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January 15, 2018

IDs from the archives in the Michael Steinhardt and Phoenix Ancient Art seizures

Image Credits:
Left - Symes Archive, Middle - New York DA, Right - Symes Archiv,

Earlier today ARCA was informed by Christos Tsirogiannis of matches that he has made from the confiscated archives of Medici, Becchina and Symes-Michaelides which are related to the recent antiquities seizures made by the state of New York law enforcement authorities earlier this month.

Identifications made from these archives, confiscated by the Italian authorities (with the cooperation of the French and Swiss) and Greek police and judicial authorities, have already facilitated numerous repatriations of antiquities which have passed through the hands of traffickers whose networks are known to have plundered objects from Italy and Greece.

Of the 16 artifacts reported as seized by the Manhattan District Attorney's Office from the home and office of retired hedge-fund billionaire Michael Steinhardt and Phoenix Ancient Art, an ancient art gallery co-owned by Hicham Aboutaam in New York City, Tsirogiannis has tied 9 objects conclusively to photos in all three archives.  Several others objects might be a match, but the DA's publically released photos have been taken from differing angels or opposite sides of the objects so they remain to be confirmed.

The object at the top of this article, a Greek Attic Monumental White-Ground Lekythos used to pour ritual oils at funeral ceremonies, seized from Michael Steinhardt's property,  matches 5 images from the archive of British former antiquities dealer Robin Symes, all of which depict the vessel from various sides.


The Proto - Corinthian pottery figural representing an owl;
the Corinthian terracotta figural vessel representing a lion;
the Corinthian Bull’s Head;
the Ionian sculpture figural representing a ram’s head;
and the Attic Aryballos in the form of a Head of an African;
--were each purchased by Steinhardt in either 2009 or 2011.

These 5 objects along with the Rhodian Seated Monkey seized at Phoenix Ancient Art each match photographs found in the archive of antiquities dealer Giacomo Medici.

The Apulian Rhyton for libations in the form of a Head of an African listed in the warrant appears in a photocopied photo in the archive of antiquities dealer Gianfranco Becchina.

It should be noted that in the joined composite image of the archive photos above, each of the six antiquities have been photographed by someone using the same light-colored hessian (burlap) material as a neutral background.  This could indicate that the antiquities where photographed by a singular individual once the objects arrived under Medici's control. Alternatively, it could mean that the ancient objects have been photographed by a singular individual who then shopped the objects, directly or indirectly, through illicit channels to Medici, who in turn, kept the photographs in his archive as part of his inventory recordkeeping.

As demonstrated by this case, each of these dealer's inventory photos provide valuable insight into the illicit trade in antiquities and which when combined, includes thousands of ancient objects from all over the world.  Many of these objects, those without documented collection histories, likely passed through the hands of smugglers, middlemen, and antiquities dealers who "laundered” the illicit objects onto the licit market.

It would be interesting to know, from the antiquities buyer's perspective, how many private investors of ancient art, having knowingly or unknowingly purchased illicit antiquities in the past, later decide to facilitate a second round of laundering themselves, by culling the object from their collection and reselling the hot object on to another collector.  By intentionally failing to disclose the name of a known tainted dealer, these antiquities collectors avoid having to take any responsibility for the fact that they too have now become players in the game.

While staying mum further facilitates the laundering of illicit antiquities, this option may be seen as far easier to collectors who have invested large sums into their collections than admitting they purchased something, unwisely or intentionally, with a less than pristine provenance pedigree.  To admit to having bought something that potentially could be looted might bring about the loss of value to the asset.  Furthermore by confirming that the antiquity has an illicit background as verified in archives like those of these traffickers, would then render the object worthless on the licit art market.  Worse still, it is likely that their antiquity would then be subject to seizure and repatriation.

By: Lynda Albertson

January 13, 2018

INTERPOL's Most Wanted stolen works of art lists

Image Credit INTERPOL - Works of Art Unit

Every June and December, INTERPOL, the International Criminal Police Organization publishes a poster which highlights key works of art that the law enforcement organization designates as important stolen works of art taken in incidences which have been reported during the previous six months. 

Distributed via all INTERPOL NCBs (National Central Bureaus) biannually to law enforcement agencies worldwide and available to the interested public on the INTERPOL website, their ID tool raises awareness of specific works of art to be watching for.  


Since the publication of INTERPOL's first stolen works of art poster in June 1972, the organization has brought attention to 534 stolen objects; 51 of these  objects have been recovered. 

In addition to the biannual posters, INTERPOL sometimes publishes highlight posters designed to draw attention to serious multi-object thefts of substation value that occur at single locations.  

Recent examples of these include: 


Image Credit INTERPOL - Works of Art Unit


Image Credit INTERPOL - Works of Art Unit


Image Credit INTERPOL - Works of Art Unit


Image Credit INTERPOL - Works of Art Unit
While Ukrainian border guards recovered 17 of the stolen Old Master paintings worth $18.3 million from the Italian museum, other historical objects in Iraq and Syria are still missing. 

January 12, 2018

$10 million reward offered by the Isabella Stewart Gardner Museum extended indefinitely.


The empty frames still hang on the walls of the Isabella Stewart Gardner Museum.  A reminder of the March 18, 1990 theft, where, in 81 minutes, thieves posing as police officers tied up two security guards and made off with 13 works of art. 

The artworks have not been recovered, despite the healthy reward of $10 million dollars originally set to expire at midnight December 31, 2017.

The following are the thirteen stolen works of art which are still missing:

Landscape with an Obelisk by Govert Teuniszoon Flinck (1638)

Cortege aux Environs de Florence by Hilaire German Edgar Degas (c. 1857–1860)

La Sortie de Pesage by Hilaire German Edgar Degas (date unknown)

Program for an Artistic Soirée 1 by Hilaire German Edgar Degas (1884)

Program for an Artistic Soirée 2 by Hilaire German Edgar Degas (1884)

Three Mounted Jockeys by Hilaire German Edgar Degas (c. 1885–1888)

Chez Tortoni by Édouard Manet (c. 1878–1880)

A Lady and Gentleman in Black by Rembrandt Harmenszoon van Rijn (1633)

Self-Portrait by Rembrandt Harmenszoon van Rijn (c. 1634)

The Storm on the Sea of Galilee by Rembrandt Harmenszoon van Rijn  (1633)

The Concert by Johannes Vermeer (c. 1664–1666)

A bronze eagle finial (c. 1813–1814)

An ancient Chinese gu (c. 1200–1100 BCE)
This week, Steve Kidder, President of the Isabella Stewart Gardner Museum board of trustees, announced that the board has approved an indefinite extension  to the $10 million dollar reward for information leading to the recovery of all 13 works in good condition.



For details on the theft please see the history given at the museum located here.

Anyone with information about the stolen artworks or the investigation should contact the Gardner Museum's Director of Security, Anthony Amore directly at +1.617.278.5114  or write to the museum at:

theft [insert at sign] gardnermuseum.org

Confidentiality and anonymity is guaranteed.  







January 10, 2018

2018 Scholarship: ARCA has 4 conflict country scholarships for its 11 course program in Italy


ARCA has four conflict country scholarships for 2018.  These scholarships cover tuition for the 2018 postgraduate art crime and cultural heritage protection program.

ARCA builds capacity in conflict zone source countries 

In response to scholarly concerns of heritage destruction and looting throughout Iraq, Libya, Syria, and Yemen, the Association for Research into Crimes against Art developed its Minerva Scholarship program so that heritage personnel from these conflict countries could receive specialized training in combatting art crime in furtherance of cultural heritage protection. In place since 2015, these scholarships are geared towards postgraduate level individuals with a background in, or current position within the museum or archaeological field, cultural heritage institutions or universities, who are living and working within their home country.

The Minerva scholarship has been created to equip scholars with the knowledge and tools needed to build the capacity of their home institutions and to advance the education of future generations. Scholarships are awarded through an open, merit-based competition and subject to available funding in 2018. Accepted candidates must be able to speak, write and study in English at a university level proficiency.

Awardees of the Minerva are granted a full tuition waiver to ARCA’s ten-week,  eleven course, intensive professional development postgraduate program in Amelia, Italy for the Summer of 2018

For more details about this scholarship and to request a prospectus and application materials, please click here (you will find our email address at the bottom of the page) and write to us in English for further information. In your email please include a 200-word statement giving us your country of origin, where you currently work and reside, and explaining briefly how the program will benefit you as you move forward within your chosen career.


January 9, 2018

List of 6 (additional) objects and warrant details on objects seized from Phoenix Ancient Art by New York State District Attorney's Office

Copy of search warrant executed at Phoenix Ancient Art in New York can be viewed here.

On Friday, January 5, 2018, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos also initiated seizures at Phoenix Ancient Art, New York, in connection with an investigation into the purchase of illicitly trafficked antiquities.

The second-generation family business Phoenix Ancient Art has galleries in New York and Geneva. The business was founded by Sleiman Aboutaam in 1968 and is now operated by his sons, Hicham and Ali Aboutaam.  The Aboutaam name comes up frequently on ARCA's blog. 

The search warrants executed at 47 East 66th street resulted in the seizure of the following objects:


A) Rhodian Seated Monkey with missing arms (the “Seated Monkey”)
Period: dating to 580-550 BCE
Measurement: 5.25 inches tall
Valued at: $150,000


B) Attic Female Head Flask (the Female Head Flask”)
Period: dating to 500-490 BCE
Measurement: 5.5 inches tall by 2 inches wide.
Valued at: $80,000


C) Ionian figural vessel representing a Siren (the”Siren Vessel”)
Period: dating to 500-525 BCE
Measurement: 4 inches tall by 4.5 inches wide.
Valued at: $35,000


D) Teano Ware figural representing a Dove (the “Dove”).
Period: dating to 330-300 BCE
Measurement: 4.5 inches tall by 2.5 inches wide.
Valued at: $25,000


E) Corinthian figural representing a Ram (the “Ram”) painted with black dots.
Period: dating to the 6th century BCE
Measurement: 2 1/8 inches tall by 3 1/8 inches wide
Valued at: $20,000


F) Corinthian figural representing a Sea-Serpent with a human torso and head of a man (the “Sea-Serpent”) painted with black dots.
Period: dating to the 6th century BCE
Measurement: 4.5 inches tall by 1.75 inches wide
Valued at: $140,000

In addition to the antiquities, as with the seizures which were executed at Michael Steinhardt's residence and office, the DA's seizure warrant called for the seizure of:

any and all documentation or other evidence related to the appraisal, consignment, sale, possession, transportation, shipping, provenance, importation, exportation, restoration, marketing, or insurance of the listed antiquities, including but not limited to appraisals, insurance policies, agreements, leases, contracts, emails, letters, invoices, receipts, documents, handwritten notes, internal memoranda, photographs, recordings, financial records, address books, date books, calendars, and personal papers;

found in the premises and that constitutes evidence, and tends to demonstrate that the crime of Criminal Possession of Stolen Property in the Second Degree was committed.

List of 10 objects and warrant details on objects seized from Manhattan billionaire Michael Steinhardt's home and offices by New York State District Attorney's Office

Copy of search warrant executed at the office of Michael Steinhardt can be viewed here.

Copy of search warrant executed at the New York apartment of Michael Steinhardt can be viewed here.

On Friday, January 5, 2018, in the early morning 6:00 am chill of New York, Manhattan district attorney, Cyrus R. Vance Jr., and assistant district attorney Matthew Bogdanos initiated seizures at the office and New York City residence of Michael Steinhardt in connection with an investigation into the purchase of illicitly trafficked antiquities. 

After a series of high-profile raids involving antiquities dealers and ancient art collections owned by private collectors, some of which have been displayed at the Metropolitan Museum of Art, the Manhattan District Attorney's office has shown their resolve in concentrating on deterring the trade in illegal antiquities.  

According to the TEFAF Art Market Report 2017, compiled each year by Dublin-based research and consulting firm Arts Economics, the U.S. represents 29.5% percent of the world’s art market.   Classical antiquities, such as those seized in this month's raids, represent a smaller portion of that figure.

Their Manhattan DA's work, and the collaboration of multiple, mostly unpaid advising research scholars, has resulted in significant repatriations to countries where predation is a problem, including most recently a 4th century B.C.E marble torso, a 6th century BC statue of a Calf Bearer and a Marble head of a bull stolen during the 1970s from Lebanon during the that country's Civil War.

In total since 2012, the Manhattan DA's office has recovered several thousand trafficked antiquities collectively valued at more than $150 million.

The search warrants executed at Michael Steinhardt's home and office resulted in the seizure of the following objects:


A) Greek Attic Monumental White-Ground Lekythos (the “White-Ground Lekythos”), used to pour ritual oils at funeral ceremonies.  Vessel attributed to the Triglyph Painter and depicts funerary related iconography featuring a woman and a youth.  
Period: approximately 420 BCE.  
Measurement: 18 inches tall by 4.5 inches wide.  
Purchased for $380,000 in 2006. 


B) Apulian Rhyton for libations (the “Apulian African Head Flask”) in the shape of the head of an African.  
Period: dating to the 4th century BCE 
Measurement: 7.5 inches tall by 3 inches at base.  
Purchased for $130,000 in 2009. 


C) Italo - Corinthian pottery figural representing a duck with its head turned upwards (the “Italo-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to the 6th century BCE 
Measurement: 4 inches tall by 5.5 inches long by 2.5 wide. 
Purchased for $25,000 in 2011. 


D) Ionian sculpture figural representing a ram’s head (the “Ionian Ram’s Head”).
Period: dating to the 6th century BCE 
Measurement: 2.5 inches tall by 4.7 wide. 
Purchased for $70,000 in 2009. 


E) Attic Aryballos in the form of a Head of an African (the “Attic African Head Aryballos”).
Period: dating to the 5th century BCE 
Measurement: 4 inches tall.
Purchased for $150,000 on or about December 17, 2009.


F) Corinthian terracotta figural vessel representing a lion (the “Corinthian Lion Vessel”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to 600-550 BCE
Measurement: 3.5 wide. 
Purchased for $25,000 on or about November 9, 2011.


G) Proto - Corinthian pottery figural representing an owl (the “Proto-Corinthian Owl”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.2 wide. 
Purchased for $120,000 on or about October 14, 2009.


H) Proto - Corinthian pottery figural representing a duck with its head turned backwards (the “Proto-Corinthian Duck”). This style of Greek perfume holder flourished at Corinth during the Oriental period 
Period: dating to 650-625 BCE
Measurement: 2 inches tall by 2.7 wide. 
Purchased for $130,000 on or about October 14, 2009.


I) Corinthian Bull’s Head (the “Corinthian Bull’s Head”). 
Period: dating to 580 BCE
Measurement: 2.2 inches tall by 2.8 wide. 
Purchased for $60,000 on or about October 14, 2009.


j) Bronze Handles (the “Bronze Handles”). 
Period: unknown
Measurement: 6.3 inches tall by 9.4 wide. 
Purchased for $40,000 in 1996.

In addition to the antiquities the DA's seizure warrant called for the seizure of:

any and all computers, as defined by Penal Law  § 156.00(1) or electronic storage devises capable of storing any of the above described property as well as their components and accessories, including, but not limited to, cords, monitors, keyboards, software, programs, disks, zip drives, flash drives, thumb drives, and/or hard drives;

any and all books, manuals, guides, or other documents containing Information about the operation and ownership of a computer, cellular telephone, camera, video recorder, video game console or other electronic storage device present in the target location, including, but not limited to, computer cellular telephone and software user manual;

any and all documentation or other evidence related to the appraisal, consignment, sale, possession, transportation, shipping, provenance, importation, exportation, restoration, marketing, or insurance of the listed antiquities, including but not limited to appraisals, insurance policies, agreements, leases, contracts, emails, letters, invoices, receipts, documents, handwritten notes, internal memoranda, photographs, recordings, financial records, address books, date books, calendars, personal papers, video footage, and stored electronic communications or data, whether recorded in physical documents are stored digitally as information and images contained in computer disks, DC or DVD ROMs, USB drives and hard drives that may be found at the target premises;

any and all documentation and non-privileged communication which tend to establish Michael Steinhardt’s intent to commit the crime of Criminal Possession of Stolen Property in the First Degree per which tend to establish his state of mind prior to and during the commission of said crime;

any and all documentation and non-privileged communication which tend to establish (directly or indirectly) Michael Steinhardt’s knowledge that Steinhardt has committed the crime of Criminal Possession of Stolen Property in the First Degree namely the possession of stolen or illicitly trafficked antiquities;

any and all documentation and non-privileged communication which tend to establish that Michael Steinhardt is a person in the business of buying, selling, or otherwise dealing in property, specifically art and antiquities;

any and all documentation or non-privileged communications indicative of or pertaining to inquiries made by Michael Steinhardt, or the lack thereof, that the persons are entities from whom he obtained any art or antiquities had the legal right to possess said items;

any and all documentation and non-privileged communication which contain any references to he purchase, and/or sale, and/or possession of looted, stolen, or illegally trafficked antiquities;

any and all documentation tending to identify, and/or connect Michael Steinhardt with accomplices, co-conspirators, possible accomplices and/or witnesses to the crime of Criminal Possession of Stolen Property in the First Degree;

The aforementioned white collar crimes or theft offenses mentioned in the New York search warrant are described below: 

Criminal Possession of Stolen Property in First Degree – NY Panel Law 165.54

A person is found guilty of criminal possession of stolen property in the first degree when he knowingly possesses stolen property, with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner, and when the value of the value of the stolen property exceeds $1,000,000.

Criminal Possession of Stolen Property in Second Degree – NY Penal Law 165.52

A person is found guilty of criminal possession of stolen property in the first degree when he knowingly possesses stolen property, with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner, and when the value of the value of the stolen property exceeds $50,000.

There are four legal presumptions associated with New York Penal Law 165.55, the following is the most likely relevant one in this case:


  1. A person who knowingly possesses stolen property is presumed to possess it with intent to benefit himself or a person other than an owner thereof or to impede the recovery by an owner thereof. This presumption is often referred to as recent exclusive possession.” There has been a tremendous body of case law addressing this presumption which argues for the position that if an accused has had the exclusive possession of stolen property after a theft crime has been perpetrated and there is evidence or circumstances which show an inability to explain where the property came from, a negative inference may in fact be drawn. That inference being that there is a strong likelihood that the accused knew that the property he or she possessed was stolen.
By:  Lynda Albertson