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June 19, 2011

Sunday, June 19, 2011 - ,,,,, No comments

Current conflict in Libya puts Greek and Roman ruins at risk

by Rez Hamilton, ARCA Blog Contributor

This is an extract taken from, "Military use of ancient ruins during conflict" submitted for ARCA's course, "Art Crime in War" taught by Judge Arthur Tompkins, 2011.

Recently, international news has brought attention to the ancient city of Leptis Magna in modern day Libya, an archeological site that has been valued for its beauty and almost unheard of completeness. Leptis Magna is unfortunately located between two combating strongholds: Tripoli (about sixty miles away from the ancient ruins) and Misratah (currently held by rebel forces), and at the time of this report is still under the hold of Muammar Gaddafi. The current conflict in Libya which has been ongoing for the past several months has recently had journalists and archeologists alarmed that rumors pertaining to the Gaddafi regime’s use of this ancient site as a staging point for munitions and/or for military operational use are true.

Sadly, the ancient site of Leptis Magna has the potential of being irrevocably damaged by modern warfare having previously survived and persevered since the first recorded conflict against the Byzantines in the first millennium BC and just shy of its 30-year anniversary of being an UNESCO (United Nations Educational, Security and Cultural Organization) World Heritage Site. To give some scope to its scale and historical importance, Leptis Magna used to be Roman’s third largest and influential city on the African continent, following Alexandria and Carthage. Another UNESCO site that was declared in Libya during 1982 is Cyrene, which is currently a stronghold of rebel forces and which also has a history of military presence among its ancient ruins during World War II. With NATO’s ongoing conflict against the Muammar Gaddafi regime, a statement has been released which indicates that regardless of the location of resistant positions, NATO forces will strike, which means not even UNESCO heritage sites are safe.

Are the rumors true? According to reporters who attended a Libyan government sponsored tour of Leptis Magna last Wednesday, no military presence of personnel or munitions were seen. However, one must be considerate of the fact that due to the tour being Gaddafi regime sponsored, proof may have been taken away prior to the reporters arrival and/or may have been moved onto or replaced to the site soon after the camera crews had departed. In the meantime, the world must hope that the use of the site as a military show of force or for storage will never come to pass.

A military’s use of ancient ruins during conflict is not new nor is it unusual. One famous example which was used in order to justify the removal of the famed Elgin Marbles now housed in the British Museum in the UK, was when the Turks were using the Parthenon as munitions storage. While in storage, an accidental ignition of some of the weapons directly damaged the site. Ongoing arguments abound on the topic of its repatriation, and on whether or not Lord Elgin saved the marbles from further destruction.

Modern warfare cannot and will not allow the time nor will it lend protection to ancient sites, regardless of conventions and treaties. Nothing is unconditionally safe during conflict and as the record of the current regime has showed its marked carelessness for human life, it is safe to assume that not even ancient relics will be preserved. We can only hope that should any evil befall the ruins as the conflict continues that there will be enough left to put the pieces back together and that no plunder occur in the interim which would scatter the remains to the four corners of the earth for those with little care of provenance and wealthy enough to afford illicit antiquities. Should the plunder come to pass, then the ancient ruins will probably be forever ruined with little chance of ever reacquiring all the pieces to the heralded Leptis Magna, one of the most complete archeological sites known in modern times.

To personally share your thoughts/comments along with any examples of other specific ancient ruins which were used by the military in times of conflict (besides the parthenon), please email me at: rez.hamilton@gmail.com

Works Cited:

· 1943, January. "Leptis Magna at Risk: History Repeats." Project Patrimonio. Word Press, 14 June 2011. Web. 18 June 2011.
· "Archaeological Site of Leptis Magna." UNESCO World Heritage Centre. Web. 18 June 2011.
· Charman-Smith, Mary. "The Ancient Ruins of Leptis Magna, Libya | Eyeflare.com." Eyeflare.com. 31 Jan. 2011. Web. 18 June 2011.
· Coghlan, Tom. "Libyan Leader Muammar Gaddafi Hides Grad Missiles from NATO Raids in the Ruins of Leptis Magna « Shabab Libya." Shabab Libya. The Times, 14 June 2011. Web. 18 June 2011.
· Hewton, Terry. "Libya: Putting Ancient Ruins into a Contemporary PerspectiveAt Leptis Magna Ancient Romans, Early Christians and Modern Libyans Meet." Guardian [London] 23 Nov. 2010, World News sec. Guardian | Guardian.co.uk. 23 Nov. 2010. Web. 18 June 2011. 
· Hughes, Peter. "Libya: Ancient Ruins in African Sand." Telegraph [London] 28 May 2008, Travel: Activity and Adventure sec. Telegraph.co.uk - Telegraph. 28 May 2008. Web. 18 June 2011. .
· Londono, Ernesto, and Michael Birnbaum. "Fear for Libya’s Roman Ruins - The Washington Post." The Washington Post. 16 June 2011. Web. 18 June 2011. .
· Mustich, Emma. "Is Gadhafi Putting Ancient Ruins of Leptis Magna at Risk?" Web log post. The Archaeology News Network. 14 June 2011. Web. 18 June 2011. .
· Tharoor, Ishaan. "With Roman Ruins Under Threat, Libya’s Ancient Past Presses Against Its Present - Global Spin - TIME.com." Global Spin - A Blog about the World, Its People and Its Politics - TIME.com. Time Magazine, 14 June 2011. Web. 18 June 2011. http://globalspin.blogs.time.com/2011/06/14/with-roman-ruins-under-threat-libyas-ancient-past-presses-against-its-present/.

More information about the archaeological site of Leptis Magna may be found on the UNESCO site here.

June 18, 2011

Saturday, June 18, 2011 - ,, No comments

Swansea University Professor David Gill Awarded AIA's Outstanding Public Service Award

The Archaeological Institute of America (AIA) has selected Dr. David Gill, Reader in Mediterranean archaeology at Swansea University and a columnist for ARCA's Journal of Art Crime, for this year's Public Service Award.

Professor Gill, author of "Context Matters", a column published twice-annually in the Journal of Art Crime, spoke recently with journalist Robin Turner with Western Mail, the "national" newspaper of Wales, here and has been previously featured on the ARCA blog "Lotting Matters Relays Message from the Field in Egypt" here and "Medici's Antiquties Still a Presence on the Art Market" here.

Dr. Gill is also a member of the Editorial Board for the Journal of Art Crime.

June 17, 2011

Friday, June 17, 2011 - ,, No comments

Amelia, Umbria: In His First Criminal Trial, Cicero Defended Sextus Roscius the Younger from the Charge of Killing His Father, A Wealthy Resident of Amelia

by Catherine Schofield Sezgin, ARCA Blog Editor-in-Chief

Sometimes on this art crime blog we feature stories about Amelia, the town in Umbria that is hosting for the third year ARCA's Postgraduate Program in International Art Crime and Cultural Heritage Protection Studies.

This post is about not an art crime but murder. In 80 BC, during the dictatorship of Sulla, the only military commander to take victories in both Rome and Athens, a wealthy resident of Amelia was murdered in Rome. Sextus Roscius the Elder's estate in Amelia consisted of 13 farms and numerous slaves. He spent much of his time in Rome and left the farming to his son, Sextus Roscius the Younger, a middle-aged man who shunned social occasions and loved his work. One evening in September, while walking after dinner with two of his slaves, between 8 and 9 p.m. near the Palatine Baths, 'Old' Roscius was killed. Shortly thereafter, his estate was confiscated and put up for sale. This happened because at the time people who were not loyal to Sulla could be put on a list and have their assets sold. However, adding names to the list had stopped the year before Old Roscius was killed. Yet, sometimes, property was auctioned as if the owner had been listed. Two distant relatives, Capito and Magnus, purchased the farms.

A committee in Amelia felt that this was unfair so they sent a delegation to speak with Sulla and explain that Old Roscius had been in good standing at the time of his death and that the sale should be reversed. However, the delegation only spoke to a spokesman of Sulla who promised that the property would be restored to Sextus Roscius the Younger.

However, this delegation may have only been a smokescreen to appear to be seeking justice as the committee was headed up by Capito himself. What ended up happening is that Sextus Roscius the Younger was actually accused of killing his father in order to keep the property for himself. A witness came forward and said that the younger Roscius had been on poor terms with his father and was afraid of being disinherited.

No one thought that anyone would be brave enough to defend Roscius the Younger. Robbery and murder was common in Rome and the judicial court was easily bribed. People were afraid that they too would be accused by officials of or friendly to Sulla's regime.

However, the Roscius family had friends in Rome who convinced the 27-year-old Cicero to take the case.

The young advocat did not have to provide any evidence, just refute the accusations. Cicero defended Sextus Roscius the Younger by saying that he was uncouth and ignorant and the luxurious things meant nothing to him. In addition, Cicero said that the son had not been to Rome at the time of the death of his father, that he had been 50 miles away in Amelia. Cicero said that the younger Sextus had neither the means, the opportunity, or even the disposition to carry out such a crime. On the other hand, Cicero said, Magnus, a distant Roscius relative who had feuded for years over the estate, had been in Rome the night of the murder and had traveled to Amelia by dawn the next morning to tell his cousin Capito that Sextus Roscius the Elder was dead. Capito ended up owning three farms and Magnus managed 10 farms in the name of one of Sulla's administrators. Cicero gave such an impassioned speech that the 50 judges of the criminal court could not help but acquit Sextus Roscius the Younger, although Capito and Magnus never returned the property or faced charges in the death of Old Roscius.

In Amelia, just past Piazza Marconi and down Via Piacenti, you can find a plaque in memory of the Roscius family.

If you would like to read more about this case, you may read a summary of Cicero's "Pro Roscio Amerino" here and Chapter 4 of Anthony Trollope's book, The Life of Cicero, here.

June 15, 2011

Wednesday, June 15, 2011 - ,,, No comments

Government of Canada Returns Its Largest Ever Seizure of Cultural Property to the Republic of Bulgaria

Press Release from the Office of the Minister of Canadian Heritage and Official Languages

GATINEAU, June 10, 2011 – The Government of Canada today returned to the Republic of Bulgaria 21,000 coins, pieces of jewellery, and other objects that were illegally imported to Canada and seized by the Royal Canadian Mounted Police. The cultural artifacts were returned today at a ceremony at the Canadian Museum of Civilization by Royal Galipeau, Member of Parliament (Ottawa–Orléans), on behalf of the Honourable James Moore, Minister of Canadian Heritage and Official Languages.

"Today marks Canada's largest ever return of illegally imported cultural property, and we are pleased to return these 21,000 precious artifacts to the Republic of Bulgaria," said Minister Moore. "This return of items to their country of origin demonstrates Canada's commitment to stopping the trafficking in cultural property and recover illegally imported goods."

"The Government of Canada is taking action to prevent the illicit traffic of cultural property," said Mr. Galipeau "I would like to commend the work of the Royal Canadian Mounted Police and the Canada Border Services Agency, whose efforts led to the successful seizure and return of these rare antiquities."

"The RCMP is pleased with this successful outcome. Our team in Montréal has worked long hours to investigate, locate, and retrieve these Bulgarian artifacts," said Bob Paulson, RCMP Deputy Commissioner. "Together, with our government and law enforcement partners, we monitor and identify any illegal smuggling of valuable cultural objects and ensure their safe return to the rightful owners."

In 2007, Canada Border Services Agency officials detained two imports of cultural property sent by mail from Bulgaria. These imports were referred to Canadian Heritage for further assessment, and the RCMP was asked to investigate. As a result of its investigation, the RCMP seized about 21,000 ancient coins, pieces of jewellery, and other objects in November 2008. In January 2011, the importer formally abandoned the cultural property, clearing the way for the Court of Quebec to rule under the Criminal Code for the return of the seized antiquities to the Republic of Bulgaria.

These objects, many of which were illegally excavated, cover more than 2600 years of the history of Bulgaria. This collection includes more than 18,000 coins, as well as a number of artifacts including bronze eagles, rings, pendants, belt buckles, arrows and spearheads, and bone sewing needles. They represent a mix of Hellenistic, Roman, Macedonian, Byzantine, Bulgarian, and Ottoman cultural heritage.

His Excellency Mr. Vezhdi Rashidov, Minister of Culture of the Republic of Bulgaria, was present to accept the artifacts from the Government of Canada at today's ceremony. Madame Irina Bokova, Director General of UNESCO, was also present.

"I would like to express our sincere gratitude to the Department of Canadian Heritage and personally to Minister James Moore, to the Royal Canadian Mounted Police, to the investigative departments, as well as to all Canadian institutions who contributed to the resolution of this case," said Mr. Rashidov.

Canada and Bulgaria are signatories to the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Cultural Property, under which participating states agree to assist each other in the recovery of illegally exported and stolen cultural property. In Canada, the Convention is implemented through the Cultural Property Export and Import Act, administered by the Department of Canadian Heritage. The Department works closely with the Royal Canadian Mounted Police and the Canada Border Services Agency to enforce and administer the Act and combat the illicit traffic of cultural property.

You may find this press release on the website of Canadian Heritage here.

June 14, 2011

Tuesday, June 14, 2011 - ,,,, No comments

Picasso's Granddaughter Diana Widmaier-Picasso Discusses 4 Year Old Theft with The New Yorker

Picasso's Maya à la Poupée on display at The Gagosian Gallery in New York (Photo from Gagosian website)

by Catherine Schofield Sezgin, ARCA Blog Editor-in-Chief

Picasso's Maya à la Poupée (Interpol)
Just finding information out about an art theft case can be like unraveling a mystery. Four years ago, thieves stole several paintings from the home of Picasso's granddaughter, Diana Widmaier-Picasso. Seven months later they returned but little was reported in the newspaper about the details of the theft. Ms. Widmaier-Picasso spoke to Eric Konigsberg (At the Galleries: Granddaughter) in The New Yorker's current issue (Summer Fiction, June 13 & 20, 2011) and described the people arrested for trying to sell one of the paintings six months later on the street in the 17th Arrondissement of Paris:
"That is how professional art thieves operate. The one in charge had two nicknames, and they're both interesting: the Locksmith and Goldfinger. It was like a Western."
Of the Brigade de Répression du Banditisme she said:
"They treated it like the kidnapping of a person in the family."
One of the paintings, "Maya à la Poupée", of her mother, the daughter of Picasso and his mistress Marie-Thérèse Walter, is currently on display at the Gagosian Gallery on West Twenty-first Street, in an exhibition, "Picasso and Marie-Thérèse" open until July 15.

Tuesday, June 14, 2011 - ,,, No comments

ARTINFO reports "How a Routine Traffic Stop Led Italian Police to $3.6 Million in Stolen Art"

ARTINFO reports that police stopped a car whose driver had no license to drive but a criminal record and a stolen painting in the trunk. You can read about it here. The post makes no mention of the two men's criminal affiliation except that they were also arrested with a "Romanian woman" thought to be their accomplice. The paintings were small by well-known artists and had been stolen from a residence in Monte Carlo five years ago.

June 13, 2011

Monday, June 13, 2011 - ,, No comments

ARCA Staff Profile: Intern Jessica Nielson Editing ARCA's First Title Under Its Own Imprint, "The Thefts of the Mona Lisa: On Stealing the World's Most Famous Painting" by Noah Charney

ARCA Blog Editor-in-Chief Catherine Schofield Sezgin 'talks' with ARCA Intern Jessica Nielsen.

Jessica Nielsen
Jessica Nielsen is one of the summer interns for ARCA, working on editing, publishing and publicizing ARCA’s first title under its own imprint, Noah Charney's The Thefts of the Mona Lisa: On Stealing the World’s Most Famous Painting. She has a BA in Art History and History and a Masters of Architecture, and has had varied experiences in arts administration, philanthropy and design. She is currently working on revising her first draft of a novel involving forgery and deception. Jessica lives in Chicago with her husband and two children.

What area of art crime do you enjoy following (reading, researching)?
Jessica: I am most interested in perceptions of value in the art market; how it is established, protected and manipulated, and cases which involve forgery and fraud. I have been reading every thing that I can find about the subject – both fiction and non-fiction for years.
My favorite place to sit in Amelia is the patio of Bar Leonardi. Do you have a favorite place?
Jessica: I don’t have a favorite place yet for sitting. But I took a long walk this morning on the footpath just outside the walls and drank in the early morning sounds, sights and smells and decided that it would be my morning ritual. 
When I first went to Amelia in 2009, I was astounded by the cleanliness of the town and the beauty of the views of the surrounding countryside. What was your initial impression of Amelia? 
Jessica: My first impression was of a historic small and friendly town with a lot of charm. That hasn’t changed. Just doing errands here has been a pleasure. I love living in Italy and have twice lived in Rome ¬– but I’m a city person so living in a small town in the country is a new experience for me – I think I’ll really enjoy it.
What are your expectations for this summer?
Jessica: I am hoping that it will be a fun couple of months of working, learning and meeting new people. I would like Noah’s book to be a success and a strong foundation for more titles to be published by ARCA and I want to find some time to work on my own manuscript too.
And, of course, Amelia has lots of venues for live music. Do you play an instrument or sing?
Jessica: Only at Christmas; then I’ll sit at the piano and play a few carols to get in the holiday spirit.

June 11, 2011

Saturday, June 11, 2011 - , No comments

Amelia Art Crime Salon with Art Historian Tom Flynn Scheduled for June 15

British art historian and journalist Tom Flynn will lead the discussion June 15 at the Art Crime Salon at the B&B Cisterne in Amelia for this year's ARCA summer program students. This informal discussion, hosted by one of the returning students, will feature 'milk and cookies' and topics related to art crime.

Dr. Tom Flynn will lecture on "Art History and the Art World" the first half of June as part of ARCA's Postgraduate Program in Art Crime and Cultural Property Heritage Protection studies. The ARCA blog profiled him here in December. Readers may follow Dr. Flynn on his blog, artknows.

The following art crime experts will lead additional discussions: Author and archaeologist Neil Brodie on June 22; lawyer and criminologist Edgar Tijhuis on June 29 (you may read his profile here); Judge Arthur Tompkins on July 13 (you may read about him on the ARCA blog here.)

June 10, 2011

June 9, 2011

Thursday, June 09, 2011 - , No comments

ARCA Staff Profile: Summer Resident Intern Kirsten Hower Assists on the Third Annual International Art Crime Conference in Amelia

Kirsten Hower in Florence
ARCA Editor Catherine Schofield Sezgin 'talks' with summer resident intern Kirsten Hower.

Kirsten Hower is one of the summer resident interns for ARCA, specializing in research and helping to organize events as well as writing for ARCA. She received her B.A. in Art History from Washington College in 2010, graduating with departmental honors, and recently completed a year long post-baccalaureate program at Studio Arts Center International (SACI) in Florence, Italy, where she completed a thesis on the flow of religious reform ideas through the influence on artists. This fall she will be starting the MLitt program in the Arts of Europe at Christie's Education in London, England.

What area of art crime do you enjoy following (reading, researching)?
Kirsten: I really enjoy the quirky stories behind the thefts, such as the theft of Goya's "Portrait of the Duke of Wellington" from London's National Gallery in 1961 and the resulting trial. I also really enjoy reading about incidents of iconoclasm and the beliefs that push people to do such things to art.
My favorite place to sit in Amelia is the patio of Bar Leonardi. Do you have a favorite place?
Kirsten: I'm very much a fan of sitting in front of Bar Leonardi, especially for appertivos and watching the sun set behind the walls of Amelia. But I think my favorite place would be the "Bond Bar" which is the house of one of the students this summer. It's a gorgeous gardened backyard that overlooks the surrounding countryside and it's perfect for a bottle of wine and great conversation.
When I first went to Amelia in 2009, I was astounded by the cleanliness of the town and the beauty of the views of the surrounding countryside. What was your initial impression of Amelia?
Kirsten: Fortunately, this is my second time visiting Amelia (I presented at the conference last year) and both times I have been amazed by how picturesque the town is and how warm and friendly the town is. I grew up in a small town, and everyone was always friendly, but Amelia has a certain charm that is all it's own.
What are your expectations for this summer?
Kirsten: I'm expecting to thoroughly enjoy myself while I'm here--which I already am. I'm hoping to get a lot of work and writing done, in combination with my ARCA projects and my own personal research. I'm looking forward to joining the students on their field trips and sitting in on some of the classes. I'm also really excited to attend the conference, more so this year because I'm helping to organize it so it will be overwhelming to see it come to fruition.
And, of course, Amelia has lots of venues for live music. Do you play an instrument or sing?
Kirsten: Unfortunately, or maybe fortunately, I neither sing in public nor do I play an instrument.

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