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Showing posts sorted by relevance for query Steinhardt. Sort by date Show all posts

January 7, 2018

More on the Manhattan billionaire Michael Steinhardt's whose private collection now faces further seizures


As mentioned previously in ARCA blog posts, Michael Steinhardt has a longstanding record of making astute financial decisions, many of which have led to stellar investment performance earnings totalling in the millions on Wall Street.  Unfortunately his culture capital record for making prudent, informed decisions when purchasing antiquities for his $200 million private art collection continues to raise eyebrows, and in Friday's case secure New York seizure warrants. 

As once-master of the hedge fund universe, Steinhardt has the liquidity to be choosy about his art purchases. With a current net worth estimated at $1.05 billion, according to a 2017 article in Forbes Magazine, as well as almost thirty years of collecting experience, he should be aware of the ethics of acquisition and the problems of acquiring objects through questionable dealers or with insufficient or dubious provenance.

Steinhardt is a member of Christie’s advisory board.  He also has a Greek Art of the Sixth Century B.C. gallery named after him at the Metropolitan Museum of Art in New York. All this to say that he should be sufficiently well informed about the ethical obligations of responsibly acquiring, managing and disposing of items in his burgeoning art collection.   When not sufficiently informed, his position of affluence and philanthropic influence affords him the ability to reach out to knowledgable art world connections, who could advise him of the regulatory structures in place and the moral economy of purchasing and collecting illicit antiquities should he have any doubts.

On Friday, January 5, 2018, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos again initiated custody of ten antiquities, prosecutors state were looted from the countries of Greece and Italy.

Purchased in the last twelve years, the ten objects seized in last week's raid are listed as:

A) Greek Attic Monumental White-Ground Lekythos (the “White-Ground Lekythos”), used to pour ritual oils at funeral ceremonies.  Vessel attributed to the Triglyph Painter and depicts funerary related iconography featuring a woman and a youth.
Period: approximately 420 BCE.
Measurement: 18 inches tall by 4.5 inches wide.
Purchased for $380,000 in 2006.

B) Apulian Rhyton for libations (the “Apulian African Head Flask”) in the shape of the head of an African.
Period: dating to the 4th century BCE
Measurement: 7.5 inches tall by 3 inches at base.
Purchased for $130,000 in 2009.

C) Italo - Corinthian pottery figural representing a duck with its head turned upwards (the “Italo-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to the 6th century BCE
Measurement: 4 inches tall by 5.5 inches long by 2.5 wide.
Purchased for $25,000 in 2011.

D) Ionian sculpture figural representing a ram’s head (the “Ionian Ram’s Head”).
Period: dating to the 6th century BCE
Measurement: 2.5 inches tall by 4.7 wide.
Purchased for $70,000 in 2009.

E) Attic Aryballos in the form of a Head of an African (the “Attic African Head Aryballos”).
Period: dating to the 5th century BCE
Measurement: 4 inches tall.
Purchased for $150,000 on or about December 17, 2009.

F) Corinthian terracotta figural vessel representing a lion (the “Corinthian Lion Vessel”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to 600-550 BCE
Measurement: 3.5 wide.
Purchased for $25,000 on or about November 9, 2011.

G) Proto - Corinthian pottery figural representing an owl (the “Proto-Corinthian Owl”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.2 wide.
Purchased for $120,000 on or about October 14, 2009.

H) Proto - Corinthian pottery figural representing a duck with its head turned backwards (the “Proto-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.7 wide.
Purchased for $130,000 on or about October 14, 2009.

I) Corinthian BUll’s Head (the “Corinthian Bull’s Head”).
Period: dating to 580 BCE
Measurement: 2.2 inches tall by 2.8 wide.
Purchased for $60,000 on or about October 14, 2009.

j) Bronze Handles (the “Bronze Handles”).
Period: unknown
Measurement: 3.6 inches tall by 9.4 wide.
Purchased for $40,000 in 1996.

Some of Steinhardt's previous risky antiquities gambles:  


2017
Sidon Marble Head of a Bull (ca 500-460 BCE) 
and 
a 6th century marble torso of a calf bearer

Marble Head of a Bull (ca 500-460 BCE) and
a 6th century BCE marble torso of a calf bearer.

Just last month the US repatriated two Eshamun Sculptures seized from Steinhardt's private collection.  Both pieces found their way onto the international antiquities black market after being stolen during Lebanon's tumultuous civil war.  Before their theft, both antiquities had been excavated at the Temple of Eshmun in 1967 near Sidon in southwestern Lebanon.

In the summer of 2017 Manhattan prosecutors seized the 2,300-year-old marble bull's head while it was on loan from Steinhardt to the Metropolitan Museum of Art.  Prosecutors and forensic art crime analysts also tied the bull's head to a second Steinhardt purchase, also through Lynda and William Beierwaltes.

The Beierwaltes sold the Sidon Bull's head and the Lamb Carrier torso to Michael Steinhardt in 2010 who later of whom loaned the bull's head antiquity to the Metropolitan Museum of Art.  After learning that the marble head was subject to seizure, Steinhardt asked the Beierwaltes to retake possession of the object and compensate him for his purchase.

The Beierwaltes in turn relinquished all ownership claims when the illicit provenance of the objects was solidly made clear.

NOTE: The Beierwaltes were long-term clients of Robin Symes and Christos Michaelides at the time of these purchases.

2017
An Anatolian marble female idol of Kiliya type, AKA The Guennol Stargazer

Screenshot from “The Exceptional Sale,” April 2017
Image Credit: Christie’s New York

On April 29, 2017 at the behest of a request by the Turkish authorities and following the interim judgement of the United States District Court, Christie's applied precautionary measures regarding the sale of the 9-inch, 5,000-year-old a rare 3rd millennium BCE idol, likely looted from the Akhisar district of Manisa province in Anatolia.  Turkey's Culture Minister Nabi Avcı told the press at that time that the auction house will abide by the Court's recommendation for a temporary hold on the antiquity while an investigation into the object’s provenance is conducted.

During that time period, the purchaser’s hammer price + buyer's premium bid of $14,471,500 USD was confirmed but not collected.  As a result of the object being contested, the would-be buyer bowed out from the purchase, shortly after the case began being discussed in the international press. 

According to documents, Michael Steinhardt had purchased the Stargazer from Merrin Gallery in August 1993 for under $2 million.  Had the sale not been halted, Steinhardt would have pocketed $12.7 million for the 5,000 year-old Guennol Stargazer, twice the object's pre-sale estimate.

Christie's and Steinhardt issued a motion to quash Turkey's lawsuit.  While the case has not been resolved,  ultimately Turkey's fight for repatriation may hinge on two critical points: whether the country can conclusively show that the piece in question was discovered in Turkey, and whether the nation laid claim to the artifact in a timely fashion, given the length of time Steinhardt had the object in his collection.

2014
A Sardinian Marble Female Idol of the Ozieri Culture


November 21, 2014 Christos Tsirogiannis identified a $1 million Sardinian marble female idol dating from 2500-2000 B.C.E. scheduled for auction as Lot 85 at Christie's on December 11, 2014 as having been matched with an image he found in the archive of convicted Italian antiquities dealer Giacomo Medici.

Before arriving in the collection of Michael and Judy Steinhardt, the Turriga Mother Goddess figure had previously made its way through Harmon Fine Arts and The Merrin Gallery, both of New York.  Once part of the collection of pet food giant Leonard Norman Stern, the object was once displayed, but not photographed, in a "Masterpieces of Cycladic Art from Private Collections, Museums and the Merrin Gallery" event in 1990 where both Steinhardt and Stern were present. 

On November 27, 2014 the contested object was pulled from the Christie's auction.  Its current status has not be made public.

2011
United States v. One Triangular Fresco Fragment


April 20, 2011 an incoming parcel was detained in Newark, New Jersey by US Customs and Border Protection authorities.  Inside the package, shipped via the Swiss firm Via Mat Artcare AG, was a fresco fragment which appeared to be a cusp or pediment of an ancient painted tomb from the Necropolis of Andriuolo at Paestum. The shipper was listed as Andrew Baker of Vadus, Lichtenstein.   The consignee was Michael Steinhardt.

Despite the object's obvious Italian origin, the shipment had a customs declaration form which falsified the object's country of origin as Macedonia. The fragment was forfeited to the U.S. government and repatriated to Italy on February 24, 2015.

2007 
(Il)licit Excavations of Maresha Subterranean Complex 57: 
The ‘Heliodorus’ Cave




In early 2007 Michael Steinhardt acquired the so-called Heliodorus Stele from Gil Chaya, an antiquities dealers in Jerusalem, who reportedly is a nephew of the late Shlomo Moussaieff.  Moussaieff once owned one of the largest collections of biblical antiquities in the world, many of which have no verifiable provenance.  After the purchase, Steinhardt and his wife presented the stele to the Israel Museum in Jerusalem as an extended loan. 

The stele contains a magnificent 2nd century BCE Greek inscription which documents a correspondence between the Seleucid king, Seleucus IV (brother of Antiochus IV) to an aide named Heliodorus. Unsurprisingly though, the bottom portion of the stele was missing, leaving a gap in scholarship as well as a tell-tale clue that the stele had likely been looted shortly after its extraction, since its base was missing.  Earlier, during 2005 and 2006 excavations at the Maresha Subterranean Complex 57 at Beit Guvrin National Park three fragments were uncovered that were subsequently identified as matching the bottom edge of Steinhardt's stele.  

These fragments were discovered in a subterranean complex by participants in the Archaeological Seminars Institute "Dig for a Day" program.  The correlation of the fragments' epigraphy and testing of their stone and soil samples from the find site proved conclusively that the fragments were a match completing missing pieces of the stele. 

It was later determined that the stele had been stolen during a robbery at the Beit Guvrin National Park in 2005.  Tel Maresha's head archaeologist, Dr. Ian Stern verified that he remembered arriving on the site on a Sunday morning in 2005 only to find that the cave where the fragments were found, had been “turned upside down,” apparently by looters searching for ancient objects to be sold on the black market.

1995
A fourth century BCE gold phiale


November 9, 1995, U.S. Customs agents seized a $1.2 million fourth century BCE gold phiale used for pouring libations from Steinhardt's Fifth Avenue residence on Manhattan's Upper East Side.  The financier appealed the lower court's ruling, only to have the decision of forfeiture affirmed by the Second Circuit Court of Appeals.  Despite clear proof that the object was smuggled out of southern Italy, Steinhardt petitioned the lower court's ruling all the way to the United States Supreme Court, in the hopes of retaining the object for his collection. 

The high court found no compelling reason to rehear Steinhardt's case, basing their decision on the basis that the importer had intentionally undervalued the object's worth, transited the object illegally from Sicily to Switzerland, and provided false statements misrepresenting the phiale's country of origin on the object's import documentation. 

The two antiquities dealers involved in the purchase, Robert Haber and William Veres, were each given suspended sentences of one year and ten months imprisonment.  The extent of Steinhardt's culpability though was left vague in the final court filings.  Yet Steinhardt's experience as an art collector and specifically his experience with Haber, with whom he had already purchased some $4-6 million in art objects, raises considerable doubts that his error in purchase could be chalked up to naïveté.  

The fact that the bill of sale from Haber to Steinhardt even stipulated that"if the object is confiscated or impounded by customs agents or a claim is made by any country or governmental agency whatsoever, full compensation will be made immediately to the purchaser" gives the impression that both the collector and his dealer were each fully aware of the potentiality for illegality in the market, possibly with this object specifically.

Each of the aforementioned examples outlined above highlight questionable pedigrees in relation to previous high risk acquisitions made by Steinhardt in relation to his antiquities collection.  Several purchases in fact, overlap with antiquities dealers and middlemen with well known histories of dealing in illicit antiquities.  Each of these purchases demonstrate how little, if any, due diligence was conducted in providing a reasonable assurance that the objects being acquired were not, within the legal statutes of the time, illegally exported from their country of origin.



January 9, 2018

List of 10 objects and warrant details on objects seized from Manhattan billionaire Michael Steinhardt's home and offices by New York State District Attorney's Office

Copy of search warrant executed at the office of Michael Steinhardt can be viewed here.

Copy of search warrant executed at the New York apartment of Michael Steinhardt can be viewed here.

On Friday, January 5, 2018, in the early morning 6:00 am chill of New York, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos initiated seizures at the office and New York City residence of Michael Steinhardt in connection with an investigation into the purchase of illicitly trafficked antiquities. 

After a series of high-profile raids involving antiquities dealers and ancient art collections owned by private collectors, some of which have been displayed at the Metropolitan Museum of Art, the Manhattan District Attorney's office has shown their resolve in concentrating on deterring the trade in illegal antiquities.  

According to the TEFAF Art Market Report 2017, compiled each year by Dublin-based research and consulting firm Arts Economics, the U.S. represents 29.5% percent of the world’s art market.   Classical antiquities, such as those seized in this month's raids, represent a smaller portion of that figure.

Their Manhattan DA's work, and the collaboration of multiple, mostly unpaid advising research scholars, has resulted in significant repatriations to countries where predation is a problem, including most recently a 4th century B.C.E marble torso, a 6th century BC statue of a Calf Bearer and a Marble head of a bull stolen during the 1970s from Lebanon during the that country's Civil War.

In total since 2012, the Manhattan DA's office has recovered several thousand trafficked antiquities collectively valued at more than $150 million.

The search warrants executed at Michael Steinhardt's home and office resulted in the seizure of the following objects:


A) Greek Attic Monumental White-Ground Lekythos (the “White-Ground Lekythos”), used to pour ritual oils at funeral ceremonies.  Vessel attributed to the Triglyph Painter and depicts funerary related iconography featuring a woman and a youth.  
Period: approximately 420 BCE.  
Measurement: 18 inches tall by 4.5 inches wide.  
Purchased for $380,000 in 2006. 


B) Apulian Rhyton for libations (the “Apulian African Head Flask”) in the shape of the head of an African.  
Period: dating to the 4th century BCE 
Measurement: 7.5 inches tall by 3 inches at base.  
Purchased for $130,000 in 2009. 


C) Italo - Corinthian pottery figural representing a duck with its head turned upwards (the “Italo-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to the 6th century BCE 
Measurement: 4 inches tall by 5.5 inches long by 2.5 wide. 
Purchased for $25,000 in 2011. 


D) Ionian sculpture figural representing a ram’s head (the “Ionian Ram’s Head”).
Period: dating to the 6th century BCE 
Measurement: 2.5 inches tall by 4.7 wide. 
Purchased for $70,000 in 2009. 


E) Attic Aryballos in the form of a Head of an African (the “Attic African Head Aryballos”).
Period: dating to the 5th century BCE 
Measurement: 4 inches tall.
Purchased for $150,000 on or about December 17, 2009.


F) Corinthian terracotta figural vessel representing a lion (the “Corinthian Lion Vessel”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to 600-550 BCE
Measurement: 3.5 wide. 
Purchased for $25,000 on or about November 9, 2011.


G) Proto - Corinthian pottery figural representing an owl (the “Proto-Corinthian Owl”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.2 wide. 
Purchased for $120,000 on or about October 14, 2009.


H) Proto - Corinthian pottery figural representing a duck with its head turned backwards (the “Proto-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.7 wide. 
Purchased for $130,000 on or about October 14, 2009.


I) Corinthian Bull’s Head (the “Corinthian Bull’s Head”). 
Period: dating to 580 BCE
Measurement: 2.2 inches tall by 2.8 wide. 
Purchased for $60,000 on or about October 14, 2009.


j) Bronze Handles (the “Bronze Handles”). 
Period: unknown
Measurement: 6.3 inches tall by 9.4 wide. 
Purchased for $40,000 in 1996.

In addition to the antiquities the DA's seizure warrant called for the seizure of:

any and all computers, as defined by Penal Law  § 156.00(1) or electronic storage devises capable of storing any of the above described property as well as their components and accessories, including, but not limited to, cords, monitors, keyboards, software, programs, disks, zip drives, flash drives, thumb drives, and/or hard drives;

any and all books, manuals, guides, or other documents containing Information about the operation and ownership of a computer, cellular telephone, camera, video recorder, video game console or other electronic storage device present in the target location, including, but not limited to, computer cellular telephone and software user manual;

any and all documentation or other evidence related to the appraisal, consignment, sale, possession, transportation, shipping, provenance, importation, exportation, restoration, marketing, or insurance of the listed antiquities, including but not limited to appraisals, insurance policies, agreements, leases, contracts, emails, letters, invoices, receipts, documents, handwritten notes, internal memoranda, photographs, recordings, financial records, address books, date books, calendars, personal papers, video footage, and stored electronic communications or data, whether recorded in physical documents are stored digitally as information and images contained in computer disks, DC or DVD ROMs, USB drives and hard drives that may be found at the target premises;

any and all documentation and non-privileged communication which tend to establish Michael Steinhardt’s intent to commit the crime of Criminal Possession of Stolen Property in the First Degree per which tend to establish his state of mind prior to and during the commission of said crime;

any and all documentation and non-privileged communication which tend to establish (directly or indirectly) Michael Steinhardt’s knowledge that Steinhardt has committed the crime of Criminal Possession of Stolen Property in the First Degree namely the possession of stolen or illicitly trafficked antiquities;

any and all documentation and non-privileged communication which tend to establish that Michael Steinhardt is a person in the business of buying, selling, or otherwise dealing in property, specifically art and antiquities;

any and all documentation or non-privileged communications indicative of or pertaining to inquiries made by Michael Steinhardt, or the lack thereof, that the persons are entities from whom he obtained any art or antiquities had the legal right to possess said items;

any and all documentation and non-privileged communication which contain any references to he purchase, and/or sale, and/or possession of looted, stolen, or illegally trafficked antiquities;

any and all documentation tending to identify, and/or connect Michael Steinhardt with accomplices, co-conspirators, possible accomplices and/or witnesses to the crime of Criminal Possession of Stolen Property in the First Degree;

The aforementioned white collar crimes or theft offenses mentioned in the New York search warrant are described below: 

Criminal Possession of Stolen Property in First Degree – NY Panel Law 165.54

A person is found guilty of criminal possession of stolen property in the first degree when he knowingly possesses stolen property, with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner, and when the value of the value of the stolen property exceeds $1,000,000.

Criminal Possession of Stolen Property in Second Degree – NY Penal Law 165.52

A person is found guilty of criminal possession of stolen property in the first degree when he knowingly possesses stolen property, with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner, and when the value of the value of the stolen property exceeds $50,000.

There are four legal presumptions associated with New York Penal Law 165.55, the following is the most likely relevant one in this case:


  1. A person who knowingly possesses stolen property is presumed to possess it with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner thereof. This presumption is often referred to as recent exclusive possession.” There has been a tremendous body of case law addressing this presumption which argues for the position that if an accused has had the exclusive possession of stolen property after a theft crime has been perpetrated and there is evidence or circumstances which show an inability to explain where the property came from, a negative inference may in fact be drawn. That inference being that there is a strong likelihood that the accused knew that the property he or she possessed was stolen.
By:  Lynda Albertson

January 25, 2018

January 24, 2018: New seizure at the residence of New York Collector Michael Steinhardt

A little more than two weeks ago, following a second set of seizures at the residence and office of Michael Steinhardt in New York City, ARCA wrote a blog post outlining other antiquities from the billionaire's private collection that have raised concerns with illicit trafficking researchers.  

One of those objects was this marble Female Idol of the Ozieri Culture from Sardinia. 

Image Credit: 
Manhattan district attorney's office
This idol was seized on January 24, 2018 during the execution of a new search warrant carried out by law enforcement authorities working with the Manhattan District Attorney and HSI.  The artifact was removed from Steinhardt's New York City residence.


Image Credit:  ARCA Screen Capture 
Tsirogiannis had matched the antiquity online via Christie's web version of its sale catalog to a photo contained in the confiscated archives of antiquities dealer Giacomo Medici.  Having made the ID, Tsirogiannis emailed his concerns to US Federal law enforcement and Italian law enforcement authorities working towards eventual repatriation should Italy file a claim.  Additionally he notified ARCA, in hopes of drawing further attention to potentially trafficked pieces that often resurface on the licit market but which omit passages through the hands of known dealers involved in the sale of illicit objects.

The sales catalog for the Christies auction is stored online here, although the photo of the idol has subsequently been removed from the object's accompanying Lot description.  Of note is the addition of a brief entry into the "Cataloguing & details" section of the listing, which states only that the object was withdrawn from the sale.

The artifact above matches perfectly with the image below which Tsirogiannis located in the dealer's archive.   In the art dealer's records the statuette appeared atop a turquoise background and broken in multiple pieces, prior to the object's subsequent restoration.

Image of the Sardinian idol
from the Medici
archive 
Before arriving in the collection of Michael and Judy Steinhardt in 1997, the Ozieri Culture idol, also known as the Turriga Mother Goddess figure, passed through Harmon Fine Arts and the Merrin Gallery, both of New York.  Once part of the collection of Leonard Norman Stern, the object had been displayed, but not photographed, in a 1990 "Masterpieces of Cycladic Art from Private Collections, Museums and the Merrin Gallery" event where both Steinhardt and Stern were present. 

On November 27, 2014 when the contested object was pulled from the Christie's auction, it apparently was sent back to Steinhardt, where it was later re-identified as still being part of Steinhardt's collection when officers searched his New York City home on January 5, 2018 pursuant to an earlier search warrant.

By:  Lynda Albertson

October 12, 2023

Unravel one antiquities looting and money laundering network and you might find another: the devil is in the details


"This Plaque was smuggled out of Italy by antiquities trafficker Eugene Alexander and into New York through the dealer Michael Ward, who was convicted this past September of Criminal Facilitation."

Inside what has come to be a rather boiler plate restitution press release announcing the return of 19 additional antiquities to Italy, the New York District Attorney's Office in Manhattan, slipped in a nice little Easter Egg when highlighting three of the object's heading back to Italy.  All had connections to well known antiquities traffickers, Gianfranco Becchina, Raffaele Monticelli, Jerome Eisenberg, Edoardo Almagià and Eugene Alexander. 

Along with these well-known names, the one line sentence quoted above refers to Michael L. Ward (b. 1943), the New York city antiquities dealer who managed a series of eponymous ancient art business entities, including:

  • Ward & Company Works of Art, LLC
  • Ward & Company Works of Art I, LLC
  • Ward & Company Works of Art, Inc.
  • Ward & Company, Fine Art, Inc.
  • Michael Ward Inc.

And yes, this is the same fox in the the federal government's chicken coop who was previously appointed by then-President George H. W. Bush in 1992 to serve on the United States Cultural Property Advisory Committee, the U.S. statutory body who is responsible for the domestic implementation of the UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property of 1970.

Shortly after Ward's presidential appointment, the dealer found himself under the unwanted spotlight for attempting to sell 50 pieces of important Mycenaean jewellery, referred to as the Aidonia Treasure.  Dating to the 15th century BCE, these gold funerary pieces had been plundered in 1978 from a Mycenaean cemetery at Aidonia, near Nemea, in southern Greece. 

On 30 December 1993 Ward finagled his way out of his first messy situation via an out-of-court settlement wherein Greece agreed to drop their lawsuit against Ward and his gallery and Ward's gallery was allowed to donate the looted jewellery to the newly formed Society for the Preservation of Greek Heritage in Washington, D.C.   

In a stitch-up similar to Leonard Stern's later gifting of 161 works of Cycladic art via the Institute of Ancient Greek Culture of Delaware, Ward’s strategic use of, and donation to, a nonprofit charitable organisation enabled him to recoup his acquisition costs via a nice sized federal income-tax write-off.

Evidently, undeterred by this close call, the New York dealer continued to take risks, (and profited from) the purchase and sale of illicit antiquities via several networks of suppliers, who one by one, and over many years, were unveiled as corrupt. 

Ward's own "skin in the game" is clearly spelled out, beginning on page 114 of the Michael Steinhardt Statement of Facts document, where it is stated:

During this time, he [Ward] bought antiquities directly from known traffickers such as Giovanni Franco Becchina and Edoardo Almagià. He then sold them— typically with no listed provenance—to U.S. museums and prominent collectors, including Lawrence and Barbara Fleischman and Steinhardt. Ward’s attitude for due diligence and provenance is demonstrated by a 1992 fax to Steinhardt, in which he advises Steinhardt that “[t]he more you inquire about details of ownership, etc. the less likely you will appear (if there is, God forbid a question) a credible bona fide purchaser. Michael, you want to appear as dumb as possible!”

This document also describes Ward’s connection to the network of Italian dealer Gianfranco Becchina and as the direct purchaser of more than a dozen looted Italian artefacts documented in the business records of antiquities trafficker Edoardo Almagià.

But before highlighting just a few of the curious examples of plundered material handled by Ward, let's explore the charge he plead guilty to on September 8, 2023. 

New York Penal Law § 115.00 (1) Criminal Facilitation in the Fourth Degree

In many states, if a criminal helps another person commit a crime, they too have themselves committed a crime.  In the state of New York there are four different criminal facilitation crimes, the least serious of which, under New York Penal Law, is criminal facilitation in the fourth degree, a class A misdemeanor.

In order for Michael Ward to be found guilty under New York Penal Law § 115.00, the state of New York is required to prove, from all of the probative evidence gathered in this case, beyond a reasonable doubt, each of the following three elements: 




Satisfying elements 1 and 2

According to Ward's criminal complaint, filed with the Criminal Court of the City of New York, County of New York on September 6, 2023, this dealer operated his gallery at 980 Madison Avenue, (between East 76th Street and East 77th) in the County and State of New York from 1982 onward, opening his first business on 4 June 1982 to be precise.  The criminal complaint also states that from 1999 through 2022, Ward facilitated a money laundering scheme initiated by Eugene Alexander which involved selling looted antiquities from several countries onward to European and American collectors.  

Alexander’s antiquities-trafficking operation, also mentioned in the Michael Steinhardt Statement of Facts document involved the use of local looters operating in Eastern Europe and the Mediterranean who sent Alexander photos of freshly excavated antiquities.  Once selected, Alexander had the illicit objects smuggled into Germany where he had the artefacts cleaned and restored, sometimes using the restorer Flavio Bertolin and authenticating the pieces via Thermoluminescence (TL) Analysis conducted by Ralf Kotalla (who also sent authentication reports to other traffickers, including Gianfranco Becchina).  Once the artefacts had been tidied up and were ready for prime time, many of them made their way into important collections in the United States. 

Alexander is noted in Ward's indictment for circulating artefacts to individuals such as Michael Steinhardt, to Richard Beale of Roma Numismatics, and to Erdal Dere of Fortuna Galleries, among others.  To do so he used a series of shell corporations and offshore banks for payments.

In September 2020 the US Attorney in the Southern District of New York issued an indictment against Erdal Dere and Faisal Khan, the operators of Fortuna Fine Arts, charging them with defrauding antiquities buyers and brokers by using false provenances to offer and sell antiquities. That case is ongoing.   Richard Beale, the director of London-based auction house Roma Numismatics, pled guilty on 14 August 2023 to two counts of conspiracy, and three counts of criminal possession of stolen property, for his role in the sale of the gold Eid Mar coin, which fetched $4.19m (£3.29m) in 2020, and an ancient silver Sicily Naxos Coin, which sold at the same time for $292,000.

Ward's criminal complaint states that as many as 80 of Alexander's looted antiquities passed through Ward's New York gallery between 2015 and 2019.  For dozens of these, the collection histories vaguely listed their provenance as coming from an "ex Geneva private collection, acquired in the early 1990s" or similarly worded claims such as "ex Geneva private collection, acquired in the early 1980s."

Ward's complaint also states that HSI, the principal investigative arm of the U.S. Department of Homeland Security, recovered more than 35 of these suspect antiquities while executing a search and seizure warrant in New York on 5 September 2023 which he relinquished upon pleading guilty.  

Reviews of confiscated emails also demonstrate that Ward was involved in the facilitation of written documents which furthered Eugene Alexander's money-laundering enterprise, four of which were outlined in the complaint as: 
  • a July 30, 2017 document with Eugene Alexander, indicating that Ward accepted on consignment 89 antiquities valued at over $20 million. 
  • an October 30, 2018 document with Eugene Alexander, indicating that Ward accepted on consignment another 82 antiquities valued at over $27 million.
  • a January 10, 2019 blank form, provided by Eugene Alexander, used to state that on April 1, 2019, that Alexander had consigned or sold Ward 63 antiquities valued at over $29 million. 
  • and a January 25, 2019 document on Ward & Company letterhead with the Ward's signature that indicated Ward owed Eugene Alexander more than $4 million. 
Germany authorities, conducting a parallel investigation, executed a raid on Eugene Alexander's apartment on February 23, 2022, and recovered, among many objects, Alexander's computers, as well as incriminating correspondence between the Bulgarian dealer, traffickers, and the American gallerist.  Also recovered were photographs that looters had sent to Alexander depicting freshly looted antiquities prior to their being cleaned or restored. After the objects were made presentable, Alexander, with Ward's assistance, successfully sold many of the laundered pieces onward, with vague fabricated provenance documents and the occasional Art Loss Register certificate. 

Satisfying element 3

According to the testimony of HSI-ICE Special Agent Robert Fromkin, who reviewed the communications between Ward and Eugene Alexander, the volume of documented transactions involving looted antiquities between the two men, as well as the depiction of transactions that never actually occurred between the pair, or that repeated themselves over several documents, concretely confirmed that Ward had  rendered aid to a person, in this instance Eugene Alexander, who intended to commit a crime, and had engaged in conduct which provided said person with the means and opportunity for the commission thereof, and which in fact aided said individual, in committing a felony.

A brief look at a few of the pieces handled by Ward & Company.

Cyrene Deity - Steinhardt-Albertson Dt.76*
While the number of suspect antiquities sold by Mr. Ward to his wealthy clientele are too numerous to document in this single article, a few stand out and are worth mentioning, including this 2.5 meter tall 3rd - 2nd century BCE funerary monument, pictured at right, which represents a half-figure goddess.

A strikingly rare piece, this sculpture is likewise named in the Michael Steinhardt Statement of Facts, and was formally surrendered by the disgraced New York collector-mogul in early December 2021.  One of only ten known half-figured goddesses of this type, originating from the Necropolis of Cyrene, Steinhardt had purchased Dt.76 from Michael L. Ward on 20 November 2000 for the spritely sum of $1,200,000.   

On Ward's invoice, the plundered "Veiled Head of a Female" was described colourfully as:

“possibly from North Africa”and had “a light brown earthy deposit uniformly covering the head imparts to its surfaces an attractive, warm patina.”   

"Earthy deposits", all but screaming to the billionaire buyer that his purchase was freshly looted material, never before part of a known or established collection.   

Some Ward Objects are in important Museum Collections

In 2003 this 350 BCE Greek seated marble figure from a Grave Naiskos was accessioned into the collection of the Michael C. Carlos Museum and assigned object number 2003.005.001

From 1986 to 1992 Michael Ward is also known to have sold numerous artefacts to Lawrence and Barbara Fleischman, some of which were later donated to the J. Paul Getty Museum.   Other pieces can be found in the accession records of other US Museums. 

One object which remains a bone of serious contention is this highly contested 6th century BCE voluptuous bronze krater for mixing and storing wine. It shows definitive and was once loaned to the Museum of Fine Arts, Houston by an anonymous lender.

The Krater of Koreshnica, as it has come to be known, was looted on/around 1996 
from a 6th century BCE Macedonian burial chamber near the village of Koreshnica, in the southern part of the Republic of Macedonia before being smuggled out of the country in contravention of the country's national law. 


In a January 5, 2012 article, written by journalist Vesna Ilievska, and published in Dnevnik, (Macedonian for the word "Journal"), a private daily newspaper in Macedonia, it was reported that Michel Van Rijn had information relating to the looted Krater of Koreshnica.


If Michel Van Rijn's statements are to be believed, the circulation of this looted object via Tkalec, adds yet another smuggling network to Mr. Ward's growing list of suspect supply chains. 


By:  Lynda Albertson

January 31, 2018

The Manhattan District Attorney's office has removed an ancient wall fresco fragment from the residence of Michael Steinhardt

Image Credit:  Manhattan District Attorney's Office, New York
The Manhattan District Attorney's office has confirmed that they have taken custody of a second object from the New York City residence of Michael Steinhardt located during their earlier January 24, 2018 warrant execution.

The seizure warrant for the removal of these both objects states that the described property constitutes evidence, and tends to demonstrate, that the crime of Criminal Possession of Stolen Property in First Degree – NY Penal Law 165.54 was committed, e.g. the possession of stolen or illicitly trafficked antiquities.

Those convicted of Criminal Possession of Stolen Property in First Degree face a mandatory minimum sentence of one to three years and a maximum sentence of up to eight and one third to twenty five years in state prison.

The second object seized on January 24th is a Roman frescoed panel of a mythological scene, believed to date to the first century CE.  Depicted at the top of this article, the fresco fragment illustrates the infant Hercules on the left, strangling a snake which has been sent by Hera to bring about his death.  Jove, the god of the sky and thunder, and king of the gods in Ancient Roman mythology, is depicted in the centre of the panel in the form of an eagle alight on top of a globe.  To their right is Amphitryon.

According to the New York warrant, the fresco fragment, likely a wall painting, is believed to have been purchased by Steinhardt in 1996 for approximately $600,000 USD.

A person is found guilty of criminal possession of stolen property in the first degree when he knowingly possesses stolen property, with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner, and when the value of the value of the stolen property exceeds $1,000,000. 

If charges are filed against Steinhardt under the New York Penal Law 165.54  this offense would be classified as a “B” non violent felony. Probation and community service are not options.

A copy of the public domain record for the January 24, 2018 Search Warrant at Michael Steinhardt's apartment filed with New York County relating to this case can be found in the case review file on ARCA's website here. 

November 21, 2014

Dr. Christos Tsirogiannis identifies rare Sardinian idol to be auctioned at Christie's December 11 in New York City

Image of the Sardinian idol from the Medici
archive (provided by Dr. Tsirogiannis)
In the forthcoming December 11, 2014 auction at Christie's in New York, lot 85 'A SARDINIAN MARBLE FEMALE IDOL OZIERI CULTURE, CIRCA 2500-2000 B.C.', 'PROPERTY FROM THE MICHAEL AND JUDY STEINHARDT COLLECTION', is estimated at $800,000-1,200,000. Its provenance as listed on the sales documentation by Christie's states: 'with Harmon Fine Arts, New York. with The Merrin Gallery, New York, 1990 (Masterpieces of Cycladic Art, no. 27). Acquired by the current owner, 1997.'

"The object appears in the Medici archive, smashed in 6 pieces, missing the upper left part of its head," according to Dr. Christos Tsirogiannis, a Forensic Research Archaeologist who teaches ARCA's illicit trafficking course.  According to Tsirogiannis, "The Steinhardt collection has been previously connected with the acquisition of questionable antiquities."

The blog Chasing Aphrodite reported last November in "Steinhardt Redux: Feds Seize Fresco Looted from Italian World Heritage Site, Destined for New York Billionaire" that an earlier action had been taken against the antiquities collector, and stated: "The legal foundation for the case was created by Steinhardt himself twenty years ago with his failed effort -- fought all the way to the US Supreme Court -- to block the seizure of a golden libation bowl that was illegal exported from Sicily."

Dr. Tsirogiannis included an image from the Medici archive with the email announcing his discovery.

The Christie's catalogue can be downloaded here (first, press the button that says 'E-CATALOGUE'. The 150-page e-Catalogue advertises 192 Lots (or objects) to be sold at Rockefeller Plaza on the second Thursday of December. The objects (or 'properties' as described by Christie's on the page that lists the viewing dates prior to the sale) are from various collections. No further information is included about The Michael and Judy Steinhardt Collection in the e-catalogue. The Steinhardts also collect Judaica (Jewish art).

According to Christie's, this Sardinian marble female idol "comes from the Ozieri Culture of Sardinia, which takes its name from the town in the north of the island where the first excavations took place. Only very few such cruciform female idols survive."

by: Catherine Schofield Sezgin

April 4, 2022

The sometimes slow and sometimes fast return of historical artefacts pillaged from Libya


Cyrene, Northern Necropolis.
The Sculptured Tomb/Cassels from Pacho 1827

Parallel with the start of the First Libyan Civil War, the Security Directorate of Shahat, in the eastern coastal region of Libya, implemented a series of works in an attempt to address the looting and destruction of moveable and immovable heritage from the tangle of ruins known as the seventh century BCE  city of Cyrene.  Faced with rising civil unrest, the outbreak of wars, and unchecked and destructive urban encroachment, Ismail Dakhil, an official at the museums department of eastern Libya, estimated that as much as 30 percent of the ancient city may have been encroached upon due to urban expansion.

Despite Libyan archaeologists, officials, and academics doing all they can to protect and maintain their country’s heritage, often with only very limited resources, and sometimes at great personal risk, the extent of recent destruction of the rock-cut tombs and ancient structures at Cyrene is vividly illustrated in this July 2013 photograph.  The heartbreaking image clearly shows an operator's Hyundai Robex 250 LC-7 crawler excavator clearing land for development inside a stretch of the city's ancient necropolis. 


There, in abject disregard for the ancient burial vaults and sarcophagi below the treads of the construction vehicle, makeshift developers rashly transformed a swath of the archaeological site into a modern construction zone.  Before they could be stopped, these individuals crushed, destroyed, or dumped into waterways what Greek, Hellenistic, Roman and Byzantine Cyrenaica remains they came across, some of which dated as far back as 600 BCE.

Along with urban encroachment, insufficient security and a complicated political terrain has made Libya's rich archaeological heritage a vulnerable target for looting.  During the last two decades, according to the research of prominent forensic archaeologists, many of the territory's majestic Hellenistic sculptures have been plundered, only to turn up for sale on the ancient art market with little or fabricated provenance.  Many of the most beautiful of these pieces have turned up with, or have been sold through well known gallerists in London, Paris, Switzerland, Barcelona, and the United States. 

To illustrate the seriousness of the problem, the remainder of this article will be dedicated to four artefacts that have just gone home, identified in four separate US investigations of varying lengths and complexities.  Each of these artefacts made the long journey back home to Libya last week, and each were seized and relinquished as the price sometimes paid for trading in illicit material, and in one case, from wantonly collecting material with an absolute and total disregard for an object's legitimacy. 

Artefact #1

Cyrene Deity Head - Belzic Dt.54 *

The first, and oldest, is a fourth-to-third-century BCE Head of a Veiled Woman, (Cyrene Deity Head - Belzic Dt.54) which was recovered as part of an 11-year Federal investigation code named “Operation Lost Treasure,” led by HSI-ICE in New York, in conjunction with the U.S. Department of State and U.S. Customs and Border Protection. This 13 inch tall by 10 inches wide marble head was seized by US authorities while monitoring the shipments and way bills of a known problematic Sharjah-based antiquities dealer.  The artefact was being shipped to a sometimes collector, sometimes dealer operating in New York.  Unfortunately, this was not the only plundered artefact from Cyrene the UAE dealer knowingly handled, nor was America the only country where buyers for Libya's plundered material could easily be found.  

Freshly looted, this severed head of a divinity had been shipped out of Libya and made her way into the United States unwashed by her handlers.  As a specimen of the wonders of Cyrenaica's past, her expressive face still retains some of the underdrawing pigment used by her creator to outline and define her eyes.   

Officers involved in the U.S. investigation would go on to provide assistance to London investigators when this same dealer, continuing to ply his illegal trade in the lucrative London market, shipped yet another plundered funerary statue from Cyrene to the United Kingdom just three years after this New York seizure.  In the US case, Immigration and Customs Enforcement’s (ICE) Homeland Security Investigations (HSI) International Operations Division Chief Leo Lin formally handed over this sculpture to the safekeeping of the Libyan Embassy in Washington DC,  where it has remained until its journey home was finalised last week. 

Artefact #2

Cyrene Deity- Steinhardt-Albertson Dt.76*

The second artefact, the Veiled Head of a Female, as named in the Michael Steinhardt Agreement, was formally surrendered by the New York collector in early December 2021.  It is thought to be the head of a 2.5 meter tall 3rd - 2nd century BCE funerary monument representing a half-figure goddess.  One of just ten known to archaeologists from the Necropolis of Cyrene, before its plunder, this strikingly rare sculpture once adorned one of only six or seven monumental tombs located in the ancient city.   

The sculpture had been seized during the lengthy investigation into the highly questionable collecting practices of billionaire Michael Steinhardt, begun in New York in February 2017.  Manhattan District Attorney Alvin Bragg's team, lead by Chief of the Antiquities Trafficking Unit and Senior Trial Counsel Matthew Bogdanos, along with Supervising Investigative Analyst Apsara Iyer and Investigative Analysts Alyssa Thiel and Daniel Healey gathered evidence which demonstrated that the Veiled Head of a Female first surfaced on the international art market on 20 November 2000 when Michael Steinhardt purchased Dt.76 from Michael L. Ward, a dealer in New York with three business entities: 
  • Michael Ward & Co.
  • Michael Ward Inc.,
  • Ward & Company Works of Art LLC.
On his invoice, Ward noted the Veiled Head of a Female was “possibly from North Africa” and “a light brown earthy deposit uniformly covering the head imparts to its surfaces an attractive, warm patina.” This “earthy deposit” is thought by some experts to have been applied after the object was looted as it serves to lessen the noticeability of small chips and breakage on the surface of the artefact, a likely sign of rough handling by its looters.  

The ancient sculpture was sold to Steinhardt with no prior provenance for $1,200,000. 

Discussing the seized sculpture with Morgan Belzic, a PhD researcher at the Ecole Pratique des Hautes Études specialising in Cyrenaican Funerary Sculptures, under the direction of François Queyrel, he concurred with my preliminary observation that this head of a deity, with its telltale coloration and diadem, had to originate from Cyrene.  Belzic has made a name for himself, having noted a correlation between the increasing destruction of funerary monuments in Libya and the uptick in the appearance of ancient pieces from Cyrene on the market statistically out of range with those appearing in the market prior to the country's destabilisation.

As an expert on the sculptural remains of Libya's Greek cities, Belzic cooperates with national and international law enforcement authorities, including the Manhattan DA's office and the Libyan Department of Antiquities and has identified plundered and suspect objects originating from the Libyan cities of Shahat (Cyrene), Susa (Apollonia), Tocra (Taucheira), Tulmaytha (Ptolemais), and Benghazi (Euesperides/Berenike).  

Working closely with a multinational coalition of archaeological missions in Libya under the coordination of the French Archaeological Mission, lead by Vincent Michel, this group of allied researchers has provided critical evidence in law enforcement investigations identifying sculptures of high concern originating from Cyrenaica. 

The Manhattan District Attorney's office concluded its multi-year, multi-national criminal investigation into Steinhardt's ancient art collection in 2021.  In total, their work resulted in the seizure and forfeiture of 180 plundered antiquities valuing an estimated total of $70 million and imposing the first-of-its-kind lifetime ban on acquiring antiquities ever handed down to a collector. But this investigation is important for the history books not only for that reason but also because the case underscores and exemplifies the successes prosecutors can have when a) focusing almost exclusively on art and antiquities cases, b) working collaboratively with other law enforcement agencies and c) exercising the willingness to work with a group of forensic researchers who specialise in looted and stolen antiquities from specific regions or cultures. 

Handover Ceremony in Manhattan

Through the collaborative work of the DA's team, with the coordinated help of Special Agents Robert Mancene, Robert Fromkin, and John Labatt of Homeland Security Investigations, in this one case alone, the DA's office successfully identified 169 of the 180 seized antiquities as having been trafficked by a total of 12 different criminal smuggling networks.  The remaining eleven forfeited antiquities, including this one, first appeared on the international art market in the hands of dealers more concerned with the artefact's sales value than with closely examining the provenance of objects that come from countries plagued by civil unrest, war, and/or rampant looting. 


Artefact #3
Cyrene Deity Head - Belzic Dt.22*

While the exact dates of when the 3rd to 2nd century BCE, Belzic Dt.22, was looted from Cyrene is unknown, it is believed that this sculpture may have been stolen in the 1980s and then smuggled into Egypt by antiquities traffickers.  Investigators in New York have proven that it was eventually shipped onward to the United States, where it appeared on the US ancient art market in 1997.  According to investigators, the artefact demonstrated the “telltale signs of looting such as earth on the surface and new chips at the base and in the veil.”

By 1998, and now referred to as the Veiled Head of a Lady, and head had been valued at nearly half a million dollars and was placed on loan to the Metropolitan Museum of Art in New York by an anonymous donor, where it was catalogued simply as a Greek Hellenistic funerary head and mislabelled as being from the 4th century BCE. 

The veiled head remained on display at the Met for more than twenty years.  After being identified as having come from Cyrene, the sculpture was seized during an investigation conducted by Manhattan District Attorney Alvin Bragg's team, lead by Chief of the Antiquities Trafficking Unit and Senior Trial Counsel Matthew Bogdanos, along with Supervising Investigative Analyst Apsara Iyer and Investigative Analysts Alyssa Thiel and Daniel Healey in February 2022.  Note that the Met and DANY have declined to identify the lender at this time, given the sensitivity of ongoing investigations.

Prior to its formal transfer back home to Libya, the Veiled Head of a Female was handed over to the Libyan authorities on 30 March 2022 along with Artefact 4 during a repatriation ceremony attended by the Charge d’Affaires of the Embassy of Libya in DC Khaled Daief, and U.S. Homeland Security Investigations (“HSI”) Acting Deputy Special Agent-in-Charge Mike Alfonso.

Artefact #4

Cyrene Portrait Head - Belzic P.97*

After being smuggled from Libya to Geneva, Switzerland, Morgan Belzic first identified this 2nd century CE marble Cyrenaican Funerary portrait of a bearded man on the ancient art market in November 2018.  When documented, it was being offered for an estimated sales price of $19,000.  

Originally placed in a tomb rich with small niches, there are more than 250 Cyrene portraits of this category recorded by scholars studying the ancient remains of Libya.  The iconographic styling of this type of portrait head is so unique to Cyrenaican funerary imagery that this category of sculpture is referred to in scientific literature as a ‘Romano-Libyan’ portrait. 

The marble head of a man was next offered for sale two years later, in June of 2020, this time in Manhattan and with an asking price of $25,000 - $35,000.  But it is the third sale which turns out to be the charm, resulting in the fastest seizure to restitution of an artefact in history.  

Belzic P-97 was spotted for the third time on 28 March 2022, this time by art historian Camille Blancher, just shy of its next intended sale date through another USA antiquities dealer.  Through the responsive and collaborative efforts of Manhattan District Attorney Alvin Bragg's antiquities unit, working in close coordination with Special Agents Robert Mancene and Robert Fromkin of Homeland Security Investigations the bearded head of a man was seized on Tuesday, March 29th, back in the Manhattan DA's office where it was handed over to the Libyan authorities on Wednesday, March 30th, along with Artefact 3 during a repatriation ceremony attended by the Charge d’Affaires of the Embassy of Libya in DC Khaled Daief, and U.S. Homeland Security Investigations (“HSI”) Acting Deputy Special Agent-in-Charge Mike Alfonso.

Support for this case came from members of a coalition of archaeological missions working in Libya under the coordination of the French Archaeological Mission as well as from ARCA, all of whom are deeply committed in assisting Libyan institutions and authorities in enforcing the protection of cultural heritage in Libya and who voiced their collective concerns to the DANY regarding the artefact's potential sale. 

To put a nice bow on this story, all four marble funerary sculptures, along with a small grouping of terracotta urns and fragments, were flown via private jet, paid for by a philanthropist, to Mitiga International Airport in Libya.  Arriving to Tripoli on Thursday, April 1st, the repatriation of these antiquities is a “peace dividend” as described by Director-General of the United Nations Regional Institute for Crime and Justice Research (UNICRI) Antonia Marie de Meo, who led a delegation to Libya alongside James Shaw, Chief of that agency's Asset Recovery and Illicit Financial Flows programme.  Also on board was forensic archaeologist Morgan Belzic, who more than anyone, truly understood the efforts, coordination and cooperation, these four recoveries required. 

The handover ceremony took place at the Museum of Libya inside the former royal palace of Qasr al-Khild in Tripoli. Like other museums in Libya, it has remained closed to the public since the 2011 Libyan uprising.  Speeches at the event included statements made by Omar Kati, Deputy Minister for International Cooperation and Organizations Affairs, Libyan government antiquities chief Muhammad Faraj al-Falous, the envoy for Libya in the United States, representatives from the Libyan Ministry of the Interior and LARMO. Many of whom present for the celebration expressed gratitude for the efforts made by the US law enforcement and public prosecutors in bringing Libya's heritage home. 

U.S. Ambassador to Libya Richard Norland personally thanked the staff at the Manhattan DA's office and HSI- ICE.  

The spectacular ruins of the ancient Greek city of Cyrene have, for better or worse, survived Libya's 2011 revolution.  Looking at these beautiful artefacts and admiring the Met recovered piece in particular, I feel compelled to admire the learned skill that฀went into the creation of this veiled woman. For all our modern capabilities, I doubt we could turn such solid stone into the modesty of a semi transparent fold of material in quite the way that this unknown ancient Cyrene artisan did.  

Filled฀with admiration, but also a healthy does of cynicism, I understand that Libya's loses don't stop with the return of one woman behind one transparent veil to the place she was formed.  The rape of historic Cyrene for profit has and likely will continue, and there are other veiled faces of other victims still out there.  

Some of the forensic archaeologists involved in this fight were already back at work on Saturday, prepared to help law enforcement authorities in any way they can to bring Libya's sculptures back to a country that has already lost so much. 

By Lynda Albertson, ARCA CEO

-------

Addendum:

In July 2016 UNESCO placed all five of Libya's World Heritage sites on the UNESCO World Heritage in Danger list.  Equally concerned, and in response to a long history of threats, the United States and Libya signed its 17th cultural property agreement with Libya on 23 February 2018 to solidify the two countries' joint collaboration in combatting the looting and trafficking of cultural objects originating from the plagued North African country.  

Signed by Irwin Stephen Goldstein for the United States and by Lutfi Almughrabi, Libyan Under Secretary for Political Affairs, this agreement formalised a collaboration to protect Libya heritage for a period of five (5) years. And while this agreement was opposed by many in the antiquities trade, the restitutions discussed in this article demonstrate repeatedly that poverty, civil unrest and war create the perfect storm for the trafficking of illicit antiquities.

* Image Credit French Archaeological Mission to Libya