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Showing posts with label illicit trafficking. Show all posts
Showing posts with label illicit trafficking. Show all posts

October 28, 2024

Protecting the Past, Shaping the Future: ARCA’s Two 2025 Postgraduate Certificate Programmes in Art Crime and Cultural Heritage


In 2025, ARCA is breaking new ground by offering not one, but two Postgraduate Certificate Programmes in art crime and cultural heritage. When ARCA launched its original interdisciplinary programme in 2009, it was the first of its kind, addressing the urgent need to train professionals in understanding the hidden networks and illicit activities within the art world.  Through an intensive, hands-on approach, ARCA’s summer program has since trained individuals from forty-two countries in tackling and exploring the complexities of art crime and cultural heritage preservation. 

If you've been keeping an eye on recent news, you're aware that incidents like museum thefts, forgeries, looting, and the illicit trade of cultural goods are far from isolated. These crimes contribute to a larger web of criminal activity that includes intentional destruction and plunder of cultural heritage during and after conflicts, incidences known to fuel instability in regions worldwide.

Despite the clear threat, many galleries, auction houses, and museums still struggle to vet acquisitions to problematic material, leading to lengthy and ongoing challenges regarding the provenance and ethical acquisition of material.  ARCA’s programmes give trainees the skills to recognise and confront these issues head-on, looking at the big picture of art crime across borders, time periods, and legal systems to see just how profoundly these issues impact global cultural heritage.

This legacy is more than history—it’s a shared treasure, one that defines and connects us all. Protecting it is essential to preserving our cultural future. ARCA’s programs, still the longest-running and most comprehensive of their kind, have equipped countless professionals with the tools to do just that.

Here are five reasons to apply to one (or both!) of our Post Lauream Certifications in: 

Art and Antiquities Crime 
and 
Acquisition & Interpretation of Cultural Property:
  1. Unique Dual-Program Offering: 2025 marks the first year you can choose between two unique tracks—or combine them for a comprehensive education covering all facets of art crime and cultural heritage protection and receive two certifications in one summer.

  2. Expert-Led Instruction: Learn directly from field-leading experts and practitioners whose real-world experience will give you a critical understanding of the art world’s complexities and the dark side that threatens it. ARCA's lecturers are international thought-leaders on the topic of art crime who actively work directly in this sector. 

  3. Practical, Real-World Training: Go beyond traditional studies with an interdisciplinary approach that brings together criminology, art history, law, and cultural preservation for a complete understanding of this global issue. ARCA’s immersive summer format delivers hands-on learning, allows you to engage deeply with the subject, practicing skills in real-world contexts that mirror the challenges faced by today’s professionals.

  4. Interdisciplinary InsightsEach course in each programme integrates multiple disciplines, offering perspectives that connect the dots between criminal motives, legal issues, and the protection of cultural heritage.

  5. Join a Global Network of Alumni and Professionals: Graduates of ARCA’s program are making waves in cultural institutions, law enforcement, museums, and legal spheres worldwide, and you’ll join a supportive network dedicated to combating art crime.

Protecting cultural heritage is an urgent and rewarding calling—why not apply to join us in changing the status quo.  For more information please see ARCA's website here.

To request further information on ARCA's Post Lauream I & II in Art and Antiquities Crime and the Acquisition & Interpretation of Cultural Property or to receive the 2026 prospectus and application materials, please email us at:

programmes (at) artcrimeresearch.org

April 19, 2024

Spain's antiquities dealer arrest and the importance of facts-based reporting

TEFAF Maastricht 2022
Image Credit: ARCA

Earlier this week, ARCA published an article building on an announcement made by Spain's Ministry of the Interior which involved the identification of a looted Egyptian object.  This investigation involved the Policía Nacional in collaboration with the Dutch Politie, and the expertise of forensic scholars, as well as the assistance of cooperating dealers and the support of art fair personnel.  These combined efforts resulted in the voluntary handover of the trafficked artefact in the Netherlands, and later, the reported arrest of a Barcelona-based ancient art dealer who, although unnamed by the authorities, was stated to have been charged with money laundering, smuggling, and document falsification.  

ARCA's article touched on its own research into the circulation of this suspect antiquity and to the object's identified Spanish handler.  In it, I named the dealer whom I (too) had ascertained as having been in possession of this piece after it arrived to Spain from Bangkok before being sold onward to other ancient art dealers in Germany and Switzerland.  

Shortly following the Spanish announcement, the bulk of the reporting by mainstream media covered this investigation by simply regurgitating the Spanish  government's official press release.  ARCA, being a research-based organisation which specifically examines (and sometimes reports on) forensic crimes that impact art and artefacts, opted to provide more detail.  To do so we discussed both the object itself and named its first seller, while also ensuring that in doing so we haven't compromised the work of international police forces.

Too frequently, trafficked artefact reporting becomes routinely formulaic, giving readers cursory information on an object's country of origin, value, age, and the names of involved agencies responsible for that object's recovery.  In this type of reportage, the artefacts themselves take second stage, often reduced to photo opportunities, where they are frequently overshadowed by fancy diplomatic handshakes. Whereas the story of the piece itself, its trafficking journey, its good faith and bad faith handlers and its place in history are often unconsidered, or left to vague statements and assumptions, much in the same way, archaeologists and art historians lament the loss of context when an artefact is extracted from its find spot and the object's history is lost during a clandestine excavation.  

Basic shapes of block statues

Likewise, when describing this partial 18th Dynasty Egyptian block statue most of the published news articles reduced the artefact to its period of creation, i.e., "a stolen Egyptian sculpture dated from 1450 BCE" or spoke to its rudimentary aesthetic characteristic, referring to the piece as simply as "an Egyptian head".  Smuggled clandestinely, often over great distances and hidden in shipments through multiple transit countries, by the time such looted antiquities appear on the ancient art market, where they are displayed in glittering European art galleries and art fairs, the pieces are no longer intact.  

In this case, the less informed buyer, might appreciate this sculpture's beautiful depiction of the head of an Egyptian male.  I, on the other hand, see its decapitated form as evidence of a crime scene.  I question whether or not this anonymous severed head, had likely been hacked off its body, or deliberately broken at the shoulders for ease of transport and smuggling, knowing that unfortunately this once complete representation of a man, is now absent the rest of his body.  

During Egypt's Eighteenth Dynasty, the artisan who sculpted this black-granite representation of a once-living human would have worked the hard stone with care and precision.  The focus of his efforts would have been to respectfully express the belief that the deceased person's Ka, his eternal life force, when separated from his earthly body at death, would be travelling between the worlds of the living and the dead and would need to find his eternal home inside this single memorial block statue, created expressly for this purpose.  Carved to represent the likeness of the deceased and placed inside a sanctuary, had this head remained with the rest of its body, we might also have learned, through inscriptions, the name of the esteemed person the sculptor sought to portray when he had creating this memorial artwork.  

But why the need for a second article? 

Over the past several days there has been scattered chatter via various social media sites where the veracity of my statements regarding who the arrested Spanish dealer was have been the subject of discussion.  

Art News journalist Karen Ho, doing her best to report the news and remain impartial to the contentious subject, wrote: 

...the Association for Research into Crimes Against Art, has claimed in a blog post that the individual in question is Jaume Bagot Peix, operator of the J. Bagot Arqueología gallery in Barcelona, Spain.

Art lawyer Justine Philippart, when pointed to ARCA's original blog article, stated on LinkedIn:

This article is fake news. Nothing is true. Thus, for example, Mr. Bagot was not arrested.


Art and cultural property lawyer Yves-Bernard Debie, who states his Brussels firm represented Bagot and his gallery, wrote in the Art News article: “We can confirm that our client has not been arrested. The information that is being disclosed is false.”

So let's start with things that we can assume are indisputable.
 
Spain's Ministry of the Interior stated that agents of the National Police have arrested an antiques seller in Barcelona for the head of the Block statue, which they indicated had been on display with a Swiss dealer at The European Fine Art Fair (TEFAF) although they did not specify in what year.  The ministry also stated that the investigations made it possible to prove that this artefact had been acquired in July 2015 by the person in charge of a (unnamed) Barcelona establishment after transiting through an international company based in Bangkok and that this gallery owner "knew of the illicit origin of the Egyptian piece" and had "justified the origin of the piece by providing a document that collected information on several archaeological pieces belonging to a Spanish collection." 

Now on to what I assessed before naming Jaume Bagot in my last article, and whether or not that information is false or fake news as claimed by the two lawyers.

To trace this artefact's progression through the art market I started by looking for, and analysing, any photographic evidence I could find that depicted this object in circulation.  Its passage with the Swiss dealer being the easiest part. I was able to  review photos taken by ARCA researchers while this piece had been on display at the dealer's TEFAF stand during events held at the Maastricht Exhibition & Conference Centre in March 2020, and again in June 2022.  Both of these photos were included in my previous blog post, one of which even had the date/time/street location for the MECC watermarked on the front. 

Both photos clearly demonstrate that this artefact was on display during the fair's operational hours and had not been "removed before its opening" in 2022 as was incorrectly stated in the Art News article.  Today, TEFAF provided me with clarification that the artefact had been removed, from sale, while the Dutch portion of the investigation was underway, but that the object had been allowed to remain on display to the public for the duration of the fair with the consent of the Dutch police while their investigation got underway. 

In addition to ARCA's own photos, I also scanned open source records looking for other depictions this object, finding photographic evidence which placed the artefact with the Swiss art gallery at least as early as 3 October 2018.  I then repeated similar exercises of date range-search-find-analyse in order to find photographic evidence which might confirm the identities of the German and Spanish dealers.  This process of elimination, helped to further narrow down the range of dates when this object was in the possession of the named Barcelona dealer. 

Narrowing down my search to whose photos to review first, to limit the number of photos I needed to sift through was easy.  I started with the only Barcelona-based ancient art dealer who had been publicly-mentioned as having connections to smuggled conflict and post-conflict country artefacts from the MENA region, some of which transited through intermediaries in Thailand. That person being Jaume Bagot Peix.  

Given that Bagot also had a standing conviction in Italy, related to a stolen antiquity and is currently alleged to have sold a stolen Egyptian artefact ushabti from Sudan with falsified provenance documentation to the Rijksmuseum van Oudheden in the Netherlands, I felt that reviewing the Egyptian material he may have sold after the July 2015 arrival date mentioned in the Ministry of the Interior's announcement might help to confirm whether or not he was the unnamed Barcelona dealer. 

Working with that hypothosis, I was able to locate and document this object in Bagot's possession through a series of photographs, as well as one video.  All depict the Egyptian head on display and for sale with J. Bagot Arqueología during the 37th edition of the Feriarte.  This art fair was held from November 21 to 29, 2015 in Madrid, roughly four months after law enforcement officers defined the object's entry into the EU from Bangkok.  To be fair, I have not added proof of these evidentiary images to this article, but simply forwarded each of my findings to the Spanish and Dutch Law enforcement officers working on this case.   

In closing I will state that as a routine act of due diligence, ARCA makes every effort to identify the circulation specifics of illicit artefacts discovered in circulation, in order to ensure their proper documentation.  This holds true for artefacts which have been seized by law enforcement agencies as the result of court orders, as well as those which have been voluntarily relinquished. Doing so helps us to map less-than-careful art market actors, as well as culpable ones.  

ARCA does not condone "fake news". Nor do we contribute to it.  Cultural property crimes are insidiously complex and as the old adage goes, when dealing with suspect material and the naming of problematic actors who handle said material, the devil is in the details which can be proven beyond dispute, even more so when that evidence is considered probative at trial.

By: Lynda Albertson

April 15, 2024

Arrest made in Spain on Egyptian antiquities smuggling case.

TEFAF Maastricht 2020
Image Credit: ARCA

According to Spain's Ministry of the Interior, following an investigation begun in 2023, the Policía Nacional have arrested a Barcelona gallery owner (Jaume Bagot Peix, operator of J. Bagot Arqueología) for allegedly committing the crimes of money laundering, smuggling, and document falsification in relation to this black granite head of a funerary monument for a high ranking official from the reign of Hatshepsut or Tuthmosis III in Egypt. 

TEFAF Maastricht 2022
Image Credit: ARCA

Valued at 190,000 euros, the circa 1504-1450 BCE artefact had been acquired by the Barcelona ancient art dealer in July 2015 via an intermediary in Bangkok, Thailand.  ARCA notes that this partial statue was documented on social media sites and up for sale through a Swiss-based art dealer during the short-lived European Fine Art Fair in 2020 and again with this same dealer when the fair reopened post-Covid in 2022.  

Having been the subject of a joint-European policing initiative which resulted in law enforcement authorities with the Dutch Politie in the Netherlands sharing evidence with their Spanish counterparts, police in Spain were able to concretised that this Egyptian artefact was illicit, despite it having been in free circulation for seven years through several sales passages occurring via dealers in Spain, Germany, and Switzerland.  Prior to these transactions, the object had traveled though the transit county of Thailand via an intermediary in Bangkok. 

The 18th Dynasty head depicts its patron wearing a short wig revealing the ears as well as defined almond-shaped eyes and prominent eyebrows.  In its complete and original form, the head would have once been attached at the shoulders to the rest of its memorial block statue representing a seated non-royal person.  

These types of statues would have depicted the individual's head, hands, and feet emerging from a cloak drawn tightly around the subject's body, similar to the one depicted at the left, which is on display at the Brooklyn Museum in New York.  During the period of the trafficked head's creation, it was likely crafted to resemble a guardian seated in the gateway of a temple as Egyptians believed that after a person's death, their soul could inhabit a statue in a general context of solar beliefs. 

The Swiss gallery that had purchased the artwork via another ancient art dealer in Germany, freely relinquished the artefact to the Dutch authorities once it was determined that the piece was suspect and had been acquired via the Spanish gallery owner, who had already been linked to the illicit trade in antiquities in conflict zones such as North Africa and the Middle East. 

To circulate this illicit artefact, the Spanish gallerist provided his trusting buyer, with a document that substituted collected information relating to several archaeological pieces belonging to a Spanish collection from the 70s making it appear as though the head had been part of a legitimate and documented collection prior to Egypt's antiquities laws tightening in 1983.  A not uncommon technique, suspect dealers have often attempted to "whiten" freshly looted material, by substituting, reusing, or outright fabricating documents of ownership, which, if not carefully explored, cosmetically appear to provide a legitimate "pedigree" to an antiquity which in reality is more recent plunder from an illicit excavation.  

It is for this reason, that the dealer who has been arrested has been charged not only with smuggling and money laundering, but also with document falsification of the object's provenance record. 

Point of reference in 2018, Frédéric Loore revealed in Paris Match that Jaume Bagot's network used various smuggling routes, notably via Egypt and Jordan to the United Arab Emirates, before returning to Catalonia after transiting through Germany or Thailand.

By:  Lynda Albertson

NB: For now, the Spanish authorities have elected to publish their arrest announcement withholding the name of the charged ancient art dealer.  



March 11, 2024

The wacky illicit world of one Ushabti of the Pharaoh Taharqa

The Cultural Heritage Brigade of Spain's Policía Nacional have completed an investigation into a rare, illicitly trafficked, ushabti. The statuette, holding traditional Egyptian agricultural implements, reproduces the text of Chapter 6 of the Book of the Dead and would have been placed in the tomb of the deceased.  Property of the Republic of the Sudan, the funerary figurine was sold to the Rijksmuseum van Oudheden in the Netherlands by "a Catalan antiques dealer". 

Although unnamed in today's press release, the Spanish police did provide some interesting details regarding the sales transaction for this illicit object, which, in turn, also help us to identify who the unnamed dealer in question is.  

Today's press statement indicates that the Spanish investigation began when the Dutch National Polite forwarded their colleagues in Spain a complaint for aggravated fraud that had been filed in the Netherlands by the director of the museum in Leiden regarding their purchase of a suspect ushabti for Pharaoh Taharqa, the 4th king of the 25th Dynasty of Egypt and the Qore of the Kingdom of Kush from 690 to 664 BCE. 

The press release went on to say that "the complaint stated that an antiques dealer, responsible for an antiques establishment in Barcelona, ​​had sold a sculpture of Sudanese origin to the Dutch museum for 100,000 euros" and that the sales transaction was facilitated using false provenance documentation which was presented to provide a cover to the artefact's illicit origin.  Based on the foregoing, the museum then filed their complaint with the Dutch national authorities and were seeking the return of their purchase price.

To facilitate the sale, the police confirmed that the dealer in question had provided the museum with a digital copy of a handwritten document purportedly dating to May 27, 1967 which, at face value, appeared to have been written by an employee of the Sudanese government.  This document also appeared to attest to the fact that the artefact had left the Sudan for London sometime between 1930 and 1940.  

After careful review of this document, which included follow-up examination involving individuals affiliated with the Embassy of the Republic of Sudan in Spain,, as well as with heritage experts specialising in the illicit trafficking of Egyptian material circulating within the ancient art market, the paperwork provided was determined to be a false attestation.  This technique is sometimes used by sellers of illicit material to increase verisimilitude to a work of fiction through the invention and insertion of details into an object's documentation which are presented as factual, when they are not.

Reviewing this document it was determined that the paperwork presented by the dealer to legitimise this object's circulation contained several discrepancies. The most blatant error on the part of the fraudster(s) was that the forged document referenced Sudan's "Ministry of Archeology", a departmental name that has never existed in this African country.  

In 1967 the competent authority tasked with the protection of cultural heritage in the Sudan was the Sudanese Antiquities Service, abbreviated as the SAS (now the National Corporation for Antiquities & Museums - NCAM).  In 1939 the SAS was linked to the Ministry of Education, and by 1953 to the Ministry of Al Maref.  In addition to the above, the signatory of the falsified attestation referred to himself with the title of "general director" for the aforementioned nonexistent ministry.  And while this named individual does match to a person previously affiliated with the government of Sudan, this person never held a position with this title.  Likewise,  their documented signature on official records differs from the one signed and given to the museum substantiating the objects departure from the country.

During this investigation it was also determined that the artefact was one of several artefacts believed to have been stolen from the Gebel Barkal Museum situated on the right (north) bank of the Nile on the SW edge of modern Karima, Sudan which occurred between 2000 and 2003.

The complaint filed by the National Museum of Antiquities in Leiden, concluded that based on the evidence of fraud they were seeking a refund of the purchase price from the Catalan dealer.  The Spanish police press report indicates that the person under investigation, if found guilty, would be responsible for a crime of aggravated fraud by involving assets of artistic, historical and cultural heritage, as well as for exceeding the fraud of 50,000 euros for the object's sale to the Dutch museum. 

But just who is the unnamed Catalan dealer? 

Matching the partial photograph of the ushabti for Pharaoh Taharqa depicted on Spain's press release lead me to a more complete rendering of the object on the Rijksmuseum van Oudheden's accession record.  That record indicates that the Dutch museum purchased the sculpture in 2014 via Spain but not much else in the way of detail on its official collection history.  That same year, Jaume Bagot, of J. Bagot Arqueología, a problematic Catalan dealer who has been mentioned frequently on ARCA's blog, was identified as having brought a 25th Dynasty ushabti of similar proportions to Brussels for the 2014 BRAFA art fair.  Unfortunately, the first Pinterest photo of that event wasn't clear enough to confirm if Bagot's artefact was the one the museum had purchased. 

Going back to Bagot's website we can find a "sold" notice for a Ushabti of the Pharaoh Taharqa. 


The provenance for this piece is listed as follows:

‘Family Babeker, Sudan. In Europe since 1930. Family C., Barcelona, prior 1970.’


This seemed to match to the export date on paperwork the Spanish authorities had, but I still wanted to ensure that I had the right artefact and the right doggy documents presenting dealer, before naming him, so I dug a bit deeper.  I then came across an article by Alain Truong which tells us more regarding the provenance of Bagot's 2014 ushabti. That article listed the collection history for the Spanish dealer's ushabti as:


Provenance:  The family of M. Mustafa Abdalla Babeker, Khartoum, Sudan, 1917 - 1930. Collection of Don C. Bes, 1930. Private European collection, 1940. From the archaeological work at the pyramid of Taharqa, the royal necropolis of Nuri, Nubia.


To be 100 percent certain the objects were a match, I then took the image from J. Bagot Arqueología sales record with the black background and overlayed it with the one attached to the Rijksmuseum van Oudheden accession record.  Without a doubt, the two images reflect an object of the same size and proportion and depict the same object. 

It should be noted that this is not the only "Babeker" provenance artefact sold by Bagot.  In 2017 the Catalan dealer brought another ushabti to Brafa, this one of the King Senkamanisken, the third successor of Taharqa, who likewise was a king buried at Nuri (Sudan) and low and behold it too had the same purported provenance.  Did Bagot use the same attestation letter provided to the Dutch museum? 

So with that, I leave you with a pressing question.  To those of you out there who have handled other objects with Mr. Babeker as your assumed touch stone of pristine provenance, what say you? Any comments from Christie's, or Christie's again or  Sotheby's or Axel Vervoordt or anyone else who has bought or sold a Taharqa or a Senkamanisken ushabti since the early 2000s?  

Care to share your details with the Spanish authorities?  

By: Lynda Albertson

January 21, 2024

Spanish Police Recover 71 Historical Artefacts and Arrest 6 of 10 members of an Art Trafficking Ring


This week the Spanish newspaper El Pais reported on an important victory by the Brigada de Patrimonio Histórico de la Policía Judicial in the recovery of 71 artefacts from the Nasrid, Caliphal, Visigoth, and Renaissance periods and the arrest of a group of individuals now facing varying charges for their individual roles in the circulation of illicit artefacts. The historic pieces recovered, many of which were architectural elements, include stone capitals and columns, plasterwork arches, Islamic beams, an Arab funerary stele, and a partial arrocabe, (an ornament in the form of a frieze at the top border of walls), as well as several sculptures and four Visigoth belt brooches.

The genesis of this Spanish investigation can be traced back to a routine documentation check conducted at a booth during the 2021 Feriarte art fair in Madrid. During this examination, law enforcement officers engaged with the seller, raising inquiries about the provenance and collecting history of a particularly suspicious stone capital.

This object dated to the Emirate of Granada, also known as the Nasrid Kingdom of Granada, the medieval Islamic state that ruled the southern Iberian Peninsula from the 13th to the 15th century.  Established in 1238 after the fall of the Almohad Caliphate, the Nasrid dynasty successfully maintained its independence amidst the Christian Reconquista and is renowned for having fostered a vibrant society characterised by intricate architecture, advanced scholarship, and a rich blend of Islamic, Christian, and Jewish influences, the most important of which is the iconic Alhambra palace complex. 

A review of the capital's paperwork shed important light on a series of irregularities, which, upon further investigation.  The invoice showed that it had been acquired, along with two other capitals, in an antiques establishment in Granada, but had no invoice number and the VAT amount had not been broken down.  This turned out to be the first lead that allowed officers to identify the group of individuals responsible for the circulation and laundering of similar pedigreed artefacts into the ancient art market via Granada, to Barcelona, as well as on to Valencia and Madrid.

Many of these pieces utilised similar false attestations of ownership claiming that the object on offer had  originated from a family collection which could be traced back to an important restorer who worked on the Alhambra two centuries ago.  The paperwork provided also claimed that the cultural property in question had been part of the family's private collection prior to 1985, the year that Law 16/1985 established a new legal framework for the protection, enhancement and transmission to future generations of the Spanish Historical Heritage.  


Following this investigative period, concrete evidence leads to the filing of charges against ten individuals who are alleged to have been involved in this criminal network. Notably, law enforcement have now apprehended five individuals in Granada as well as one antiquities dealer operating in the city of Barcelona.  Four additional implicated members of the same Granada-based family remain at large as some of them are believed to hold Brazilian nationality and were outside the country at the time arrest warrants were executed. 

According to the police, the leaders of the operation were three siblings from Granada, who, operating an antiques business in the city, facilitated the fabrication of documentary evidence which then allowed the network to introduce the illicit pieces into the legal market via their contact in Barcelona, before circulating onward. 

August 13, 2023

Thoughts on the confessions of Cosa Nostra boss Matteo Messina Denaro during his February interrogation

A man of many "pezzini"

As mentioned in an earlier ARCA blog post this week, Matteo Messina Denaro, the former fugutive Cosa Nostra boss, was interrogated on February 13, 2023 for almost two hours at a maximum security prison in Italy.  There, the crime boss fielded many  questions, and sometimes duelled with Palermo prosecutor Maurizio De Lucia and deputy prosecutor Paolo Guido when their questions struck too close to home.   

According to the official transcript of their exchange, which covers 69 printed pages and is marked in several places with the handwritten word “omissis”, (used to mark redactions in the interrogation), the Cosa Nostra boss, curated his words carefully.  In many cases he only only incriminated himself verbally in specific areas where there was already overwhelming evidence of specific and proven actions.  In other instances, he obliquely ignored questions he didn't want to answer, while seemingly going off on tangents, as if he wanted his say on key subjects to be memorialised so that others might read and interpret his statements later. 

Speaking to the two magistrates, Messino Denaro again distanced himself from the murder of Giuseppe Di Matteo.  Repeating what he had previously told investigating Judge Alfredo Montaldo, who had questioned him in relation to another trial in which he is accused of attempted extortion.  The boss admitted to prosecutors De Lucia and Guido that he played a role in the 12 year old's kidnapping on November 23, 1993 and made it clear that seizing the child was a volley designed to coerce the father, Cosa Nostra informant Santino Di Matteo, into retracting statements given to the Anti-Mafia District Directorate (DDA) of Palermo.

Giuseppe was escorted out of horse stables in Villabate by four mafiosi dressed as policemen.  His kidnappers had promised him that they were bringing him to see his father.  Once under their control, the child was held hostage for a total of 779 days in various locations between the provinces of Palermo, Trapani, and Agrigento.  

Ironically, at one point the boy was taken, hooded and locked in the trunk of a car, to a farmhouse in Campobello di Mazara, the same village where Messina Denaro was  found to be hiding at the time of his January 16, 2023 capture.  After years as a hostage, and increasingly becoming a liability to his captors, Giuseppe was strangled to death on January 11, 1996 in the Giambascio countryside outside Palermo. His body was then dissolved in acid. 

Matteo Messina Denaro was involved in the massacres of 1993,
including this one in Florence in via Georgofili

In July of this year, the Caltanissetta court of appeal confirmed Matteo Messina Denaro's life sentence for his role in dozens of murders including Giuseppe's.  The others include: 

  • The May 23, 1992 bombing which killed anti-Mafia magistrate Giovanni Falcone, his wife, and three officers of their police escort as their cars passed near the small town of Capaci; 
  • The July 19, 1992 bombing in Via Mariano D'Amelio (Palermo) which killed Judge Paolo Borsellino and five members of his security detail; 
  • The 1993 bombings carried out at art and religious sites in Milan, Florence and Rome that killed 10 people and injured 40 others: 

During his interrogation Matteo Messina Denaro denied being involved in the trafficking in drugs, but openly admitted to prosecutors other things they already knew and had confirmed, such as having regularly passed pizzinu (small piece of paper, containing sometimes coded messages) with convicted Cosa Nostra “boss of bosses” Bernardo Provenzano, who once headed the Mafia's powerful Clan dei Corleonesi. 

In these messages, sent while both men were already fugitives from justice, Messina Denaro admitted that the pair asked one another for favours, but his admission of his relation with Provenzano during this interrogation wasn't revelatory.  Investigators already had undeniable proof of the pair's communication in the form of ten pizzini, sent between 2003 and 2006, which agents had recovered in Provenzano's hideout when he was captured in Montagna dei Cavalli near Corleone on April 11, 2006. 

The Farm Hideout of Bernardo Provenzano

One of those messages is practically a testament of fealty by Messina Denaro to Provenzano and spoke with deference to the crime boss saying:

"Lei è sempre nel mio cuore e nei miei pensieri, se ha bisogno di qualcosa da me è superfluo dire che sono a sua completa disposizione e sempre lo sarò. La prego di stare sempre molto attento, le voglio troppo bene".  

In another, writing as his nephew "Alessio," Messina Denaro wrote to his Uncle Bernardo saying:

"I know the rules and I respect them, the proof that I know the rules and that I'm respecting lies precisely in the fact that I'm turning to you to fix this unpleasant affair, this for me is respecting the rules.  You tells me that money in life isn't everything and that there are good things that money doesn't can buy. I totally agree with you, because I have always thought that one can be a man without a lira and one can be full of money and be mud." 

Offering both a mundane and fascinating image of himself on the lam, a substantial part of the Corleonese godfather's interrogation statements focus on the time period in his life immediately leading up to his capture.  Perhaps because by this period he understood that the clock was ticking and understanding that a) he couldn't hide forever and b) he needed help from others given his declining health.  

Some of his statements appear to be attempts to exonerate some of those individuals, who have been arrested on suspicion of having helped the Cosa Nostra boss during his illness, including statements in defence of Doctor Alfonso Tumbarello, whom Messina Denaro told the magistrates: 

"knows nothing."

Other individuals close to the boos faired less well during the Messina Denaro's ramblings.  

When speaking about undergoing medical care in Palermo under the false name of Andrea Bonafede, as an outpatient at the multi-specilaity hospital La Maddalena, Messina Denaro described several of the steps he needed in order to obtain false identity documents, knowing that he could not undergo chemotherapy and medical treatment in the state's medical institution directly under his own name. 

In this part of the interview Messina Denaro stated:

"I had a friendship with Andrea Bonafede, but a remote friendship because his father worked for us, for my father and then my father was a friend of his uncle, he had a another uncle suspected mafia convicted of mafia".

Investigators contend that in addition to lending his name, Bonafede received 20,000 euros from the Matteo Messina Denaro to buy a house in western Sicily that would serve as one of the fugitive's hideouts.

Messina Denaro also told the magistrates about a second assumed identity, used in the city of Campobello di Mazara, the Sicilian town that sheltered him.  Here he was known under the pseudonym “Francesco”, a Palermitan man who purportedly relocated from the city to the smaller town while caring for his ailing mother and two elderly aunts.  

Living dual identities while hiding in plain site within the Campobello community, Messina Denaro also admitted that in addition to travelling back and forth to the Palermo hospital for treatment, either alone or with an escort, he had openly visited Campobello's bakeries, greengrocers, and supermarkets.  He also played poker and eat in  local restaurants. Again, nothing extremely revelatory, as receipts and objects found in his hiding places confirm some of the his admitted activities. 

What is more of interest to readers of ARCA's Art Crime blog were the from-the-horse's-mouth affirmations made during this hour and forty minute interrogation that confirm directly from the source that Matteo Messina Denaro's family, and that of his father, Francesco Messina Denaro, capo mandamento in Castelvetrano and head of the mafia commission of the Trapani region, sustained their livelihoods, to some extent, by the proceeds of antiquities crimes.

Messina Denaro's verbal admissions concretise a written statement previously attributed to him, which was already mentioned in an article published in 2009 by Rino Giacalone for Antimafia Duemila.  In that article, the journalist refers to an intercepted "pizzini" written by Messina Denaro where the crime boss wrote almost word for word, what he admitted to during this interrogation.  

"With the trafficking of works of art we support our family."

Francesco Messina Denaro as readers of ARCA's blog may recall was already believed to have been behind the theft of the famous Efebo of Selinunte, a 5th century BCE statue of Dionysius Iachos, stolen on October 30, 1962 and recovered in 1968 through the help of Rodolfo Siviero. 


Matteo Messina Denaro was verbose when speaking to his dead father's and the family's involvement in the illicit antiquities trade.  He also mentions that his family bought from everyone and laundered antiquities illegally removed from Sicily via Switzerland, in an enterprise which supporting some 30 members of his family, including some who were incarcerated and others like himself who were on the run.  But the boss was far more laconic when asked directly if he knew Castelvetrano ancient art dealer Gianfranco Becchina.  In response to the PM's query in this regard, he answered: 

"lo conosco perché è un paesano mio, a prescindere, anche senza i beni... i pezzi archeologici, lo conosco lo stesso,  perché siamo paesani."

In October 2018, following a formal request by the Deputy Prosecutor for the District Anti-Mafia Directorate Carlo Marzella, preliminary reexamination judge of of the Court of Palermo, Antonella Consiglio, dismissed the charge of mafia association against Becchina citing in her decision that the accusations used for the basis of the charge, made originally via testimonies given by verbose mafia defector Vincenzo Calcara, had been deemed "unreliable". 

Back in 1992, Calcara, and now deceased former drug dealer Rosario Spatola,  incriminated Gianfranco Becchina for alleged association with the Campobello di Mazara and Castelvetrano clans, implying that there was a gang affiliate active in Switzerland whose role it was to sell ancient artefacts originating from the mab's black market.  At the time of his testimony, much of Calcara's information was discounted as many were skeptical that he had actual knowledge of the facts he represented or whether he invented things for his own benefit.

Matteo Messina Denaro's statements during his February interrogation however confirm that a network of criminals funnelled numerous illicit antiquities from Sicily through the art market in Switzerland, which flowed onward, into world museums.  But the mafia boss stopped short however, on confirming, by name, whose hands, these works of ancient art passed through. 

Like Provenzano before him, Matteo Messina Denaro, at least for now, seems to be determined to be his own custodian of many secrets, especially those which might openly implicate living individuals, who have direct or indirect relationships with the Cosa boss and result in their arrest and/or convictions.  Facing a terminal illness, Messina Denaro's statements are well-guarded, and for the most part his scant confessions during the interrogation seem wholly performative.  

Like so many mobsters before him, it seems that he plans to carry most of the Cosa Nostra's bloody business dealings with him to his grave. 

By:  Lynda Albertson

January 20, 2023

Ceremony on the return of 58 antiquities to Italy

On Monday, January 23, 2023, at 1 pm in Rome, a formal ceremony will be held regarding the return to Italy, from the United States, of 58 antiquities valued at nearly $19 million.  This event will be held at the Ministry of Culture's Sala Spadolini inside the Consiglio Nazionale al Collegio Romano.

The objects returned are the direct result of investigations in the United States regarding international traffickers of antiquities conducted by the Antiquities Trafficking Unit at the District Attorney's Office in New York in Manhattan, in collaboration with the Comando Carabinieri Tutela Patrimonio Culturale (TPC).  

Present for the event will be the Italy's Minister of Culture, Gennaro Sangiuliano,  the Deputy Prosecutor of the Republic at the Court of Rome, Angelantonio Racanelli; the Commander of the Carabinieri TPC, General B. Vincenzo Molinese; and New York Assistant District Attorney Col. Matthew Bogdanos. 

This event will be direct streamed via the YouTube channel of Italy's Ministry of Culture for those who wish to attend the ceremony digitally. 

https://www.youtube.com/watch?v=x-RcYKNBHtk&ab_channel=MiC_Italia

Marble head of Athena, ca. 200 BCE

In discussing these returns in a press release issued by the New York County District Attorney's Office, the New York authorities stated that these artefacts had been trafficked by Giacomo Medici, Giovanni Franco Becchina, Pasquale Camera and Edoardo Almagiá.  Twenty one of the pieces had been seized from the Metropolitan Museum of Art while the other thirty-seven were recovered from a New York collector and an antiquities dealer.

When speaking of these objects homecoming to Italy, Manhattan District Attorney Alvin L. Bragg, Jr., was quoted as saying:

“These 58 pieces represent thousands of years of rich history, yet traffickers throughout Italy utilised looters to steal these items and to line their own pockets. For far too long, they have sat in museums, homes, and galleries that had no rightful claim to their ownership.”  

Discussing the recent Italian restitutions Bragg also addressed the difficulty and time needed to work these complicated cultural property crime cases stating:

“Exposing these schemes takes years of diligent and difficult investigative work, and I applaud our team of prosecutors and analysts, who in coordination with our law enforcement partners, are continuing to make unparalleled progress in returning stolen antiquities.”  

Assistant US District Attorney Col. Matthew Bogdanos, who heads up the Manhattan Office's Antiquities Trafficking Unit, and who will be present at Monday's ceremony, has often related his department's work to an axiom of jurisprudence “that justice should not only be done, but should manifestly and undoubtedly be seen to be done.” R v. Sussex Justices, ex parte McCarthy, 1 KB 256, 259 (1924).  Something this publicly streamable restitution will undoubtedly demonstrate.  

Each of these objects should be viewed as a reminder to collectors, dealers, and art institutions, that the US authorities treat stolen cultural property seriously and public prosecutors continue to pursue the rightful return of plundered goods.

January 17, 2023

Are there connections to Becchina enterprises? Questions surrounding the enterprise of Matteo Messina Denaro's fiancheggiatore, Giovanni Luppino

Police standing watch outside Messino Denaro's
residence in Campobello di Mazara

Following the arrest of fugitive mafia super boss Matteo Messina Denaro, there are some interesting avenues worth exploring regarding the diversification of mafia holdings. One of which may, or may not, strike close to home with regards to the  economic activities of 83-year-old former antiquities dealer Gianfranco Becchina in his later years.  Messina Denaro was captured yesterday after 30 years on the run.

Back in May 2022 Italy's Direzione Investigativa Antimafia, the country's anti-mafia investigation division, issued a confirmation confiscation decree on Gianfranco Becchina's property holdings, based upon a request from the Public Prosecutor's Office of Palermo.  As per that decree, the DIA's action finalised the confiscation of a significant portion of Becchina's movable, real estate and corporate assets "attributable to a well-known international trader of works of art art and artefacts of historical-archaeological value suspected of links with the mafia gangs, in particular in the province of Trapani." While the DIA's final seizure announcement didn't name Becchina as the businessman living in Castelvetrano, whose assets were seized, the regional and National newspapers did.   

But back to yesterday's arrest of the mafia crime boss

According to searches coordinated by the Deputy Prosecutor Paolo Guido, fugitive Matteo Messina Denaro had been staying, at least for the most recent period of his time on the run, at a residence located on a secluded street, Vicolo San Vito, in the heart of Campobello di Mazara.  This is the same town where his driver and fiancheggiatore (flanker), Giovanni Luppino, also resided.  Campobello di Mazara, in the province of Trapani, is a short 7.7 km from Castelvetrano where Gianfranco Becchina resides and where Messina Denaro was born in 1962 building an empire of Cosa Nostra controlled business enterprises which included waste disposal, wind energy, retail and agricultural sectors. 

A municipality in a strategic position, Campobello di Mazara is a town of 11 thousand inhabitants closely rooted to the mafia, with some residents in these days even lamenting his arrest, saying the Trapani cosca put food on the tables. The city is also home to Alfonso Tumbarello, the physician now under investigation for having treated Andrea Bonafede, alias Matteo Messina Denaro, who is also the doctor of the real Andrea Bonafede. Tumbarello, it is reported wrote prescriptions in Bonafede's name for the cosa nostra boss.

It is also home to mafia boss Francesco Luppino and loyalist Raffaele Urso, AKA Cinuzzo.  Wire interceptions confirmed that Luppino, arrested in September 2022, was in close contact with Messina Denaro for land management.  While Urso, the boss's ambassador to business in Italy's capital, was arrested in April 2018, and sentenced to 18 years and 4 months in prison for his involvement in the Trapani clan.  

Other interesting Campobello di Mazara residents include the former city councillor, Calogero Jonn Luppino, who had 6 million euros in assets seized for mafia association, including 10 companies and related business complexes, 6 parcels of land, 14 bank accounts, 1 motor vehicle, 1 racehorse, cash, and gold bars.  That Luppino was involved in mafia rackets and extortion which forced various businesses in the Trapani area to install gambling devices in their businesses or risk threatening retaliation.  

Even the city's former mayor Ciro Caravà, was indicted in 2012 for mafia association as part of the Campus Belli anti-mafia operation.  Following his arrest the Municipality was dissolved for mafia infiltration on July 27, 2012.  Strangely, after  Caravà's sentence was overturned and he was released from custody, he died by suffocation, at age 58, purportedly trying to swallow a piece of bread. 

All this to say that Campobello di Mazara is not your typical bucolic Sicilian town, making it not at all surprising that this boss was able to hide in plain site here. 

But who is Giovanni Luppino, aside from being Messina Denero's driver?  

This Luppino is not believed to be a relation to  Messina Denaro loyalist Franco Luppino.  Nor, it is claimed, is he a relation to an olive oil producer of the same name.  However, the driver, Giovanni Luppino also worked in the olive oil biz and reportedly had storage warehouses in Campobello di Mazara and Castelvetrano and worked with wholesalers buyers from the Bay of Naples as well as local growers of Nocellara del Belìce olives, a protected denomination of origin (PDO) olive varietal, consumed as table olives and used for the production of extra-virgin oil.

If this olive sounds familiar to ARCA's blog readers it is because Gianfranco Becchina also invested in this money-making olive.   Beginning in 1989, one of Becchina's companies produced his own Nocellara del Belìce olive oil, harvested from the olive trees on Tenuta Pignatelli, a one-hundred-acre expanse of olive groves and lemon trees with a historic main villa from the early 1800s on the outskirts of Castelvetrano, once owned by the Princess Pignatelli of Spain.  

Sold in upscale boutiques, Becchina's olive oil was marketed to USA-based customers for an eye-popping $36 a bottle and is known to have medalled in the New York International Olive Oil Competition over the course of three years, 2018, 2019, and 2021.  

Patrizia Messina Denaro - Sister of the Boss, and Capodonna representative of the Castelvetrano, family also had an olive-oil company belonging to her and her husband impounded.

Nocellara del Belìce olives are cultivated in a fertile area which encompasses the municipalities of Castelvetrano, Campobello di Mazara, Partanna, Poggioreale, Salaparuta and Santa Ninfa, all towns in the province subject to the heavy influence of the Trapani mandamento of the Cosa Nostra.  With some 5,000 olive growers who produce this kind of olive, the province of Trapani in the west of Sicily is a lucrative agricultural market, known for its mafia infiltration, as well as an important stop in the seasonal labor cycle, with the majority of harvesters being sub-Saharan Africans who are all too often exploited, treated as human farming tools, no different than tractors. 

Whether there is a connection between the mafia boss, his driver the olive oil merchant, or the former antiquities dealer has not been proven. But what is known is that in November 2017 Italy's Anti-Mafia Investigative Directorate, through the Court of Trapani's penal and preventive measures section, filed a seizure order for all movable assets, including real estate and corporate enterprises attributable to Gianfranco Becchina on the basis of an order issued from the District Attorney of Palermo based upon investigations conducted by Italy's anti-mafia DIA, under the coordination of the Palermo Public Prosecutor's Office.  That order resulted in the seizure of not only Becchina's cement trade business, Atlas Cements Ltd., Demetra srl., and Becchina & company srl., but also his olive oil venture, Olio Verde srl.   

Much like antiquities, olive oil is a highly lucrative and diversified, income stream making it appealing to Italy’s organised-crime syndicates

Police data shows that there is a known and profitable agromafia active in Italy related to olive cultivation.  Data also shows that all of Italy’s major crime syndicates — the Neapolitan Camorra, ’Ndrangheta, and Cosa Nostra have profited from  farming investments.  

The economic importance of agriculture for mafia organisations like Messina Denero's can be deduced from the frequency of ongoing trials and the confiscation sentences of agricultural, or agro-industrial assets, in and around the province of Trapani.  Many of which have been tied to trials and seizure orders relating to  individuals found to have been associated with Messina Denaro or his enterprises. 

With respect to olives specifically, it has long been the common view that the Neapolitans control the distribution of olives and the olive oil market in Sicily, via a price fixing of sorts, tacitly condoned, if not formally agreed upon, between the Cosa Nostra and the Camorra.  And studies have shown that members of both organised crime organisations have profited from the selling of counterfeit extra virgin olive oil, controlling farmlands, price fixing, and in some cases labor exploitation.   

How important, olive holdings are to the mechanisations of Messina Denaro's Trapani cosca has never been publicly disclosed. But we do know that this syndicate's reach extends beyond the underworld and into diversified revenue streams, like Italy’s illicit antiquities trade and the very path our food travels before reaching our supermarket trolleys and our dinner tables.  

And with margins as high as 700 percent, profits from olive oil are higher than cocaine — making it an appealing channel for money laundering. 

November 2, 2022

A lighter than we had hoped [but not unanticipated] sentence for Subhash Kapoor

 

Arrested while on business in Cologne, Germany on October 30, 2011, after a years-long investigation code named Operation Hidden Idol that ultimately resulted in the issuance of an INTERPOL Red Notice, Subhash Kapoor, the former New York gallerist who once operated Art of the Past, has (at last) been convicted in Tamil Nadu's Kumbakonam court, in the first of several cases against him. 

Extradited from Germany to India, to face charges in a case registered in with the Udayarpalayam police station, Kapoor was handed over by the German authorities to the Idol Wing of the CID police in Chennai on July 13, 2012.  Appearing before the court the next day,  Kapoor pled not guilty to charges relating to the theft of idols from Varadaraja Perumal temple in the state's Ariyalur district.  

Afterward, he was remanded into judicial custody by the Judicial Magistrate, Jayankondam in Ariyalur, and would remain in custody for the next decade, held at Trichy Central Prison in Tiruchirapalli, Tamil Nadu, while his case proceeded through the judicial process.  While there, other idol theft cases piled up against him; in Vikramangalam, in Veeravanallur, in Palvoor and in Virudhachalam, as well as abroad in the United States and Germany.

Yesterday, the disgraced owner of the New York gallery, Art of the Past was found guilty and sentenced by Chief Judicial Magistrate D Shanmuga Priya under:

IPC penal code section 411 (dishonestly receiving stolen property) carrying with it a three year prison sentence plus a fine. 

IPC penal code section 413 (receives or deals in property which he knows or has reason to believe to be stolen property) carrying with it a three year prison sentence plus a fine. 

IPC penal code section 120 b (criminal conspiracy) carrying with it a seven year prison sentence plus a fine. *

Other co-conspirators in this case also had sentences handed down.

Sanjivi Asokan, AKA Sanjeevi Asokan, AKA Sanjeeve Asokan, received a two year sentence and fine for violation of IPC penal code section 465 (forgery), a two year sentence and fine for IPC penal code section 468 (forgery, for the purpose of cheating), a two year sentence and fine for IPC penal code section 471 (use of forged material) a one year sentence and fine for IPC penal code section 414 (concealing or disposing of stolen property), and a seven year sentence and fine for IPC penal code section 120 b (criminal conspiracy).*

Marichamy received a seven year sentence and fine for violation of IPC penal code section 457 (lurking house trespass by night, or house-breaking by night), a three year sentence and fine for IPC penal code section 380 (theft of a building) and a seven year sentence and fine for IPC penal code section 120 b (criminal conspiracy).*

Packiya Kumar received a two year sentence and fine for IPC penal code section 465 (forgery), a two year sentence and fine for IPC penal code section 468 (forgery, for the purpose of cheating), a two year sentence and fine for IPC penal code section 471 (use of forged material), a three year sentence and fine IPC penal code section 411 (receiving stolen property), a three year sentence and fine for IPC penal code section 414 (concealing or disposing of stolen property), and a seven year sentence and fine for IPC penal code section 120 b (criminal conspiracy).*

Sri Ram AKA Ulagu received a seven year sentence and fine for IPC penal code section 457 (lurking house trespass by night, or house-breaking by night), a three year sentence and fine for IPC penal code section 380 (theft of a building) and a seven year sentence and fine  for IPC penal code section 120 b (criminal conspiracy).*

Parthiban received a seven year sentence and fine for IPC penal code section 457 (lurking house trespass by night, or house-breaking by night), three years for IPC penal code section 380 (theft of a building) and seven years for IPC penal code section 120 b (criminal conspiracy).* 

It should be noted that in the United States, the New York District Attorney's Office in Manhattan filed extradition paperwork for Kapoor in July 2020 after charging him with 86 felony counts for allegedly looting $145 million in antiquities over the last 30 years. 

Last month, Manhattan District Attorney Alvin L. Bragg, Jr. returned 307 antiquities to India, valued at nearly $4 million. Of those, 235 of those were pursuant to his Office’s investigation of Kapoor.  Five of his co-defendants, in the US court case have already been convicted in the United States. 

To get a look at some of the pieces returned to India handled by members of Kapoor's network, please see our earlier blog post on daylight sentences, reconceiving restitutions and the hard work it takes to restitute pieces to their countries of origin.

*NB: Some of these sentences may run concurrently. 

May 25, 2022

Justice Rendered: The final confiscation of properties and business enterprises of Gianfranco Becchina has been confirmed.

DIA Seizing Gianfranco Becchina assets in 2017

Italy's Direzione Investigativa Antimafia, the country's Anti-Mafia Investigation Department has issued a confirmation confiscation decree based upon a request from the Public Prosecutor's Office of Palermo.  As per this decree, this action finalises the 2017 confiscation of a significant portion of movable, real estate and corporate assets "attributable to a well-known international trader of works of art art and artefacts of historical-archaeological value" long suspected to have links with the Sicilian mafia, in and around the port town of Trapani. 

While the DIA's announcement didn't name the, now, 83 year old dealer living in Castelvetrano, the regional newspapers in Sicily, and the national newspaper in Rome, did. 

For decades the Trapani branch of the Cosa Nostra is believed to have accumulated at least some portions of its wealth through the proceeds of illicit archaeological finds.  Some of which, according to Italy's DIA may have been procured through grave robbers working at the isolated Archaeological Park of Selinunte, one of Sicily's great ancient Greek cities, located near Castelvetrano probably in the service of the Cosa Nostra.  This archaeological site covers some 40 hectares and includes Greek temples, ancient town walls, and the ruins of residential and commercial buildings from Italy's past.  Given its remote location, much of the site has not been formally excavated, and it has been prey to opportunistic looters for decades.

To further dismantle the mafia's operational funding in and around Trapani, in November 2017 Italy's Anti-Mafia Investigative Directorate, through the Court of Trapani's penal and preventive measures section, filed an initial seizure order for all movable assets, including real estate and corporate enterprises attributable to Gianfranco Becchina on the basis of an order issued from the District Attorney of Palermo based upon investigations conducted by the DIA, under the coordination of the Palermo Public Prosecutor's Office on the basis that much of Becchina's accumulated wealth was generated through the proceeds of trafficked antiquities. 

Palazzo dei Principi Tagliavia-Aragona-Pignatelli

The preliminary 2017 order included the seizure of Becchina's cement trade business, Atlas Cements Ltd., Olio Verde srl., his signature olive oil production company, Demetra srl., Becchina & company srl.  Real estate holdings confiscated included some 38 buildings as well as Becchina's portions of Palazzo dei Principi Tagliavia-Aragona-Pignatelli, once the noble residence of the family Tagliavia-Aragona-Pignatelli, which is part of the ancient Castello Bellumvider, (an additional part of this palazzo is owned by the city of Castelvetrano and houses the town hall).  Investigators also seized a total of 24 parcels of land belonging to Becchina, and four vehicles.  In total, the value of the seized assets is estimated to be worth more than 10 million euros. 

Giovanni Franco Becchina (b. 1939) was born in Sicily. In the 1970s, he established a business, Palladion Antike Kunst, in Basel, Switzerland, with his wife Ursula.  For almost forty years Becchina headed one of Italy's most notorious “cordata” (a trafficking cell) in a lucrative criminal enterprise that used gangs of tombaroli to loot carefully chosen and insufficiently guarded archaeological sites throughout southern Italy.

It is well-documented that Becchina and other traffickers like him, laundered their looted antiquities through exhibitions at museums and in private collections with manufactured provenance, providing a thin veneer of respectability to material removed from Italy and laundered through the ancient art market. 

In 2001, Becchina was arrested in Italy and charged with receiving stolen goods, illegally exporting goods, and conspiring to traffic goods. In May 2002, the Swiss and Italian authorities raided Palladion Antike Kunst and three of Becchina’s located storage facilities.  A fourth was raided in 2005. 

In 2011, Judge Rosalba Liso dismissed the charges of receiving stolen goods, illegally exporting goods, and conspiring to traffic goods, due to the expiration of the statute of limitations.  However, the Judge in the case confirmed the seizure order for the 5,919 antiquities Becchina had in stock at the time the 2002 and 2005 search warrants were executed.  Material evidence obtained during these seizures confirmed that Becchina bought antiquities directly from tombaroli. Over 90% came from a single source: convicted tombarolo (and later a capo squadra in his own right) Raffaele Monticelli.