Every June and December, INTERPOL, the International Criminal Police Organization publishes a poster which highlights key works of art that the law enforcement organization designates as important stolen works of art taken in incidences which have been reported during the previous six months. 

Distributed via all INTERPOL NCBs (National Central Bureaus) biannually to law enforcement agencies worldwide and available to the interested public on the INTERPOL website, their ID tool raises awareness of specific works of art to be watching for.  

NOTE:  This INTERPOL works of art lists are different from the ICOM Red Lists, which list endangered categories of archaeological objects or works of art likely to be trafficked from sixteen (soon to be seventeen) of the most vulnerable areas of the world. 

Since the publication of INTERPOL's first stolen works of art poster in June 1972, the organization has brought attention to 534 stolen objects; 51 of these  objects have been recovered. 

In addition to the biannual posters, INTERPOL sometimes publishes highlight posters designed to draw attention to serious multi-object thefts of substation value that occur at single locations.  

Recent examples of these include: 

The Mosul Museum, Iraq

The Museum of Raqqa, also known as the Ar-Raqqah Museum or Rakka Museum, Syria

The World Heritage Site of Palmyra, Syria 

and the Museo Civico di Castelvecchio, Verona

While Ukrainian border guards recovered 17 of the stolen Old Master paintings worth $18.3 million from the Italian museum, other historical objects in Iraq and Syria are still missing. 

The empty frames still hang on the walls of the Isabella Stewart Gardner Museum.  A reminder of the March 18, 1990 theft, where, in 81 minutes, thieves posing as police officers tied up two security guards and made off with 13 works of art. 

The artworks have not been recovered, despite the healthy reward of $10 million dollars originally set to expire at midnight December 31, 2017.

The following are the thirteen stolen works of art which are still missing:

This week, Steve Kidder, President of the Isabella Stewart Gardner Museum board of trustees, announced that the board has approved an indefinite extension  to the $10 million dollar reward for information leading to the recovery of all 13 works in good condition.

ARCA has four conflict country scholarships for 2018.  These scholarships cover tuition for the 2018 postgraduate art crime and cultural heritage protection program.

ARCA builds capacity in conflict zone source countries 

In response to scholarly concerns of heritage destruction and looting throughout Iraq, Libya, Syria, and Yemen, the Association for Research into Crimes against Art developed its Minerva Scholarship program so that heritage personnel from these conflict countries could receive specialized training in combatting art crime in furtherance of cultural heritage protection. In place since 2015, these scholarships are geared towards postgraduate level individuals with a background in, or current position within the museum or archaeological field, cultural heritage institutions or universities, who are living and working within their home country.

The Minerva scholarship has been created to equip scholars with the knowledge and tools needed to build the capacity of their home institutions and to advance the education of future generations. Scholarships are awarded through an open, merit-based competition and subject to available funding in 2018. Accepted candidates must be able to speak, write and study in English at a university level proficiency.

Awardees of the Minerva are granted a full tuition waiver to ARCA’s ten-week,  eleven course, intensive professional development postgraduate program in Amelia, Italy for the Summer of 2018. 

For more details about this scholarship and to request a prospectus and application materials, please click here (you will find our email address at the bottom of the page) and write to us in English for further information. In your email please include a 200-word statement giving us your country of origin, where you currently work and reside, and explaining briefly how the program will benefit you as you move forward within your chosen career.

Copy of search warrant executed at Phoenix Ancient Art in New York can be viewed here.

On Friday, January 5, 2018, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos also initiated seizures at Phoenix Ancient Art, New York, in connection with an investigation into the purchase of illicitly trafficked antiquities.

The second-generation family business Phoenix Ancient Art has galleries in New York and Geneva. The business was founded by Sleiman Aboutaam in 1968 and is now operated by his sons, Hicham and Ali Aboutaam.  The Aboutaam name comes up frequently on ARCA's blog. 

The search warrants executed at 47 East 66th street resulted in the seizure of the following objects:


A) Rhodian Seated Monkey with missing arms (the “Seated Monkey”)
Period: dating to 580-550 BCE
Measurement: 5.25 inches tall
Valued at: $150,000


B) Attic Female Head Flask (the Female Head Flask”)
Period: dating to 500-490 BCE
Measurement: 5.5 inches tall by 2 inches wide.
Valued at: $80,000

C) Ionian figural vessel representing a Siren (the”Siren Vessel”)
Period: dating to 500-525 BCE
Measurement: 4 inches tall by 4.5 inches wide.
Valued at: $35,000


D) Teano Ware figural representing a Dove (the “Dove”).
Period: dating to 330-300 BCE
Measurement: 4.5 inches tall by 2.5 inches wide.
Valued at: $25,000


E) Corinthian figural representing a Ram (the “Ram”) painted with black dots.
Period: dating to the 6th century BCE
Measurement: 2 1/8 inches tall by 3 1/8 inches wide
Valued at: $20,000


F) Corinthian figural representing a Sea-Serpent with a human torso and head of a man (the “Sea-Serpent”) painted with black dots.
Period: dating to the 6th century BCE
Measurement: 4.5 inches tall by 1.75 inches wide
Valued at: $140,000

Copy of search warrant executed at the office of Michael Steinhardt can be viewed here.

Copy of search warrant executed at the New York apartment of Michael Steinhardt can be viewed here.

On Friday, January 5, 2018, in the early morning 6:00 am chill of New York, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos initiated seizures at the office and New York City residence of Michael Steinhardt in connection with an investigation into the purchase of illicitly trafficked antiquities. 

After a series of high-profile raids involving antiquities dealers and ancient art collections owned by private collectors, some of which have been displayed at the Metropolitan Museum of Art, the Manhattan District Attorney's office has shown their resolve in concentrating on deterring the trade in illegal antiquities.  

According to the TEFAF Art Market Report 2017, compiled each year by Dublin-based research and consulting firm Arts Economics, the U.S. represents 29.5% percent of the world’s art market.   Classical antiquities, such as those seized in this month's raids, represent a smaller portion of that figure.

Their Manhattan DA's work, and the collaboration of multiple, mostly unpaid advising research scholars, has resulted in significant repatriations to countries where predation is a problem, including most recently a 4th century B.C.E marble torso, a 6th century BC statue of a Calf Bearer and a Marble head of a bull stolen during the 1970s from Lebanon during the that country's Civil War.

In total since 2012, the Manhattan DA's office has recovered several thousand trafficked antiquities collectively valued at more than $150 million.

The search warrants executed at Michael Steinhardt's home and office resulted in the seizure of the following objects:

A) Greek Attic Monumental White-Ground Lekythos (the “White-Ground Lekythos”), used to pour ritual oils at funeral ceremonies.  Vessel attributed to the Triglyph Painter and depicts funerary related iconography featuring a woman and a youth.  

Period: approximately 420 BCE.  

Measurement: 18 inches tall by 4.5 inches wide.  

Purchased for $380,000 in 2006. 

B) Apulian Rhyton for libations (the “Apulian African Head Flask”) in the shape of the head of an African.  

Period: dating to the 4th century BCE 

Measurement: 7.5 inches tall by 3 inches at base.  

Purchased for $130,000 in 2009. 

C) Italo - Corinthian pottery figural representing a duck with its head turned upwards (the “Italo-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period 

Period: dating to the 6th century BCE 

Measurement: 4 inches tall by 5.5 inches long by 2.5 wide. 

Purchased for $25,000 in 2011. 

D) Ionian sculpture figural representing a ram’s head (the “Ionian Ram’s Head”).

Period: dating to the 6th century BCE 

Measurement: 2.5 inches tall by 4.7 wide. 

Purchased for $70,000 in 2009. 

E) Attic Aryballos in the form of a Head of an African (the “Attic African Head Aryballos”).

Period: dating to the 5th century BCE 

Measurement: 4 inches tall.

Purchased for $150,000 on or about December 17, 2009.

F) Corinthian terracotta figural vessel representing a lion (the “Corinthian Lion Vessel”). This style of Greek perfume holder flourished at Corinth during the Oriental period 

Period: dating to 600-550 BCE

Measurement: 3.5 wide. 

Purchased for $25,000 on or about November 9, 2011.

G) Proto - Corinthian pottery figural representing an owl (the “Proto-Corinthian Owl”). This style of Greek perfume holder flourished at Corinth during the Oriental period 

Period: dating to 650-625 BCE

Measurement: 2 inches tall by 2.2 wide. 

Purchased for $120,000 on or about October 14, 2009.

H) Proto - Corinthian pottery figural representing a duck with its head turned backwards (the “Proto-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period 

Period: dating to 650-625 BCE

Measurement: 2 inches tall by 2.7 wide. 

Purchased for $130,000 on or about October 14, 2009.

I) Corinthian Bull’s Head (the “Corinthian Bull’s Head”). 

Period: dating to 580 BCE

Measurement: 2.2 inches tall by 2.8 wide. 

Purchased for $60,000 on or about October 14, 2009.

j) Bronze Handles (the “Bronze Handles”). 

Period: unknown

Measurement: 6.3 inches tall by 9.4 wide. 

Purchased for $40,000 in 1996.

In addition to the antiquities the DA's seizure warrant called for the seizure of:

any and all computers, as defined by Penal Law  § 156.00(1) or electronic storage devises capable of storing any of the above described property as well as their components and accessories, including, but not limited to, cords, monitors, keyboards, software, programs, disks, zip drives, flash drives, thumb drives, and/or hard drives;

any and all books, manuals, guides, or other documents containing Information about the operation and ownership of a computer, cellular telephone, camera, video recorder, video game console or other electronic storage device present in the target location, including, but not limited to, computer cellular telephone and software user manual;

any and all documentation or other evidence related to the appraisal, consignment, sale, possession, transportation, shipping, provenance, importation, exportation, restoration, marketing, or insurance of the listed antiquities, including but not limited to appraisals, insurance policies, agreements, leases, contracts, emails, letters, invoices, receipts, documents, handwritten notes, internal memoranda, photographs, recordings, financial records, address books, date books, calendars, personal papers, video footage, and stored electronic communications or data, whether recorded in physical documents are stored digitally as information and images contained in computer disks, DC or DVD ROMs, USB drives and hard drives that may be found at the target premises;

any and all documentation and non-privileged communication which tend to establish Michael Steinhardt’s intent to commit the crime of Criminal Possession of Stolen Property in the First Degree per which tend to establish his state of mind prior to and during the commission of said crime;

any and all documentation and non-privileged communication which tend to establish (directly or indirectly) Michael Steinhardt’s knowledge that Steinhardt has committed the crime of Criminal Possession of Stolen Property in the First Degree namely the possession of stolen or illicitly trafficked antiquities;

any and all documentation and non-privileged communication which tend to establish that Michael Steinhardt is a person in the business of buying, selling, or otherwise dealing in property, specifically art and antiquities;

any and all documentation or non-privileged communications indicative of or pertaining to inquiries made by Michael Steinhardt, or the lack thereof, that the persons are entities from whom he obtained any art or antiquities had the legal right to possess said items;

any and all documentation and non-privileged communication which contain any references to he purchase, and/or sale, and/or possession of looted, stolen, or illegally trafficked antiquities;

any and all documentation tending to identify, and/or connect Michael Steinhardt with accomplices, co-conspirators, possible accomplices and/or witnesses to the crime of Criminal Possession of Stolen Property in the First Degree;

1. A person who knowingly possesses stolen property is presumed to possess it with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner thereof. This presumption is often referred to as recent exclusive possession.” There has been a tremendous body of case law addressing this presumption which argues for the position that if an accused has had the exclusive possession of stolen property after a theft crime has been perpetrated and there is evidence or circumstances which show an inability to explain where the property came from, a negative inference may in fact be drawn. That inference being that there is a strong likelihood that the accused knew that the property he or she possessed was stolen.

Image Credit: Ernesto Emilio Villegas Poljak, Minister of Culture, Venezuela @VillegasPoljak

As a welcome start to 2018 repatriations, Venezuela has returned 196 pre-Columbian stone and ceramic archaeological artifacts to Costa Rica created by the indigenous cultures and peoples who once populated the Americas.

The pieces, some 96 crates in total, weighing in at a whopping 5,000 kilos, had been trafficked illegally.  The repatriated cargo includes two of the incredibly mysterious pre-Columbian spheres sculpted from gabbro, the coarse-grained equivalent of basalt, believed to have been created by the Diquís civilization, as well as pottery, vases, human figurines, zoomorphic ocarinas (musical instruments), and metates (grain-grinding stones).

The ancient cargo arrived to Port Moin in Limón, Costa Rica by boat on Tuesday, January 2, 2018 and concretized Guatemala's promise to return plundered goods, once part of a controversial private collector's extensive collection. 

Found deep in the jungles of Costa Rica, the Las Bolas petrospheres (literally "the balls") of the Diquís civilization date back to the Aguas Buenas Period (300–800 CE) and Chiriquí Period (800–1550 CE).  Some researchers believe the round stone balls, varying in size from a few centimeters to over two meters in diameter, may possibly have served as landmarks, though their exact significance remains uncertain. 

The Las Bolas were discovered in the 1930s when Companía Bananera de Costa Rica, a branch of the United Fruit Company, began clearing portions of the nutrient-rich jungle delta in preparation for banana cultivation.  They are unique to Costa Rica. 

In October 2016, La Nacion published a special report titled "Memoria Robata" which revealed a longstanding network of Costa Rican traffickers supplying the illicit market of global archaeological art.

Beginning in 2014 Venezuela began making significant progress in its fight against illicit trafficking in cultural property. One of the country's most important cases included the seizures of archaeological pieces from Case Männil, also known as the Casa de los Jaguares (the House of the Jaguars), a property which belonged to the alleged Estonian Nazi collaborator Harry Männil. 

After the Second World War, Männil, also known as Harry Mannil Laul, spent most of his life in Latin America, and until a few years before his death resided in Venezuela.  During his lifetime he was considered to be one of Venezuela's powerhouse businessman serving as one of the founders of the country's ACO, C.A., a holding company for an umbrella organization of over eighty companies engaged in a wide variety of industries throughout the country.  

Despite being listed as the 10th most wanted Nazi criminal by the Simon Wiesenthal Center for crimes against jews while working for the political police in 1941–1942 during the German occupation of Estonia, Männil was awarded the Order of the Star of Carabobo and the Order of Francisco de Miranda by the Venezuelan government.

As a philanthropist and art collector, Männil was also owner of one of the world’s largest and most coveted private collections of art.  In 1997 his collection of pre-Columbian art, modern Latin American art, and art of the South American Indigenous people influenced Artnews to list him as one of the 200 most important private collectors in the world. 

Despite that art market accolade, the possession, trade and trafficking of pre-Columbian art has been severely banned in Costa Rica since 1982 and the country's laws state that all discovered historic objects from specific periods must be relinquished into the hands of the state.

Costa Rica's national laws define cultural property as: 

“all archaeological artifacts found on Costa Rican soil prior to the Spanish conquest, including monuments of the same era, which may not fall under this specific heritage through the enactment of this law, belong to the State” (Act No. 7 of 1938).

National archaeological heritage in Costa Rica is defined as:

All movable and immovable property, produced by cultures prior to or contemporaneous to the establishment of the Hispanic culture in the country, as well as any human remains, flora and fauna related to these cultures, are considered national archaeological heritage.” (Act No. 6703 of 1982)

As a result of national law, the National Museum of Costa Rica filed a formal complaint against both Harry Mannil Laul and his son Mikhel Mannil D’Empaire, for the “illegal trade in archaeological property” laying claim to significant portions of the family's collection.

After Mannil passed away on January 11, 2010, Costa Rican authorities raided his farm in San Rafael de Heredia on July 22, 2010 and seized 108 pieces of pre-Columbian art, including fourteen additional Bolas. Officials at that time stated that the pieces had been obtained through illegal purchase which broke the country's law against trafficking in archaeological artifacts.

In 2010 fifty-six pieces of Männil’s collection were seized by the Customs Police and the Institute of Cultural Heritage of Venezuela, when the family tried to export the Pre-Columbian objects to the United States.

In 2014, a second seizure of objects was made, this time at Männil's Caracas home, the Casa de los Jaguares (House of the Jaguars). Archaeologist Marlin Calvo, head of the Department of Protection of Cultural Heritage Museum National, traveled to Caracas and surveyed the historic remains recovered during that raid as well as immovable pieces which remained on the property and determined that many of the pieces were from pre-Columbian cultures and originated in Costa Rica.  This including jaguar metate, whose heads had been decapitated and embedded into masonry walls as decorative elements, lending their name to the collector's residence. 

How Männil exported these pre-Columbian pieces from Costa Rico to Venezuela was not clear. 

The Pre-columbian Chiefdom Settlement where the Stone Spheres Las Bolas of the Diquís in Costa Rica were found was inscribed to UNESCO’s World Heritage list in 2014.

While legal mechanisms are currently in place to protect Costa Rica's archaeological heritage and to control the traffic in antiquities, the looting of sites by huaqueros (grave robbers, nighthawks) has been and to a lesser extent still is a significant problem which results in the destruction of archaeological evidence and the loss of knowledge about Costa Rica’s past. 

Between 1983 and 2016, 519 complaints of trade, transport and illegal export  in archaeological material were filed in Costa Rica, 386 of which  resulted in seizures.  

By:  Lynda Albertson

As mentioned previously in ARCA blog posts, Michael Steinhardt has a longstanding record of making astute financial decisions, many of which have led to stellar investment performance earnings totalling in the millions on Wall Street.  Unfortunately his culture capital record for making prudent, informed decisions when purchasing antiquities for his $200 million private art collection continues to raise eyebrows, and in Friday's case secure New York seizure warrants. 

As once-master of the hedge fund universe, Steinhardt has the liquidity to be choosy about his art purchases. With a current net worth estimated at $1.05 billion, according to a 2017 article in Forbes Magazine, as well as almost thirty years of collecting experience, he should be aware of the ethics of acquisition and the problems of acquiring objects through questionable dealers or with insufficient or dubious provenance.

Steinhardt is a member of Christie’s advisory board.  He also has a Greek Art of the Sixth Century B.C. gallery named after him at the Metropolitan Museum of Art in New York. All this to say that he should be sufficiently well informed about the ethical obligations of responsibly acquiring, managing and disposing of items in his burgeoning art collection.   When not sufficiently informed, his position of affluence and philanthropic influence affords him the ability to reach out to knowledgable art world connections, who could advise him of the regulatory structures in place and the moral economy of purchasing and collecting illicit antiquities should he have any doubts.

On Friday, January 5, 2018, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos again initiated custody of ten antiquities, prosecutors state were looted from the countries of Greece and Italy.

Purchased in the last twelve years, the ten objects seized in last week's raid are listed as:

A) Greek Attic Monumental White-Ground Lekythos (the “White-Ground Lekythos”), used to pour ritual oils at funeral ceremonies.  Vessel attributed to the Triglyph Painter and depicts funerary related iconography featuring a woman and a youth.
Period: approximately 420 BCE.
Measurement: 18 inches tall by 4.5 inches wide.
Purchased for $380,000 in 2006.

B) Apulian Rhyton for libations (the “Apulian African Head Flask”) in the shape of the head of an African.
Period: dating to the 4th century BCE
Measurement: 7.5 inches tall by 3 inches at base.
Purchased for $130,000 in 2009.

C) Italo - Corinthian pottery figural representing a duck with its head turned upwards (the “Italo-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to the 6th century BCE
Measurement: 4 inches tall by 5.5 inches long by 2.5 wide.
Purchased for $25,000 in 2011.

D) Ionian sculpture figural representing a ram’s head (the “Ionian Ram’s Head”).
Period: dating to the 6th century BCE
Measurement: 2.5 inches tall by 4.7 wide.
Purchased for $70,000 in 2009.

E) Attic Aryballos in the form of a Head of an African (the “Attic African Head Aryballos”).
Period: dating to the 5th century BCE
Measurement: 4 inches tall.
Purchased for $150,000 on or about December 17, 2009.

F) Corinthian terracotta figural vessel representing a lion (the “Corinthian Lion Vessel”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to 600-550 BCE
Measurement: 3.5 wide.
Purchased for $25,000 on or about November 9, 2011.

G) Proto - Corinthian pottery figural representing an owl (the “Proto-Corinthian Owl”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.2 wide.
Purchased for $120,000 on or about October 14, 2009.

H) Proto - Corinthian pottery figural representing a duck with its head turned backwards (the “Proto-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.7 wide.
Purchased for $130,000 on or about October 14, 2009.

I) Corinthian BUll’s Head (the “Corinthian Bull’s Head”).
Period: dating to 580 BCE
Measurement: 2.2 inches tall by 2.8 wide.
Purchased for $60,000 on or about October 14, 2009.

j) Bronze Handles (the “Bronze Handles”).
Period: unknown
Measurement: 3.6 inches tall by 9.4 wide.
Purchased for $40,000 in 1996.

Some of Steinhardt's previous risky antiquities gambles:  

The jewelry stolen during the Doge's Palace (Italian: Palazzo Ducale) robbery this week were modern compositions created by one of the foremost contemporary jewelry designers in the world.  Considered by some to be the world’s greatest living jeweller, the objects were created by the spectacularly gifted, Mumbai-based, artisan Viren Bhagat whose work has been characterised as a contemporary synthesis of traditional Mughal motifs and 1920s Cartier Art Deco.  

Bhagat comes from an artisan family who has been in the Indian jewelry business for more than one hundred years. He is one of only two contemporary jewelers, the second being Joel Arthur Rosenthal (JAR), whose works are included in Sheikh Hamad bin Abdullah Al-Thani's extravagant collection of  more than 400 pieces of Indian jewelry and jeweled artifacts spanning four centuries. 

Bhagat produces only a small number of breathtaking pieces each year using only precious stones to stay true to the aesthetic of historic Indian jewelry.  Each of his designs are first pencil-sketched, then precisely produced.  All of his jewelry pieces are one of a kind originals and none of his jewelry is created on commission. 

What makes Bhagat popular with wealthy jewelry lovers worldwide (some 60 percent of his work is purchased outside of India) is his recognizably stylistic touches of western elegance in symmetry with eastern extravagance, making his pieces perfect for modern day maharajas.  

Given his recognition in the jewelry world some of his pieces reach well into seven figures. 

The pair of earrings stolen earlier this week from the Doge's Palace, pictured above, started with a simple, clear halo of asymmetrical flat-cut diamonds surrounding an eye-popping 30.2-carat nearly-colorless teardrop shape diamond mounted on a barely-there platinum setting.  

The stolen brooch-pendant features a 10.03-carat center diamond mined from the historic Golconda sultanate, surrounded by a double row of calibrated rubies and flat-cut diamond petals, the combination form the image of a Mogul lotus.  Below the centerpiece hangs a thirteen strand, proportioned tassel of diamond and ruby beads, a type of flourish occasionally found in Indian turban jewels. 

Described in the book Beyond Extravagance: A Royal Collection of Gems and Jewels, edited by Amin Jaffer, the former international director of Asian art at Christie’s, and current curator of the Al-Thani collection, the back of the brooch is said to be covered in pavé diamonds, echoing the extravagant Indian tradition of decorating the reverse side of jewelry as well as the front. Not your everyday Bollywood bling. 

NOTE:  The SCO - the Central Operations Service of the Police (Italian: Servizio Centrale Operativo) and the Scientific Police (Italian: Polizia Scientifica) will be assisting the investigators of the local Mobile Squad on this investigation. 

Attended by Nobel Peace Laureate Elie Wiesel and former US-Secretary of State Madeleine Albright, the 1998 Washington DC conference, hosted by the US Department of State and the Holocaust Memorial Museum, in order to develop a statement concerning the restitution of art confiscated by the Nazi regime in Germany before and during World War II.  This statement, sometimes referred to as "The Washington Declaration" or the "Washington Conference Principles on Nazi-Confiscated Art", was developed to address the issue of assets and provided eleven non-binding principles on dealing with material confiscated by the Nazis.  The document specifically dealt with art and insurance, as well as communal property, archives, books, and built on remaining gold issues following the Nazi Gold conference which had been held in London in December 1997.

To commemorate the 20th anniversary of this meeting, the Deutsches Zentrum Kulturgutverluste [DZK or German Lost Art Foundation] will be sponsoring an international conference scheduled to take place in Berlin, Germany from November 26 through November 28, 2018.

The conference is being organized with the Stiftung Preußischer Kulturbesitz  [the Prussian Cultural Heritage Foundation] and the Kulturstiftung des Bundes [the Cultural Foundation of the German Federal States].

Please see the Holocaust Art Restitution Project for more details as they become available. 

That's how long it took a thief, in full view of CCTV security cameras, to open a glass display case while an accomplice stood lookout.

You can see the CCTV footage released by the authorities below.

In the CCTV camera footage a clean-shaven man wearing a hooded puffer jacket and casual pants, sporting a traditional coppola style flat cap, can be seen viewing the jewels in several display cases at a leisurely pace, along with five other individuals.  Nearby, one of the five, his accomplice, wearing a buttoned sweater and a fisherman's beanie also pretends to be enjoying the exhibition. 

Four of the individuals, two with hats and two without, leave the space viewable by the security camera in one group after only giving passing glances to the objects on display in the exhibition room.  The man with the fisherman's beanie remains, feigning interest in the objects on display before he too moves out of view of the camera's range, standing as a lookout.  

In the next frame of images, after purposely walking towards the middle display, we can see the thief warily working the lock mechanism on the alarmed display case, possibly with some type of burglary tool, though the view of how he unlocks its glass door is blocked by his back, out of view of the camera.  Opening the case takes only 15 seconds.

Glancing back over his shoulder before and after he gains access to the interior of the case, the culprit then reaches in and deftly grabs the brooch and earrings, placing them quickly in his right pocket in just five seconds.  He then closes the glass door on the case and exits in the same direction as the four earlier individuals. 

It is not very clear whether or not the four other individuals pictured in the CCTV  footage had any role in the event.  Nor is it unusual for patrons to wear hats in Italian museums during bouts of colder weather.  What is clear, though, is that hats used as disguises can be quickly removed and hooded puffer jackets can be flipped up or discarded with ease, allowing the thief and his accomplice to rapidly change their appearance, making them less identifiable.

This change-up can be seen in the footage stills taken of the two suspects.

In the top image, the lookout has donned a red puffer jacket which now covers or has replaced his earlier buttoned sweater.  

As the pair depart, the lookout exits with his hands stuffed in his pockets while the man who removed the objects from the case inside the Doge's Palace now has his hands free and appears to be talking on his cell phone.