

In July 2018 the Berlin public prosecutor's office and the state criminal police provisionally seized 77 properties, including apartments, houses and land belonging to members of the "Lebanese" Kurdish extended family "Remmo" worth an estimated 9.3 million euros.  These seizures were based on evidence that the properties was likely purchased with proceeds from crime using new rules under the German Criminal Code (StGB) and Criminal Procedural Order (StPO) enacted 1 July 2017.  Modelled after Italy's own organised crime laws on property seizure,  where the state may order the seizure of property that a person of interest is able to dispose of when the value of the property is disproportionate to the person’s declared income or economic activity, Germany's new law regulates the recovery of criminal proceeds and serves to effectively confiscate illegal proceeds from offenders or third beneficiaries who can be tied to proceeds from criminal transactions. 

According to an earlier article by Der Spiegel it is estimated that while that clans make up just four percent of Berlin's inhabitants, 20 percent of suspects in organized crime cases belong to one of the city's well-known clan groups.  The trio arrested this week have been charged with serious gang theft and arson.  

To learn more about the structure of the Berlin clan groups, German readers can read Ralph Ghadban's Arabische Clans: Die unterschätzte Gefahr.  Ghadban, who has spoken out about the criminal machinations of the Arabische Großfamilie clans which dominate Berlin's underworld, is now under permanent police protection, for his criticism of the clans and the power of the Lebanese mafia in Europe.