by Aaron Haines

Ankara, the capital of Turkey, is slated to host a massive archaeology museum that the Turkish government hopes to complete by 2023, the centennial of the founding of the Republic of Turkey. The current archaeology museum is a sizeable building and when I visited in August, only two of the galleries were open due to extensive renovations that were taking place in the museum’s other galleries. The interior of the main gallery was dark with dramatic lighting illuminating the artifacts on display. There was a large amount of Hittite artifacts with detailed text panels in Turkish and English explaining the history and significance of the Hittite civilization and their archaeological remains.

The crowning piece of the main gallery was the “Troy Gold”, a collection of jewelry recently sent to Turkey on indefinite loan by the University of Pennsylvania Museum of Archaeology and Anthropology. The museum in Ankara had hung a large banner at the entrance proudly advertising the return of the artifacts. The collection of jewelry was on display at the back of the gallery where a matching banner had been hung. The jewelry was well displayed and the necklace and earrings had been placed on a stylized head to give the viewer an idea of how they would have looked when worn. The only other part of the museum that was open was a small gallery displaying various Roman artifacts. The side yard was littered with massive half buried amphoras as well as various capitals and partial columns. In the spacious courtyard were copies of various statues from the Hittites, Romans, and other civilizations.

Due to the renovations, patrons had to use the restrooms in the administration building. This required them to walk down a narrow hallway and turn a couple of corners before reaching the restroom. This would have be insignificant had it not been for the archaeological artifacts haphazardly lining the walls and the open storage room stacked with crates containing other artifacts. There were no cameras in this area of the building, but the security guards’ break room was in the same hallway. The guards frequently came in and out of the hall providing the artifacts with a reasonable amount of security.

The gallery containing the Greek and Roman sarcophagi and architectural remains were similar to the gallery in the Ankara museum with its completely dark rooms and the dramatic lighting of the artifacts. All the artifacts were well displayed and there were many more guards in this area of the museum, especially in those rooms containing the large sarcophagi. The small gallery containing the Classical statuary was particularly well displayed with lots of camera surveillance. At the end of this small gallery was a large room occupied by only the Orpheus Mosaic returned by the Dallas Museum of Art. Next to it, the text panels describe the history and significance of the piece as well as its recent repatriation from the Dallas Museum of Art.

Aaron Haines is a senior majoring in art history at Brigham Young University and traveled to Turkey this summer using grant moneys from the BYU Office of Research and Creative Activities to observe the security of four archaeology museums. He visited the archaeology museums in Uşak, Boğazkale, Ankara, and Istanbul each of which houses artifacts that have been recently repatriated by Turkey from other countries. Aaron has a special interest in cultural property law and preservation as it applies to Italy and Turkey and speaks Italian and some Turkish. He recently returned from an internship at the American Embassy in Rome and is currently interning with the U.S. State Department’s Cultural Heritage Center.

ISTANBUL - Here's an example of ancient 'war booty' on display at the Museum of the Ancient Orient in Istanbul's Archaeological Museum  -- a statue brought from the city of Mari to Babylon in the Neo-Babylonian Period. Produced between 1894-1594 BC, the statue of Puzar-Ishtar, a governor of Mari (modern Tell Hariri, Syria) is from the palace museum of Nebuchadnessar II.

Information from History Files:

by Catherine Schofield Sezgin, ARCA Blog Editor

Across from the Haghia Sophia Museum and the Mausoleums of the Sultans is the Sultanahmet Archaeology Park, a fenced off area under excavation and part of the overall plan to preserve Istanbul's historical area as a World Heritage Site. In case you're curious (as I was) and can't walk over to the sign yourself (as I did), here's what the sign says and this is what you will see if you peer behind the fence:

"The lot is situated in one of the oldest and most renowned settlements of Istanbul. The perimeter of the area is closed off due to security reasons. 

"There is little information available on the city’s geographical position during Antiquity. However, it is known that the city entered PERSIAN rule in 512 BC, become part of ROME in 146 BC, and was eventually declared as the second capital of the Roman Empire by Constantine I in 330.

'The lot included the initial structures of the GREAT PALACE (Palatium Magnum), whose construction began during the reign of Constantine I. Between the 4^th and 11^th centuries, the palace continued to expand, spreading across nearly 100,000 square meters. It was burnt down, demolished and ransacked during the LATIN INVASION (1202-1261).

"Following the Ottoman conquest of the city, various wooden dwellings were constructed on the lot and its environs. The largest structure built upon the property during the Ottoman period was the Darülfünun (University) building.

"Commissioned by Sultan Abdülmecit in 1846, Darülfünun was designed and built by Swiss architects Gaspare and Guiseppe Fossati.

"The Building was completed in 1863 and was later used as a hospital for French soldiers during the Crimean War in 1877, it was reopened as MECLIS-I MEBUSAN (Ottoman Parliament). In the ensuing years, it was allocated to the Ministeries of Treasury, Mortmain Estates and Justice, was eventually converted into ADLIYE SARAYI (Palace of Justice). 

"The entire building burned down in December 1933. Initiated in 1997 by the Istanbul Directorate of Archaeology, ARCHAEOLOGICAL EXCAVATIONS are currently in progress on the 17,000 square-meter lot.

"In the course of excavations, apart from remains of ROMAN, BYZANTINE and OTTOMAN structures, MOVABLE CULTURAL ASSETS such as the BYZANTINE BATH RUINS are cleaned, reinforced and reconstructed in part, to be preserved in situ. These cultural and historic assets are also protected against natural hazards.

"Apart from the works in progress with respect to the site’s function as an Archaeological Park and Museum, a Hotel Annex construction is presently underway in the area. The project of the Hotel Annex has been approved by the Istanbul NATURAL ASSET and CULTURAL HERITAGE BOARD. "