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Showing posts with label Becchina archive. Show all posts
Showing posts with label Becchina archive. Show all posts

September 12, 2022

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Orpheus, the poet, and his two sirens are going home

Back in August, ARCA wrote about a 11 August 2022 announcement made by the J. Paul Getty Museum where the museum publically stated its intention to relinquish its nearly-lifesize Apulian sculptural group "Seated Musician and Sirens" to the Italian authorities "after evidence persuaded the museum that the statues had been illegally excavated."  

In elaborating on the three sculptures' return, directors Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle of the J. Paul Getty stated "Thanks to information provided by Matthew Bogdanos and the Antiquities Trafficking Unit of the Manhattan District Attorney’s Office indicating the illegal excavation of Orpheus and the Sirens, we determined that these objects should be returned." 

Their announcement strategically omitted that the New York Attorney's office had already seized the terracotta sculptures back in the Spring, in April 2022, as part of the Manhattan office's investigation into an accused Italian antiquities smuggler, Gianfranco Becchina. 

Friday, September 9, 2022, Manhattan District Attorney Alvin L. Bragg, Jr.,  announced the return of these three artworks formal handover to the people of Italy. They were given over in a formal ceremony held at the J. Paul Getty Museum lead by Assistant District Attorney Matthew Bogdanos and Special Agent Robert Mancene from Homeland Security Investigations and attended on the Italian side by General Roberto Riccardi, Commander of the Carabinieri’s Command for the Protection of Cultural Heritage (TPC), Warrant Officer Angelo Ragusa, and Silvia Chiave, Los Angeles-based Consul General for the Republic of Italy.

Originally brightly painted, this large-scale sculptural ensemble was purchased by John Paul Getty Sr.,  the founder of Getty Oil Company, in the spring of 1976 days after they were stolen from a plundered chamber tomb near Taranto, Italy.  Broken into hundreds of dirt-encrusted clay fragments and ultimately reconsolidated, American-born, British petroleum industrialist purchased the 3-statue group, sculpted in Tarentum at the end of the 4th century BCE for $550,000 from Bank Leu, A.G with no known provenance aside from the Swiss bank seller.

The investigation by the Manhattan District Attorney’s Office, working in collaboration with the Carabinieri Command for the Protection of Cultural Heritage, confirmed that the three terracotta artworks at the  Pacific Palisades' museum were sourced by local grave robbers working for Raffaele Monticelli, an intermediary trafficker who today is believed to be one of the biggest fences of archaeological finds coming from Italy, and perhaps one of the top three in Europe.

Raffaele Monticelli, sometimes referred to as the “professor from Taranto” is a former elementary school teacher now in his eighties.  He once controlled and financed clandestine excavations which systematically looted large swaths of southern Italy, particularly in Puglia, Calabria and Campania.  Listed on the now famous trafficking organigram, in which two cordata lead to Robert Hecht but by different routes, Monticelli was an active member of Gianfranco Becchina’s cordata.  Numerous transactions between the pair have been well-documented in the Becchina archive.

According to the findings of the DANY investigation and its international law enforcement partner, the broken sculptures were illegally exported out of the Italian territory in contravention of Italian laws and into Switzerland.  Once there, Becchina and Monticelli paid for the nearly-lifesize terracotta sculptural group of a Poet and Sirens to be restored.  Afterward, the sale of the sculptures was arranged through Leo Mildenberg, a Swiss numismatist, antiquities collector, and identified handler of illicit antiquities, via the Swiss private Bank Leu A.G. 

According to the Manhattan District Attorney's Office's Michael Steinhardt statement of facts, we can concretise, on page 36, that Raffaele Monticelli had known  relationships with Leo Mildenberg as well as the Sicilian dealer Gianfranco Becchina. 

As mentioned in an earlier article, John Paul Getty Sr., wrote in his dairy that these three sculptures were purchased on the recommendation of Jiří Frel, the J. Paul Getty's first Curator of Antiquities, showing how sometimes museum insiders have skin in the game.  Frel, as most Italian trafficking experts know, was later implicated in a number of controversies that ultimately destroyed his career and tarnished the California museum's reputation.  He was ultimately placed on paid leave from the Getty in 1984, before being allowed to quietly resign two years later. 

After leaving the Getty, Frel shuttled between residences in Budapest and Italy and at one point even registered himself as being domiciled at the home of Gianfranco Becchina in Castelvetrano, underscoring the closeness of the curator's relationship with the suspect dealer.

In making his announcement of this This successful multi-jurisdictional investigation on Friday, Manhattan District Attorney Alvin L. Bragg, Jr., named those attorneys, officers and agencies who made this seizure and utimately this restitution possible. Those were, in order:  Assistant District Attorney Matthew Bogdanos, Chief of the Antiquities Trafficking Unit; Assistant District Attorney Yuval Simchi-Levi; Supervising Investigative Analyst Apsara Iyer and Investigative Analysts Giuditta Giardini and Daniel Healey; and Special Agent Robert Mancene of Homeland Security Investigations. Investigative support was provided by TPC Warrant Officer Angelo Ragusa.

When Orpheus, the poet, and his two sirens eventually fly, they will initially go on display in the Museo dell'Arte Salvata (Museum of Rescued Art), housed in the Octagonal Hall at the Baths of Diocletian in Rome. 

May 25, 2022

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Justice Rendered: The final confiscation of properties and business enterprises of Gianfranco Becchina has been confirmed.

DIA Seizing Gianfranco Becchina assets in 2017

Italy's Direzione Investigativa Antimafia, the country's Anti-Mafia Investigation Department has issued a confirmation confiscation decree based upon a request from the Public Prosecutor's Office of Palermo.  As per this decree, this action finalises the 2017 confiscation of a significant portion of movable, real estate and corporate assets "attributable to a well-known international trader of works of art art and artefacts of historical-archaeological value" long suspected to have links with the Sicilian mafia, in and around the port town of Trapani. 

While the DIA's announcement didn't name the, now, 83 year old dealer living in Castelvetrano, the regional newspapers in Sicily, and the national newspaper in Rome, did. 

For decades the Trapani branch of the Cosa Nostra is believed to have accumulated at least some portions of its wealth through the proceeds of illicit archaeological finds.  Some of which, according to Italy's DIA may have been procured through grave robbers working at the isolated Archaeological Park of Selinunte, one of Sicily's great ancient Greek cities, located near Castelvetrano probably in the service of the Cosa Nostra.  This archaeological site covers some 40 hectares and includes Greek temples, ancient town walls, and the ruins of residential and commercial buildings from Italy's past.  Given its remote location, much of the site has not been formally excavated, and it has been prey to opportunistic looters for decades.

To further dismantle the mafia's operational funding in and around Trapani, in November 2017 Italy's Anti-Mafia Investigative Directorate, through the Court of Trapani's penal and preventive measures section, filed an initial seizure order for all movable assets, including real estate and corporate enterprises attributable to Gianfranco Becchina on the basis of an order issued from the District Attorney of Palermo based upon investigations conducted by the DIA, under the coordination of the Palermo Public Prosecutor's Office on the basis that much of Becchina's accumulated wealth was generated through the proceeds of trafficked antiquities. 

Palazzo dei Principi Tagliavia-Aragona-Pignatelli

The preliminary 2017 order included the seizure of Becchina's cement trade business, Atlas Cements Ltd., Olio Verde srl., his signature olive oil production company, Demetra srl., Becchina & company srl.  Real estate holdings confiscated included some 38 buildings as well as Becchina's portions of Palazzo dei Principi Tagliavia-Aragona-Pignatelli, once the noble residence of the family Tagliavia-Aragona-Pignatelli, which is part of the ancient Castello Bellumvider, (an additional part of this palazzo is owned by the city of Castelvetrano and houses the town hall).  Investigators also seized a total of 24 parcels of land belonging to Becchina, and four vehicles.  In total, the value of the seized assets is estimated to be worth more than 10 million euros. 

Giovanni Franco Becchina (b. 1939) was born in Sicily. In the 1970s, he established a business, Palladion Antike Kunst, in Basel, Switzerland, with his wife Ursula.  For almost forty years Becchina headed one of Italy's most notorious “cordata” (a trafficking cell) in a lucrative criminal enterprise that used gangs of tombaroli to loot carefully chosen and insufficiently guarded archaeological sites throughout southern Italy.

It is well-documented that Becchina and other traffickers like him, laundered their looted antiquities through exhibitions at museums and in private collections with manufactured provenance, providing a thin veneer of respectability to material removed from Italy and laundered through the ancient art market. 

In 2001, Becchina was arrested in Italy and charged with receiving stolen goods, illegally exporting goods, and conspiring to traffic goods. In May 2002, the Swiss and Italian authorities raided Palladion Antike Kunst and three of Becchina’s located storage facilities.  A fourth was raided in 2005. 

In 2011, Judge Rosalba Liso dismissed the charges of receiving stolen goods, illegally exporting goods, and conspiring to traffic goods, due to the expiration of the statute of limitations.  However, the Judge in the case confirmed the seizure order for the 5,919 antiquities Becchina had in stock at the time the 2002 and 2005 search warrants were executed.  Material evidence obtained during these seizures confirmed that Becchina bought antiquities directly from tombaroli. Over 90% came from a single source: convicted tombarolo (and later a capo squadra in his own right) Raffaele Monticelli.

July 2, 2019

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Auction Alert - Bonhams Auction House - An il(licit) Apulian red-figure janiform kantharos?

Screenshot of Bonham's website captured 01 July 2019
On July 01, 2019 ARCA was informed by Christos Tsirogiannis that he had identified a new potentially tainted antiquity scheduled to be auctioned by Bonhams auction house in London at its flagship London saleroom on New Bond Street on July 3, 2019.  This ancient Greek drinking vessel, has two faces looking in opposite directions, one of a satyr and one of a woman and has been identified as traceable to a document and photo within the confiscated Becchina archive and to two showroom photos found within the Symes-Michaelides archives.  

Since 2007 Dr. Tsirogiannis, a UK-based Greek forensic archaeologist and lecturer with ARCA's Postgraduate Program in Art Crime and Cultural Heritage Protection, has worked to identify antiquities of illicit origin in museums, collections, galleries and auction houses that can be traced to the archives of individuals known to be involved in the illicit trade of antiquities. Tsirogiannis is also the incoming Associate Professor and an AIAS-COFUND Junior Research Fellow (2019-2022) at the Aarhus Institute of Advanced Studies at the University of Aarhus.
  

Screenshot of Bonham's website captured 01 July 2019
Vases made by the Iliupersis Painter's workshop were the forerunners to the later Apulian polychrome head vases that were produced throughout the second half of the fourth century before Christ in what is now Italy.  Yet a screenshot of the provenance/collection history listed by Bonham's is scarce and tells nothing about the vessel's discovery or its passage out of Italy.  In fact the auction house's collection history only goes back to 1991 when it appeared as Lot 161 in a Sotheby's New York auction via an anonymous seller on the 18th of June.  This and the mention of Merrin Gallery and an unnamed private collector are all the potential buyer has to go on.   No information is listed on the auction house's website regarding the ancient object's exportation from its country of origin or any checks possibly made with the Italian Carabinieri to ensure this object is not part of the Italian's known databases of suspect objects. 

Becchina Archive Image
According to records reviewed by Tsirogiannis, a handwritten note in the Becchina archive, possibly written by Gianfranco Becchina himself, makes mention of a ‘janiform’ purchase along with other antiquities acquired via middleman Raffaele Monticelli.  The purchase price listed is 60,000 Italian lire and the sale appears to have occurred on March 5, 1988.  All the antiquities listed in this purchase acquisition from Monticelli total 290,000 Italian lire, with the kantharos being the most expensive ancient object in the transaction.

Raffaele Monticelli's role in the illicit antiquities trade is concretised in the now famous illicit trafficking organogram which mentions key individuals associated with Italy's largest known trafficking group.  He was convicted in 2002 and sentenced to four years imprisonment at the Foggia Tribunal for conspiracy related to the trafficking of antiquities.   His conviction occurred a little more than a decade after the kantharos appears to have surfaced in the US market in 1991.  

A retired elementary teacher, who gave up teaching for the more lucrative roll of middleman dealer, Raffaele Monticelli is a name well known to the Italian Carabinieri of the Cultural Heritage Protection Command of the Cosenza and Bari nuclei.  His most recent arrest occurred in 2017 in connection with clandestine excavations of archaeological sites in the Crotone area. At the time of the more recent 2014-2017 investigation, Monticelli's residence was searched and illicitly excavated objects were seized, including some ancient terracotta figurines and a biansata kylix of Greek origin. This new event shows that the trafficker continued to violate Italian law despite prior arrests and convictions well into his golden years.

But returning to the past and to the Bonhams kantharos currently set for sale later this week.

On the trafficking organogram Monticelli is listed just above the territories where he plied his trade: the regions of Puglia, Calabria, Campania, and Sicilia.  This illustrates that he was active in the region where this kantharos was likely produced.  The organogram also specifies that Monticelli was an important part of the Southern Italy cordata which lead upwards to Robert (Bob) Hecht via Gianfranco Becchina and downward to Aldo Belleza.

This connection is further confirmed by testimony given by Frédérique Marie Nussberger-Tchacos, after her arrest in Cyprus in 2002. Tchacos, who also goes by the name Frieda Nussberger-Tchacos, as well as by Frida Tchacos Nussberger, once oversaw the now liquidated Galerie Nefer AG and was once a member of the International Association of Dealers in Ancient Art (IADAA).  Speaking to Italian Prosecutor Paolo Giorgo Ferri, who issued the international arrest warrant for Tchacos and initiated the legal process for her extradition to Italy, Tchacos is quoted as having said:

Becchina Archive Photo.
“a precise triangle” referring to Bob Hecht, Gianfranco Becchina, and Raffaele Monticelli.  She further stated that Monticelli supplied “everything that could be found in the south of Italy; I think Apulian [vases], I think terracottas, I think bronzes. . . .” all of which turned out to be factually true.  Becchina's wife Ursula also affirmed that her husband obtained material from Monticelli.

Monticelli's relationship with Gianfranco Becchina was a lengthy and profitable one.   

Among the 140 folders seized in 2001 from Gianfranco Becchina, there were many suppliers, some of whom were middleman and traffickers in direct contact with those who excavated clandestinely, as well as some tombaroli who communicated directly with the Sicilian dealer.  Becchina's confiscated records contain four folders cataloging his transactions with Monticelli, many of which contain long lists of objects as well as some Polaroids such as the one depicted to the right, from which Tsirogiannis made his matching identification.

This photo depicts the kantharos unrestored, with a large chip in the rim and still covered with incrustations.  It appears to be standing on a wooden shelf in front of a barren concrete wall, possibly at Becchina's warehouse in Basel, or perhaps in a restorer's laboratory and in its entirety also depicts additional objects which have yet to be identified and may be in circulation on the market.

At some period after the object's restoration two photos of the kantharos are taken.  These are found in the Symes-Michaelides archive.  The photos showing the front and back of the object post restoration, and in keeping with the state of conservation found in the Bonhams auction photos as illustrated below.

Top Left & Bottom Left: Bonhams Photos
Top Right & Bottom Right: Symes-Michaelides archive Photos 
As is often the case with objects originating from these known dealers and middlemen one is curious as to the extent of the documentation, if any, was used by Bonhams to evaluate whether or not this particular ancient object had legitimacy on the ancient art market.

During past criminal proceedings then prosecutor Ferri spoke of the Becchina-Merrin relationship believing their involvement could possibly be part of a broader conspiracy to traffic in artifacts that involved the Americans then on trial.  As evidence lending credibility to his statement, a 1993 fax within the Becchina dossier from the Merrin Gallery to Becchina requests that photos of artifacts sent by the disgraced dealer to the Manhattan firm, used to show to potential customers, not be marked with "BEC."  In addition to that other artifacts which have been repatriated to Italy after being tied to Becchina also on occasion passed through the hands via this Manhattan gallery.  Some, later deemed illicit, were sold to various U.S. museums, including the J. Paul Getty in Los Angeles.

Shouldn't the lack of any known provenance before 1991, coupled with the name Merrin Galleries drawn some amount of cautious attention?  Curiosity?  Additional due diligence?

In my own curious searches in completion of this blog post, I asked Tsirogiannis at 07:52 this morning to look for the following object sold by Christie's auction house on June 4, 2008 in the confiscated archives.



This Apulian red-figure Lekanis, drew my attention for its equally spartan collection history but more importantly for the fact that it appears to be by the same workshop, that of the Iliupersis Painter and was aparently sold during a very active period with this particular trafficking band.

By 11:37 Tsirogiannis had found and I have confirmed, what appears to be a second matching object within the Becchina dossier, albeit the Christie's photo shows some overpainting. My impression that the red-figure Lekanis didn't pass the sniff test proved accurate.  According to Tsirogiannis' review, this antiquity comes from the same group of objects that Becchina bought from Monticelli on, you guessed it March 5, 1988!

Could this come from the same find spot?  Could Merrin have bought more of these objects from Becchina?


Let's hope that both auction houses will look into the records of the dealers consignors and purchasers affiliated with these objects.  While the Lekanis has long since been sold, it should be traceable to the current purchaser.  The second should be withdrawn from the London auction to allow the Italian and British authorities sufficient time to conduct a thorough investigation.

NB:  All Identifications have been submitted to the appropriate legal authorities.

By:  Lynda Albertson


October 24, 2018

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Court of Palermo dismisses charges of mafia association against Gianfranco Becchina.


Following a formal request by the Deputy Prosecutor for the District Anti-Mafia Directorate  Carlo Marzella, preliminary reexamination judge of of the Court of Palermo, Antonella Consiglio, has dismissed the charge of mafia association against the Castelvetrano antiquities dealer Gianfranco Becchina.  In her decision, the judge cited that the accusations used for the basis of the charge, made via testimonies given by Vincenzo Calcara, an exMafia soldier and pentito (collaborator of justice), have been deemed "unreliable". 

The link from Matteo Messina Denaro to Gianfranco Becchina is said to begin with Denaro's father, Francesco Messina Denaro, who was the capo mandamento in Castelvetrano and the head of the mafia commission of the Trapani region. Francesco Messina Denaro was believed to have been behind the theft of the famous Efebo of Selinunte, a 5th century BCE statue of Dionysius Iachos, stolen on October 30, 1962 and recovered in 1968 through the help of Rodolfo Siviero,

Image Credit: Accademia degli incerti
The informant Calcara, who gave testimony against the art dealer, is a former protege of Francesco Messina Denaro of the Castelvetrano family and has faced his own legal dramas related to his involvement in international drug trafficking and money laundering, including underworld activities which purportedly also implicated the Vatican bank.  Verbose mafia defector Calcara's claims of self importance, and connections to the upper echelons of the mafia, have lethal overtones.  In the passed he has said he was originally tasked with killing antimafia Judge Paolo Borsellino in September 1991 with a sniper rifle but was arrested before he could carry out the plot.


Involved in the trafficking of weapons, drugs, and political corruption Calcara was once offered a place in the government's witness protection program but refused.  Later the Cosa Nostra determined his whereabouts and threatened his wife if she didn't get him to stop talking to authorities.  

Back in 1992, Calcara, and now deceased former drug dealer Rosario Spatola, incriminated Becchina for alleged association with the Campobello di Mazara and Castelvetrano clans implying that there was a gang affiliate active in Switzerland whose role was to excavate and sell ancient artefacts on the black market.  At the time of Spatola's testimony, much of his information was also discounted as many were skeptical that he had actual knowledge or whether he invented things for his own benefit.

To dismantle Denaro's operational funding, which authorities believe has helped him remain at large as a fugitive from justice, Italy's Anti-Mafia Investigative Directorate (DIA), through the Court of Trapani's penal and preventive measures section, seized all movable assets related to Becchina in November 2017 including real estate and corporate enterprises on the basis of an order issued from the District Attorney of Palermo.  This included Becchina's cement trade business, Atlas Cements Ltd., Olio Verde srl., his olive oil production company, Demetra srl., Becchina & company srl., and Palazzo Pignatelli, once the noble residence of the family Tagliavia-Aragona-Pignatelli, which is part of the ancient Castello Bellumvider (the public part is owned by the city and houses the town hall).  Investigators also seized Becchina's land, vehicles and bank accounts.

What will happen with the seized properties and businesses remains a manner for the Preventive Measures Section of the Trapani court to decide but given his close ties with other incarcerated mafia affiliates, Becchina's story is not yet finished. 

In 1991 Sicilian building magnate Rosario Cascio became connected with Becchina's Atlas Cements Ltd., and took over as reference shareholder and director.  Before his incarceration, Cascio was a Mafia Associate to several bosses in multiple families including fugitive Matteo Messina Denaro with strong ties to the Castelvetrano family.   Known as the "cashier of Cosa Nostra." Cascio once had a hit put out on him by mobster Angelo Siino only to have Matteo Messina Denaro intervene on his behalf.  Cascio managed the family's economic activities and sub-contracts, and monopolized the concrete market and the sale of and construction equipment.  He also steered public contracts towards mafia businesses and managed an extortion racket which imposed sub contracts and labor.  

So, while there are no (longer) "reliable" statements proving Becchina is formally "affiliated" with the Castelvetrano organized crime family, his connections to other individuals who are or were, and the properties connected to joint operations with mafia collaborators, are still subject to judicial consideration.  

September 11, 2018

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Restitution: An Attic Marble Anthemion from a Grave Stele returned to Greece


On June 9, 2017 forensic archaeologist Dr. Christos Tsirogiannis, wrote to ARCA and to the Art and Antiques Unit of London's Metropolitan Police (New Scotland Yard), INTERPOL and the Greek police Art Squad reporting that he had identified an Attic Marble Anthemion from a Grave Stele coming up for auction in Sotheby's June 12, 2017 London auction which he had traced to the archive of convicted Italian antiquities dealer Gianfranco Becchina. 

This accumulation of records was seized by Swiss and Italian authorities in 2002 during raids conducted on Becchina’s gallery, Palladion Antique Kunst, as well as two storage facilities inside the Basel Freeport, and another elsewhere in Switzerland.  The Becchina Archive consists of some 140 binders which contain more than 13,000 documents related to the antiquities dealer's business.  

These dealer records include shipping manifests, antiquarian dealer notes, invoices, pricing documents, and thousands of photographic images.  Many of which are not the slick art gallery salesroom photos, but rather, point and shoot Polaroids taken by looters and middlemen.  This latter type of image often depicts looted antiquities in their recently plundered state, some of which still bear soil and salt encrustations. 

Two of the identifying Polaroid images of the object
located in the Becchina archive. 
In 2011 Becchina was convicted in Italy for his role in the illegal antiquities trade and while he later appealed this conviction, he is currently under investigation by Italy's Anti-Mafia Investigative Directorate (DIA) who moved to seize his cement trade business, Atlas Cements Ltd., his olive oil company, Olio Verde srl., Demetra srl., Becchina & Company srl., bank accounts, land, and real estate properties including Palazzo Pignatelli in November 2017. 

Looted antiquities traced to Becchina's trafficking network, like this attic marble anthemion, continue to surface in private collections, museums and some of the world's most prestigious auction firms specializing in ancient art and are frequently identified by Tsirogiannis, archaeologists working with Italy's Avvocatura dello Stato, the Italian Carabinieri and the Greek police. 

In his email, Tsirogiannis stated that he had identified the attic marble anthemion in three professional and two Polaroids images as well as in four separate documents found in the confiscated Becchina business records. The dealer's documentation indicated that the stele appeared to have been in Becchina's hands from 1977 until 1990, when it was then sold on to George Ortiz, a collector and heir to the South American Patiñho tin fortune who lived in Geneva and whose name has appeared with regularity on this blog tied to purchases of objects of illicit origin.   Ortiz's name has long been associated with this trafficking network as his was one of the names found on the network organigram found in Pasquale Camera's personal possessions.

Interestingly both Becchina and Ortiz were never mentioned in the 'Provenance' section given by Sotheby's.   During the sale, the object's collection history was listed simply as follows: 


Possibly as a result of Tsirogiannis' identification, the 340 B.C.E. object (thankfully) failed to sell.  Eleven months later, in a May 7th 2018 issue of the Times, the newspaper reported that Sotheby's, not Tsirogiannis, had discovered that they had a false collecting history on the stele at which point "by way of a voluntary goodwill gesture" handed the stele over to the Metropolitan Police in London.  The Greek Embassy in London working with the Greek The Ministry of Culture authorities via the Directorate for the Documentation and Protection of Cultural Property, followed up with the legal claims necessary for restitution and on June 27th, 2018 Christos Tsirogiannis testified at the Greek consulate in London as to his findings. Subsequent to the above, the object was formally handed over on September 8, 2018.

After its return to Greece, yesterday, the column has been delivered to the Epigraphical Museum of Athens, Greece. 

May 2, 2018

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Auction Alert - Sotheby’s New York - a bronze Greek figure of a horse

On May 01, 2018 ARCA was contacted by Christos Tsirogiannis about a possible ancient object of concern in an upcoming Sotheby's auction titled 'The Shape of the Beauty: Sculpture from the Collection of Howard and Saretta Barnet' scheduled for 10:00 AM EST on May 14, 2018 in New York City. The antiquities researcher had also notified law enforcement authorities in New York and at INTERPOL. 

Since 2007 Tsirogiannis, a Cambridge-based Greek forensic archaeologist has drawn attention to and identified antiquities of potentially illicit origin in museums, collections, galleries auction houses, and private collections that can be traced to the confiscated Giacomo Medici, Robin Symes-Christos Michaelides and Gianfranco Becchina archives.  Tsirogiannis teaches as a lecturer on illicit trafficking with ARCA's Postgraduate Program in Art Crime and Cultural Heritage Protection.

Image Credit: ARCA
Screenshot taken 02 May 2018
Dr. Tsirogiannis noted that Lot 4 of the sale, a bronze Greek figure of a horse, lists the object's collecting history as:
Münzen und Medaillen AG, Basel, May 6, 1967, lot 2
Robin Symes, London, very probably acquired at the above auction
Howard and Saretta Barnet, New York, acquired from the above on November 16, 1973 .

For its literature, the auction house mentions the following text: Zimmermann, Les chevaux de bronze dans l'art géométrique grec, Mainz and Geneva, 1989, p. 178.

Through my own explorations I found that Scholar Paul Cartledge, in The Classical Review 41 (1):173-175 (1991), stated:

"Like Archaic Greek bronze hoplite-figurines (CR 38 [1988], 342), Greek Geometric bronze horse-figurines are eminently marketable (and forgeable) artefacts for which private collectors, chiefly in New York, London, Geneva and Basel, are prepared to part with a great deal of hard currency. Their (al)lure is undeniable; I have myself trekked halfway across Europe in pursuit of their elusive charm."

As if to underscore their allure, both past and present, Tsirogiannis sent along three photos of the object on auction which he conclusively matched to photos found in the confiscated Robin Symes archive. 

Three, (3) photos from the Symes -Michaelides Archive
provided by Christos Tsirogiannis

Saretta Barnet died in March of 2017.  Her husband had passed away in 1992. Collecting for more than 4 decades, the couple's collection included everything from pen and brown ink landscapes by Fra Bartolommeo, works by Goya, François Boucher, Lucien Freud, tribal art and a noteworthy collection of antiquities.  

In a December 01, 2017 article in the Financial Times, discussing this upcoming sale, their son, Peter Barnet, indicated that “his late parents bought carefully and took their time to make decisions. For that reason, they preferred not to buy at auction but from dealers.”  Apparently though, not all of those purchases were carefully vetted. 

Screenshot:
The Metropolitan Museum of Art
Bulletin 3269091
In 1999 the family of Howard J. Barnet donated a Black-Figure Kylix, ca. 550-525 B.C.E attributed to the Hunt Painter to the Metropolitan Museum of Art. That object according to an article by Dr. David Gill, was relinquished by the museum via a transfer in title in a negotiation completed with the Italian Ministry of Culture on February 21, 2006 and returned to Italy in one of the first repatriation agreements between Italy and the Metropolitan Museum of Art in New York.

While the Barnet's may have been selective in the quality of the pieces they purchased for their collection, their relationships with dealers known to have dealt in plundered antiquities such as Symes, as well as collecting transactions with private collectors such as George Ortiz, who is also known to have purchased tainted objects, leaves one to question how carefully the Barnet's vetted the objects they acquired.

Given that the bronze Greek figure of a horse appears in photographs found in the Symes archive and the fact that at least one other object donated by the Barnet's was tied to illicit trafficking and was repatriated to its country of origin, this statue deserves a closer look.  With further research, the object and its past collecting history might lead to a link in the trafficking chain that has not yet been fully explored or considered. 

Take the provenance listed in this sales event for example.  If the object's listing of a sale at Münzen und Medaillen AG, Basel in May 6, 1967 is not a fabrication, then exploring this sale in Switzerland, determining who the consignor was, might give us another name name in the looting/trafficking/laundering chain which could help us determine the country of origin and be worthwhile for law enforcement in Switzerland and New York to explore. 

 At the very least, this upcoming auction notice seems to indicate that the auction house did not contact Greek or Italian source country authorities before accepting the object on consignment.  This despite the object's passage through the hands of a British antiquities dealer long-known to have been a key player in an international criminal network that traded in looted antiquities. 

By:  Lynda Albertson

April 11, 2018

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Auction Alert - Christie's Auction House - an Etruscan 'Pontic' black-figured neck-amphora and a Roman bronze boar

ARCA has been informed by Christos Tsirogiannis that he had identified two potentially tainted antiquities, scheduled to be auctioned by Christie's auction house in New York on 18 April 2018.  The antiquities researcher had notified law enforcement authorities in late March.

On April 11th, 2018 one of these objects is now listed as withdrawn from the auction.

Lot 26, an Etruscan 'Pontic' black-figured neck-amphora attributed to the Paris Painter, Circa 530 BCE. was listed in the auction documentation, before its withdrawal with an estimated sale price of $30,000-50,000 USD.


 The provenance published with this object is: 
"with Galerie Günter Puhze, Freiburg.
Acquired by the current owner from the above, 1993."

The second item, Lot 48, is a Roman Bronze Boar, Circa 1st-2nd Century CE., is currently still listed with an estimate sale price of $10,000-15,000 USD.


The provenance published with this object is: 
"with Mathias Komor, New York, 1974. Christos G. Bastis (1904-1999), New York. The Christos G. Bastis Collection; Sotheby’s, New York, 9 December 1999, lot 159."

Photo from the Gianfranco Becchina archive
Exhibited: 
"The Metropolitan Museum of Art,
Antiquities from the Collection of Christos G. Bastis, 20 November 1987-10 January 1988."

Tsirogiannis matched the black-figured neck-amphora with two Polaroid images found pasted onto a 22 June 1993 document located within the confiscated archive of Sicilian antiquity dealer Gianfranco Becchina. The white piece of paper describes the scene depicted on the object, while the two photos pasted to the document show the same antiquity prior to its restoration.  In this image, the vase is still broken into many fragments and is seen with soil and salt encrustations.   The dealers handwritten notes on the page include numeric notations and refer to an individual named "Sandro."

Becchina's archive, an accumulation of business records, seized by Swiss and Italian authorities in 2002, consists of some 140 binders containing more than 13,000 documents related to antiquities, bought and sold, which at one point or another are known to have passed through Becchina's network of illicit suppliers.

As those who are familiar with Peter Watson's and Cecilia Todeschini's book, The Medici Conspiracy may recall, numerous handwritten notes and lists of antiquities, invoices, and etc., found in the Becchina archive refer to Sandro Cimicchi, an artifact restorer based in Basel, Switzerland.

This is interesting in that one of the supply chain elements in Becchina's enterprise frequently foresaw a first phase of restoration on the plundered artwork, then the subsequent creation of false attestations on the antiquity's origin, made possible also through the artificial attribution of ownership to associated companies.

Cimicchi's name also appears on a comprehensive hand-written organisational chart written by dealer/trafficker Pasquale Camera which was recovered by the Italian authorities in September 1995 during a Carabinieri raid.  This ‘organigram’ has been useful to Italian investigators and cultural researchers in piecing together members of this well known trafficking TOC group.  Starting from the bottom and working your way up, this document references everyone from tombaroli, to intermediaries, to restorers, to mid-level Italian dealers (Gianfranco Becchina and Giacomo Medici), and lastly, to wealthy international dealers Robert E. Hecht and Robin Symes.

Cimicchi name has consistently been connected with illicit antiquities dealers and had been noted to have been Gianfranco Becchina's usual restorer. 

Becchina was convicted in 2011 for his role in the illegal antiquities trade yet, this antiquity's passage, through or between Becchina and Cimicchi, has not been listed in the provenance details which were published by the Christie's auction house for its upcoming sale.

Tsirogiannis informed me that the second object, the Roman bronze boar, is depicted in two separate professional images in the business archive records of Robin Symes and Christos Michaelides,  two other high-profile art dealers we have written about in detail. 


The Becchina and Symes-Michaelides archives were presented publicly by the Italian judicial and police authorities during the trials of Giacomo Medici, Gianfranco Becchina, Robert Hecht, and dozens of Italian tombaroli in Rome from 2000-2011. Like the Becchina archive, this Greek file features a stash of images seized during a raid on the Greek island of Schinousa, that once formed the stock of Robin Symes and Christo Michaelides.

Unfortunately, neither Symes nor Michaelides appear in the provenance documentation published by Christie's for the upcoming sale on the Roman bronze boar.

With regularity, objects such as these, connected to tainted antiquities dealers, known to have profited from the trafficking of illicit antiquities, appear on the licit market.  Since 2006 Tsirogiannis, a Cambridge-based Greek forensic archaeologist, affiliated researcher and summer lecturer with ARCA's Postgraduate Program in Art Crime and Cultural Heritage Protection, has, with some regularity, identified antiquities of suspect origin in museums, collections, galleries and auction houses, liking passages in their collection histories to Giacomo Medici, Fritz Bürki, Gianfranco Becchina, and Symes-Michaelides. 

As part of a rigorous due diligence process, auction houses are encouraged to check with the Italian or Greek authorities to ensure that the antiquities going up for auction are clean, so as not to pass tainted objects on to new owners.  Yet dealers in the art market sometimes forgo this due diligence step, as talking with the  law enforcement authorities, means they would likely be required to provide the name of the consignor, should the archive control, come up with a matching incriminating photo.  

As this poses problems of confidentiality for dealers, this step, is too frequently omitted, leaving the only way for matches to be made being when pieces like this  ancient vase, or bronze boar, or marble statue, or Roman glass bottle, eventually comes up for sale during a public auction. Given that TEFAF's newly released report states that there are more than 28,000 auction houses trading world-wide, the task of monitoring them all becomes gargantuan. 

In UNESCO's recent “Engaging the European Art Market in the Fight against the illicit trafficking of cultural property”  I suggested to personnel of the art market on hand for the meeting that the legal conundrum of client confidentiality could be circumvented by auction houses and dealers implementing a policy whereby the consignor themselves contacts the Italian and Greek authorities for a check of the the Medici, Bürki, Becchina, and Symes-Michaelides archives before the auction house agrees to list these topologies of antiquities up for auction when the provenance the client has is short on clarity. This would eliminate the auction house's liability for disclosing a confidential client. 

While it might slow down the proposed sales cycle, or be an uncomfortable proactive step for good faith purchases who may have unfortunately purchased a suspect antiquity in good faith in the past, it would be the market's ethical step towards not furthering the laundering by selective omission and it would begin to help collectors understand that their purchases and eventual sales now need to be ethical ones given the onus for ethical behavior being placed on them. 

ARCA hopes that by continuing to publicize the frequency illicit antiquities penetrate the legitimate art market, with provenance irregularities such as these seen in these two identifications, will encourage auction houses or collectors themselves to adhere to more accurate and stringent reporting requirements when listing their object's collection histories.  It is only in this way that new buyers do not continue to launder objects with their future purchases, further prolonging the damages caused by the the illicit antiquities trade.

November 17, 2017

Friday, November 17, 2017 - ,,,,,,,, No comments

A Sicilian Mafia Primer to Organized Crime Members with apparent ties to Gianfranco Becchina


This is a list of mafia-tied individuals and cooperating mafia-tied individuals authorities have stated have associations with, or who have made statements which directly implicated, Gianfranco Becchina for Cosa Nostra involvement. 

(Note:  This list is not complete and will be updated periodically as other names and details are released.)

Giovanni Brusca - Ex Capomafia of the San Giuseppe Jato family.  Incarcerated. Also known as "U' Verru" (in Sicilian) or Il Porco or Il Maiale, (In Italian: The Pig, The Swine) or lo scannacristiani (christian-slayer; in Italian dialects the word "christians" often stands in place of human beings). The information he provided regarding Becchina has not been made public though it appears to implicate Becchina with having had a relationship with Francesco Messina Denaro and fencing of antiquities.

Calculating and violent, Brusca is known to have tortured the 11-year-old son of a mafia turncoat or pentito to get him to retract statements made to the authorities in connection to the Capaci massacre.  After holding the boy hostage for 26 months, he strangled the child and dissolved his body in acid.  Brusca  once stated that he had killed "between 100 and 200" people with his own hands, but was unable to recall exactly how many murders he had participated in or ordered.

Brusca is also responsible for detonating 100 kilograms of TNT in 1992 under the highway between Palermo and the Punta Raisi airport in a bomb attack which murdered anti-Mafia magistrate and prosecutor Giovanni Falcone, Falcone's wife and five of his bodyguards. In 1993 Brusca mounted further bombing raids throughout mainland Italy hoping to intimidate politicians into reversing decrees for tougher jail regimes for incarcerated mafiosi. This wave of bombings in Florence, Milan and Rome left 10 people dead and injured 70 others.

Later, after his arrest, and through a series of strange accords, Brusca also turned informant, though much of his testimony has, at times, appeared to be self serving.  His testimony has afforded him controversial and exceptional treatment in direct contrast with his previous level of lethality. According to some of the testimony released, Messina Denaro was given the job of picking which paintings to target in the Florence bombing that ripped through a wing of the world famous Uffizi gallery because of his knowledge of art.    He is currently sentenced to life in prison.

Rosario Cascio - Mafia Associate to several bosses in multiple families including the fugitive Matteo Messina Denaro of the Castelvetrano family.  Incarcerated.  A Sicilian building magnate known as the "cashier of Cosa Nostra." At one time had a hit put out on him by mobster Angelo Siino, only to have Matteo Messina Denaro intervene on his behalf.

Cascio managed the family's economic activities and sub-contracts, and monopolized the concrete market and the sale of and construction equipment.  Through these he steered public contracts towards mafia businesses and managed an extortion racket which imposed sub contracts and labor.  In 1991 Cascio became connected with Becchina's Atlas cements Ltd., and took over as reference shareholder and director.

Vincenzo Calcara - exMafia soldier of the Castelvetrano family and collaborator of justice. Former protege of Francesco Messina Denaro.  Previously involved in international drug trafficking and money laundering which purportedly implicated the Vatican bank.  Calcara was originally tasked to kill antimafia Judge Paolo Borsellino with a sniper rifle but was arrested before he could carry out the plot. Involved in the trafficking of weapons, drugs, and political corruption he was offered a place in the witness protection program but refused.  Later Cosa Nostra determined his whereabouts and threatened his wife if she didn't get him to stop talking to authorities.  In 1992 Calcara and Rosario Spatola incriminated Becchina for alleged association with the Campobello di Mazara and Castelvetrano clans implying that there was a gang affiliate active in Switzerland whose role was to excavate and sell ancient artefacts on the black market.

Lorenzo Cimarosa -  Mafia declarant and law enforcement collaborator. Deceased.  Cimarosa died as the result of cancer while under house arrest. He was married to a cousin of mob boss Matteo Messina Denaro. Cimarosa told authorities about a warning message Becchina received from the mob in January 2012.  In that incident, someone fired shots from a shotgun at Becchina's door and left an intimidating gift of flowers. Cimarosa told authorities that he had heard through Francesco Guttadauro, nephew of the boss of the Castelvetrano family, that the incident was ordered by Matteo Messina Denaro himself for non-delivery of payments.  Cimorosa indicated that between 70 and 80,000 euros were paid through Becchina regularly. After his death the site where Cimorasa was buried has subsequently vandalised, perhaps as a warning to his wife and son. 

Francesco Messina Denaro - Capo Mandamento of the Castelvetrano family.  Deceased.  Died in hiding in 1998 while a fugitive from justice.  Father to Matteo Messina Denaro who took over his father's enterprise.  Francesco, also known as Don Ciccio, headed up the Castelvetrano family from 1981 until 1998 and was a member of the Cupola (Mafia Commission) of the Trapani region from 1983 until his death in 1998.  He was a close ally to the Corleone faction led by Salvatore "Totò" Riina and Bernardo Provenzano.  Purportedly had ties to Becchina relating to the theft, looting, and laundering of antiquities. 

Matteo Messina Denaro - Boss of the Castelvetrano family. Also known as "Diabolik." Fugutive.  Solidified his position in the mafia following the arrests of two of his predecessors, Salvatore "Totò" Riina in 1993 and Bernardo Provenzano in 2006.  A fugitive since 1993, he has been convicted in absentia for the Sicilian mafia's bombing campaign in the early 1990s, which killed magistrates and bystanders in Sicily, Rome and Florence which killed ten people and injured 93 others.  He once boasted "I filled a cemetery all by myself." According to Giovanni Brusca, Matteo Messina Denaro was the facilitator of the 1993 Uffizi gallery bombing in Florence.  In that incident a Fiat car packed with 100kg of explosives detonated killing six people, and destroying three paintings - two by Bartolomeo Manfredi and one by the Gherardo delle Notti.  He was also implicated in the bombing of the Basilica of St. John Lateran in Rome.  Mafia informants have claimed that Becchina allegedly passed envelopes of money to Denaro's brother in law and sister. Investigative seizures made by authorities in connection with this Cosa Nostra boss are so extensive it is hard to tell where the economy of western Sicily stops and Denaro’s mafia-controlled empire begins.  

Patrizia Messina Denaro - Sister of fugitive Boss and Capodonna representative of the Castelvetrano family.  Incarcerated.  Serving a 14 year and 6 months sentence for acting as stand in Capo Donna for her brother.  She was found guilty of being a full member of the Mafia and not an affiliate mafia. Several firms including an olive-oil company belonging to her and her husband were impounded and a number of bank accounts frozen.

Francesco Geraci - Mafia associate to Boss of Bosses Salvatore "Totò" Riina of of the Catania Family.  Incarcerated. There are two Cosa Nostra affiliates in custody with this same name.  One is the nephew and one is son of a deceased capomafia of the mafia family of Chiusa Sclafani.  It is unclear at this time which is cooperating with authorities. 

Giuseppe Grigoli - Mafia associate to the Castelvetrano family and law enforcement collaborator. Incarcerated. Also known as "Grigg." Former owner of a chain of Despar supermarkets in Sicily, convicted of being the entrepreneurial arm of fugitive Messina Denaro’s organisation using his retail and distribution group to launder Matteo Messina Denaro's cash.  Told the PM of the District Anti-Mafia Directorate of Palermo that between 1999 and 2006 he was given envelopes filled with money by Becchina which were to be delivered to Vincenzo Panicola, the husband of Matteo Messina Denaro's sister Patrizia Messina Denaro. These exchanges were said to have taken place in the former offices of 6GDo, the distribution chain confiscated just at the time of his arrest. 

Concetto Mariano - Mafia Associate of the Cosa Nostra Marsala family and law enforcement collaborator. Incarcerated. Mariano began cooperating with justice officials two months after being arrested.  Implicated Becchina in a plot to steal and fence in Switzerland the bronze statue of the Dancing Satyr, attributed by scholars to Praxiteles housed at the Piazza Plebiscito Museum in Mazara del Vallo.

Vincenzo Panicola - Mafia associate. -Incarcerated.  Brother-in-Law of fugitive Castelvetrano boss, Matteo Messina Denaro. Husband of Patrizia Messina Denaro, sister of the boss.  Worked with mafia associate to the Castelvetrano family, Giuseppe Grigoli. Convicted in 2013 to ten years in prison. Several firms, including an olive-oil company belonging to him and his wife, were impounded and a number of bank accounts frozen.

Santo Sacco - Mafia associate - Incarcerated.  A former UIL trade unionist and city councillor for Castelvetrano, Sacco was  sentenced to 12 years for is affiliations with Matteo Messina Denaro in the control of various business activities, including alternative energy as well as activities in support of the families of mobsters incarcerated.  Wiretaps of conversations with Becchina show collusion towards vote fixing and influence peddling in support of the election campaigns of Giuseppe Marinello and Ludovico Corrao. 

Angelo Siino - Mafia associate to the San Giuseppe Jato family. Incarcerated.  Often referred to as Cosa Nostra's "ex-minister of public works".  A businessman who oversaw whose principal duties were to oversee mafia public sector affairs through the illegal acquisition of public work contracts. Siino would receive the lists of public contracts before they became publicised and through through threats and extortion, insure that these contracts would be awarded to mafia influence coalitions, thereby controlling the market for public contracts in Sicily.

Rosario Spatola - Law enforcement collaborator.  Deceased. A former drug dealer who passed information in the 1990s to Judge Paolo Borsellino on drug trafficking in Trapani area and the role of the clan led by Boss Francesco Messina Denaro.  Believed by some not to be a true member of Cosa Nostra as his father was a policeman making his membership void.  In 1992 Spatola and Vincenzo Calcara, incriminated Becchina for alleged association with the Campobello di Mazara and Castelvetrano clans implying that there was a gang affiliate active in Switzerland whose role was to excavate and sell ancient artefacts on the black market.  Much of his testimony has been discounted as many were skeptical that he had actual knowledge or invented things to his own benefit.

For more details on this case please see the following to blog posts here and here. 

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