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Showing posts with label Mexico. Show all posts
Showing posts with label Mexico. Show all posts

April 1, 2025

The Life and Death of Antiquities Trafficker Leonardo Patterson: A Dealer in Stolen History

1992 photo of Leonardo Patterson with Pope John Paul II 

This morning Arthur Brand posted that Leonardo Augustus Patterson, euphemistically known as a dealer and collector of ancient art, but long accused of trafficking looted pre-Columbian artefacts, has died.  His passing, on 11 February in Bautzen, Germany, at the age of 82, marks the end of a decades-long saga of intrigue, deception, and international investigations conducted by the F.B.I., and the National police in Mexico, Spain, Peru, Guatamala and Germany, all of which centred around his circulation and sale of illicit ancient artefacts as well as forgeries.

Born in Costa Rica to Jamaican parents in 1942, Patterson rose to prominence in the booming, Janus-faced antiquities market of the 1960s and 1970s.  Over the years, he developed a reputation as both a knowledgable connoisseur as well as a trafficker, and occasional dealer in forgeries, who amassed an inventory of ancient artefacts worth millions and maintained homes in New York, Mexico city, and Munch.  Many of the pieces he handled are believed to have been plundered from sites in Costa Rica, El Salvador, Mexico, Guatemala, and Peru, all countries rich in archaeological histories.  

During the 1960s and 1970s, Mesoamerican archaeological sites were subjected to rampant looting, driven in part by an increasingly insatiable global demand for Pre-Columbian material.  In Mexico, Guatemala, Honduras, and Belize, ancient Maya, Olmec, and Aztec sites were raided by looters, often referred to as huaqueros who left behind a path of damage or devastation in their wake. 

These individuals, working in well-funded and well-connected trafficking networks, unearthed jade masks, ceramic figurines, jewellery, carved stelae, and codices, stripping important archaeological sites of invaluable movable cultural heritage.  With the rise of private collectors and museum acquisitions in Europe and the United States during this period, many of these black market artefacts ended up in prestigious collections as well as in institutions, purchased through dealers such as Patterson, or those who bought directly from him.

Governments in Mesoamerica responded to their losses with stricter cultural patrimony laws.  Yet ,despite increased legislation, enforcement remained inconsistent.  This in turn allowed the looting to persist, and further resulted in damaging the historical record of what we know and can document about the sites and customs of these ancient civilisations.

Patterson’s dealings in cultural property, on and over the edge of legality, placed him at the centre of legal controversies.  

In his first overt brush with the law, on 21 May 1984, the FBI charged Patterson federally with wire fraud for trying to sell a fake Mayan fresco to an art dealer in Boston.  In that instance he pleaded no contest, contending that he was set up by FBI officers, who he claimed held had a vendetta against him.  Despite the felony conviction, he was sentenced lightly, to probation. 

A year later, and while still on probation for his earlier conviction, Patterson was arrested upon arrival at the Dallas-Fort Worth airport for illegally importing a 650 and 850 CE, pre-Columbian ceramic figure and 36 sea turtle eggs, a violation of the Endangered Species Convention.  In that case, the flamboyant merchant claimed that the pre-Columbian artwork was a newly made souvenir, but openly admitted he planned to consume the eggs as part of his health regimen, even describing how he would eat them.  In his own defense, he stating that he thought he only had to declare the endangered turtle eggs when he arrived at his final destination.  

Leonardo Patterson in his apartment in Munich.

By the 1990s, Patterson had moved away from his repeated US headaches to Europe, relocating to Munich, where he began holding large exhibitions and making sales in France, Germany, and Spain.  There, he befriended and sold ancient art works to a large circle of wealthy collectors and by 1995, was named Costa Rica's cultural attache to the U.N.  Interviewed by the newspaper, Der Spiegel, journalists recorded that at the highest point in his selling career, the extravagant dealer had been chauffeured around the city in a blue Rolls Royce and sponsored his own polo team, which included four players and 12 horses.

In 1995, this also became complicated in Europe, when Patterson's activities were linked publicly in the New York Times to Val Edwards, a successful, if not controversial smuggler.  Edwards told journalists that over the course of a decade he had covertly brought 1000 museum-quality artefacts into the United States which had been plundered from various sites in Guatemala and Mexico.   

With pre-Columbian artworks fetching record prices and while the United States Customs Service officials concentrated on the drug trade, Edwards claimed that he got away with smuggling by posing as a businessman, entering the United States with restaurant equipment and a ready-made alibi that the objects he possessed were cheap tourist reproductions, to be used to decorate a Mexican restaurant he planned to open.  In his ten years of smuggling, Edwards was never arrested, and his bags were only searched once, for drugs. 

Not long after he this link to Edwards was made public, Patterson's honorary role with the UN was revoked.

One of the most important pieces tied to Patterson's illicit activities is this three-foot-wide Mochica headdress of a tentacled zoomorphic sea god.  In was looted from a Moche funerary site in the Jequetepeque valley in northern Peru during a wave of clandestine excavations following the discovery of the famous lord of Sipán tomb.  The artefact had been stolen by a man named Ernil Bernal, who led a band of huaqueros who tunnelled into one of the pyramids located at Huaca Rajada.  Bernal in turn sold the piece to a Peruvian collector named Raul Apesteguia, who later sold the extremely rare artefact to Patterson. 

On 26 January 1996 Apesteguía was robbed, and found beaten to death in his home. Authorities in Peru believe that the collector died at the hands of an antiquities trafficking mob with whom he had been associated.  Though never charged, Patterson's name surfaced as a person of interest in connection to this murder investigation, as objects associated with Apesteguía, including this magnificent gold piece, were identified in circulation with Patterson.

While it is not possible to list all of Patterson's antics in one blog post, here are a few.

In 1997 Patterson staged an exhibition at the Museo do Pobo Galego in Santiago de Compostela in northwestern Spain, sponsored by the Galicia regional government.  During this event, several experts voiced concerns that some of the artefacts might be forgeries, including an Olmec throne described as made of fired clay, something the Olmecs weren't known for. Patterson filed a $63 million defamation lawsuit against the dissenting experts, only to later withdrew his charges.

Peruvian archaeologist Walter Alva, who reviewed a copy of Patterson's museum exhibition catalog, identified more than 250 ancient Peruvian pieces, mostly from tombs raided in the late 1980s, one of which was the gold Peruvian Mochica headdress mentioned earlier. 

In 2004, after receiving a tip, customs officials in Germany targeted an air freight delivery at Frankfort Airport containing archeological artefacts from Mexico and simply waited until Patterson's daughter showed up.  That same year, and based on the contents of Patterson's 1997 exhibit catalogue for the Santiago de Compostela exhibition, and identifications from archaeological experts, Peru issued an arrest warrant for the dealer.

In 2006, and acting on information from Michel van Rijn and Arthur Brand, London's Metropolitan Police successfully recovered the Mochica headdress of a tentacled zoomorphic sea god when Van Rijn posed as a buyer during a visit to the London office of Leonardo Patterson's lawyer. That piece was returned to Peru later that summer. 

Later that same year, on 30 October 2006, Peruvian commander George Gamarra Romero received a confidential email inbox in which Spanish colleagues had notified him that Spanish authorities had a tip that more than a thousand of pieces tied to Patterson were being stored in a moving warehouse in Galicia.  Executing a search warrant in early 2007, police documented rare Mayan and Aztec pieces, Incan gold, and a variety of other pre-Columbian relics were suspected to have been illegally obtained.  As part of this police investigation, and based on a request from Peru, Spain seized 45 Peruvian cultural objects, many of which were determined to have been looted from Sipán and La Mina.

But before Spanish police could investigate the remaining pieces further, Patterson had the rest of the items moved to Munich in March 2007.  Sparking further questions, Patterson disputed the sequester in Spain and claimed that all of the artefacts were part of a loan from German millionaire Anton Roeckl.

As the international cases progressed, German authorities seized more than 1,000 Aztec, Maya, Olmec and Inca antiquities from Patterson in April 2008.  The pieces were packed into more than a hundred crates held in a Munich warehouse.

In September 2011 Patterson was arrested at the Mexico City international airport while traveling to his native Costa Rica based on an Interpol red notice issued by Guatemala and a location order issued in Mexico by the Specialized Unit for Investigation of Crimes against the Environment and Provided for in Special Laws of the PGR, for the alleged crime of theft of archaeological goods and pieces.   In December 2012, a criminal court in Santiago de Compostela put the dealer on trial for violating export regulations relating to cultural artefacts when he moved his collection to Munich.  Unfortunately, Patterson wasn't present at the trial, as a German doctor had issued him a certificate of poor health saying that he was unable to travel. 

Leonard Patterson during the trial in Spain.

On 28th March 2013, at yet another airport, Patterson is again arrested, this time at the Adolfo Suárez Madrid–Barajas Airport in Madrid on the bases of Interpol notices from Guatemala and Peru. While awaiting a decision on extradition to Latin America, he was housed at the Madrid V Penitentiary Center, Soto del Real.

Wanted since 2008, Guatemala's Office of the Public Prosecutor for Crimes against Cultural Heritage requested Patterson's extradition for the crimes of illicit export of cultural property and the illegal possession of 269 looted objects purportedly part of the larger "Patterson Collection" a batch of 1,800 archaeological objects from countries such as Mexico, Guatemala and Peru, which he's exhibited in Santiago de Compostela.  But as the requests progressed, Patterson was released from custody for health reasons 10 months after his arrest in January 2014. Although he had been ordered to remain in Spain, he immediately left for Munich.


Back in Germany,  he racked up another charge, for selling a 10 percent share of an allegedly fake Olmec head (the Olmec were an ancient civilization in Mexico) to a businessman from nearby Starnberg for €85,000.  In that case the Court in Munich found him guilty of "deceptively selling a piece of recent manufacture as an archaeological artefact of Mexican origin to a German citizen" and "possessing looted artefacts."  


Given his advancing age, as is too often the case with elderly lifetime traffickers, Patterson was sentenced in Germany to probation, plus home confinement for three years, ordered to return two wooden Olmec head carvings to Mexico and fined approximately $40,000.  Arthur Brand, a witness in that trial, testified that Patterson had told him that the returned pieces had been taken by a tomb raider from an archaeological dig in El Manatí, Mexico, a sacred site of the Olmec people. 


In his 2016 interview with Der Speigel, Patterson openly elaborated on his business model, and admitted to working with Mexican intermediaries who travelled to Munich on a regular basis. "They worked together with the illegal excavators," he stated. "Their focus was on fresh goods, primarily because of the prices. They had to know where digging was currently going on. They always got it at the place where it was found. They knew the people in the villages."


Patterson’s death leaves many questions unanswered about the final fate of the thousands of artefacts he once controlled.  While some have been returned to their countries of origin, many others remain in legal limbo, or in the hands of private collectors, some of whom are unaware of—or indifferent to—their questionable provenance.

A Paris warehouse of Patterson's merchandise. 

Noting his death today, some say, why not let the dead rest? I myself disagree, as this man certainly didn't.

By Lynda Albertson

December 16, 2024

The Curious Journey of the Santa Rosa de Lima Statue: From Theft to Repatriation

On the final day of 2006, a significant piece of Mexico’s cultural and religious heritage was stolen. The polychrome Santa Rosa de Lima statue, a vibrant 3-foot-tall depiction of the beloved saint holding baby Jesus, vanished from a church in the town of Epazoyucan, in the Mexican state of Hidalgo. The statue, depicted the standing saint holding a child, and crowned with roses, represented more than artistic beauty; it symbolised centuries of devotion to the saint, said known for both her life of severe penance and her care of the poverty stricken in the Spanish Empire. 

For nearly a decade, the whereabouts of the statue were unknown. Then, in January 2017, the stolen artefact surfaced in an unexpected location: the Peyton Wright Gallery in Santa Fe, New Mexico. This gallery, known for showcasing valuable Pre-Columbian artefacts, as well as textiles, sculptures, and Spanish Colonial devotional objects, listed the statue for sale on its website, where its photograph caught the attention of Mexican authorities. The discovery in turn prompted an investigation by U.S. Homeland Security Investigations (HSI), with special agent Robert Nelson taking the lead.

Tracing the Statue’s Journey

In March 2017, following discussions with HSI, gallery owner John Schaefer voluntarily turned over the statue to U.S. authorities before a search warrant was issued.  However, the mystery of how the statue crossed the Mexico-U.S. border remained unsolved.

Court filings and statements revealed that the statue had passed through several hands since its theft. Samuel Silverman, a businessman and former storage facility owner in New Mexico, had consigned the statue to the Sante Fe gallery.  According to Silverman, the religious statue had been abandoned by a former renter who left behind unpaid storage fees in 2007. After numerous failed attempts to contact the renter, Silverman sought to recoup his losses by consigning the statue to John Schaefer’s gallery. 

In April 2017, the statue was officially seized by U.S. authorities and placed in a vault at Homeland Security’s El Paso office. This marked a significant step in recovering the stolen object, but its journey back to Mexico would be far from swift.

The Long Road to Repatriation

Despite its identification and seizure in 2017, the Santa Rosa de Lima statue did not return to Mexico until December 2024—more than seven years later. The reasons for this delay remain unclear, as do details about whether legal disputes or bureaucratic hurdles contributed to the extended timeline.

Upon its return, questions arose about the statue’s condition. The figure of baby Jesus, previously depicted with both arms intact, appears to have suffered damage, with the child's right arm now being missing. It is unknown whether the damage occurred during its time in storage, transit, or elsewhere. 

Also of note, this is not the first time a stolen object has been identified at the Peyton Wright Gallery. In 2004, the Albuquerque Journal reported that US Federal agents seized a bas-relief carving from Mexico worth $225,000 from the gallery. That piece, like the Santa Rosa de Lima statue, had also been consigned by a third party, in this case, a Mexican national.

While the gallery cooperated with authorities in both instances, the pattern highlights the complexities of the art market, where stolen cultural heritage pieces can be bought or consigned and put up for sale by good faith purchasers despite having murky histories. 

A Case That Speaks to Broader Issues

The saga of the Santa Rosa de Lima statue underscores several broader issues in art crime identification and restitution, including: 

  • the challenges of tracking stolen art and artefacts (in this case it took 11 years for the stolen artwork to surface);
  • the slow wheels of international restitution, (from 2017 identification to 2024 restitution);
  • and the importance of vigilance within the art market (accepting pieces on consignment that have insufficient provenance).

For the town of Epazoyucan, the return of the statue is bittersweet. While the beloved icon is back, the years of uncertainty and the damage it sustained serve as a reminder of the vulnerability and fragility of the country's religious cultural heritage.

September 18, 2019

Mexican Foreign Ministry urges French auction house Millon (in Paris) to halt an auction of pre-Columbian art

Image Credit: Millon Drouot
The Mexican government, through its Secretaría de Relaciones Exteriores (Ministry of Foreign Affairs) and its Ministry of Culture, have formally challenged the auctioning of 95 pieces of pre-Hispanic origin.  In doing so, they are calling upon French auction house Millon Drouot to halt its sale of the Manichak and Jean Aurance Collection of Pre-Columbian art which is scheduled to take place today and includes some 130 pre-Columbian art objects.  

During a press conference, the Mexican Ambassador to France, Juan Manuel Gómez-Robledo, indicated that a concern was lodged on September 12, 2019 by Mexico's National Institute of Anthropology and History, the competent authority in the matter asking that the auction be cancelled and that the objects in the collection contested restituted to the country. 

Raising their concerns about the provenance of the pieces, the Mexican authorities allege that some of the artifacts appear to have been stolen and/or illegally exported. Concerned with their status, María del Socorro Villarreal Escárrega, national coordinator of legal affairs for Mexico's National Institute of Anthropology and History stated that the INAH has filed a corresponding complaint with the Prosecutor's Office General of the Republic, collaborating with diplomatic authorities in order to seek the restitution of the objects. 


In their formal statement, Mexico’s Foreign Ministry stated that 95 of the 120 objects up for auction appear to be from early Mesoamerican complex civilizations such as the Olmec, which inhabited the Gulf Coast territory of Mexico extending inland and southwards across the Isthmus of Tehuantepec, from 1600 BCE until 350 BCE and the Maya who assimilated Olmec influences into the emerging the city-states of the Maya civilization.  

According to the Millon catalog, and the Antiques Trade Gazette collectors Manichek and Jean Aurance purchased their first pre-Columbian artwork in 1963 from the French dealer Olivier le Corneur who operated Galerie Le Corneur-Roudillon.  They continued purchasing tribal art  for their Art Deco lakeside home in Vésinet from le Corneur, Henri Kamer, Pierre Langlois, René Rasmussen and Charles Ratton.  Some of those pieces seem to have passed through Los Angeles art dealer Earl Stendahl.

Earlier last week Guatemala confirmed that following their own formal protests on August 28, 2019 Millon had suspended the sale, at least for a while, of one of the pre-Hispanic pieces up for auction.


Lot 55 -  A stone relief depicting the Spearthrower Owl, was discovered by Teobert Maler in 1899 and dates to 700 CE.  It was stolen from the powerful city-state of Piedras Negras in the remote northwest area of the Department of Petén in Guatemala's Sierra del Lacandón in the 1960s.

Drawing from CMHI
v. 9-1.
According to UT-Austin archaeologist and Mesoamerican art historian and epigrapher, Dr. David Stuart, who first reported (in English) about Guatemala's Ministerio de Cultura y Deportes' efforts  to stop the sale in late August, the disputed stolen relief is a portion of Stela 9 found by Teobert Maler at the ruins if Piedras Negras in 1899 on the large terrace to the east of Structure J-3, and originally placed between Stelae 10 and 40.

Allowing time for the seller, the State of Guatemala and Millon to discuss the contested object and the legality of the sale in France, Drouot Paris issued the following comment on Twitter, hinting that the sale was a legitimate one, despite the crime of removing it from the territory.
In cases of property dispute, French law, articles 2274 and 2262 of the Civil Code, tend to prefer the bona fide purchaser, in their purchase of a stolen or misappropriated movable object over that of the victim, which in this circumstance is Guatemala and Mexico.   French Law provides that title can be obtained by a good faith purchaser by way of prescription after 30 years.

As of the writing of this article, neither the consignor nor Millon has not announced a response to the Mexican government's request. 

By:  Lynda Albertson

August 27, 2017

While London's Art and Antiques is suspended, Mexico creates new federal police division to protect cultural heritage

Course Opening Ceremony Image Credit: INAH
While a lot of the art crime news recently has been about the (hopefully temporary) shuttering of New Scotland Yard's Art and Antiques unit in London as its officers are reassigned to work on the Grenfell Tower fire, Mexico seems to be moving in a more positive direction. 


The objective of the pilot course was to establish stronger links between the Secretariats of Culture and the government, in order to ensure the legal care and protection of Mexico's cultural heritage  as stipulated in the country's federal law on Monuments and Archaeological, Artistic and Historical Areas.

The government also announced the formation of a database to be developed to help police determine which heritage assets are susceptible to damage or theft as well as a documentary repository for information about investigations. 



October 10, 2016

Carabinieri del Comando Tutela Patrimonio Culturale to return stolen archaeological finds to Mexico

Mexican Embassy in Rome, Italy
In a ceremony to be held October 11, 2016 at 13:00 at the Mexican Embassy in Rome, Brigadier General Fabrizio Parrulli, Italy's new Commander of the Carabinieri for the Protection of Cultural Heritage, in a ceremony to repatriate illicitly trafficked heritage will return twelve archaeological objects to the Mexican authorities via a handover to the country's ambassador to Italy, Signore Juan Jose Guerra Abud, KBE. 

Having succeeding General Mariano Mossa as the head of Italy's specialised Comando Carabinieri Tutela Patrimonio Culturale this year, Brigadier General Fabrizio Parrulli is not stranger to the nuance of international policing.  With degrees European Studies as well as International Law and Diplomacy the new general has commanded a team of Iraqi police as part of the NATO mission in Iraq and served as the commander of a training department for police in Baghdad.  Closer to home,he has served within the Carabinieri TPC overseeing the its NCO School in Florence.

The twelve pre-Columbian Mesoamerican pieces to be repatriated are from the Mesoamerican Preclassical period (2500 BCC - 200 CE) and the Classical Period (200-1000 CE).  The objects seized included a clay head of votive use portraying a character of high rank, another votive bust with disk-shaped earrings and another sculpture with nose ornamentation.

The antiquities were seized by law enforcement between 2013 and 2016 as the result of three separate investigations coordinated by the prosecutor of the Republic of Palmi (RC), Pesaro and Ascoli Piceno.  Several of the objects were seized during a customs cross-check of two travellers arriving from Mexico via the Reggio di Calabria "Tito Minniti" Airport, also known as the Aeroporto dello Stretto, in southern Calabria.  In a second instance an object had been marketed via "a popular online sales site" where the seller listed the city where the object was currently located and a cellular where he could be reached for further questions.  To verify the authenticity of the objects being sold the Carabinieri TPC worked with experts from the Museo Nazionale Preistorico Etnografico Luigi Pigorini in Rome as objects of this type are often reproductions.


Mexico is a quintessential example of an antiquities-rich “source nation”.  It's a country with an abundance of unprotected archaeological sites that all too often yields artifacts with a commercial value on the art market.  It is also a nation, that despite making great strides, still lacks the economic resources necessary to adequately protect much of the remote cultural patrimony found within its borders. 

In 2013, art market trend watcher Emma Crichton-Miller noted that Paris had superseded New York as "the most dynamic centre for pre-Columbian art globally, attracting collectors mainly from Europe and America, but also Latin America, the Middle East and Asia." This might explain why traffickers importing illicit goods, appreciate Italy's strategic placement on the European mainland. 

The theft and illegal trade of Mexican pre-Columbian antiquities is fed by high demand within the art market, which in turn creates strong incentives for poverty-driven digging.   Individuals and teams of looters dig indiscriminately where opportunity avails, without concern for the objects lost archaeological context.  They then collect and smuggle valuable finds to market countries by whatever channels are available to them.  

What legal instruments are there in Mexico to protect cultural heritage? 

Mexico's heritage law, written January 19, 1934 (Art. 27, Political Constitution of the Republic of Mexico; Law on the Protection and Conservation of Monuments. Typical Towns and Places of National Beauty), established national ownership of all immovable archaeological material in the public domain, and precluded the export of all works of art or antiquities without an export license.  

This law was further refined in 1972 creating new archaeological zones and extending national ownership of the cultural patrimony to private collections and absolutely forbidding the export of pre-Columbian antiquities. The only exception to this strict mandate is in the case of presidentially-approved gifts and exchanges to foreign scientific institutions and foreign governments for diplomacy purposes. 

It is also illegal in Mexico to excavate archaeological sites, even on private land, without the permission of the Mexican government's National Institute of Anthropology and History. 

March 23, 2011

Wednesday, March 23, 2011 - ,,, No comments

UNESCO 1970 Convention Today: Last week's conference

Dr. Jorge Sánchez-Cordero speaking at the public debate.
by Catherine Schofield, Editor

Home from Paris, I will continue coverage of the UNESCO meeting on the commemoration of the 40th anniversary of the 1970 Convention, the still to be ratified by one-third of the signatories of an international effort to stop the illicit trafficking of cultural property, as does the looting of archaeological sites all over the world.

The 1970 Convention, formerly known as the Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property 1970, can be read here on UNESCO's website.

On March 15, in one of the auditoriums at the UNESCO building in the 7th arrondissement of Paris just a few minutes walk from Napoleon's Tomb, the meeting, "The 1970 Convention: Past and Future", began with a public debate moderated by journalist Louis Laforge. The speakers included Irina Bokova, Director-General, UNESCO; Bernd Rossbach, Director, Specialized Crimes and Analysis, INTERPOL; Dr. Jorge A. Sánchez Cordero, Director of the Mexican Center of Uniform Law; Stéphane Martin, President, Musée du Quai Branly; and Jane Levine, Worldwide Compliance Director and Senior Vice President, Sotheby's Auction House.

One of the scheduled speakers, Dr. Zahi Hawass, Egyptian's brief former Minister of Culture, was 'unable to leave Cairo' to attend the meeting. Instead, he sent a message that said he supported the fight against the illicit theft of cultural property and asked that people help Egypt find the items recently stolen from the Cairo museum.

"The art market is sometimes painted as the enemy," Jane Levine, a former American prosecutor said, after UNESCO's introductor remarks. Her job at Sotheby's, she said, is to train staff on how to ask questions about the provenance of objects. She works with a full-time department of lawyers and admits that her appointment is a change in the market's "new attitude" of focusing on the due diligence aspect of archaeological objects.

Mr. Rossbach told the audience that INTERPOL is a "crucial partner with UNESCO" in fighting the illicit trafficking in art and cultural objects. INTERPOL seeks the cooperation of specialized organizations like UNESCO and stressed the importance of training. INTERPOL released a summary of his statements on the group's website here.

Mr. Sanchez-Cordero said in Spanish, according to UNESCO's English translator, that the 1970 Convention 'has to play a prominent role in the new cultural order'. He said that the convention 'only protects objects placed on an inventory list, a problem in implementing the 'effectiveness' of tackling this problem and one that 'runs counter to archaeological sites and is a problem for countries of origin.' Another shortfall, he said, was that it was just not enough to adopt the international convention. "We shouldn't stop at that but follow-up and give countries of origin (of cultural objects) a system to follow up the convention and to take remedial action.'

Mr. Martin said in French, and I also paraphrase him through UNESCO's English translator, that French museums will not complete collections with objects that unlawfully entered the market. 'Most objects in museums haven't been created to be in a museum,' he said, 'so the wish to place them there doesn't fit in with all cultures, such as placing a religious object outside of a church. What is La Jaconde? Is it an Italian object because Leonardo da Vinci painted it? Or French because François I purchased it? Or is it Japanese because it's viewed by the Japanese?' It's a fascinating and complex issue. Everyone rejects a nationalistic view of the world. It's a cultural issue for everyone and counter to trade.'

UNESCO's Director-General, Madame Irina Bokova, said that she wanted to "ring the bell of the alarm" and find out how to "strengthen and implement" the 1970 Convention, mentioning that there was a "new conscience" in the past 40 years that supports cultural exchange, diversity, knowledge and art, but is against the "pillaging" of archaeological sites, the trafficking of illicit cultural objects which is "robbing" people of their identity, rights, and destroying archaeological sites and excavations. She commended the countries of Belgium, The Netherlands, and Switzerland who recently signed the convention. "Without international cooperation, it would be difficult to curb this trade."

Mr. Laforge asked INTERPOL's Rossbach if there are any major routes for illegal trafficking of cultural objects. "There is always a reaction and an action," Rossback said. "We cannot be fixed on one route. We are working with partners to identify those gaps."

Interpol has opened a new office in Singapore, Laforge asked as translated from French to English, is this indicative of a new market? "Yes," Rossbach answered. "Singapore is a sign."

According to UNESCO:
"The illicit trafficking of antiquities is estimated to be superior to US $6 billion per year, according to research conducted by the United Kingdom's House of Commons on July 2002.  Ten years later, the UN report on transnational crimes calculated that the world traffic in cocaine reached US $72 billion; arms, $52b; heroine, $33b; counterfeiting, $9.8B; and cybercrime, $1,253B.  Together with the trafficking in drugs and arms, the black market of antiquities and culture constitutes one of the most persistent illegal trades in the world."
We'll continue coverage of this UNESCO 1970 Convention meeting tomorrow.